“The Shroud Maker” is a look into the world of Hajja Souad, an 84-year-old Palestinian seamstress, plying her artisanal trade amid the rise and fall of violence in Gaza City adjacent to Israel. Her specialty: shrouds used in Islamic funerals to wrap the deceased.
Unfortunately for the world, Souad’s business is good, and demand trends offer a depressing timeline of decades of violence in what had been Palestine. Boiling down a lengthy history, in 1948 the British relinquished control in the region pursuant to a U.N. mandate that partitioned Palestine to create a place for modern-day Israel. Surrounding Arab states launched a war against the U.N. action, and in 1948 the Arab League established a state for Palestine, which along with Israel claimed Jerusalem as its capital. And the rest is more war-striven history.
A businesswoman and expert in crafting finely stitched shrouds, Souad has seen it all over the years, and is played ably by Roxane Assaf-Lynn. The 70-minute monologue by noted Palestinian author Ahmed Masoud is drawn loosely from a real individual. Souad shares the gallows humor that is a familiar companion to those whose lifework is death.
Souad is also a survivor, someone who has suffered personal loss as one by one, over the years, every member of her own family became collateral damage in someone else’s wars. Her non-stop descriptive chatter tells her own epic story—against the backdrop of that of the people of Palestine.
Set in Gaza City, the opening scene finds Souad mid-way through an animated phone conversation, where she is warned yet again that she is in danger and should evacuate her home. This time it’s because of a limited Israeli incursion into Gaza, intended to destroy border tunnels through which contraband flows, some of it the very cotton she uses for shroud making.
“I’m not going anywhere….Besides your bloody tanks are everywhere,” Souad yells into the phone. “Your freaking army will have to kill me first.” Is she just a cranky, unreasonable old woman?
We learn she is much more than this in the course of the play, and Souad voices other characters in her life: her younger self, her father, an adopted son, and his wife, and Ghassan, their child. Two more characters from her past also appear, all of them voiced by Souad, who at 11, was removed from her farm (along with her parents) to make way for a kibbutz.
During the period before Israel was formed, her father Mahmoud was hired by the British High Commissioner Sir Alan Cunningham, as a gardener for his estate—the same Sir Cunningham whose British Army forcibly removed Mahmoud from their farm. Lady Cunningham takes a liking to Little Souad, and enculturates her as a British girl with piano lessons and training in posh British English. Essentially she is wantonly stealing Souad from her parents to replace her own child, now lost. But Lady Cunningham also teaches Souad to sew, and in her later life, Souad applies these skills to producing traditional Palestinian garments, including shrouds.
The production by the International Voices Project is nicely directed by Marina Johnson with set by Jonathan Berg-Einhorn. Ahmed Mousad’s script leans a little more toward literary—something to be read—than to stage delivery, though he generally weaves exposition in effectively. The story comes across, though the emotional side is not fully expressed. Even the best actor would be challenged, especially the demand to voice numerous characters. But the story is so authentic and compelling, coming as it does from those living in Gaza, that is is one the must be heard
“The Shroud Maker” runs through April 8 at Chicago Dramatists, Fridays and Saturdays at 7:30 p.m. and Sundays at 3:00 p.m.
Broadway In Chicago is excited to announce that individual tickets for the world premiere of the first ever touring production…
Full cast and crew have been announced for BrightSide Theatre's upcoming production of JESUS CHRIST SUPERSTAR, the rock opera that…
Chicago Opera Theater (COT), Chicago’s foremost producer of new and reimagined opera, closes its 50th Anniversary season presenting the final performances of…
Tim Rhoze, Artistic Director of Fleetwood-Jourdain Theatre, has announced the company's 2024 season of four productions. The season will open with…
David Williamson, regarded as one of the top magicians in the world today, makes his Rhapsody Theater debut with Ridiculous! Known for his tours…
Curious Theatre Branch is pleased to announce the 35th annual Rhinoceros Theater Festival, May 25 - June 30 at six venues across Chicago. The…
It’s often said that in the workplace you should refrain from talking about politics and religion; too personal, too easy…
BALLET 5:8 is a female - and minority-led ballet company resident at Harris Theatre in Millenium Park. Under the leadership…
When life’s chaos is full of impossible choices, how are we possibly meant to move forward? Brooklyn Laundry is about…
I would absolutely bomb out of jury selection cos I have a very definite bias: I’ve been a fan(atic) of…
You got trouble, my friends, if you’re going to put on Meredith Willson’s The Music Man. If you’re going to…
This year's Alvin Ailey American Dance Theater 65th-anniversary engagement at Chicago's historic Auditorium Theatre held particular importance as it marked…
For the final show of its 30th anniversary season, Trap Door Theatre—the little company that could—has selected a sure-fire hit…
Chicago’s National Landmark Auditorium Theatre (50 E. Ida B. Wells Drive) proudly announces its 2024-25 performance season presenting a vibrant mix of…
Chicago Writers' Bloc has announced the lineup of plays and musicals for its biennial festival of new plays, to be…
If you appreciate classical music and captivating stories about brilliant artists from the past, Hershey Felder’s one-man show, Monsieur Chopin:…
Jackalope Theatre Company continues its 16th season at Edgewater’s Berger Park, 6205 N. Sheridan Rd., with the announcement of the cast…
Born and raised in Mexico City, Dr. Ricardo Rosenkranz, MD, Chicago’s own Physician Magician, will celebrate the festive Cinco de Mayo holiday weekend by…
The Player (Lorenze Rush Jr) has just run into Rosencrantz and Guildenstern with his troupe of players. As he explains…
Those were my first words when I left the performance of COCK to David Zak, producer and resident wizard of…
If you’re a magic enthusiast, Joshua Jay’s captivating new show, Look Closer, is currently enchanting audiences at the Rhapsody Theater. But even…
Sometimes you wanna go where everybody knows your name. Sometimes you want to be surrounded by people to experience the…
About Face Theatre announces casting for the Midwest Premiere production of Lavender Men by Roger Q. Mason, directed by Lucky Stiff, running May 9 -June 8,…
The Artistic Home Studio will present the 2024 edition of its CUT TO THE CHASE festival of new one act…
Hell in a Handbag Productions is pleased to continue its 22nd season with the world premiere of POOR PEOPLE! The Parody Musical, an…
Author Percival Everett is having his moment, and Exile in Bookville gave us a chance to meet him up close…
Physical Theater Festival Chicago is proud to announce the complete lineup for its 11th anniversary celebration, July 13 - 21. The Festival begins…
‘Jersey Boys’ is back in Chicago, bringing with it a little East Coast to the Third Coast. The hit Broadway…
After many years without seeing the movie or reading the story of Peter Pan, the moment I learned that Peter Pan:…
Lifeline Theatre and Artistic Director ILesa Duncan announce the casting for Chicagoan Nambi E. Kelley's "gutsy, powerful, and relentless" adaptation of Richard Wright's powerful introspection…
Does your theatre company want to connect with Buzz Center Stage or would you like to reach out and say "hello"? Message us through facebook or shoot us an email at This email address is being protected from spambots. You need JavaScript enabled to view it..
*This disclaimer informs readers that the views, thoughts, and opinions expressed in the text belong solely to the author, and not necessarily to Buzz Center Stage. Buzz Center Stage is a non-profit, volunteer-based platform that enables, and encourages, staff members to post their own honest thoughts on a particular production.