Displaying items by tag: comedy

The Den Theatre today announced upcoming June 2025 shows at the theatre's Wicker Park stages at 1331 N. Milwaukee Ave., including "Anatomy of Murder" Podcast on June 4; Beth Stelling on June 6–7; IMHO: The Show on June 8; Gabby Bryan on June 12; Grace Helbig: "Let Me Get This Off My Chest" on June 14; Steve Hofstetter on June 15; Leah & Andrew Rudick on June 22; Rob Kazi on June 25; Alex Edelman on June 26; and Melissa Villaseñor on June 27–28. Tickets are now on sale at www.thedentheatre.com or by calling (773) 697-3830. 

"Anatomy of Murder" Podcast

Wednesday, June 4, 2025, at 7:15 p.m.

Tickets: $27 - $50

"Anatomy of Murder" is a weekly true-crime podcast examining homicide cases and the paths to justice for victims. Former New York City homicide prosecutor and host of Investigation Discovery's "True Conviction," Anna-Sigga Nicolazzi, teams up with Emmy Award-winning investigative journalist and former deputy sheriff Scott Weinberger to take listeners behind the scenes for an insider's perspective on compelling cases from around the country. Each episode also features insight from a victim's family member, the prosecutor, or a member of law enforcement directly involved in the investigation.

Beth Stelling

Friday, June 6, 2025 at 7:15 p.m. & 9:30 p.m.

Saturday, June 7, 2025 at 7:15 p.m. & 9:30 p.m.

Tickets: $22 - $40

Beth Stelling is a comedian, writer, and actress based in Los Angeles. Her Netflix special "If You Didn't Want Me Then" topped several "Best of 2023" lists. She also appeared in the first season of Netflix's "The Standups." Conan O'Brien produced Stelling's previous hourlong special, "Girl Daddy," for HBO Max. She has written for television series including "Rick and Morty," "Strange Planet," "The Last O.G.," "I Love You, America with Sarah Silverman," "Another Period," and "Crashing" on HBO. A sought-after punch-up writer for feature films, she worked on Universal's hit "Good Boys" as an on-set writer. Stelling has guest-starred on Amazon's "Red Oaks," Comedy Central's "Corporate," and Peacock's "Rutherford Falls," where she played Ms. Fish. She also co-hosts the podcast "Sweethearts" with her best friend, Mo Welch.

IMHO: The Show

Sunday, June 8, 2025 at 7:15 p.m.

Tickets: $22 - $40

Darby Lynn Cartwright is a [redacted]-year-old drag queen with a heart of gold and arteries her doctors have called "worrisome." She hosts the YouTube series "IMHO: The Show" and the podcast "IMHO: The Podcast" with her best co-worker/acquaintance, Alexis Bevels. She also co-hosts the podcast "Twinnuendo" with her twin brother — spoiler: they are not fans of their dad.

Darby invented the concept of having a couch in front of her TV (she swears), allowing her to lie down while watching K-dramas about falling in love with demons — who are also horses, she thinks? She lives in Los Angeles, near Mark Hamill, and once almost hit him with her car while he was Luke jaywalking (yes, really). He was wearing large 1980s-style radio headphones with an antenna.

Darby has never seen a single "Star Wars" movie because she hates war...and space.

Alexis P. Bevels is a singing, dancing, twirling queen with a head full of air and a heart full of gold. She began her journey in musical theatre but didn't want to play just one part — she wanted to be the lead, director, costume designer and stage manager. Naturally, she became a full-time drag queen.

She lives in Los Angeles at the bottom of a hill, which worries her because...mudslides. When not living in constant fear, she's excited to report she has a boyfriend now — you can Google it. It's true.

You can also find Alexis on the award-winning YouTube series "IMHO: The Show" and the award-not-yet-winning podcast "IMHO: The Podcast." Otherwise, she's probably lying down somewhere, thinking about pogs.

IMHO: Live!

The ladies of IMHO are back in Chicago, gay people and others! Darby and Alexis return with a live show that is sure to make you say, "Oh, okay cool." There will be singing, sort-of dancing, comedy, trauma, and videos YouTube has called "not appropriate."

It's not just Darby and Alexis coming to town either — expect surprise guests from the IMHOCU (IMHO Cinematic Universe)! Also, the ladies promise not to make the show too long because they both have undiagnosed ADHD, so...they get it.

Gabby Bryan

Thursday, June 12, 2025 at 7:15 p.m.

Tickets: $22 - $37

Gabby Bryan is a New York-based stand-up comedian, actress, Emmy Award-winning producer and self-proclaimed girlie girl. This winter, she brought her Fringe hit "Billy and the Situation" to Union Hall, earning praise from The New York Times after a successful run at the Edinburgh Festival Fringe. She appeared alongside Olivia Wilde and Oscar Isaac in the film "Life Itself" (Amazon Prime), starred in the bilingual film "Ruta Viva" (HBO), and was featured in Ilana Glazer's special "Comedy on Earth" (Comedy Central). Bryan co-hosts "L'Podcast" with comedian Zack Signore, as well as "Let Me Ask My Dad" with musician and composer David Bryan. She has performed globally, with shows in London, Dublin, Los Angeles and Boston, and will launch her headlining tour, "Gabby Bryan Is My Best Friend," this fall. Bryan has built a large social media following of more than 270,000, sharing viral stand-up clips and comedy sketches. Follow her @gabbyisbryan on all platforms.

Grace Helbig: "Let Me Get This Off My Chest"

Saturday, June 14, 2025 at 7:15 p.m.

