Displaying items by tag: Christmas Tradition

The holiday season in Chicagoland brings with it many things: snowstorms, festive markets, twinkling lights, and cozy traditions that warm the soul on bitterly cold evenings. Holiday traditions also abound in the Chicago theatre scene with familiar favorites, comforting stories, and guilty pleasures easy to come by. If 2025 has taught us anything, it’s that what we choose matters; where we spend our money, where we focus on energies, and how we spend our money and, more importantly, our time. It’s a question at the heart of one of the most beloved holiday shows, A Christmas Carol, now playing at the Metropolis Performing Arts Center.

Charles Dickens’ enchanting tale of redemption, generosity, and hope comes to life in Arlington Heights’ favorite holiday tradition. On a snowy Christmas Eve brimming with memorable characters, ghostly apparitions, and festive holiday music, miserly Ebenezer Scrooge visits the past, present, and future and discovers the true meaning of Christmas. A Christmas Carol is adapted and directed by Metropolis Artistic Director Johanna McKenzie Miller and music directed by Cory Goodrich.

Despite the snowy weather on opening night and the lack of proper heating in the theatre itself, there was something distinctly cold about Metropolis’s staging of A Christmas Carol this year. The performance leaned heavily on Dickens’ traditional storyline, offering no room for modernization. The simple storyline was nearly impossible to follow, many voices hardly carrying past the first few rows of the chilly theatre. When the dialogue did reach audiences in the back rows, the speech was heavy-handed, garbled, and lacking any emotional substance behind it. Even Steve Connell’s brilliant and iconic performance of Scrooge felt unsupported by the ensemble cast. Actors around Connell had difficulty delivering their lines in forced English accents that came and went as swiftly as the fog dispersed, utterly devoid of conviction for such an emotional holiday piece. The performance was simply cold, distant, and clinical.

There is something to be said for traditions, but this calendar year has made us question if the traditions we uphold are worthy of such repetition. Do we do these things because we genuinely want to or simply due to muscle memory? Are these traditions worthy of putting on, or is it merely a bygone expectation? A Christmas Carol seems particularly scrutinizing in a year wrought with conversations of greed, corruption, and overconsumption. Dickens’ classic tale now skews towards sci-fi and fantasy with a moody and selfish protagonist whose sudden change of heart warms and delights. A wealthy businessman with disdain for the poor has a sudden awakening and gives back to his community? In what world? Certainly not this one. This year, the play feels farcical, sardonic, and more than a little tone-deaf. 2025 has challenged many preconceived ideas and traditions, and that same energy should be utilized when viewing Dickens’ A Christmas Carol. Before we call it cynical, we should ask ourselves if this piece of Christmas tradition should be shelved with the likes of Hello, Dolly, and Annie, beautiful pieces for their time that need to step away to make room for new perspectives, new voices, new stories. Is A Christmas Carol a beloved classic or merely a ghost of Christmas past (pun intended) that has nothing left to teach us?

A Christmas Carol is now playing at Metropolis Performing Arts Centre (111 W Campbell St., Arlington Heights) through December 24. Tickets are now on sale for $25-$49 at MetropolisArts.com.

There is something magical about Chicago at Christmastime. Even if there is no snow on the ground, there is an energy in the atmosphere, peaceful and whimsical. Whether you take in the colorful zoo lights at The Lincoln Park Zoo, or stroll the Christkindl markets downtown, or ice skate in the shadow of Wrigley Field, there is magical nestled in every corner of the city. December winds bring a chill to The Windy City and signals the arrival of the holiday season with lights, cozy fires, warm drinks, and the most cherished of holiday traditions, The Joffrey Ballet’s The Nutcracker, now playing at the Lyric Opera.

For those who are unfamiliar with The Nutcracker, the fairy-tail-like ballet follows the story of a young girl named Clara who receives a nutcracker doll on Christmas Eve from a magical guest at the party. Clara's reality and dreams merge as she and her nutcracker embark on a magical adventure. The nutcracker transforms into a prince, and Clara and the prince travel to the Land of Sweets, where they meet the Sugarplum Fairy.

