
The First Midwest Bank Amphitheater in Tinley Park was a metal haven on Sunday – all day long and going well into the night. That’s because the Rockstar Mayhem Festival was in town and we all know what that means by now – some twenty odd bands spread out onto four stages complete with some heavyweight headliners.
This year’s headlining acts were goodies. Avenged Sevenfold (A7X) took top billing while Korn took on the supporting role with Asking Alexandria and Trivium kicking things off on the main stage. In all actuality, based on the crowd reaction, it wouldn’t have mattered who got top billing between Korn and Avenged Sevenfold, as both are major impact players and favorites in the metal scene, but I have to admit that I was glad it was A7X if just to get that extra fifteen minutes of stage time. Without question, the main stage acts were enough to pack the venue themselves, though it was nice to see a platform provided for the many more obscure, or lesser known, metal acts such as Mushroom Head, Cannibal Corpse, Wretched, Ill Nino, Suicide Silence and even Body Count featuring Ice-T.

After Trivium and Asking Alexandria got the crowd fired up, Korn proceeded to take the stage and promptly kicked it into overdrive (tuned down growling guitars and all) with “Falling Away from Me” and never looked back, playing more classic faves such as “Shoots and Ladders”, Freak on A Leash” and “Got the Life”. Also, touching on some material from their latest release, The Paradigm Shift, the band belted out “Prey for Me” and the anthem-like “Never, Never”. Korn ended their set with a driving performance of “Blind” where singer Johnathan Davis brought who appeared to be some of the band members kids on stage to rock out with the band. Though it was nice to hear some solo material from axe man Brian “Head” Welch during his seven-year hiatus, it was sure nice to see him back on the stage with Korn. Original lineup together again, barring longtime drummer David Silveria, Korn is men amongst boys with a veteran presence to be reckoned with that is not to be taken lightly. They are polished, professional and entertaining as hell.
Should Korn have had a longer set, that probably would have been enough to close the show, the fans departing happy and fulfilled from the ten or so hours of metal. But then it was time for Avenged Sevenfold – massive set and all. As the band went into their opening number “Shepherd of Fire” they take the stage one at a time until explosions cue the charging entrance of singer frontman M. Shadows and the band quickly goes into full on assault mode. Even with their shorter than normal set due to festival restrictions, A7X packs a nonstop punch with a deadly combination of thunderous drums and bass, blazing guitars and an insane amount of pyrotechnics. “Almost Easy”, “Afterlife” and “Bat Country” are always givens at an Avenged concert, but the band was also sure to include a handful of songs from their new album, Hail to the King, including its title track and “This Means War”. The band ended their high energy attack on a high note with two fan favorites, “A Little Piece of Heaven” and “Unholy Confessions” before saying their goodbyes to which they spent a good amount of time tossing out keepsakes to the crowd and interacting with the fans as much as they could from the stage.
Bottom line – Korn was on top of their game and I for one look forward to the day they return to Chicago (or thereabouts) to play a full set. Avenged Sevenfold - dare I say such a cliché? Um, yes. I’ll say it – they kicked ass and took names as fully expected. But most importantly of all, ok, just as important - Rockstar Mayhem Festival offers a stage for so many deserving bands to be discovered by new fans and enjoyed by the supporters they already have.
Total success, Rockstar. Looking forward to next year’s lineup.
