
Machinal refers to an automated or mechanical system. Sophie Treadwell's 1929 play "Machinal" takes its styling from this theme. Directed by Jacob Harvey, Greenhouse Theater Center brings this work back to Chicago for the first time in many years.
Maybe not as well known as Lillian Hellman, but Sophie Treadwell was once a popular playwright on Broadway during the height of expressionism in theater. She wrote some forty plays and often directed them, nearly unheard of in those times.
"Machinal" is a retelling of the murder trial of Ruth Snyder who was eventually executed by electric chair. The play is an expressionist interpretation. The dialogue is written in a way that feels like the innerworkings of a machine. There's a sparse greyness to the costumes by Christina Leinicke that would also suggest the joylessness the protagonist lives.
Heather Chrisler plays the young woman. Chrisler interprets the staccato dialogue with a human quality. Her performance brings up the intensity by breaking through the repetitive and unpoetic lines. She brings life to them and elicits an emotional response. This woman is pleading for her life as her societal system of steamrolls her.
Doubtful that Treadwell saw the real life Ruth Snyder as a villain. "Machinal" shows the the pressure of getting married, of having financial security and living in a ever-moving world. The young woman in Treadwell's play can't keep up. She's pushed into an advantageous, but unsatisfying marriage. She finds happiness in the arms of a lover. She does what she has to do to feel free and pays the ultimate price.
Eleanor Kahn's set mirrors the starkness of the play. Presented in a near black box with the exception of some strobe lighting, there's an eeriness from the beginning. There's an atmospheric quality in Kahn's setting, and it's working.
Life may seem a little more liberated for today's women but Jacob Harvey's point in mounting this work, is that maybe it's not? And maybe it's not even limited to just women. Treadwell's play is about the mechanics of being a adult human in this world, and how that conveyor-belt life makes us all animals destined for slaughter.
Through September 24 at The Greenhouse Theater Center. 2257 N Lincoln Ave.
With Halloween creeping closer, there’s something fitting about revisiting one of opera’s earliest flirtations with macabre horror - especially in…
At fifteen, the world can feel like a television show you haven't quite figured out how to turn off. For…
Steppenwolf Theatre Company, the nation's premier ensemble theater company, is pleased to launch its 51st Season with the world premiere of…
Hell in a Handbag Productions is thrilled to announce its 25th Anniversary Season, featuring three "camptacular" shows guaranteed to delight lovers of…
Chicago’s Theater Wit is now offering new, state-of-the-art closed captioning service, marking a dramatic improvement in making live theater more…
“God bless us, everyone,” because there’s a fresh, new, reimagined version of Charles Dickens’ classic tale A Christmas Carol debuting…
Following last year's critically acclaimed, sell-out engagement, Steppenwolf Theatre Company is pleased to announce the return of John C. Reilly…
The Saint Sebastian Players open their 45th season of travels to different places with A Murder is Announced, a classic Miss Marple mystery…
Today, Goodman Theatre raises the curtain on its future as leadership and artists share a vision for its next century…
Two Edge Theater, a reincarnation of the Edge Theater Company that enjoyed eight successful seasons in the Denver, Colorado area,…
Chicago's historic Fine Arts Building and Studebaker Theater are thrilled to announce their Halloween co-production of Manual Cinema's acclaimed Frankenstein…
Jonathan James Productions presents the world premiere of The Years Between Us, a new play by Liana Sonenclar, directed by…
Oil Lamp Theater, currently presenting the highly recommended Dial M for Murder, through November 1, is proud to announce its…
As a lifelong Hitchcock fan, Dial M for Murder has always been one of my comfort film thrillers - the…
Artemisia Theatre is proud to announce the return of the WeWomen Play Festival, its annual celebration of new feminist work.…
In the 2019 film Yesterday, a struggling musician wakes up in a world where The Beatles never existed. A similar…
Red Bike is an intimate, movement‑driven play that follows a young person navigating a town transforming faster than they can…
Red Theater is thrilled to announce the cast and production team of the world premiere of Church Hurt by Brynne…
The Auditorium (Chicago's landmark stage at 50 E. Ida B. Wells Drive) continues its 2026-27 Dance Season titled North American…
A Red Orchid Theatre is pleased open its 34th Season, exploring the theme of "world on fire," with the Chicago…
Lookingglass Theatre Company today announced a new leadership structure that brings together four longtime members of its acclaimed ensemble and…
Susan-Lori Parks’ Topdog/Underdog, the Pulitzer Prize-winning masterpiece, is the kind of play that changes depending on when—and how many times—you…
Broadway In Chicago is excited to announce two fan-favorite shows are returning to our stages this year: MAMMA MIA! and…
Mud Life, a world premiere drama by Chicago writing duo G. Riley Mills and Willie Round, drawn from Round’s life…
Here’s a play that should be really good, based on its reputation alone. Written by Chicago comedy writer Samantha Hurley,…
Innovation Arts & Entertainment, along with Broadway In Chicago, are thrilled to announce single tickets for ALL THINGS EQUAL: THE…
The League of Chicago Theatres announces the return of It's Theatre Season, a campaign inviting Chicagoans and visitors to discover…
Steppenwolf Theatre Company, the nation's premier ensemble theater company, is pleased to launch its 51st Season with the world premiere of…
Lookingglass Theatre’s production of Kowalski offers a gripping, fictionalized glimpse into the first meeting between two theater greats: Tennessee Williams…
Writers Theatre, under the leadership of Executive Director Kathryn M. Lipuma and Alexandra C. and John D. Nichols Artistic Director Braden Abraham, continues…
Chicago City Opera Delivers a Rare Operatic Haunting with Der Vampyr
Collaboraction to premiere Mud Life, drawn from Willie Round’s experience as a writer and rapper on Chicago’s west side, October 21-November 15
Steppenwolf Theatre's ADIRONDACK CHAIR CIRCLE In Rehearsal – Playing October 22 – December 6, 2026 – World Premiere!
Does your theatre company want to connect with Buzz Center Stage or would you like to reach out and say "hello"? Message us through facebook or shoot us an email at This email address is being protected from spambots. You need JavaScript enabled to view it..
*This disclaimer informs readers that the views, thoughts, and opinions expressed in the text belong solely to the author, and not necessarily to Buzz Center Stage. Buzz Center Stage is a non-profit, volunteer-based platform that enables, and encourages, staff members to post their own honest thoughts on a particular production.