
When you think of Las Vegas many things come to mind – gambling, bright lights, monstrous hotels and casinos to which one can easily get lost, glamorous showgirls, dry heated air, the Bellagio fountain, The Rat Pack, Bugsy Segal and Seigfried and Roy. But maybe the largest association one has with Vegas is none other than the King of Rock and Roll, Elvis Presley himself. After flopping in Las Vegas during the 1950s (they just weren’t ready for rock n’ roll), Elvis returned with a vengeance in the late 1960s and had several highly successful years as a residency and touring act until his death on August 16th, 1977.
Since the King’s passing there have probably been more Elvis impersonators than one can count, and though most may go unnoticed, Trent Carlini does not. Formerly known as the Las Vegas Hilton where Elvis performed with regularity, Carlini currently performs an amazingly inspired tribute at what is now called Westgate Las Vegas Resort & Casino. Known as one of the best Elvis impersonators in the business, Carlini does not disappoint.
Set in the Shimmer Cabaret, a 350-seat theatre, fans are treated to a very intimate Elvis experience that is a true celebration of Elvis’ life and music. Trent Carlini packs an accurate, and highly entertaining, musical chronology into his 75-minute show that starts with Presley’s earliest hits like “Blue Suede Shoes” and keeps on rolling through the 1970s. Touching on the movie years, we hear classics like “Rock-A-Hula”, “G.I. Blues”, and of course “Viva Las Vegas”, before Carlini appears in that famous leather suit for some ’68 Comeback Special action. Carlini also dons Elvis’ legendary white suit for an emotionally stirring rendition of “If I Can Dream”.
“The King starring Trent Carlini” gives audience members a taste of Elvis Presley’s music in a way many thought could not be done. Carlini’s vocal ability to sound like Presley is haunting, his likeness almost uncanny at times, his movements right on and he even captures some of the late legend’s renowned charm whether it be in joking with the crowd or letting off a simple impish grin. Band members play along with Carlini but are not exposed until a few songs in, adding another dimension to the show. Expect a good amount of audience participation, as Carlini prods the crowd to sing along on occasion (or on their own!), invites the ladies to step up to the stage for a kiss, personally greets a good amount of the crowd during “Love Me Tender” and later passes out scarves to the adoring women in true King fashion.
With each period of Elvis’ life, Carlini sports the proper attire from Presley’s Lansky collection to his well-known jumpsuits (complete with karate demonstrations). We get a little history lesson along the way though the main focus is on the music, as it should be in a tribute show. Pumping out the Elvis faves like “Hound Dog”, “Jailhouse Rock” (one of Carlini’s self-proclaimed top choices), “Burning Love”, “Can’t Help Falling in Love” and “The Wonder of You”, fans leave the theater feeling as though they got their full dose of Elvis-mania. The show concludes on an apropos note with Carlini’s powerful version of “American Trilogy” that really gets the goose bumps going. Carlini hits the song’s final note with precision and might – a note that so many other tribute artists substitute with a lower octave.
There is a huge variety of shows to see in Las Vegas, but this is one that should be on your must see list, Elvis fan or not. It is a show for all ages and one that anyone who likes to rock can enjoy. “The King starring Trent Carlini” is completely entertaining and thoroughly engaging. Trent is one of the best in the business and what better place than to relive, or get a taste of, the musical performance of Elvis Presley.
“Thank you. Thank you very much.”
