Displaying items by tag: Jerome Beck
Set in a Mythical 51st Ward, Rightlynd Is a Delightful Portrait of How Chicago Works
Set in Chicago’s mythical 51st Ward, Rightlynd is an absolute lark – but with serious underpinnings. It’s a cautionary rendition of that age-old political maxim: power corrupts.
Rightlynd also doubles as a romantic comedy with a healthy dose of musical (ala Hamilton). Set in Chicago’s mythical 51st Ward, a section of the city whose governing alderman has been reelected for years on autopilot, quietly collecting his paycheck and not making waves.
The Rightlynd area has drifted into that political vacuum where city services are scarce, the L stops were closed, and businesses struggle. While the incumbent alderman appears to be asleep at the wheel, in reality he is negotiating to surrender Rightlynd to a developer group ) that wants to make it the “next neighborhood,” represented by Applewood (Jerome Beck in a breakthrough performance – he is great). That’s a familiar story to Chicagoans who are watching high-profile developments – The 78, Lincoln Yards, and the Presidential Library – part of the continuum of projects over the decades.
Regardless of the merits of these current initiatives, community activists will often be found to characterize such efforts as draining potential investment resources away from improvements for more needy areas – the Chicago’s numerous Rightlynd neighborhoods that never get a dime.
By taking an entertaining approach, playwright Ike Holter has figured out how to tell this story without being ponderous. Instead Rightlynd the play is sprightly and effervescent.
The plot follows the political awakening of Nina (Monica Orozco is a powerhouse, perfectly cast!) who begins with a modest effort to slow cars at an intersection on her street. Acting as our Everyman, we watch her journey from this simple zoning request, to passing petitions to get herself on the ballot and then elected as Alderman.
Nina finds running for office is different than running the office, and we watch as she gradually makes concessions to the reality of the streets – including negotiating with gangs and with developers. The election stopped Applewood from its development plans, for a time, but they come back and win influence over the office. "All be need is an open hand and a turned eye," Applewood says.
Along the way, Nina meets up with a down-on-his-luck ex-con Pac, and the two go from politics to love item. Pac even refused a bus ticket when he was released from jail, preferring to stay in his old neighborhood, Rightlynd. Eddie Martinez plays Pac with sensitivity and panache, and the Martinez-Orozco pairing forms a delightful dynamic duo to energize and add dimension to the show – though at times this subplot threatens to overwhelm the main storyline.
The delightful supporting cast includes Sasha Smith as a Gal Friday for the alderman; Robert Cornelius as Robinson, who operates a garage (where Pac works); and LaKecia Harris as Amena, who lives on the streets.
Along with Anish Jethmalani as Benny, these cast members double in the roles of Denizen – forming the crowds, voters, and other singing and dancing performers that act as the Chorus – both in terms of Greek dramatic traditions, and as a singing-dancing chorus line. A shout-out to Cornelius for his wonderful baritone and to Sasha Smith, whose beautiful energy could easily power a stage all by herself.
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