Tickets: $25 - $40

At 37, Grace Helbig was diagnosed with breast cancer — no family history, no pre-existing conditions. Her new show, "Let Me Get This Off My Chest," offers darkly humorous lessons and confessions from her unexpected journey through cancer treatment.

Steve Hofstetter

Sunday, June 15, 2025 at 7:15 p.m.

VIP Front Row Table + Meet & Greet: $150

Tickets: $25 - $55

One of YouTube's most popular comics with more than 225 million views and half a billion more on Facebook, Steve Hofstetter is also the host of "Finding Babe Ruth" on FS1. Hofstetter was the host and executive producer of "Laughs" (FOX) and has appeared on CBS' "The Late Late Show," E! "True Hollywood Story," "Comics Unleashed" and more. He has sold out shows in hundreds of cities and dozens of countries. Now is your chance to find out what the fuss is about during this no-holds-barred stand-up performance, featuring some of his unfiltered observations about life.

Leah & Andrew Rudick

Sunday, June 22, 2025 at 7:15 p.m.

Tickets: $25 - $45

Leah Rudick is an actor, writer and comedian whose viral comedy videos on TikTok and Instagram have amassed more than 1 million followers and counting. Best known for her "Wealthy Woman" character—an oblivious but lovable billionaire who delights in middle-class adventures—Rudick has cultivated a loyal fan base, with her videos topping 100 million views.

Springboarding off that success, she has spent the past year on the road, headlining and selling out top clubs across the country. Her unique brand of "weird girl" comedy has captivated audiences from all walks of life. Recent comedy festivals include Moontower JFL, San Francisco Sketchfest and Laughing Skull Fest.

Her TV appearances include HBO's "High Maintenance," IFC's "Commuters," and "Fast Company with James Corden." In 2024, she released her first one-hour comedy special, Spiraling, available to stream on Amazon and Apple TV.

"Going on flights of anxiety-fueled imagination, Rudick starts from a relative point of relatable normalcy, but simmers her way to as ridiculous a conclusion to a bit as she can conjure... The journey in this hour, richly colored by her unconscious, is akin to tasting your new favorite sweet treats in that you might be unsure what's happening at first, but get obsessed with the longer you savor it."

— The Comedy Bureau on Spiraling

"Stop reading and go follow Leah Rudick and then come right back."

— Vulture

"In a world of income disparity, class divides and rampaging Karens, how the heck did comedian Leah Rudick's TikTok sensation Wealthy Woman become so darn beloved?"

— Cracked

Andrew Rudick is a nationally touring stand-up comedian, writer and actor. One of the fastest-rising comedians in the Midwest, he has been featured on the nationally syndicated Bob and Tom Show. His debut comedy album debuted at the top of the Apple Music charts and can be heard regularly on SiriusXM.

Combining Midwestern charm with high-energy absurdism, Rudick's stand-up is a hit both onstage and across social media. His videos have earned tens of millions of views and more than 100,000 followers across platforms. His relatable energy landed him an appearance on HGTV's Design Fails.

He has performed at prestigious comedy festivals including Limestone Comedy Festival, North Carolina Comedy Festival, Alternating Currents, Whiskey Bear, Let's Fest, Crossroads, Brew HaHa and Devil's Cup Comedy Festival.

Rudick is currently playing to sold-out crowds across the country with his sister Leah on their Rudick Siblings Tour.

He also loves Fleetwood Mac and doesn't care who knows it.

Rob Kazi

Wednesday, June 25, 2025 at 7:15 p.m.

Tickets: $21 - $36

Hailing from New Orleans, Rob Kazi is one of today's most dynamic and talented comedic actors, captivating audiences both online and on stage.

Known for his infectious humor and quick-witted storytelling, Kazi has built an impressive following through his high-energy, short-form comedy content that consistently delivers laughs.

With a natural gift for comedic timing and undeniable charisma, Kazi has transcended the digital realm to find success in stand-up comedy and acting. He made history as the first local New Orleans comedian to headline and sell out the Joy Theater.

His talent doesn't stop there. Kazi performed at the "Super Bold" 50 Cent comedy show for the Super Bowl and joined comedy heavyweights including Mike Epps, Lil Duval and Corey Holcomb on the "We Them Ones" comedy tour. His latest viral sensation, the character "BB Hell," has taken social media by storm, racking up more than 13 million views on Druski's "Coulda Been Records."

Whether he's performing live or creating viral moments online, Rob Kazi never fails to leave his audience in stitches—solidifying his place as a comedic powerhouse and beloved New Orleans icon.

Alex Edelman: Not Just For Us

Thursday, June 26, 2025 at 7:15 p.m.

Tickets: $30 - $40

One of the most critically hailed comedians of his generation, Alex Edelman is best known for solo shows that blur the line between his stand-up comedy roots and narrative-driven storytelling. His most recent offering, "Just for Us," played more than 500 performances around the world before premiering as an HBO original comedy special in April 2024. Along the way, it made award-winning stops in Melbourne, Edinburgh and London, and completed numerous sold-out runs in New York, where Edelman joined a small group of comedians who have performed on Broadway with a three-month stretch at the Hudson Theatre.

He previously won the prestigious Foster's Best Newcomer Prize at the 2014 Edinburgh Fringe Festival for his debut one-man show, "Millennial," becoming only the second American ever to do so—and the first since 1997. In 2024, Edelman received a special Tony Award, was named to the Time 100 list of most influential people, and won an Emmy Award.

