
Hyde Park School of Dance, now in its 33rd year of training, performance, and community, welcomes families and dance enthusiasts to its annual, one-of-a-kind presentation of The Nutcracker. Performances are December 11–13 at Mandel Hall on the University of Chicago campus, 1131 E. 57th Street, Chicago.
Hip hop mice face off against breakdancing soldiers in HPSD's playful reimagining of The Nutcracker's classic battle scene, where creative self-expression turns conflict into connection. The battle is one of the signature moments in a production that brings classical ballet, hip hop, breakdancing, modern, AcroDance, West African, and Chinese dance together to tell the familiar holiday story. Narration throughout helps audiences of all ages follow the adventure.
Refreshed each year, the production features a cast of more than 200, from dancers as young as 7 to members of HPSD's pre-professional Studio Company Program and adult performers from the community. The result is a celebration of dance across styles and generations, with fresh discoveries for returning audiences and a welcoming introduction for those experiencing their first Nutcracker.
This production marks the first since the retirement announcement of Founding Artistic Director August Tye following 32 years of leadership. Under Interim Artistic Director Amber Echols, the production enters its next chapter, shaped by her wide-ranging dance background while building on Tye's decades-long legacy. Echols started as a student at the Hyde Park School of Dance more than 20 years ago, performing annually in The Nutcracker herself.
"I am incredibly grateful to return for my second year as Interim Artistic Director and have the opportunity to continue leading this special production," said Echols. "The Nutcracker has always held a special place in my heart. I remember being a young dancer on this very stage, dreaming about the roles I hoped to dance one day, and now I have the privilege of helping create those same moments for our dancers. It is truly a full-circle experience to watch their excitement during auditions, hear them talk about their dream roles, and see them grow throughout the process. Helping to carry on this tradition while creating new memories for the next generation of dancers holds deep meaning for me."
This year, HPSD welcomes community partners for Neighborhood Night on Friday, December 11, with opportunities to connect around resources and opportunities available to local residents. Audience members are welcome to bring a donation for the Hyde Park-Kenwood Food Pantry and arrive early to explore ways to engage. Community partners may sign up to participate by using this form.
HPSD presents its youngest performers (ages 4–6) as part of the special Young Dancers Holiday Pre-Show prior to both performances on Saturday, December 12.
The production also includes surprise cameos by local VIPs in the larger-than-life role of Mother Ginger—this year including a special appearance by HPSD Founding Artistic Director August Tye on Sunday, December 13. Tye also teaches a special pre-show class for alumni on Sunday.
The Nutcracker takes place Friday, December 11 at 7 p.m.;
Saturday, December 12 at 1 and 6 p.m.;
and Sunday, December 13 at 2 p.m.
at Mandel Hall, 1131 E. 57th Street, in Chicago.
General admission is $38.10 for adults, $28.10 for seniors (65+),
$18.10 for children ages 6–18 and college students with school ID,
and $8.10 for children 5 and younger (lap children are free).
Special $48.10 preferred section tickets are available for all ages.
All prices include service fees.
Tickets are available October 27 at 31109.danceticketing.com/.
NOTE: All performances include ASL interpretation; guests requiring seats for the interpretation should email This email address is being protected from spambots. You need JavaScript enabled to view it. prior to purchasing tickets.
Hyde Park School of Dance
Founded in 1993 as the Hyde Park School of Ballet, Hyde Park School of Dance is a 501(c)(3) nonprofit providing opportunities for students of all ages and abilities to study, perform, and create classical and contemporary dance at the highest levels of discipline and artistry within a community dedicated to the welcoming inclusion of dancers of all races, religions, body types, genders, sexual orientations, and family income backgrounds. Under the leadership of Interim Artistic Director Amber Echols, Hyde Park School of Dance is committed to offering everyone the chance to experience the empowering rewards of self-discipline, hard work, and collaboration in a diverse and supportive environment, cultivating a love of dance and a strength of body, mind, and character that will benefit students of all ages throughout their lives.
For information, visit hydeparkdance.org.
It’s a rare treat to get to experience anything as unique as Manual Cinema’s production of ‘Frankenstein’ at Court Theatre. With several productions of ‘Frankenstein’ going on this year, one might wonder how they’re each distinguishing themselves. Manual Cinema’s original adaptation is just that, a manual cinema. Told with intricate shadow puppets on classroom overhead projectors, ‘Frankenstein’ is like spending the evening in a toy box.
In a collaboration with Court Theatre as part of their season, Manual Cinema returns to University of Chicago where they started. The company was formed in 2012 by University of Chicago faculty members and has since evolved into an internationally acclaimed performance art troupe. Manual Cinema still resides in Chicago.
This theatrical production of ‘Frankenstein’ is unlike anything you have ever seen. Drew Dir’s concept closely follows Mary Shelley’s novel and even includes an intermittent story arc about how Mary Shelley came to write ‘Frankenstein’. Unlike a traditional play, this production contains no spoken dialogue. Instead, the cast furiously dashes around the set creating a visual splendor on several overhead projectors. Though, there are scenes of more traditional acting or, pantomime, layered into the play as well. The show is projected onto a main screen but it’s nearly impossible not to sneak away glances to the corners where the visuals are being created. A live orchestra beautifully scores the play with original music composed by Kyle Vegter and Ben Kauffman.
This production is riveting. Not only are the projections and music sumptuous but the shadowy atmosphere created by Manual Cinema is haunting. The staging is set up in a way that encourages the audience to watch how the projections are created. The story is somewhat simplified but in that simplicity is an almost pop-up book version of Shelley’s classic horror story. The cinematic score propels the action and provides an emotional component to the piece. The two-hour run time seems to breeze by and you’re left not wanting the excitement to end.
‘Frankenstein’ is Manual Cinema’s sixth full length show but hopefully that means there will be plenty more. If you’re wondering which ‘Frankenstein’ to see this fall, this is the one. There is surely nothing else like it.
Through December 1st at Court Theatre. 5535 S Ellis Avenue. 773-753-4472
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