Joffrey’s Nutcracker follows a similar storyline with a magical Chicago twist. On a magical Christmas Eve, mere months before the opening of Chicago’s 1893 World’s Fair, Marie and her mother, a sculptress creating the fair’s iconic Statue of the Republic, partake in a festive celebration with a surprise visit from the mysterious Great Impresario. That evening, after awakening to an epic battle between Toy Soldiers and The Rat King, Marie is swept away by a Nutcracker Prince on a whirlwind journey to the dreamlike fairgrounds of the World’s Columbian Exposition with sprawling attractions represented by countries from around the globe. Set to Tchaikovsky’s classic score, The Nutcracker features a celebrated creative team, including two-time Tony Award®-winning choreographer Christopher Wheeldon, Tony Award®-nominated set and costume designer Julian Crouch, Caldecott Medal Award-winning author Brian Selznick, Obie and Drama Desk award-winning puppeteer Basil Twist, Tony Award®-winning lighting designer Natasha Katz and Tony Award®-winning projection designer Ben Pearcy. 

I have been seeing The Nutcracker every holiday season, moving from dancing in the ballet and watching in the wings, to the balcony seats to enjoy the performance. There is nothing quite like The Joffrey’s rendition of the classic ballet. The Chicago World’s Fair of 1893 storyline works incredibly well with the production, from the humble beginnings of fair workers and their families, a kind and wealthy benefactor bequeathing the nutcracker doll, and a dreamlike world with Clara exploring the World’s Fair and all it had to offer. The 1893 World’s Fair inspired Frank E. Baum, utilizing the famed White City of the fair to inspire the Emerald City of Oz in The Wizard of Oz. The fair introduced the world to the Ferris Wheel, brownies, cracker jack popcorn, and the zipper. There were countries and states represented that visitors could only dream to have visited, right in their own backyard. Historical documents and first-hand accounts mention how magical and awe-inspiring the fair was, it’s easy to see how The Joffrey could look at the fair as a backdrop to The Nutcracker and see magic.

But even with the artistic direction The Joffrey took, it still begs the question of why do we see the same performance year after year after year? Artistic Director Ashley Wheater, MBE pondered the same thing. “I have asked myself, ‘How can we make this a special experience for people who have seen the Nutcracker before and for those attending for the first time?’,” says Wheater. “Part of the beauty of this Nutcracker: it is a Chicago story! We set the scene during an important time in the history of our city: the World’s Columbian Exposition of 1892. We identify with the working spirit of the people. We understand that joy can be found in simple things. We appreciate that magic is all around us, if only we look. The real “magic” of this Nutcracker, though, is that it changes every time we watch it. Each of us in the audience is different. We have loved, lost, struggled, succeeded, grown. We bring our own story to the theater. The beauty of live theater is that no two performances will be the same.”

The year’s opening night of The Nutcracker was nothing short of magical. Joffrey’s current company has to be one of their best in years with outstanding principles including Amanda Assucena, the mother and sculptress for the Fair (the Sugar Plum Fairy) and Alberto Velazquez, the Great Impresario of the Fair, and the darling Anabelle de la Nuez as Marie (Clara) and Maxwell Dawe as The Nutcracker. Each scene is a feast for the eyes with the entire company dancing exquisitely amount wreaths, glittering snow, and before giant Ferris wheels. Whether this is your first time seeing The Nutcracker, or your hundredth, there is nothing in the world like Joffrey’s Nutcracker. It is truly one of a kind and the perfect addition to any holiday plans. But much like The World’s Fair of 1893, the magic won’t be here forever, so don’t delay and get your tickets today.

The Nutcracker is now playing at The Lyric Opera House, (20 North Wacker Drive, Chicago) through December 28^th. The Performance run time is 2 hours, includes one 20-minute intermission. Tickets are available at www.joffrey.org.

When I was in college, a roommate shared their obsession with a Christmas movie I had never seen, the 2003 Will Ferrell film Elf. Over the next few years, she would religiously play Elf on replay during each fall semester with proclamations it was the perfect "it’s the perfect cozy weather” movie, to “it's almost the holiday season" movie, followed by "let's kick off the holiday season" movie, until it was the inevitable "It's Christmas!" movie. Upon graduation, I was Elf-d out and the film eventually made way for other holiday classics like Die Hard. As Elf approaches its 20th anniversary, it found it’s unlikely way back into our holiday shuffle, migrating from the movie to the stage. Elf-the Musical brought Christmas early to Chicagoland.