There was a particular kind of magic to seeing a movie outside when I was a kid in 1970s Chicago…
Perhaps surprisingly, Anatomy of a Suicide is not an overwhelmingly emotionally gripping play, nor is it horrifying. Instead, it vividly…
This narrative tracks five individuals within the "People’s Diasporatic Party"—outfitted in corporate attire—as they take refuge in a desolate East…
Finding love has always been a challenge. In Jane Austen’s day, a time governed by strict rules of courtship, couples…
The Joffrey Ballet opens its 2026-27 season with the Chicago Premiere of John Neumeier's landmark narrative ballet Liliom. Inspired by Ferenc Molnár's 1909 play and…
Pulse Theatre Chicago proudly announces a defining new chapter in the company's history with the expansion of its artistic leadership,…
Coming of age stories resonate more profoundly when they mirror the lived reality of a real person. That’s why the…
Remy Bumppo Theatre Company’s 30th Anniversary Season continues with "Exploring The In Between: A Conversation About Mid-Sized Theatres in Chicago," Monday,…
Shattered Globe Theatre (SGT), now under the artistic leadership of Ian Frank, is pleased to announce its 36th Season, featuring three plays that explore the…
M.A.D.D. (Making A Difference Dancing) Rhythms, Chicago’s premier tap collective, is proud to celebrate its 25th Anniversary at the Chicago Tap…
Broadway In Chicago is pleased to announce Blue Man Group will bring its first-ever holiday production, "A NEW HOLIDAY SURPRISE," on…
The League of Chicago Theatres will host its annual benefit, the 2026 Spotlight Gala: Unmask the Night, Embrace the Drama at City Hall –…
Broadway In Chicago is delighted to announce that single tickets for the upcoming engagement of the 10th Anniversary tour of the hilarious…
Otherworld Theatre blasts back into the cosmos with Season 4 of Starship Edsel: An Improvised Star Trek Parody, the latest…
Some musicals carry such cultural weight that every new production feels like a referendum on how well a company can…
Theatre 31 Productions’ Gus and Alice has returned to the Greenhouse Theater Center this month. Written by Chicago playwright Mike Rago,…
Sometimes the best way to find a comedian who’s new to you is by stumbling onto a clip that stops…
Broadway In Chicago is excited to announce tickets for t he original Tony® & Olivier Award-winning musical sensation, JERSEY BOYS, are now on sale.…
Producing Artistic Director Kyle A. Dougan and Music Theater Works are proud to announce its 47th season. The 2027 season at the North Shore…
Award-winning Redtwist Theatre’s new 22nd season, “State of Violence,” begins with Prayer Circle, September 17 - November 8, by Erik Gernand and directed by Executive Artistic Director…
Lake Forest's Citadel Theatre has announced the full cast and crew for its season opener - the satirical comedy EUREKA…
Black Ensemble Theater continues its 50th Anniversary Season with the world premiere of You Can't Fake the Funk: A Journey Through Funk…
Jackalope Theatre Company, presenting the 17th Annual Newspaper Festival, August 20 - 24, is proud to announce the world premiere of Engines and…
Curious Theatre Branch, with co-producers Chicago Danztheater Ensemble, Chicago Dramatists and Labyrinth Club, are pleased to announce the 37th annual Rhinoceros Theater…
Collaboraction Theatre Company announced today two major productions for its 2026-27 season: the world premiere of Chicago writer Willie Round’s…
A Red Orchid Theatre is pleased open its 34th Season, exploring the theme of "world on fire," with the Chicago premiere of Will…
Open Space Arts has announced it will stage the Chicago Premiere of THE SWALLOW - the internationally acclaimed drama by…
Chicago Humanities proudly announces the full lineup for its Fall Festival 2026, with conversations ranging from social justice, music, politics, literature, food,…
Tin Drum Theatre Company is proud to announce the cast and creative team for Chicago premiere for A Dark Wood, October 15 -…
A Red Orchid Theatre is thrilled to announce a remount of its critically-acclaimed, father-daughter drama Birds of North America, returning for a limited…
McHenry Outdoor Theater: Nostalgia With a Modern Heartbeat
Gwydion Theatre Company presents The Chicago Premiere of Por’ Knockers at the Greenhouse Theater’s Studio 44 September 10 - October 4
‘Anatomy of a Suicide’ Is Hard to Watch, But Not Because of the Subject
Broadway In Chicago presents Waitress at JAMES M. NEDERLANDER THEATRE OCTOBER 13 – 18, 2026
Does your theatre company want to connect with Buzz Center Stage or would you like to reach out and say "hello"? Message us through facebook or shoot us an email at This email address is being protected from spambots. You need JavaScript enabled to view it..
*This disclaimer informs readers that the views, thoughts, and opinions expressed in the text belong solely to the author, and not necessarily to Buzz Center Stage. Buzz Center Stage is a non-profit, volunteer-based platform that enables, and encourages, staff members to post their own honest thoughts on a particular production.