Displaying items by tag: Brett Druck

Sometimes the best way to find a comedian who’s new to you is by stumbling onto a clip that stops your scroll cold. That’s exactly how I first encountered Marcus Monroe: a burst of chaotic silliness on Instagram that made me immediately wonder what his full stand-up looked like beyond the quick-hit reels. As I have with both up-and-coming comedians, and even more established ones I haven’t really explored, I first discovered Monroe online by chance. Outside of a good handful of snippets - mostly from his Stand Up on the Subway series that I’ll get to shortly - I had very little to go on in terms of what his actual live stand-up would be like. In his case, I couldn’t stop watching the run of hilarious reels: quick, character-driven, highly silly bursts of comedy that immediately stood out for their timing and playful absurdity. Those clips ended up being a solid introduction to Monroe’s live show, which delivers a smart, engaging blend of his signature comedy. And yes - he’s genuinely funny.

I finally saw him live at The Comedy Bar in downtown Chicago, and it was the perfect venue to experience his style up close. The night was packed with laughs. Opener Brett Druck was outstanding, delivering sharp, tightly crafted jokes with a calm confidence that immediately locked the room in. His humor leans clever and observational, the kind of writing that sneaks up on you and lands with a clean, satisfying snap, perfectly setting the stage for headliner Marcus Monroe.

Monroe’s current tour highlights the style he’s become known for: sharp, in-your-face comedic banter paired with fast-paced variety performance. Born and raised in Milwaukee, Wisconsin, and now residing in New York City, Monroe brings a Midwest-friendly looseness to his delivery, even as he leans into the nonconformist energy that has defined his career. He’s a past recipient of the Andy Kaufman Award, given annually to a performer whose originality and creative spirit echo Kaufman’s own. His résumé spans television appearances, cruise line entertainment, and major comedy festivals, and he’s been seen by millions, including performances on The Late Show with David Letterman and America’s Got Talent.

Onstage, he delivers a tight, energetic set that mixes storytelling, improvisation, and physical comedy in a way that feels both polished and spontaneous. His crowd work delivers some of his best moments - he’s genuinely comfortable interacting with the audience, slipping into quick riffs and playful exchanges that feel effortless and keep the room locked in. His material ranges widely, from the chaos of travel and performing on the road, to the odd realities of being somewhat of a “variety act” in a stand-up world, to the strange encounters that come with doing comedy in unconventional spaces. He also dives into his relationship with his wife, who’s fifteen years older and has been with him for over a decade. They never signed a prenup, but he’s unfazed - as he jokes, everything’s hers anyway. In fact, most of her belongings came from a divorce settlement with her ex-husband, so should they ever split, Monroe figures he’d walk away with half of Steve’s stuff. And toward the end of the show, he folds in his juggling - often with sharp knives - not as a gimmick, but as a comedic tool he uses for timing, misdirection, and playful escalation, giving his set a physical dimension most stand-ups don’t attempt. And this is the same guy who has juggled flaming torches while riding a sky-high unicycle, so the physicality isn’t just a flourish - it’s part of his comedic DNA.

A major part of Monroe’s growing national profile comes from his Stand Up on the Subway series, the viral project that helped expand his audience far beyond traditional comedy venues. For more than two years, he’s been performing fully costumed bits on New York City trains, transforming everyday commutes into pop-up comedy sets. The punchlines in these subway bits, while some downright goofy, are often purposefully so bad in a brilliant way - beyond dad-joke territory and deep into gleeful absurdity - that they loop back around into being hilarious. It’s part of what makes the series addictive, and I’ve become hooked on watching each new character drop into a train car with that “what’s he going to do next?” unpredictability. His Stand Up on the Subway series has now surpassed 100 million views and even features cameos from Bowling for Soup, Train, Bobby Moynihan, BBMak, Ryan Cabrera, and more, adding an extra layer of delightful unpredictability to the chaos. His roster of subway personas is part of the fun: Michael Jackson, Marty McFly, Ozzy Osbourne, the Grinch, Ronald McDonald, Freddie Mercury, a watermelon, a foot, Uncle Sam, an emo kid, and an endless supply of other characters pulled from whatever corner of his imagination he’s exploring that day. He’s even created a Chicago version on the EL train, suiting up as a Bears player for a local twist. The reactions - amused, confused, delighted, or occasionally baffled - become part of the show, and the series has become a defining piece of his creative identity.

Taken together, the tour, the reels, and the Stand Up on the Subway series reveal a performer who thrives on unpredictability, connection, and inventive silliness. Monroe isn’t trying to reinvent comedy so much as he’s carving out his own lane within it, one built on enthusiasm, oddball charm, and a willingness to commit fully to the bit. It’s a combination that works, and his stand-up is highly recommended. For upcoming tour dates, videos, and more of his character work, visit www.marcusmonroe.com.