Displaying items by tag: L Walter Stearns

“I just want to be entertained. Isn’t that the point?” asks the narrator of The Drowsy Chaperone. And if that indeed is the point, Theo Ubique’s rendition hit the bullseye.

This fun production follows a neurotic musical theatre fan (played by Steve McDonagh) who puts on his favorite record and talks about its fictional history. Thanks to Theo’s inventive seating – a front row made of sofas – the audience feels as if they’re actually in his living too, getting an intimate evening full of laughs as he and the rest of the cast break the fourth wall – even entering and exiting through closet.

The show-within-a-show follows a famous star, her fiancé, and the kooky cast of characters who try to help or hurt the impending nuptials for their own reasons. The result is a musical which never takes itself seriously, as it pokes fun at Broadway shows and troupes.

Everyone turns in a polished performance with each artist getting their moment to shine, whether it’s in a tap-dancing number (expertly accomplished by Trey Pluntnicki and Kevin Chlapecka), a silly vaudeville routine (Jenny Rudnick does enough spit takes to lose count), or a ballad about bunnies – yes, bunnies (sung by Kelsey MacDonald with all the heart and sincerity it needed).

As the “Man in the Chair,” McDonagh anchors the show in reality, but each performer holds the reigns of these larger-than-life characters with precision. Darian Goulding, embodies the Latin lover, Aldolpho, with inspired hilarity from his subtle gestures to that elevated accent. Jimmy Hogan and Chase Wheaton-Werle also stood out as gangsters posing as pastry chefs. Their playful banter and cohesion as a team elevated their numbers and helped sell the silly side plot. Colette Todd, who played the titular character, the Drowsy Chaperone herself, delivered a powerhouse tune with the perfect balance of comedy and chops.

From start to finish, it was clear that the actors were having fun, and their joy was certainly contagious. Directing this production is L. Walter Stearns, and his love of this show was clear in the care in which he handled the material, perhaps because directing The Drowsy Chaperone was a dream come true. In 2004, Stearns had the opportunity to attend an early reading of musical with Sutton Foster, who went on to star in the Broadway cast.

Written by Lisa Lambert and Greg Morrison (music and lyrics) with a book by Bob Martin and Don McKellar, The Drowsy Chaperone is not a deep musical, and it isn’t meant to be. Instead, it’s a reminder that comedy brings connection, and sometimes it’s okay to just want to be entertained.

The Drowsy Chaperone runs through April 19 at Theo Ubique Cabaret Theatre. For tickets and/or more information, click here.

This review is proudly shared with our friends at www.TheatreInChicago.com. 

‘Jersey Boys’ is back in Chicago, bringing with it a little East Coast to the Third Coast. The hit Broadway musical about the lives of Frankie Valli & the Four Seasons played for over two years in the mid-00s at the CIBC Theater and helped establish Broadway in Chicago as more than just an importer of touring shows. Now ‘Jersey Boys’ will see another open-ended run at Mercury Theater.

Believe it or not, there was once a time when biographic, jukebox musicals were novel. While ‘Jersey Boys’ certainly wasn’t the first, it was one of the earliest and arguably better than some of the shlocky stuff plaguing Broadway these days. Digression aside, the music of Frankie Valli & the Four Seasons effortlessly lends itself to musical theater. Afterall, Frankie Valli did provide the title track for the film version of ‘Grease’. 

Co-directed by L. Walter Stearns and Brenda Didier, this production is every bit as good as the Broadway in Chicago sit-down. Mercury’s revival scrubs off all that Broadway gloss and presents a grittier, if not more authentic version of this Italian-American flavored drama. Is it family friendly? Sure, if you don’t mind the ubiquitous use of the F-word akin to the mob wife aesthetic of ‘The Soprano’s’. 

Though Frankie Valli was the frontman and eventual breakout star of The Four Seasons, their origin story is told equally from all four players. However, Adrian Aguilar as Tommy DeVito commands the stage as the main narrator.

Few grown men can hit the notes Frankie Valli was capable of, but Michael Metcalf does so with seeming ease. To look at him (or hear his speaking voice), you’d never expect he could go that high, but that and his performance as an actor showcase what a multi-purpose talent he is.

‘Jersey Boys’ doesn’t often address the personal lives of the band members, but instead tells the story of how they came to be, their rise to fame, and all that comes with it. However, it’s not empty in the way that so many of these jukebox musicals end up being. That’s likely due to a book co-written by Marshall Brickman, who helped write some of Woody Allen’s most iconic films (‘Annie Hall’, ‘Manhattan’), and Tony Award winner Rick Elice. Brickman writes from a place of personal experience as he was working in the entertainment business around the same time as the head writer for Johnny Carson. The result is a really fun, ‘VH1 Behind the Music’ of Frankie Valli & the Four Seasons.

Though Frankie Valli and the Four Seasons made bubblegum pop, their story is far from saccharine. What’s surprising about this story, and the likes of the Rat Pack, is how intertwined their successes were with organized crime. The title says it all. There’s something about this show that non-musical people will find really appealing, in the same way ‘Grease’ appeals to nearly everyone.

Wonderful performances, hot choreo, great costumes and a full-blast band make ‘Jersey Boys’ at Mercury a heavy hitter for the Wrigleyville theater company. You’ll be clapping in unison by the end (whether you want to or not).

at Mercury Theater. 3745 N. Southport Avenue. 773-360-7365

*extended through July 28th