Edelman appeared in Jerry Seinfeld's directorial debut for Netflix, "Unfrosted," alongside Seinfeld, Melissa McCarthy, Jim Gaffigan, Amy Schumer, Hugh Grant and others. He is currently developing a film with A24 that he will write, direct and star in, with Marc Platt and Steven Levenson producing. His debut nonfiction collection, "I Don't Belong Here," recently sold to Avid Reader at auction.

Next, Edelman will be seen starring in Greg Daniels' spinoff of "The Office" for Peacock. He also serves as a consulting producer on the show.

Beyond his on-camera work, Edelman was a staff writer on "The Great Indoors" for CBS, a story editor on "Teenage Bounty Hunters" for Netflix, and head writer for "Saturday Night Seder," which raised more than $3.5 million for the CDC COVID-19 Emergency Relief Fund and featured talent such as Andy Cohen, Billy Porter, Dan Levy, Fran Drescher, Idina Menzel, Jason Alexander, Rachel Brosnahan and more.

He has written for outlets including The Atlantic and The Believer, produced documentaries for the U.S. State Department and ESPN's "30 for 30" series, and spent more than a decade working as a speechwriter for both the Los Angeles Dodgers and the Boston Red Sox.

Melissa Villaseñor

Friday, June 27, 2025 at 7:15 p.m.

Saturday, June 28, 2025 at 7:15 p.m. and 9:30 p.m.

Tickets: $22 - $40

Melissa Villaseñor broke barriers as the first-ever Latina cast member of "Saturday Night Live." A comedic impressions expert, she got her start as a semifinalist on "America's Got Talent." Some of her most memorable SNL impressions include Owen Wilson, Lady Gaga and Dolly Parton.

An accomplished voice actor, Villaseñor has voiced characters on several television shows, including Nickelodeon's "OK K.O.!" and "Rock, Paper, Scissors," and in films such as "Toy Story 4" and "Ralph Breaks the Internet." She received a Golden Globe nomination for her work. She was also a guest on Jerry Seinfeld's "Comedians in Cars Getting Coffee" and appeared in "Barry," "Crashing," and "Awkwafina Is Nora From Queens," among others.

Her multihyphenate talents span even further. She hosted the 2021 Independent Spirit Awards, published a self-help journal titled Whoops, I'm Awesome, recorded two music albums, had a Netflix special, and creates fine art.

Villaseñor's accolades include Forbes 30 Under 30, Rolling Stone's 50 Funniest People Right Now and CNN's Women in Comedy.

I walked into Steppenwolf Theatre not really knowing what to expect when going to see their new play Noises Off. Turns out, admittedly, I have never heard of the comedic art of British Farce or the original 1982 play by English playwright Michael Frayn called Noises Off. My only goal when selecting this play was to laugh and enjoy my time. I can successfully say that I did laugh a lot, and I enjoyed my time, but it took some time to get there.

The comedy show, directed by Anna D. Shapiro is a play-within-a play with a cast acting as actors, backstage crew and the director of the show preparing for an upcoming play called ‘Nothing On’. The show begins with the opening scene of actress Dotty Otley playing Mrs. Clackett, a housekeeper who is answering the phone while the homeowners are away. This takes place during a late night dress rehearsal just hours away from their opening performance. As the rehearsal carries on, many issues arise amongst the actors and the director. Missed cues, wrong lines, broken doors and lost props drives the cast into a mess. Meanwhile, drama unfolds amongst the cast with secret relationships, personal problems, and the mounting pressure of getting the show right.

The beginning of the show feels a bit confusing, having little context as to what is going on. All of the characters enter on and off the stage, while carrying two identities between their actor character and their play character. This constant movement and character changes make it a bit challenging to follow. By the end of the first act, I got the gist of what was happening and who each of the characters were.

Act I of the show is about the horrendous dress rehearsal that sets the stage and gives you an inside look at the drama and affairs amongst the cast. Act II takes you backstage, where chaos erupts during their opening night performance. And Act III brings you back to the front stage with one of the final shows for the cast. Out of the three acts, Act III is by far the best. All of the preparation, failures, and drama reaches a climax with a dizzying final performance with everything that could go wrong in a play. I found myself laughing along with the majority of the crowd during Act III.

The Steppenwolf Theatre stage hosts the set of the ‘Nothing On’ play the actors are preparing for. The set is the inside of an old British home with a staircase and many, many doors waiting to be slammed. The stage smoothly rotates between acts as you move to the front and back stages. The stage design works well for the show and gives enough dimension to keep things interesting.

I am thoroughly impressed by the cast in this show. Each actor seamlessly switches in and out of their play characters without error. Most of them carry the British accents well, while others could finesse it a bit more. By the third act, the actors were flying off and on stage, changing props, exchanging lines and swapping characters rapidly. I felt my head spinning and was shocked by each actor’s ability to carry on at that pace.

Rick Holmes who plays the Director of the play named Lloyd brilliantly captures the God complex a stereotypical play director holds. He’s condescending, pessimistic and truly vain. Holmes is convincing in his role as the director, and he exudes the distasteful personality of a narcissistic director who gets inappropriately involved with his cast. Meanwhile the cast in the ‘Nothing On’ play is a mixed bag of over-confident, lackadaisical, overly emotional, and dramatic personalities. Each character has a unique personality, which is entertaining to watch as the drama unfolds.

