Displaying items by tag: Ericka Ratcliff
Definition Theatre Strikes Gold with Black Cypress Bayou
I love when I’m surprised by a writer I assume is new to the scene, only to discover she has been honing her craft for years, quietly building a body of work the rest of us somehow missed. I love it even more when that discovery feels like striking gold. Such is the case with Kristen Adele Calhoun. A superior writer—assured, funny, emotionally and culturally precise—whose name, until now, had somehow eluded me. With Black Cypress Bayou, now receiving an unbelievable production at Definition Theatre, Calhoun announces herself (at least to Chicago audiences) as a major voice worthy of far more attention than she has received.
Under the smart, lively direction of Ericka Ratcliff, this production hums with comic electricity and emotional undercurrent. Ratcliff clearly trusts the text, allowing its humor to bloom organically while never losing sight of the deeper currents flowing beneath the laughter. The result is a staging that feels both buoyant and grounded—like the bayou itself, shimmering on the surface while concealing depth below.
The play centers on the Manifold women, and Ratcliff has assembled a quartet of actresses whose distinct comedic styles interlock beautifully. Michelle Renee Bester’s Ladybird Manifold anchors the evening with sharp timing and a steadiness that suggests stern resolve and steel. Bester understands that the funniest lines land best when rooted in truth.
Rita Wicks, as RaeMeeka Manifold-Baler, nearly steals the show with a performance that is riotously funny without tipping into excess. Her physical comedy is precise, her reactions razor-sharp. She seems to ride the rhythm of Calhoun’s language like a seasoned jazz musician, finding unexpected grace notes in throwaway lines. The audience’s laughter often arrives in waves when she’s onstage.
RJW Mays brings Vernita Manifold to life with a grounded warmth that balances the more explosive personalities around her. There is a generosity in Mays’ work—a listening quality—that allows scenes to breathe. Meanwhile, Jyreika Guest’s Taysha Hunter offers a refreshing contrast: contemporary, alert, and emotionally transparent. Guest navigates the character’s shifting loyalties and vulnerabilities with admirable nuance.
What makes this ensemble particularly thrilling is that each performer operates in a different comedic key, yet Ratcliff orchestrates them into harmony. The tonal blend—broad, dry, wry, heartfelt—shouldn’t work as seamlessly as it does. But here, it absolutely does.
In a production centering women both onstage and behind the scenes, there is an undeniable sense of cohesion and purpose. Scenic designer Alyssa Mohn, lighting designer Conchita Avitia, and sound designer Willow James conjure a fishing wharf deep in the bayou that feels at once literal and slightly mystical. Weathered wood textures, humid washes of light, and the subtle lapping of unseen water create a world that breathes. The environment is not mere backdrop; it is an active presence.
The costumes further ground the characters in time, economic reality, and personality. Fabric choices, silhouettes, and wear patterns quietly communicate history. We understand who these women are before they speak.
Ratcliff has described Calhoun as “tragically under produced.” After seeing Black Cypress Bayou, that phrase lands with force. If the rest of Calhoun’s catalog carries even half the wit, structural confidence, and emotional intelligence on display here, then Chicago theatres—and American theatres more broadly—have some catching up to do. Calhoun’s other plays, including works that explore Black Southern life, intergenerational memory, and the elasticity of family bonds, reportedly continue her signature blend of humor and haunting. One leaves this production not only satisfied, but curious—eager to track down everything else she has written.
Definition Theatre has given this play the gift every writer deserves: a production that listens, that elevates, that celebrates. Black Cypress Bayou is not simply entertaining, it is invigorating. It reminds us that discovery is one of theatre’s great pleasures. And sometimes, the most thrilling “new” voice is one who has been waiting patiently for us to catch up.
HIGHLY RECOMMENDED
When: through March 15th
Where: Definition Theatre@55th, 1160 E. 55th Street., Chicago, Il.
Running time: 90 minutes no intermission
Tickets: Start at $25
312-469-0390
This review is proudly shared with our friends at www.TheatreInChicago.com.
