
The Yellow Rose Theatre is one of Chicago’s newer venues, having launched in 2020 during Covid, with a company that demonstrates a passion for their work. Located at The Vault, an entertainment space at 607 W. Fulton, it is just a couple blocks east of the trendy Fulton Market District, in the restored Fulton Jefferson Building. An unusual split-level design that lends itself to conventional and immersive theater.
Yellow Rose numbers 10 ensemble members, and an equal number of guest actors and playwrights, including Francis Brady, whose “Justicia” is nearing the end of its run. Tickets include access to an open bar and finger food, and audience members may mingle and gnosh before each performance and during intermissions—giving the shows a unique flair and sense of communality with the productions.(We saw "TV Land" there in May.)
Directed by Kieran O’Connor, Brady’s “Justicia,” while a bit uneven, has the heart of a solid play. A courtroom drama, it centers on the travails of a small town litigator Pappa (Rick Yacobnis) whose daughter (Katherine Wetterman) has left her own successful practice in Chicago to join his struggling firm—struggling because he takes on underdog cases regardless of the client’s ability to pay. He has relied on a line of credit from the local bank where the loan officer has a heart and has kept him afloat.
The first act opens in a courtroom hearing presided over by a Judge (Jorge Salas) as the plaintiff Ron (Joseph Arvo Levander) argues that he was wrongfully discharged and demands as a remedy that he be reinstated. The employer’s defense counsel (Madeline Diego) offers a modest cash settlement, but her client doesn’t want Ron back, deeming him no longer able to handle the jackhammer used in his work.
That summary is not difficult to extract from the action, but the presentation of this story was hampered by a number of things, beginning with the lack of a set, which caused the judge to sit below and look up at the lawyers arguing the case.
Pappa laces his arguments with Shakespere quotes, which might be okay but seem largely unrelated to the matters at hand. And for a public immersed in courtroom procedurals on streaming channels, the informality and departure from expected court protocols works against the believability. Lots of exposition and character building takes place in subsequent scenes, with the appearance of the daughter’s budding love-interest (Sophia Vitello), and father-daughter talks. But the first act is rather a muddle.
The second act puts the play on a more solid footing, opening with a new, young Bank Officer (Joe Bushell) who is all business as Poppa arrives to plead for an extension on the line of credit. The Bank Officer parries handily Poppa’s arguments that the bank should continue to fund this “practice with a heart.”
Bushell’s performance is the most solid of the cast, he’s a real pro and redeems the script somehow, suggesting the writing is a reach for the other performers, or that Brady is good at writing bank officer characters.
Lavender plays Ron very well, but is given little to work with, fated to repeat “I want my job back” endlessly. Levander’s voice and action convey the anguish of a late middle aged worker made redundant. He finally says “I want to work,” and “I want a paycheck”— in other words, be a useful and productive citizen. Brady could give us, and the character, more to say about his anguish.
Pappa is going through that same generational challenge as his daughter works to straighten out the firm’s finances, and takes on Jim's case to rescue it after Pappa, in an ill-advised move, has Ron demonstrate his ability with the jackhammer before the judge. (Unfortunately he drops it.)