One standout cast member is Andrew Leeds who plays Garry Lejeune and his character Roger Tramplemain. Leeds is a quirky actor who is confident in his role and questions the director on a few of his decisions. I found Leeds to be the most exaggerated character with ridiculous behavior and a very convincing fall down the long staircase. He is quick in his character’s actions and is hilarious in his lines. He seems experienced in all things farce comedy and effortlessly switches in and out of his Garry and Roger roles.

Izumi Inaba’s costume design for the show embraces the 70s era style for the ‘Nothing On’ play with bright vibrant patterns. Each costume accurately portrays the characters each of the actors were playing. Some of the costume pieces eventually become props in the show and work as comedy pieces.

This production runs approximately 2 hours and 40 minutes with two short intermissions. The show itself feels a bit long between the first two acts but quickly picks up speed by Act III. I recommend getting to the theatre early and grabbing a drink and a small snack at the front bar.

As mentioned before, this show is based on a British farce comedy and the touring production of a bedroom farce. Farce is a style of comedy that heavily relies on physical and sometimes violent humor and ridiculous highly exaggerated situations. This show is well suited for adults who are into slapstick comedy and find “Monty Python and the Holy Grail” funny. Not to mention this show is loud in parts. There is a lot of door slamming and the play is ironically named Noises Off. I found this show to be pretty funny as I picked up on farce humor. This show is truly chaotic, stressful, a tad confusing and just downright absurd in the best way.

Noises Off, a Co-Production with Geffen Playhouse, is now playing at the Steppenwolf Theatre Company located at 1650 N Halsted Street in Chicago. This show will run from September 12th to November 3rd. Showtimes include 7:30 p.m. Tuesdays-Saturdays and 3:00 p.m. Saturdays and Sundays. Single tickets for the show range from $20-$148 and are now on sale at steppenwolf.org and at the Box Office at (312)-335-1650.

It’s a truth universally known that the holidays aren’t always a great time for everyone. Holiday traditions and expectations can often leave us feeling emotionally void or overwhelmed, particularly with how bleak 2023 has been for so many. But in every darkness there is joy to be sparked and light to be found, if one is willing to look for it. This holiday season I discovered a shining light in the The Jinkx & DeLa Holiday Show at Auditorium Theatre. 

The Jinkx & DeLa Holiday Show is an internationally acclaimed holiday variety show returning to Chicago following the massive success of their previous holiday tours. Co-written, co-created, and starring global drag icons and RuPaul’s Drag Race stars BenDeLaCreme and Jinkx Monsoon, fans braved the winter cold to witness a fabulous spectacle, whip-smart comedy, and creative song parodies embodying and cleverly critiquing holiday traditions. 

The holiday show harkens back to classic comedy variety shows that used to dominate television and stage. Jinkx and DeLa are an iconic and dynamic duo, with quick and witty banter and humor that is conflict free, a rarity in today’s comedic world. Even more impressive is that the show is entirely helmed by the queens themselves, with BenDeLaCreme in the producer and director’s chairs.  Too often, queer and drag stories are written and produced by people outside of the community. The Jinkx & DeLa Holiday Show and BenDeLaCreme Presents are reminders why authentic queer storytelling is not only necessary but should be widely celebrated. BenDeLaCreme says, “With all the hatred, darkness, and misinformation flying around our world today, it is an honor and a privilege to spend the holidays with tens of thousands of audience members each year, creating joyous community spaces where we can gather strength through laughter and celebration. Whether you consider it the most wonderful time of year or the most troubling, we’re here to tell you… you’re right! So let’s make it our own.” Monsoon adds, “It’s been a wild year, so let’s end it wildly. DeLa and I strive to entertain while we enlighten and enliven. The Jinkx & Dela Holiday Show is not only a moment of respite, but also of community, at a time where we need our chosen family and community most of all. So add us to your holiday plans, or let us BE your holiday plans— either way, you’re welcome to join us.”

The Jinkx & Dela Holiday Show is a shining light within the darkness, and truly a magnificent experience. The Auditorium Theatre audience were loyal followers of Jinkx and DeLa, many having seen their 2023 show in multiple cities on their tour, while others were back for their yearly tradition of seeing the iconic duo perform. In talking with Jinkx and DeLa, we learned this year’s holiday show changed the formula of the variety show, pairing the usual sweet vs. spicy duo as a united front, emphasizing the core message of togetherness and unity amidst an ever divisive and polarizing world. At the end of the show, the stars beseeched the audience to carry the joy, laughter, and love exuded and felt throughout the show out into the dark world; to spark that light within others and be the light so needed in the darkness. With everything that has happened in 2023, and the last few years,  Jinkx and DeLa have channeled their worry, frustration, and anxiety into a beautifully crafted show filled with lightness, and have created an enduring and worthwhile holiday tradition sure to be enjoyed for years to come.

Though the tour only visited Chicago for one night, this show is sure to become a staple in Chicagoland, only growing and getting better with time. One of the prevailing themes of this year’s variety show was that while our traditions anchor us to the holiday season, we can consistently look within ourselves and our communities to create new traditions or adapt and grow our old traditions. And most importantly, if we cannot find a light within the darkness, we ourselves can be the light for those around us. I cannot wait to add The Jinkx & Dela Holiday Show a must-see holiday tradition and I’ll see you all there in 2024.

This year’s tour will run through December 30 across the US, UK, and Canada with the show that proves they’re still the reigning “queens of Christmas'' (Entertainment Weekly). Tickets are available at JinkxandDeLa.com. 

It's Mother's Day today and you know what that means, 

It's the day we honor those who rock cool mom jeans.