*Top - Avenged Sevenfold
*Bottom - Korn
There was a particular kind of magic to seeing a movie outside when I was a kid in 1970s Chicago…
Perhaps surprisingly, Anatomy of a Suicide is not an overwhelmingly emotionally gripping play, nor is it horrifying. Instead, it vividly…
This narrative tracks five individuals within the "People’s Diasporatic Party"—outfitted in corporate attire—as they take refuge in a desolate East…
Finding love has always been a challenge. In Jane Austen’s day, a time governed by strict rules of courtship, couples…
The Joffrey Ballet opens its 2026-27 season with the Chicago Premiere of John Neumeier's landmark narrative ballet Liliom. Inspired by Ferenc Molnár's 1909 play and…
Pulse Theatre Chicago proudly announces a defining new chapter in the company's history with the expansion of its artistic leadership,…
Coming of age stories resonate more profoundly when they mirror the lived reality of a real person. That’s why the…
Remy Bumppo Theatre Company’s 30th Anniversary Season continues with "Exploring The In Between: A Conversation About Mid-Sized Theatres in Chicago," Monday,…
Shattered Globe Theatre (SGT), now under the artistic leadership of Ian Frank, is pleased to announce its 36th Season, featuring three plays that explore the…
M.A.D.D. (Making A Difference Dancing) Rhythms, Chicago’s premier tap collective, is proud to celebrate its 25th Anniversary at the Chicago Tap…
Broadway In Chicago is pleased to announce Blue Man Group will bring its first-ever holiday production, "A NEW HOLIDAY SURPRISE," on…
The League of Chicago Theatres will host its annual benefit, the 2026 Spotlight Gala: Unmask the Night, Embrace the Drama at City Hall –…
Broadway In Chicago is delighted to announce that single tickets for the upcoming engagement of the 10th Anniversary tour of the hilarious…
Otherworld Theatre blasts back into the cosmos with Season 4 of Starship Edsel: An Improvised Star Trek Parody, the latest…
Some musicals carry such cultural weight that every new production feels like a referendum on how well a company can…
Theatre 31 Productions’ Gus and Alice has returned to the Greenhouse Theater Center this month. Written by Chicago playwright Mike Rago,…
Sometimes the best way to find a comedian who’s new to you is by stumbling onto a clip that stops…
Broadway In Chicago is excited to announce tickets for t he original Tony® & Olivier Award-winning musical sensation, JERSEY BOYS, are now on sale.…
Producing Artistic Director Kyle A. Dougan and Music Theater Works are proud to announce its 47th season. The 2027 season at the North Shore…
Award-winning Redtwist Theatre’s new 22nd season, “State of Violence,” begins with Prayer Circle, September 17 - November 8, by Erik Gernand and directed by Executive Artistic Director…
Lake Forest's Citadel Theatre has announced the full cast and crew for its season opener - the satirical comedy EUREKA…
Black Ensemble Theater continues its 50th Anniversary Season with the world premiere of You Can't Fake the Funk: A Journey Through Funk…
Jackalope Theatre Company, presenting the 17th Annual Newspaper Festival, August 20 - 24, is proud to announce the world premiere of Engines and…
Curious Theatre Branch, with co-producers Chicago Danztheater Ensemble, Chicago Dramatists and Labyrinth Club, are pleased to announce the 37th annual Rhinoceros Theater…
Collaboraction Theatre Company announced today two major productions for its 2026-27 season: the world premiere of Chicago writer Willie Round’s…
A Red Orchid Theatre is pleased open its 34th Season, exploring the theme of "world on fire," with the Chicago premiere of Will…
Open Space Arts has announced it will stage the Chicago Premiere of THE SWALLOW - the internationally acclaimed drama by…
Chicago Humanities proudly announces the full lineup for its Fall Festival 2026, with conversations ranging from social justice, music, politics, literature, food,…
Tin Drum Theatre Company is proud to announce the cast and creative team for Chicago premiere for A Dark Wood, October 15 -…
A Red Orchid Theatre is thrilled to announce a remount of its critically-acclaimed, father-daughter drama Birds of North America, returning for a limited…
McHenry Outdoor Theater: Nostalgia With a Modern Heartbeat
Gwydion Theatre Company presents The Chicago Premiere of Por’ Knockers at the Greenhouse Theater’s Studio 44 September 10 - October 4
‘Anatomy of a Suicide’ Is Hard to Watch, But Not Because of the Subject
Broadway In Chicago presents Waitress at JAMES M. NEDERLANDER THEATRE OCTOBER 13 – 18, 2026
Does your theatre company want to connect with Buzz Center Stage or would you like to reach out and say "hello"? Message us through facebook or shoot us an email at This email address is being protected from spambots. You need JavaScript enabled to view it..
*This disclaimer informs readers that the views, thoughts, and opinions expressed in the text belong solely to the author, and not necessarily to Buzz Center Stage. Buzz Center Stage is a non-profit, volunteer-based platform that enables, and encourages, staff members to post their own honest thoughts on a particular production.