STEP RIGHT UP AND RIDE THE CYCLONE (THE MUSICAL) AT METROPOLIS ARLINGTON HEIGHTS
22 September 2026 in Theatre in ReviewIf anyone has ever told you to buckle up and enjoy the ride, they were talking about life—and even if…
Funny ‘Prayer Circle’ Is Loaded With Laughs
22 September 2026 in Theatre in ReviewErik Gernand is resident playwright at Redtwist Theatre, and his Prayer Circle is absolutely laugh-out-loud funny. The strength of this…
Steppenwolf Presents GRACEFUL WARRIOR: AN EVENING WITH GARY SINISE - Tuesday, November 24, 2026
22 September 2026 in Upcoming TheatreSteppenwolf Theatre Company, the nation's premier ensemble theater company, is pleased to present Graceful Warrior: An Evening with Gary Sinise on Tuesday, November…
Acclaimed Mexodus musical makes Chicago premiere November 7-21 at Studebaker Theater
22 September 2026 in Upcoming TheatreStudebaker Theater, P3 Productions and Audible, in collaboration with Teatro Vista Productions, present the Chicago premiere of the groundbreaking, award-winning new hip-hop musical Mexodus, written and performed…
American Blues Theater hosts its annual costumed fundraiser HALLOWEEN BOO BASH October 25th
21 September 2026 in Theatre BuzzAmerican Blues Theater, under the continued leadership of Executive Artistic Director Gwendolyn Whiteside, presents Halloween Boo Bash, its annual costumed fundraiser benefiting artists' wages…
Definition's How We Got On: A Mixtape for the Stage
21 September 2026 in Theatre in ReviewWhat happens when three young people discover hip-hop and realize they might have something to say? Idris Goodwin’s How We…
Open Space Arts Presents BEFORE WE ARE HISTORY October 23 – November 8
21 September 2026 in Upcoming TheatreOpen Space Arts presents BEFORE WE ARE HISTORY, a three-week theatrical exploration of LGBTQ+ theater created during and in response to…
Northlight Delivers a Headline-Making, Hilarious Front Page
20 September 2026 in Theatre in ReviewNorthlight Theatre opened its new venue with Jeffrey Hatcher’s smart, rejuvenated adaptation of The Front Page. Commissioned by Artistic Director…
Chicago Shakes' Play On!: With a Syncopated Harlem Beat
20 September 2026 in Theatre in ReviewThere are some productions you watch, and then there are productions that make your heart swoon and your toe tap.…
Overshadowed's Flame of Fire Finds Humanity, Strength, and Forgiveness in a Tragic Chapter of Missionary History
19 September 2026 in Theatre in ReviewOvershadowed Productions’ Flame of Fire revisits one of the most polarizing true stories in mid‑century missionary history, and the result…
The Attic at Goodman Theatre Redefines Memoir Through Breathtaking Physical Storytelling
19 September 2026 in Theatre in ReviewAt intermission, I sent Ken, Buzz Center Stage’s managing editor, a text: “So thankful I made it!! It’s intermission, and…
Class is back in session with Victory Gardens’ World Premiere of The Humanities
19 September 2026 in Theatre in ReviewCoincidentally (or not), Victory Gardens’ new play about a controversial campus speaker opens just days after the one-year anniversary of…
Babes With Blades's Announces William Shakespeare's KING LEAR, playing October 22 - November 21
18 September 2026 in Upcoming TheatreBabes With Blades Theatre Company’s (BWBTC) announced today new production dates for the final production in its 2026 season, William Shakespeare’s King…
Layered, Lovely, and Lasting; The Joffrey Ballet's Liliom Lights up The Lyric Opera
18 September 2026 in Dance in ReviewSometimes when we reach into the past to resurrect or revive an old story, we find it doesn’t age well.…
Cast and Production Team Announced for Fleetwood-Jourdain Theatre's THE NICETIES, October 31 – November 15
18 September 2026 in Upcoming TheatreFleetwood -Jourdain Theatre, an award-winning theatre company that has been thrilling audiences with over four decades of unique, inspirational, and invigorating Black…
Goodman’s centennial is its all‑time most successful year, with 300,000 patrons at 4,000 performances & events
18 September 2026 in Theatre BuzzThe Goodman wraps its 2025/2026 Centennial Season, an unprecedented line-up marking the 100th anniversary of Chicago's flagship not-for-profit theater, as the…
The Jinkx & DeLa Holiday Show - December 6th at Auditorium Theatre
17 September 2026 in Upcoming TheatreThe greatest holiday show south of the North Pole returns for its 9th year with another brand spankin' new wintertide…
Paramount’s smash hit, immersive Million Dollar Quartet returns for its final run at Aurora’s Stolp Island Theatre, October 7-January 3
17 September 2026 in Upcoming Theatre“Great Balls of Fire!” Chicago audiences have just one last chance to catch Paramount Theatre’s immersive musical Million Dollar Quartet, returning more…
Holiday Cheer (and an earlybird discount) come to The Second City November 25th through December 27th
17 September 2026 in Upcoming TheatreTis' the season for laughter and cheer! The Second City is decking its holiday lineup with shows for every sense…
Kokandy Productions’ Jekyll & Hyde: A Fearless Reworking Elevated
17 September 2026 in Theatre in ReviewKokandy Productions’ Jekyll & Hyde, now presented by Broadway In Chicago at the Broadway Playhouse, arrives with the momentum of…
Chicago City Opera presents Chicago premiere of Der Vampyr October 7-11
16 September 2026 in Theatre in ReviewChicago City Opera (CCO) presents the Chicago premiere of gothic horror opera Der Vampyr by composer Heinrich Marschner to a…
Full Casting Announced for A Red Orchid Theatre's HEROES OF THE FOURTH TURNING - October 29 – December 6, 2026 - Chicago Premiere!