Don't pretend you don't own some, they're back in fashion, ya know,

So don those old favorites and step out for a show.

Grab your friends, hire a sitter, and venture out to the city,

To see a play that is irreverent, honest, sharp, and so witty.

Mothering figures will rejoice at this theme that’s well understood,

There is nothing quite like MotherFreakingHood!

The musical comedy plays out in two simple acts,

The songs encapsulating straight motherhood facts,

From pregnancy pee sticks and kid drop-off lines,

To postpartum, pharmacology, and teen robotic crimes.

Three women meet while preggers, each one a mom troupe,

Finding love and support with each in the groupe.

Tafadzwa Diener plays Rachel, the excited new mom,

Whose joy is contagious but she’s anything but calm.

Jacquelyne Jones depicts Angie, the Type A CPA,

Planning every minute of kid life like a project ETA.

Leah Marrow plays Marcia, a seasoned mother of three,

She's blunt and uncensored and longs to break free.

Rounding out the ensemble is the great Maya Rowe,

Who plays “everywoman,” and who often steals the show.

Julie Dunlap and Sara Stotts who wrote the music and book,

Understood the assignment and knew just where to look,

For the content and humor that peppered this play,

For the sometimes sad, lonely, and miserable days.

The long lonely nights, the joy and the pain,

That only a mother figure can capture and explain.

It truly takes a village, we make mistakes and we try,

But like motherhood this musical made us laugh more than cry.

MotherFreakingHood! The musical runs through mid-June

Find tickets here and get to Southport very soon,

Buy the tickets to thank all the moms who’ve been there,

Grab a Mom Water, or two, or three (you don’t have to share!)

While we reflect on this day, with the mothers we love,

Be them our own, the ones we make, or the ones now above,

This world would be greyer without them around,

And remember they’ve loved you, from that first ultrasound.

If we can agree on one thing, it’s that we all do good,

In this crazy, fantastic, thing called MotherfreakingHood!

It's been 24 hours since I enjoyed this play and I'm still reeling from the super intelligent "trance-formation" delivered with rapid fire accuracy by Robert Dubac's one man show Book of Moron. Dubac plays out the thought patterns of a man who has traumatically lost a portion of his memory and is trying to "remember what he has forgotten". Along the way he employs the inner voices of His Common Sense, His Voice of Reason, His Scruples, His Inner Moron, His Inner Child, His Inner Moron and His Inner Asshole. Dubac even throws in a little real stage magic to show the audience how his character finds his way to the Truth.

In Dubac's world, even The Truth is a multi-leveled thing and he begins opening the doors in his brain to The Illusion of Truth, The Truth and The Whole Truth and Nothing but The Truth.  Along the way, Dubac uses props like a box he climbs in and out of  to represent our thinking "inside the box" and demonstrates clearly how TV has dumbed down an entire population by bombarding us with 9th grade reading level clichés and factoids about the Kardashians. 

Dubac tackles Sex, Media, Politics, and other inflammatory subjects like abortion and the death sentence with humor by pointing out the inconsistencies in thinking behind each and possibly aggravating all the different groups. But he manages to bring it all together by turning a literal mirror on the audience and concluding that when all the other letters of the "Illusions" are erased from the blackboard of his mind all that is left is "US". 

Dubac points out the obvious thing we have all forgotten that we are people who all share the same heartbeat, the same planet who have much more in our minds that unite us than the "Illusions of Truth" we have been programmed to accept which divide us. 

Dubac is also the author of the one man show The Male Intellect, An Oxymoron? and told the audience he is developing a new show called Stand Up Jesus.

I was completely blown away by his total control of his complex, fast moving text AND his audience’s reactions for 90 straight minutes with no intermission that I went to purchase his DVD The Male Intellect, an Oxymoron? After the show, because that's a subject I really love to examine. 

Dubac welcomed a just few questions from the audience at the end of the show because it was a "union house and he needed to get out of the theater faster than usual" but after the show at his merch table I got to ask him my burning question - he brought up Jesus several times during the show and seemed to be working his way to a higher spiritual "Truth" in the show but never really reached it . So, I asked him "Do you believe in Jesus?" 

Without any hesitation at all he smiled broadly and said "Oh, I AM Jesus!" and I laughed and tapped him on the heart center and said without hesitation, "Me too!" 

The show was so full of provocative ideas delivered in such a way to disarm and inform us that it made me eager to see the process of his developing of his new piece, Stand Up Jesus which he will be workshopping at Zanies next Monday (March 2nd) and Tuesday (March 3rd) here in Chicago.  

Book of Moron was delivered in a way that reminded me of a much funnier version of the 1970's transformational group EST,  "It Is" , The Werner Erhard Training which over the course of 48 hours caused participants to rethink their entire belief systems in such a way as to free their minds from the belief systems that were holding them back. 

Dubac manages to do almost the same thing in a record breaking 90-minute show. 

Enjoying Book of Moron live feels much like slowing down your brain long enough to clean it with fizzy water and then hitting it with a pleasant jolt of electricity to get it started again. 

I highly recommend seeing this marvelous and fast paced show right now, especially for thinking people who have become brain weary and overwhelmed by the last few years of the "fake facts' mentality.

You can catch Robert Dubac’s Book of Moron at Broadway Playhouse through Sunday, March 1^st. for more show information click here or visit www.RobertDubac.com.  