From the minute you enter the lavish and sparkling Drury Theatre, you are taken into another world. People here are smiling, shiny, welcoming, and prone to breaking into spontaneous song and dance; and those are just the theatre guests! Elf-the Musical draws nostalgic millennials, rosy cheeked children, musical theatre lovers, and theatre supporters alike to this soon-to-be holiday stage classic. Elf-the Musical follows the story of Buddy the Elf, who after discovering he is really a human raised as an elf, makes the journey from the North Pole to New York City to find his birth father, sharing the true meaning of Christmas along the way. Based on the hit holiday film, Elf- the Musical brings heart, hilarity, and holiday joy.

Admittedly, I was not particularly in the holiday mood, as my Elf PTSD was still strong. But I challenge anyone to not crack a smile with the opening musical number of “Happy all the Time” performed by Santa, played by A.D. Weaver, and Buddy, played by Jake Morrissy, along with the hilarious ensemble cast. As the musical progressed, the familiar story came to life in a new way, with clever dialogue sprinkled with double entendres and fantastic recreations of the Elf storyline with musical numbers like “Sparklejollytwinklejingley” performed while Buddy and the cast members decorate the department store for Santa’s arrival. There were beautiful songs like “A Christmas Song” where Buddy’s reluctant Christmas-hating love interest Jovie, played by the incomparable Juanita Anderson finds Christmas cheer by signing loud for all to hear. There are also sweet surprises like the number “I believe in you” wear Emily Hobbs, played by Melodie A Betts, and Michael Hobbs, played by Gabriel Solis, a Christmas letter to Santa asking nothing more than the attention of a father and husband, Buddy’s dad Walter, played by Sean Fortunato. 

Why Elf of all the holiday movie options? I think Elf-the Musical Director Lynne Kurdziep Formatp says it best "after two full Christmas Holidays missed due to COVID pandemic, with inflation, hurricanes and war in the news on a daily basis, it seems the PERFECT time to be reminded that we need to continue to BELIEVE. We can be a light in the world by sustaining the Christmas spirit year-round as we remember that family, friends, people of all ages and backgrounds are what makes the world go round."

This Christmas, and future holiday seasons, will have families, musical theatre, and holiday lovers flocking to the theatre with this soon-to-be holiday favorite. Because even after nearly 20 years, the classic story of Buddy the Elf brought to the stage truly captures the holiday spirit; and perhaps this musical proves Buddy and Santa’s elves are right, that “the best way to spread Christmas cheer is singing loud for all to hear.” Elf the Musical is playing at the Drury Theatre in Oakbrook through January 8, 2023. Tickets are available at www.drurylanetheatre.com.

A delightful winter holiday ballet staple, Joffrey’s The Nutcracker gets a make-over by Tony Award-winning choreographer Christopher Wheeldon and Joffrey’s Artistic Director Ashley Wheater. The all-American all-Chicago version that premiered last December at The Auditorium Theatre takes us to a very exciting time in our history: 1892, five months before the World’s Fair in Chicago is set to open (story by Brian Selznick). Though the circumstances are different, creators of the ballet kept many elements of the original story by E.T.A. Hoffmann, and most importantly, the spirit of Christmas, intact. No more rich children and their fancy Christmas party with expensive presents - we’re back to the real world. Marie is from a poor immigrant family; she lives with her widowed mother, who is a sculptress working on the golden Statue of the Republic for the Columbian Exposition, and a younger brother Franz. The construction is in full swing and employs mostly immigrants from around the world.

In Act I the workers come to Marie’s house bearing food and drink for a lively Christmas celebration. Three musicians [from the orchestra] are invited on stage to accompany the dancing, much like it would be in those days. Marie is performed by very talented Amanda Assucena, a remarkably expressive ballerina; her gestures are all we need to understand what’s happening in the story. When a mysterious man who designed The World Fair and is known as The Great Impresario (Miguel Angel Blanco), shows up at the party, he captures everyone’s imagination with his visions of the completed Fair and gives out Christmas gifts. Marie receives a toy Nutcracker, and she couldn’t be happier. When she goes to bed that night she dreams that her new favorite toy leads an army of soldiers against a pack of rats who invade their shack and are always around in the streets (doesn't that sound painfully familiar, at least to Chicago city dwellers?). After she saves her Nutcracker from being eaten by The Rat King, he promptly turns into a handsome Prince. Whimsical costumes, gorgeous set and wonderful puppetry make for very enjoyable ballet experience  and a long cast of characters danced by children adds even more charm to the ballet.