16 September 2026 in Upcoming TheatreA Red Orchid Theatre is pleased to announce full casting for its Chicago premiere of Will Arbery's politically-charged drama Heroes of the Fourth Turning, directed…
Chicago Legend Da Brat to Host and MC THE HIP HOP NUTCRACKER
16 September 2026 in Upcoming TheatreBroadway In Chicago is thrilled to welcome trailblazing hip hop artist and Chicago legend Da Brat as special guest host…
THE PRINCESS BRIDE to have Pre-Broadway World Premiere in Chicago July 19 - August 22, 2027
16 September 2026 in Upcoming TheatreProducer Jeffrey Seller and Broadway In Chicago have announced the world-premiere of the new musical THE PRINCESS BRIDE will begin performances in…
American Son - Friendship Community Place - Through October 4th
16 September 2026 in Now PlayingGhostlight Ensemble's production of American Son, written by Christopher Demos-Brown and directed by Ebby Offord, opens on Friday, September 18,…
MARRIOTT THEATRE REVEALS A 2027 SEASON OF SHOWSTOPPING MUSICALS AND BELOVED STORIES
16 September 2026 in Upcoming TheatreMarriott Theatre, Chicagoland's longest-running musical theatre, presents its 2027 subscription season featuring five thrilling and memorable musicals: Pippin, A Gentleman's Guide to…
Kokandy Productions Concludes 2026 Season with A CLOCKWORK ORANGE: A PLAY WITH MUSIC November 5, 2026 – January 10, 2027 - Full Casting Announced!
15 September 2026 in Upcoming TheatreKokandy Productions is pleased to conclude its 2026 Season with A Clockwork Orange: A Play with Music, a live adaptation of Anthony Burgess's dystopian…
Raíces to Roots’ Unpacking Home - Collaboraction's House of Belonging - Through September 27th
15 September 2026 in Now PlayingCollaboraction Theatre Company is thrilled to host a limited run of Unpacking Home by Chicago’s Raices to Roots as part of the 9th Destinos…
Identity Performing Arts Celebrates 5 Years with Gala Performance at MCA's Edlis Neeson Theater October 18th
14 September 2026 in Upcoming DanceIdentity Performing Arts celebrates five years as a dance company embracing artistic innovation, collaboration and community at their Fifth Anniversary Gala at MCA…
BIRDS OF NORTH AMERICA - Do we listen to each other as much as birdsongs?
14 September 2026 in Theatre in ReviewBirds of North America, written by Anna Ouyang Moench, is a story of a father daughter relationship spanning a decade…
Latest Articles
-
Chicago Shakes' Play On!: With a Syncopated Harlem Beat
Written by Wesley DavidThere are some productions you watch, and then there are productions that make your heart swoon and your toe tap. Sheldon Epps’ Play On! is definitely the latter. Now playing at Chicago Shakespeare Theater, this exuberant musical takes Shakespeare’s Twelfth… -
STEP RIGHT UP AND RIDE THE CYCLONE (THE MUSICAL) AT METROPOLIS ARLINGTON HEIGHTS
Written by Anne RakowieckiIf anyone has ever told you to buckle up and enjoy the ride, they were talking about life—and even if they didn’t know it, they were talking about Ride the Cyclone, the musical. When six teenagers die in a rollercoaster… -
Funny ‘Prayer Circle’ Is Loaded With Laughs
Written by Bill EslerErik Gernand is resident playwright at Redtwist Theatre, and his Prayer Circle is absolutely laugh-out-loud funny. The strength of this script is the characters—who are clearly defined and familiar types—and the performances, directed by Dusty Brown, are uniformly outstanding. Set… -
American Blues Theater hosts its annual costumed fundraiser HALLOWEEN BOO BASH October 25th
Written by Buzz Center StageAmerican Blues Theater, under the continued leadership of Executive Artistic Director Gwendolyn Whiteside, presents Halloween Boo Bash, its annual costumed fundraiser benefiting artists' wages during Season 41. This popular, all-ages celebration features live performances and ghost stories, trick or treating in the theater, contests,…
Does your theatre company want to connect with Buzz Center Stage or would you like to reach out and say "hello"? Message us through facebook or shoot us an email at This email address is being protected from spambots. You need JavaScript enabled to view it..
*This disclaimer informs readers that the views, thoughts, and opinions expressed in the text belong solely to the author, and not necessarily to Buzz Center Stage. Buzz Center Stage is a non-profit, volunteer-based platform that enables, and encourages, staff members to post their own honest thoughts on a particular production.