There’s something about a good mystery that keeps us engrossed. Maybe it’s the colorful suspects, maybe it’s the dissecting of clues involved, maybe it’s our own morbid curiosity that comes with murder - after all isn’t Forensic Files still one of the most watched TV shows? We like the detective work, plain and simple – the search for motive and opportunity and the gathering of evidence. And we certainly like the thought that everyone in the room is a suspect, no matter how unlikely they might seem. There’s a reason that Shear Madness has been running for forty years and is now one of the longest running non-musical plays ever (the whodunnit The Mousetrap leads all stage productions with the longest ever run). Well, amateur detectives, get ready because there’s been another murder in Chicago and your help is needed to solve the case. Once a mainstay in Chicago from 1982 through 1999, Shear Madness has returned, this time making its temporary home at Mercury Theater.

Taking place inside Shear Madness, a Chicago salon, life seems normal for the most part until the landlady upstairs is brutally murdered – stabbed repeatedly with a pair of – guess what - shears. But fortunately, Detective Nick Rossetti (Joe Popp) has been working undercover and is on the scene and through a bit of interrogation and deducing we find that everyone has a motive. Suspicion runs rampant as accusations fly everywhere and it soon becomes clear – the audience will need to help in bringing the killer to justice.    

Like in any engaging whodunnit, Shear Madness gives us a handful of intriguing characters and though the play starts off a bit sluggish to the point where one asks themselves where the story could possibly be going, the excitement quickly accelerates once the murder occurs and its direction is no longer in question. After a few scenarios are tossed around onstage, Detective Rossetti asks the audience to participate as the cast reenacts everything that had happened prior to the murder with as much detail as possible. If something is amiss or does not match what had actually happened, theater goers are invited to call out the discrepancy to help the detective put the pieces together. We are then encouraged to toss out any theories we might have to Detective Rossetti during the intermission where he makes himself readily available, at the same time we prepare questions to ask the play’s characters once the second act begins. Yes, we get to interrogate the suspects.

Best put, Shear Madness is just plain old fun. It’s a hilarious show that gives us a chance to crime solve along with the detective, some of its funniest moments the participation between audience and cast. Also entertaining are the many references to Chicago and several jokes that have been updated to include todays politics and pop culture. Sure, some of the humor is dated. The show was created in 1980. But it works – and works well. Thanks to Warner Crocker’s well-piloted direction and a superb cast that works well together and can also seamlessly interact with the audience on the fly, we see that funny is funny no matter when it was written so long as it’s delivered well. And no one was off limits. Touching on famous personalities from Taylor Swift to Bill Clinton to Joe Biden to Rod Blagojevich to dot, dot, dot, the play certainly takes its share of swipes. And while some of its jokes might be geared to ruffle a few feathers, the audience clearly takes them as just that – jokes. Even in its more contrived moments where predictable humor is used, a laugh is usually found. In the end it’s a silly comedy, not a show to be taken seriously, and lord knows we could all use a laugh or two.

The show does get a boost from audience involvement and even some good-natured heckling, but it naturally relies heavily on its cast. Ed Kross is a sheer delight to watch as Tony Whitcomb, the flamboyant salon owner, both his well-timed innuendos and physical comedy garnering one laugh after another. Mary Robin Roth as Mrs. Schubert also has many scene stealing moments as does David Sajewich as “used antique dealer” Eddie Lawrence while Brittany D Parker’s Barbara DeMarco hits the mark, as well. Detective Rossetti’s partner Mikey Thomas is played well by Sam Woods to round out an overall solid cast. Joe Popp as Detective Nick Rossetti is perhaps the most noteworthy of the bunch, as his character is kind of the glue that holds everything together in this production. As theater goers bounce one question or theory off the detective (sometimes with spot on observations and often quite absurd), Popp impresses repeatedly never wavering from his character and never absent of a quick, often humorous, response.

Shear Madness is also a play that can be enjoyed more than once. The story has four possible outcomes based on how the audience votes, and even if one gets the same outcome twice, you can be sure the audience participation will differ each and every time.

A unique theatre experience that has the audience laughing as much as it has them guessing, Shear Madness breaks down the fourth wall and delivers two one-of-a-kind fun-filled hours.

Shear Madness is being performed at Mercury Theater through March 29^th. For tickets and/or more information visit www.MercuryTheaterChicago.com.           

The only "rotten" thing about this super funny and colorful production is the title, a line taken from a Shakespeare play. ‘Something Rotten’ is the latest comedy-musical at Marriott Theatre and is full of laughs.

I went to the show not knowing anything about its brief Broadway debut in 2015 and was completely surprised and delighted right out of the gate by the spectacular opening number “Welcome to the Renaissance!" The song is a full-cast extravaganza that makes fun of the conditions people were dealing with in the 1590's (like the black plague), yet also makes the audience realize that at that time the many inventions being brought into humankind awareness seemed really new and miraculous to people of the middle ages.  

Director Scott Weinstein does a fantastic job throughout and has perfectly cast the show with seasoned character actors and actresses who bring it to life with great energy and wit. 

The plot is about two brothers/writers Nick Bottom (KJ Hippensteel) and his brother, Nigel (always another great comedic turn by Alex Goodrich) who, like everyone else at the time, worship The Bard -Shakespeare, played really well  by Adam Jacobs (dressed in sexy  black leather rock star attire to woo the ladies). The brothers ask a soothsayer to give them the plot of a future hit play by Shakespeare. The plot of ‘Something Rotten’ jumps around quite a bit but is superbly funny anyway. 

