Lookingglass Theatre Company opens its 30th Anniversary Season with the return of the award-winning “Hard Times”, adapted from Charles Dickens and directed by Artistic Director and Ensemble Member Heidi Stillman , in association with The Actors Gymnasuim. It was first produced at Lookingglass in 2001, and some of the artists involved this season were part of the original production.
The story takes place in post-Industrial Revolution England. In a gloomy fictional small town dominated by mills and factories, art has very little presence. When a travelling circus comes to town, the circus clown manages to get his daughter Sissy (played Audrey Anderson; this is both her Lookingglass and professional debut) admitted to the best school in town. The school headmaster, Mr. Gradgrind (injecting his role with a very precise old-British flare, Raymond Fox is excellent), soon realizes that Sissy doesn’t belong in his school and makes it his business to notify her father in person. But the clown had skipped town, leaving his daughter behind. Mr. Gradgrind kindly offers her a place in his home and his school, alongside his two children, Louisa and Tom. But Sissy is from a different world, the world where imagination rules, the right words are ones that come from the heart, and mathematics is just an abstract subject that can’t be applied to life. Not exactly cut out for school, she’s left to stay home and care for Mr. Gradgrind’s wheelchair-bound wife while he spends increasingly more time out of town as a newly elected member of the Parliament.
The most important person in town is the mill-owner and banker Mr. Bounderby (the bombastic Troy West), a self-proclaimed self-made man. He has an eye on Louisa, so when she reaches an appropriate age [of twenty], he asks her hand in marriage. Mostly joyless Louisa (Cordelia Dewdney), whose only passion is her brother Tom (JJ Phillips), agrees, hoping that this will help advance her brother’s carrier in banking. Some of Dickens’ characters are quite difficult to relate to in part because of their excessive wordiness and overly dramatic demeanor, and Louisa is certainly one of them. Nevertheless, all characters are very well developed, the most entertaining of them being Mrs. Sparsit, Mr. Bounderby’s paid companion. Played by Amy J. Carle, who also plays Drunk Woman and Pufflerumpus, she’s manipulative and sarcastic and infuses her role with just the right amount of drama.
The circus performances are effortlessly woven into the plot (Circus Choreographer Sylvia Hernandez-DiStasi), and are like a breath of fresh air in town’s otherwise utilitarian existence. The circus is colorful and joyful, and it’s easy to see the stark contrast between the worlds of art and creativity versus business and hard menial work. Even Louisa starts dreaming of circus in her lowest moments.
Scenic Designer Daniel Ostling created a highly mobile set that’s both imaginative and practical; it provides ever-changing scenery, and the whimsically painted back wall is capable of becoming magically translucent to allow “dreams and memories” to enter the stage.
While the well-to-do townspeople are being bored with their lives, majority of the town’s inhabitants, the poor miners and factory workers, “work day and night with nothing to look forward to but a little rest”. Struggling to stay alive leaves little room for anything else, much less romance, so when miner Stephen Blackpool (David Catlin, who also plays Sleary) asks his workmate Rachael (Atra Asdou, who also plays Mrs. Gradgrind) to spend time with him, she’s far too hopeless to be interested.
All in all, things are as expected: the wealthy run things, the poor have nothing, and a travelling circus is a refuge from it all. If running away with the circus was ever a good option, Tom, who finds himself in trouble with law, doesn’t hesitate for a moment.
“Hard Times” is being performed at Lookingglass Theatre through January 14th. For more information visit www.lookingglass.org.
Winner of four Jeff Awards, including Best Production, and fresh off a national tour, Moby Dick, adapted and directed by David Catlin from the book by Herman Melville, returns to the Lookingglass Theatre. The play is produced in association with The Actors Gymnasium, a circus and performing arts training center.
The story is narrated by adventurous Ishmael, a sailor en route to sign up with a whaling ship, Piqued. Ishmael (superbly played by Jamie Abelson at evening performances) first lands in an overcrowded hotel, where the innkeeper casually informs him that due to lack of room he’ll have to share a bed with another fellow. His muscular, tattoo covered bedmate, Queequeg (the absolutely splendid Anthony Fleming III), is a son of a Polynesian island king, who is on his own soul-searching journey. The two men bond and decide to board the ship together.
The rest of the show takes us onto Piqued. The ship is a testosterone infused man-cave; the sailors do what real men are supposed to do: they go out to dangerous sea to hunt down whales in order to obtain whale oil, a valuable commodity at the time. Their jaw-dropping circus-inspired acrobatic fits of agility (choreography by Sylvia Hernandez-Distasi) add to the feel of masculine energy and the everyday struggle to stay alive.
But Piqued’s disheveled and angry Captain Ahab (fiercely played by Nathan Hosner) is not interested in whale oil, he’s got a score to settle: the giant white whale named Moby Dick bit off his leg during their previous encounter. Captain has been at sea for a very long time, and in his insanity he imagines that the white whale represents all the evil in the world, and thus it must be destroyed. It’s pure all-consuming madness!
Costume designer Sully Ratke’s clever use of fabrics play games with our minds: an oversized woman’s skirt swallows drowning men, a vast piece of white silk brushing past our heads is a giant white whale.
