
Earlier this summer, The New York Times asked its readers to submit their lists of the top 100 films of the 21st century. Scrolling through social media, it was clear the 2001 French film ‘Amélie’ was a millennial fan favorite. A whimsical rollick through Montmartre seems like ripe fodder for a musical these days so it’s no surprise the film was adapted for the stage in 2017. While not exactly a huge hit during its original New York run, Kokandy Productions sets the record straight with their Chicago debut.
If you took French in high school or college during the early 00s, chances are you’re familiar with the quirky character famously played by Audrey Tautou. With a show like this, your production can only be as good as your Amélie. Aurora Penepacker brings the character to life in a charmingly familiar way but with her a voice that is altogether unique and powerful. Amélie might be timid, but in this version her voice is anything but. Her romantic counterpart Nino is played with bittersweet sincerity by Joe Gionvannetti. Their chemistry is undeniable.
By now there is growing fatigue of Broadway musicals adapted from beloved films. A big reason is that often the music feels somewhat secondary, but Daniel Messeé’s whimsical score stirs up all the same kinds of emotions the movie does without oversimplifying the plot. The songs are woven into the plot and take the audience even deeper into Amélie’s rich inner world. A lively cast of actors and musicians provide just the right ambiance to feel whisked away to Paris for the evening.
The world of ‘Amélie’ at the Chopin Theatre is a very beautiful one. Kokandy Productions has the perfect space for director Derek Van Barham’s vision for this show. Nestled in the basement theater, Amélie’ is staged in a way that makes audiences feel as if they’re sitting in the cafe where Amélie works. Those who have been to the Chopin Theatre in Wicker Park will recall their “cottage core” aesthetic rich with antiques and shabby-chic furniture. Van Barham’s staging makes for an immersive experience that also really serves the emotional tone of the show.
With ‘Amélie’ Kokandy Productions proves again what makes Chicago such a thriving non-equity theatre scene. Creativity and talent intersect with their revival. There’s a world in which an ‘Amélie’ musical could be the cringiest thing to ever trod the boards, but instead Van Burham goes for something more authentic. His version has found a refreshing balance of the artful and the wistful. Haven’t seen ‘Amélie’ the film? No problem. The script by renowned playwright Craig Lucas is a succinct retelling without subtitles. If you’re feeling a little nostalgic for the twee early 00s, ‘Amélie’ is a lovely stroll down memory lane.
Through September 28 at Kokandy Productions at The Chopin Theatre. 1543 W Division St. 773-278-1500
*Extended through October 19th!
*This review is also featured on https://www.theatreinchicago.com/!
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