Joffrey Ballet dancers are unquestionably world class masters, and this production showcases its many talented members. Victoria Jaiani who dances the parts of both Marie’s mother and The Queen of the Fair couldn’t be any more graceful and is always quite marvelous.

In Act II Marie, the Prince and The Great Impresario sail to the World Fair in a gondola where the Queen of the Fair (Victoria Jaiani) takes them to different pavilions where countries are represented by their dances – exotic Chinese and Spanish Dances are great, Buffalo Bill’s Wild West Show is really fun too, but then there’s the sexy Arabian Dance. Here Weeldon’s brilliant choreography is masterfully executed by Christine Rocas and Fabrice Calmels ; watching them dance is like eating some exquisite dessert that you wish would never end. It’s that good.

Somewhere towards the end of Second Act the drama of Tchaikovsky’s music gets lost in the romantic love dance of The Great Impresario and The Queen of Fair and leaves us longing for something else, but that’s easy to get over.

Live score is provided by Chicago Philharmonic Orchestra under Conductor/ Music Director Scott Speck.

The performance can be seen at Auditorium Theatre and runs two hours and twenty minutes and includes a twenty-minute intermission. For more information on Joffrey Ballet's The Nutcracker visit www.joffrey.org. 

There's nothing more cloying than an evening of bad holiday theatre. Each December countless Chicago theaters put up their annual Christmas shows. Some are better than others. For a reliable standard, Joffrey Ballet's "Nutcracker" is a safe bet.

For 2016, Joffrey presents an entirely new version of the classic Tchaikovsky ballet. Conceived by English choreographer Christopher Wheeldon, this new production is sleek and tailor-made for Chicago. An interesting variation on ETA Hoffman's original Russian fairy tale. In this version, Marie is from a working class family and it's set during the construction of the Chicago World's Fair. The dance sequences in the second act are Clara's dreams of what the Columbian Exposition will hold. Wheeldon's aesthetic borrows from holiday favorites like "A Christmas Carol" and "Meet Me in St. Louis" Sets by Julian Crouch combine the classic imagery of the original and newer conventions like projections. Accompanied by the Chicago Symphony Orchestra, this "Nutcracker" is a little more grown up than the pastel versions you might remember.

The talent will be of no surprise to Joffrey regulars. Dancing the part of Marie is Amanda Assucena. Her performance portrays the lead character with a more teenage curiosity about romance. Miguel Angel Blanco dances a variation of Uncle Drosselmeyer, otherwise known as the Impresario of the Fair. It's playful and a little creepy. In the dream sequence, Christine Rocas and Fabrice Calmels turn up the heat as the Arabian Dancers. Wheeldon's choreography creates quite a spectacle and the large cast sequences are magical.

For those bored with run-of-the-mill "Nutcrackers" (a dime-a-dozen this time of year), this brand new production at The Joffrey will leave an impression. It's refreshing to see a local cultural institution take what they know works and turning it on its head. If only more of Chicago's tried and true holiday shows would take the same path, maybe we wouldn't dread them so much.

Through December 30th at Joffrey Ballet. 50 East Congress Parkway. 

Twas a cold winter evening,

In Chicagoland,

On the way to the Auditorium theatre,

For a performance quite grand.

The guests took their seats,

The stage decked in splendor,

Anxiously awaiting their journey,

Expecting ballerinas so tender.

Then up went the music,

And down went the lights,

As we were whisked away

To the Nutcracker that night.

All know the story,

The Nutcracker’s tale,

From the grand ball to the Sugar Plum Fairy,

Danced by a young Mikhail (Barishnikov ;-) )

The Joffrey performed the ballet,

With intricate care,

To keep with traditions,

So all ages could share.

Spanish Chocolate, Arabian Coffee,

Chinese Tea and Russian Candy,

Danish Marzipan, Mother Ginger,

It was all just dandy!

But the waltz of the snowflakes

And the waltz of the flowers,

Is where this ballet

Holds all of its power.

The dancers on pointe,

In their tutus and tights,

Twirling and leaping,

Twas a majestic sight.

The Joffrey Ballet is performing,

A holiday tale to remember,

For all to enjoy,

While it runs through December.

So off to The Joffrey!

Don’t miss it this year,

Fill up your holiday,

With Nutcracker cheer!