The feminine energy in the play is very distinct. The three female actors (Kelley Abell, Mattie Hawkinson, Cordelia Dewdney) play all the female parts as well as the three Fates. They set the mood with their eerie presence and graceful movements, while their beautiful voices provide live score (sound designer/composer Rick Sims). Sometimes they are just lurking around, and other times they are the forces of nature and nature itself. One of them turns into a whale carcass being stripped of meat and drained of oil by sailors in a vaguely sexual way.
That feminine energy is of stark contrast to the mere mortal men’s struggles to survive. It’s Man vs. Nature, and nature can never be conquered. Spoiler alert: in the end, the Ill-fated ship is swallowed by the over-sized skirt. Vengeance is a two-way street.
About the venue: Lookingglass Theatre is housed in Water Tower Water Works, the historic still functioning water station built in 1869, which pumps 250,000 gallons of water to the north side of Chicago every day. Separated from the theatre space by a glass wall, it feels like a time warp, which sets the mood perfectly for this mid-19th century classic. For more information on this show or to purchase tickets, visit www.Lookingglasstheatre.org.
It’s often said that in the workplace you should refrain from talking about politics and religion; too personal, too easy…
When life’s chaos is full of impossible choices, how are we possibly meant to move forward? Brooklyn Laundry is about…
I would absolutely bomb out of jury selection cos I have a very definite bias: I’ve been a fan(atic) of…
You got trouble, my friends, if you’re going to put on Meredith Willson’s The Music Man. If you’re going to…
This year's Alvin Ailey American Dance Theater 65th-anniversary engagement at Chicago's historic Auditorium Theatre held particular importance as it marked…
For the final show of its 30th anniversary season, Trap Door Theatre—the little company that could—has selected a sure-fire hit…
Chicago’s National Landmark Auditorium Theatre (50 E. Ida B. Wells Drive) proudly announces its 2024-25 performance season presenting a vibrant mix of…
Chicago Writers' Bloc has announced the lineup of plays and musicals for its biennial festival of new plays, to be…
If you appreciate classical music and captivating stories about brilliant artists from the past, Hershey Felder’s one-man show, Monsieur Chopin:…
Jackalope Theatre Company continues its 16th season at Edgewater’s Berger Park, 6205 N. Sheridan Rd., with the announcement of the cast…
Born and raised in Mexico City, Dr. Ricardo Rosenkranz, MD, Chicago’s own Physician Magician, will celebrate the festive Cinco de Mayo holiday weekend by…
The Player (Lorenze Rush Jr) has just run into Rosencrantz and Guildenstern with his troupe of players. As he explains…
Those were my first words when I left the performance of COCK to David Zak, producer and resident wizard of…
If you’re a magic enthusiast, Joshua Jay’s captivating new show, Look Closer, is currently enchanting audiences at the Rhapsody Theater. But even…
Sometimes you wanna go where everybody knows your name. Sometimes you want to be surrounded by people to experience the…
About Face Theatre announces casting for the Midwest Premiere production of Lavender Men by Roger Q. Mason, directed by Lucky Stiff, running May 9 -June 8,…
The Artistic Home Studio will present the 2024 edition of its CUT TO THE CHASE festival of new one act…
Hell in a Handbag Productions is pleased to continue its 22nd season with the world premiere of POOR PEOPLE! The Parody Musical, an…
Author Percival Everett is having his moment, and Exile in Bookville gave us a chance to meet him up close…
Physical Theater Festival Chicago is proud to announce the complete lineup for its 11th anniversary celebration, July 13 - 21. The Festival begins…
‘Jersey Boys’ is back in Chicago, bringing with it a little East Coast to the Third Coast. The hit Broadway…
After many years without seeing the movie or reading the story of Peter Pan, the moment I learned that Peter Pan:…
Lifeline Theatre and Artistic Director ILesa Duncan announce the casting for Chicagoan Nambi E. Kelley's "gutsy, powerful, and relentless" adaptation of Richard Wright's powerful introspection…
A.B.L.E.—Artists Breaking Limits & Expectations—a Chicago-based nonprofit that creates theatre and film for, with, and by individuals with Down syndrome…
When a play’s opening moment is mystifying and its closing moment is satisfying, the stuff in between must be doing…
The expansive, opulent home exudes an air of solid middle-class comfort, boasting a formal dining area, an upright piano, and…
Chicago Shakespeare Theater announces today a thrilling addition to the season: Tony Award-nominated actor Eddie Izzard brings her celebrated solo theatrical performance of Hamlet to…
Identity's Spring concert offers a captivating performance with two dissimilar works in its dynamic. Join us for the premiere of choreographer…
The Joffrey Ballet boldly closes its 2023-24 season with the return of Midsummer Night's Dream by internationally renowned Swedish choreographer Alexander Ekman. Premiered by The…
Like any good Chicago March, the city cannot make up its mind about what season it is in. This weekend…
Does your theatre company want to connect with Buzz Center Stage or would you like to reach out and say "hello"? Message us through facebook or shoot us an email at This email address is being protected from spambots. You need JavaScript enabled to view it..
*This disclaimer informs readers that the views, thoughts, and opinions expressed in the text belong solely to the author, and not necessarily to Buzz Center Stage. Buzz Center Stage is a non-profit, volunteer-based platform that enables, and encourages, staff members to post their own honest thoughts on a particular production.