So if you’re game to see it, “Justicia” runs November 9 and 11 at Yellow Rose Theatre. I’m going back to the venue to see The Yellow Rose’s “Thank God It’s Monday” or “T.G.I.M.” running November 10 and 11, a series of comic shorts in an immersive show. Both shows include eats and drinks. Tickets are at yellowrosetheatre.com
Sanctuary Stories plumbs the line between theater and journalism, and the powerful human dramas both can depict. Funded by a Northwestern…
For its sixth Halloween season, Rough House Theater Co. has transformed Steppenwolf’s Merle Reskin Garage into a spectacular puppet haunted…
Let he without sin cast the first stone, Lyric’s “Don Giovanni” seemingly says when they bring up the house lights…
They're creepy and they're kooky, Mysterious and spooky, They're altogether ooky, The Addams Family. Yes, ooky. BrightSide Theatre’s production of…
With Halloween creeping closer, there’s something fitting about revisiting one of opera’s earliest flirtations with macabre horror - especially in…
Avalanche Theatre announces the world premiere production of They Broke Up by Chicago playwright Skyler Tarnas, November 6–22, 2026. Opening…
Grab your party hats — Broadway In Chicago ’s Cadillac Palace and James M. Nederlander Theatres are turning 100! The…
Oil Lamp Theater is proud to announce the cast and creative team for its next production and the final production…
Christmas Day is in our grasp. Why the vodka? Glad you asked! Who's Holiday! brings R-rated Cindy-Lou Who back to…
The Sarah Siddons Society is pleased to present its 2026 Award to actress and director Victoria Clark, who recently starred…
At fifteen, the world can feel like a television show you haven't quite figured out how to turn off. For…
Steppenwolf Theatre Company, the nation's premier ensemble theater company, is pleased to launch its 51st Season with the world premiere of…
Hell in a Handbag Productions is thrilled to announce its 25th Anniversary Season, featuring three "camptacular" shows guaranteed to delight lovers of…
Chicago’s Theater Wit is now offering new, state-of-the-art closed captioning service, marking a dramatic improvement in making live theater more…
“God bless us, everyone,” because there’s a fresh, new, reimagined version of Charles Dickens’ classic tale A Christmas Carol debuting…
Following last year's critically acclaimed, sell-out engagement, Steppenwolf Theatre Company is pleased to announce the return of John C. Reilly…
The Saint Sebastian Players open their 45th season of travels to different places with A Murder is Announced, a classic Miss Marple mystery…
Today, Goodman Theatre raises the curtain on its future as leadership and artists share a vision for its next century…
Two Edge Theater, a reincarnation of the Edge Theater Company that enjoyed eight successful seasons in the Denver, Colorado area,…
Chicago's historic Fine Arts Building and Studebaker Theater are thrilled to announce their Halloween co-production of Manual Cinema's acclaimed Frankenstein…
Trap Door Theatre is thrilled to continue its 33rd season with Any Rebellion of Will, written by S.L. Daniels and…
Jonathan James Productions presents the world premiere of The Years Between Us, a new play by Liana Sonenclar, directed by…
Oil Lamp Theater, currently presenting the highly recommended Dial M for Murder, through November 1, is proud to announce its…
As a lifelong Hitchcock fan, Dial M for Murder has always been one of my comfort film thrillers - the…
Artemisia Theatre is proud to announce the return of the WeWomen Play Festival, its annual celebration of new feminist work.…
In the 2019 film Yesterday, a struggling musician wakes up in a world where The Beatles never existed. A similar…
Red Bike is an intimate, movement‑driven play that follows a young person navigating a town transforming faster than they can…
Through music, documentary video, sound, photos and live actors, “SANCTUARY STORIES: A JOURNALISM THEATER PROJECT” captures in words and images…
Red Theater is thrilled to announce the cast and production team of the world premiere of Church Hurt by Brynne…
The Auditorium (Chicago's landmark stage at 50 E. Ida B. Wells Drive) continues its 2026-27 Dance Season titled North American…
Robert Falls Directs a Sinfully Satisfying Don Giovanni at Lyric Opera of Chicago
Inside Six Strange Worlds: Exquisite Corpse VI: LULLABIES
'Sanctuary Stories' Ventures Into Emotional Drama Behind the News on Immigration
BrightSide’s Addams Family Musical Revives the Wonderfully Weird World of the Addams Clan
Does your theatre company want to connect with Buzz Center Stage or would you like to reach out and say "hello"? Message us through facebook or shoot us an email at This email address is being protected from spambots. You need JavaScript enabled to view it..
*This disclaimer informs readers that the views, thoughts, and opinions expressed in the text belong solely to the author, and not necessarily to Buzz Center Stage. Buzz Center Stage is a non-profit, volunteer-based platform that enables, and encourages, staff members to post their own honest thoughts on a particular production.