There are many funny and incisive throwbacks from the past to the present like when Ross Lehman who plays both the soothsayer and a Shylock 0tells the brothers he believes that Shakespeare has made him a character in a play he believes will be titled “Shylock, The Really Nice Jew." Unfortunately, for the brothers, the play the soothsayer predicts that Shakespeare biggest hit will be called ‘Omelet’ not ‘Hamlet’ and the comedy just rolls right on from there. 

Nick Bottom's helpful, hardworking wife, Bea, is a great role for Cassie Slater and she knocks her numbers out of the park every time.  I also really enjoyed Rebecca Hurd as Portia. Portia is the daughter of the only creepy Priest who wants the actors and playwrights of the time to be taken down for crating impure thoughts through theater, which leads people to dancing, which leads to sin, etc.  

Hurd has a wonderful show-stopping number with ‘Bottom’ in which the two lovers discover that they are both really turned on by words! ‘Bottom’ serenades her ears with loving words set to iambic pentameter, and the couple have a hilarious yet heartfelt climactic release together onstage as they find their "word loving" soulmates in each other.  Another showstopper is the full cast blow out of the song "A Musical," which tips it hat to every great musical from ‘Cats’ to ‘Chicago’ to ‘Pippin’ and is jammed packed with spectacular costumes and clever choreography. 

All I can say is I went to the show hoping for the best from a musical I have never seen before and I got it!

I highly recommend this entertaining, delightfully funny musical with eye-popping costumes and really great laughs throughout to audience members of all ages. The director, crew and cast members including a superbly talented dance/singer ensemble of ‘Something Rotten’ have taken this show and revved it up into a fun packed "must see” production from the ever-solid lineup at the intimate Marriott Lincolnshire Theatre.

Through October 20th at Marriott Theatre.

In 1956 a psychological horror-thriller film hit the big screens across America that undoubtedly shocked audiences nationwide. The film, The Bad Seed, was based on William March’s 1954 novel of the same name and also hit the stage that same year. In a time when UFOs and alien invasions caused country-wide panic, now comes a film where a sociopathic eight-year-old girl, Rhoda, murders when she doesn’t get what she wants when she wants it. Her mother, growingly suspicious of her daughter’s wicked deeds, is caught at a crossroads not knowing what to do since she also loves her more than anything in the world. The film goes on to debate whether criminal behavior is caused by one’s environment or perhaps is inherited. Sometimes a person is just a bad seed, right?

As serious and as creepy as the film is, it is the perfect material for the Hell in A Handbag theatre company to parody. Adding their own twists and turns and injecting their own unique blend of humor, the masters of camp have now given Chicago its newest comedy hit, The Drag Seed, by David Cerda. You may have guessed by the title that a drag theme is added to the story, this time the villain is not eight-year-old Rhoda but eleven-year-old Carson (Kristopher Bottral), a spoiled drag queen whose temper is turned on with a flick of the switch the moment he (in this case, “they/them,” as demanded by the child) doesn’t get what they want. The plot thickens as a trail of mysterious deaths occur throughout and Carson always seems to be found nearby.

It’s just a not-so-everyday life in the affluent suburbs where Miss Charles (David Cerda) is a live-in landlord. Miss Charles has taken a liking to tenants Miss Lingus (Ed Jones) and her dear Carson. Lee (Kelly Anchors) serves Miss Charles as the estate’s very quirky handyman and loves nothing more than teasing young Carson, who attends The Josephine Baker Rainbow Academy for Gifted Students led by Miss Ficus (also played by Anchors). It’s when fellow student Summer Breeze (Tyler Anthony Smith) wins a competition over Carson and is found dead shortly thereafter that the intrigue begins.

Carson’s mother Miss Lingus (“just call me Connie”) is at first ignorant to the clues being laid out in front of her, but slowly pieces them together and becomes conflicted since she loves her son more than a "fuck ton of kisses". Carson’s as a matter of fact behavior surrounding every death is not just a big clue, it’s downright creepy.

Directed by Cheryl Snodgrass, The Drag Seed, is a hilarious ride that’ll keep audience members on the edge of their seats. Ed Jones is like fine wine and just keeps getting more delicious with each show. I’ve probably said that this the last time around, but it’s true once again - Jones’ performance as Miss Lingus may be one of his best yet. His knack for executing the perfect facial expression at just the right moment coupled with capturing just the right tone in his line delivery makes him a comedic force. Excellent performances flood the stage in this production with Kristopher Bottral’s all-out hilarious and highly energetic “Carson” while David Cerda is comedic perfection as Miss Charles. Kelly Anchors doubling up for the roles of Miss Ficus and Lee is yet another highlight in this show, particularly the brilliance she infuses in her role as Lee, creating yet another sidesplittingly funny character that we won’t forget anytime soon. Handbag fave Elizabeth Lesinski returns, this time as Wendy Breeze, Summer’s drunk and distraught mother, and makes the most of her role with a flawlessly camped performance of Eileen Heckhart’s character in the 1956 film version. I know – high praise all around. Yes, but well-deserved. Sydney Genco and Tyler Anthony Smith also rock their roles, making this a truly well-round effort.

Handbag stalwarts will undoubtedly be very pleased with Cerda’s newest production and newbies that attend will be sure to get hooked on Handbag’s camp theatre.

The Drag Seed is perfect mid-summer fun and is an easy show to recommend. If you get the chance be sure to check out the The Bad Seed prior to seeing this production, if for anything just to appreciate Cerda’s brilliance that much more and the character nuances that these talented actors have so brilliantly executed into their roles. If you’re unable to catch the film first, don’t worry, you’ll still have a blast.

