
We all love a good comeback, a big bang, a triumphant return. After nearly two years of having to avoid the theater, and any overly crowded place, the Marriott Theater has returned to hosting shows with a genuine Broadway caliber production. Kiss Me, Kate, Broadway classic that earned the very first Tony Award for Best Musical finally hit the Marriott Theatre stage and it was the welcome back kiss we all desperately need.
Kiss Me, Kate is a clever portrayal of Taming of The Shrew, with the familiar 'show-within-a-show' troupe. Passions run high as leading lady Lilli Vanessi and her ex-husband, actor and director Fred Graham, battle onstage and off in a production of Shakespeare’s Taming of the Shrew. KISS ME, KATE combines the irreverent humor of two brilliant writers - Cole Porter and William Shakespeare - with a battle of the sexes and a bickering liaison, mixed with a number of cases of mistaken identity, the mob, and comedic routines. Musical numbers include “Another Op’nin, Another Show,” “So in Love,” “Wunderbar,” “Too Darn Hot,” and “Brush Up Your Shakespeare.”

Director Johanna McKenzie Miller took approached this Broadway classic with a modern take, making this play relatable even by today's standards. “Rather than changing what was originally on the page," says Miller, "I hope to make sense of it in the present day and give women the voice they need to tell their stories." This vision plays out across the stage thanks to the powerhouse female performances of Alexandra Palkovic as Lois Lane/Bianca, Allison Blackwell as Hattie, and of course Susan Moniz as Lilli Vanessi/Katharine. Moniz's vocals and star caliber were unparalleled in her performance ranging from soft and feminine, to channeling Shakespeare's Katharine as a male-hating, fiercely independent and strong, just listen to Moniz's rendition of 'I Hate Men' and not be fully rooting for her the rest of the play.
Having never seen or heard of this production before, much to the chagrin of my musical theater friends, Kiss Me, Kate was everything one needed in a play. It was witty and smart with plenty of flashy musical dancing numbers. What made this production a standout was every actor in the ensemble performed with their whole bodies. Every feature, kick, twirl, fall, and look conveyed precisely what it needed to, leading the audience to swoon, to laugh or gasp, it was truly an immersive experience. The Marriott Theater's 360 stage lent itself to the immersion as well and the mask-clad audience members all laughed together as Petruchio/Fred, played by Larry Adams, attempts to kiss the fair Kate.
In the current age where kissing could be frowned upon as a non-covid friendly activity, Kiss Me, Kate was the perfect welcome back to the stage. The Marriott Theater is also committed to everyone's health and safety requiring proof of vaccination or negative covid tests. Audience and cast members alike can rest assured that their experience will be a memorable one filled with worry one liners and clever Cole Porter songs as opposed to catching a virus; a much better proposition in my humble opinion. So dawn your gay apparel and most festive masks and head to The Marriott Theater for a classic-classic-modern tale that was worth the wait. Kiss Me, Kate is playing at The Marriott Theatre, 10 Marriott Dr. in Lincolnshire, and runs through January 16, 2022.
There are always two sides to every story. The writer or playwright will tell a story offering key details and…
Giordano Dance Chicago (GDC), America's original jazz dance company, returns to the North Shore Center for the Performing Arts in Skokie, 9501…
The Auditorium (Chicago's landmark stage at 50 E. Ida B. Wells Drive) begins its 2026-27 Dance Season titled North American Dance…
The Gift Theatre, led by Artistic Directors Brittany Burch and Jennifer Glasse, continues its 25th Anniversary Season with the world premiere…
Steep Theatre will open its new theater this coming January with the U.S. Premiere of playwright Simon Stephens' A Slow…
Broadway In Chicago is delighted to invite high schools across the State of Illinois to participate in the 16th Annual Illinois High…
Steppenwolf Theatre Company, the nation's premier ensemble theater company, is pleased to announce full casting for its world premiere of…
The award-winning Porchlight Music Theatre is proud to announce the cast and creative team of the first mainstage production of…
Tin Drum Theatre Company is proud to announce that tickets are now on sale for the Chicago premiere of A Dark Wood, October…
The hilarious musical parody Menopause the Musical® is on a 25th Anniversary National Tour this fall, and Aurora’s Paramount Theatre is the…
This new staging of Mean Girls the Musical, now playing at Paramount Theatre in Aurora’s downtown theatre district, brings Tina…
Trap Door Theatre is thrilled to begin its 33rd season with the World Premiere of The Man Who Fell with…
An exceptionally good show is now on stage at Chicago’s Trap Door Theatre. This wonder—The Man Who Fell with the…
After their award winning year, The Impostors Theatre Company (ITC) opens Season Eight with the highly anticipated world-premiere of The…
Full cast and production team have been announced for City Lit's production of August Wilson's KING HEDLEY II, to play…
It must have been heavenly for the creative leaders of Goodman, Steppenwolf, Chicago Shakespeare and Court, Chicago’s top regional theaters,…
The Joffrey Ballet today announced that President and CEO Greg Cameron will depart in December 2027, concluding a 15-year tenure that transformed the…
Come From Away begins from a place of deep uncertainty, yet what emerges is a story grounded in the steady,…
Steppenwolf Theatre Company, the nation's premier ensemble theater company, is pleased to launch its 51st Season with Suzan-Lori Parks' Pulitzer Prize-winning drama Topdog/Underdog, helmed by Tony Award-winning…
The first thing you notice about the meticulously curated Black dance performance held at the Harris Theater over the weekend…
Vape! The Grease Parody, currently running at Chicago’s Apollo Theater through January, takes a satirical swing at the iconic 1978…
BrightSide Theatre will celebrate its 15th anniversary with "Monte Carlo Night," a gala and fundraiser, on Friday, September 25, 2026,…
Giordano Dance Chicago (GDC) hosts its highly anticipated 19th Anniversary "Dancing With The Giordano Stars" ballroom dance competition 7-11 p.m. Thursday, Oct. 8…
Hell in a Handbag Productions celebrates its 25th year with a revival of Joan Crawford Goes to Hell, a sharp,…
Composition, tension, balance, light, and harmony come together seamlessly in Kokandy Productions’ revival of Sondheim’s opus, ‘Sunday in the Park…
Award-winning Redtwist Theatre, launching its 22nd season with Prayer Circle, September 17 - November 8, by Erik Gernand and directed by Executive Artistic Director Dusty Brown, announces today…
Buffalo Theatre Ensemble (BTE), the professional theater company in residence at the McAninch Arts Center (MAC), is pleased to announce that, in keeping…
Promethean Theatre Ensemble announced today it will offer post-show audience talkbacks following two performances of their Chicago premiere of BLOOD OF…
City Lit Theatre’s world premiere of Shane, adapted for the stage and directed by Mark Pracht, brings a fresh, nostalgic…
The rise of artificial intelligence raises many questions about its effect on humanity. What does it mean if we become…
GDC Premieres New Work by Al Blackstone in "untamed passion" at the North Shore Center November 6th and 7th
Dance Theatre of Harlem returns to Chicago for first time in 10 years at The Auditorium October 17th
The Gift Theatre announces casting for Netta Walker's Hayward
Does your theatre company want to connect with Buzz Center Stage or would you like to reach out and say "hello"? Message us through facebook or shoot us an email at This email address is being protected from spambots. You need JavaScript enabled to view it..
*This disclaimer informs readers that the views, thoughts, and opinions expressed in the text belong solely to the author, and not necessarily to Buzz Center Stage. Buzz Center Stage is a non-profit, volunteer-based platform that enables, and encourages, staff members to post their own honest thoughts on a particular production.