The Drag Seed is being performed at Mary’s Attic in Andersonville through August 24th. For more show information visit www.handbagproductions.org

When having non-stop conversations in his head and agonizing over the most mundane decisions becomes daily reality of living with OCD, finding a cure turns into obsession. Of course it does.

The Mushroom Cure is a comedian Adam Strauss’ true tale of his ongoing battle with OCD.  Though he sees a shrink on a regular basis, cognitive therapy doesn’t seem to be working. When Adam learns about a scientific study showing that hallucinogenic mushrooms may help cure OCD, he’s on it. But magic mushrooms are hard to find; his pot dealer doesn’t have any, and inquiries from friends and fellow comedians turn up nothing. His new girlfriend highly recommends a different plant (cactus), so, the two of them spend a long weekend tripping. As a bonus, we learn some useful information about various psychedelics and how to prepare and use them.  Adam even produces a shot glass of already processed cactus concoction, right on stage, and asks if anyone wants to partake. There’re no volunteers, so he proceeds to drink it himself.  

Even the stage is set up to allude to his illness: a small side table next to the performer’s chair has 5 full glasses of water; during the show Adam intermittently drinks from all of them, possibly in some special order. 

It takes real courage to talk (and laugh) about the psychological torment of a one’s mental illness, and Adam’s willingness to have an open conversation about it is remarkable. The show is occasionally funny, but it mostly puts the audience into shrink’s shoes where we just listen to him vent and recall conversations. In the end, he learns how to help himself, and that might be the entire point of his quest.  

The Mushroom Cure is a one man show. Written and performed by New-York based comedian Adam Strauss, directed by Jonathan Libman, it garnered widespread acclaim as well as New York International Fringe Festival’s Excellence Award for Solo Performance.

The Mushroom Cure is being performed at Greenhouse Theater Center through June 9th.

Sometimes when something goes bad, it goes really bad. And that can be a good thing. In fact, that is truly the case in ‘The Play that Goes Wrong’ now playing at Oriental Theatre. Revolving around a disastrous opening night of Drama Society’s largest production to date, ‘The Murder at Haversham Manor’, a handful of actors are at the mercy of one mishap after another. From faulty props to mispronounced words to incorrect sound cues to cheesy stage effects, this Monty Python-esque play is one madcap adventure even before it begins to its final calamity.

“We apologize for the box office mix up and hope that the one-thousand-seven-hundred of you enjoy this show as much as you would have enjoyed ‘Hamilton’,” says cast member Chris Bean to the audience just prior to the beginning of the show.

Co-written by Mischief Theatre company members Henry Lewis, Jonathan Sayer and Henry Shields, ‘The Play that Goes Wrong’ is a comedy about theatre – or to put it more accurately, the things that can go wrong during a production. And this one has a lot of wrong.

Once the murder mystery begins the poor cast is subject to a series of hilarious misfortunes – even as the opening curtain is raised to soon and we see the cast scurrying to find their positions - though in an attempt to be consummate professionals, the actors try their best not to break character – and that is not so easily done as we find out.

Charles Haversham is dead (kind of) and it’s up to Inspector Carter to solve the crime. Taking place in living room of a mansion, everyone is a suspect – Perkins the butler, Thomas Colleymoore, Charles’ fiancé Sandra Colleymoore and Cecil Haversham, Sandra’s lover on the side. But getting through the mystery is no easy task when props are misplaced or falling of the walls of the set, lines are exchanged in reverse order and the show’s starring actress gets knocked out only to be replaced by a shell-shocked stage manager – and that not the half of it. Laughs come rapid fire like bullets from a Tommy Gun, as the actors are put in one compromising position after another each funnier than the last. And though most of the actors try their damnedest to be as professional as possible, Max Bennet who play Cecil, seems to be getting quite the kick out of each mishap and uses those many moments to thrust himself into the spotlight.

Perhaps a bit confusing since we’re talking actors playing actors, but Evan Alexander Smith, who recently wowed audiences in Drury Lane’s ‘Joseph and the Amazing Technicolor Dreamcoat’, stars as Chris Bean – who stars as Inspector Carter. Smith rolls with his chance to show off his comedic acting chops and puts forth a stellar performance in the Inspector Clouseau-like part. The play is filled to the brim with standout performances as Peyton Crim as Robert Grove who plays Thomas Colleymoore is sensational as the actor’s actor who refuses to fall victim to one calamity after another. Colorful characters fill this story, thanks to a very strong ensemble comprised of such talents as Ned Noyes (Max Bennett who plays Cecil Haversham), Jamie Ann Romero (Sandra Wilkinson who plays Florence Colleymoore), Yaegel T. Welch (Johnathan Harris who plays our victim Charles Haversham), Angela Grovey as our stage manager, Brandon J. Ellis the head-in-the-clouds lighting and sound operator and last, but certainly not least Scott Cote who is incredibly funny as Dennis Tyde who plays Perkins the butler.

In all, this comedic masterpiece of a staged whodunnit that goes terribly wrong delivers big laughs and plenty of them. This is perhaps the funniest play to hit the Chicago stage since Steppenwolf’s farce comedy “The Doppleganger” had us laughing all Spring.

Wonderfully directed by Matt DiCarlo with original Broadway direction by Mark Bell, ‘The Play that Goes Wrong’ is only here for a two-week limited engagement at the Oriental Theatre through Sunday, December 16th. For more information, visit www.BroadwayGoesWrong.com.