Displaying items by tag: spooky

They're creepy and they're kooky, Mysterious and spooky, They're altogether ooky, The Addams Family.

Yes, ooky.

BrightSide Theatre’s production of The Addams Family Musical at the Theater at Meiley Swallow Hall feels like stepping back into the wonderfully odd world of a family we’ve all grown up with. There’s an immediate charm in seeing Gomez and Morticia - the passionately devoted, darkly elegant heads of the Addams clan - presiding over their spooky, loving household with the same theatrical flair that made them iconic. With a book by Marshall Brickman and Rick Elice and music and lyrics by Andrew Lippa, the show’s blend of gothic quirk, musical comedy warmth, and big-hearted family chaos lands with a personal, familiar joy that makes this staging especially inviting. And right at the center is Wednesday Addams, their sharp tongued, deadpan daughter whose unexpected leap into romance sets everything spiraling.

In this musical comedy, Wednesday has fallen in love with Lucas Beineke, a sweet, decidedly “normal” young man from Ohio. Determined to prove she’s ready for something real, she asks her parents to host a dinner so the two families can meet - but she also begs Gomez to keep her engagement a secret from Morticia. That single request throws Gomez into a hilarious moral crisis, while Morticia senses something is off and the rest of the Addams household prepares for an evening guaranteed to go sideways. When the straight-laced Beinekes arrive, their collision with the gloriously eccentric Addamses sparks a night of confessions, misunderstandings, unexpected alliances, and more than a few supernatural surprises. What unfolds is a heartfelt, funny, and delightfully macabre exploration of love, loyalty, and the beautifully strange ways families learn to accept one another - quirks and all.

BrightSide’s production thrives on the strength of its performers, and this cast brings the Addams world to life with personality, precision, and a magnificently off-center spirit.

Scott Kelley and Samatha Keret (rear) as Gomez and Morticia and Ancestors in Brightside Theatre’s The Addams Family Musical. Photos by CM Stage Photography.

At the center of the production are Scott Kelley’s Gomez Addams and Samantha Keret’s Morticia Addams, who anchor the show with an easy chemistry that makes their partnership feel lived in and genuinely affectionate. Their banter and romantic interactions are fantastic - playful, sharp, and full of the kind of idiosyncratic mutual understanding that makes their marriage the emotional core of the evening. Kelley gives Gomez a warm, slightly frantic presence, the kind of theatrical bravado that feels both funny and sincere. Keret, with her beautiful voice and cool, elegant presence, matches him beat for beat, creating a dynamic that feels both grounded and pleasantly heightened. Together, they knock their roles out of the ballpark.

The ensemble - from the Addams clan to the buttoned-up Beinekes, along with the ghostly Ancestors who linger in the house until Wednesday’s journey toward love sets them free - brings strong energy and cohesion to the production, giving the show a vibrant foundation for some standout performances.

Lauren Mathews’ Wednesday Addams is terrific, offering a Wednesday who is smart, guarded, and brimming with the dry, deadpan wit audiences expect - but also carrying the emotional uncertainty of someone stepping into adulthood faster than she planned. Her performance captures a teenager caught between loyalty to her wonderfully strange family and the terrifying possibility of real change. Because the story ultimately revolves around love - romantic, familial, and everything in between - Mathews becomes the hinge of the entire narrative, and she handles that responsibility with clarity and confidence.

Collin Borisenko’s Uncle Fester adds a welcome dose of sweetness and eccentricity, leaning into Fester’s gentle oddball nature without tipping into caricature, while Amy Arbizzani’s Alice Beineke provides some of the evening’s biggest laughs as a tightly wound suburban mom whose unraveling becomes a comedic highlight. Arbizzani’s timing - and her ability to really belt when the moment calls for it - turns her musical outbursts into genuine showstoppers.

BrightSide’s creative team shapes this production with care and a clear affection for the material. Under De Haddad’s direction, the musical moves with clear, unfussy ease, balancing the story’s humor and heart while keeping the unconventional Addams world feeling cohesive and inviting. Shane Brown’s choreography adds light, well placed movement that supports the storytelling without crowding the stage, giving each number a clear, character focused lift. Phil Videckis leads the music with steady assurance, keeping the score’s personality and emotional beats aligned with the action. Cheryl Newman’s costumes offer a thoughtful blend of familiar Addams silhouettes and clean, stage ready designs, while Kurt Ottinger’s lighting brings subtle shifts in mood and color with just enough theatrical shadow to frame the world effectively. The production’s scenic design, crafted by Ariel Mozes, provides a space that feels both spooky and welcoming - a home that fits the Addams tribe and the story unfolding within it. One of the production’s most engaging details is the way the Ancestors drift in and out of the family portraits, turning the walls of the Addams home into a living gallery that observes the action as it unfolds.

Pugsley and Wednesday Addams (Carson Kelley and Lauren Mathews) in Brightside Theatre’s The Addams Family Musical. 

This is a funny show that is all about love, and BrightSide delivers that humor with a light, playful touch that keeps the audience laughing. And even when some of the jokes are predictable, they still land, because the delivery, timing, and sheer Addams‑style absurdity make the familiar feel fun rather than tired. I did wonder whether comedy born sixty years ago would still resonate with today’s crowd, but the production blends the classic Addams deadpan with a few modern winks - including some sly innuendo and contemporary asides - that make the jokes feel fresh without betraying the spirit of the original. The crowd was a mix of longtime Addams fans and newer generations, something made instantly clear when the familiar theme kicked in - a handful snapped right on cue while others clapped along. It was a fun blend of reactions, and the overall effect showed that the humor lands for everyone.

Big musical moments like When You’re an Addams burst with playful choreography and gothic silliness, setting the tone right from the start. Later, Full Disclosure turns a family dinner into a brilliantly chaotic spectacle, layering jokes, reveals, and ensemble energy in a way that feels both sharp and amusingly messy. Morticia’s Just Around the Corner is another highlight - a charming bit of dark humor built around her cheerful pun that “death is just around the coroner… get it?” delivered with exactly the kind of melodramatic glint the character thrives on.

For so many of us, The Addams Family began in grainy black and white reruns on TV - the kind you’d stumble upon on a quiet afternoon, or watch curled up on the couch, instantly pulled into that wonderfully odd little world. Those episodes became part of childhood in a way that sticks, shaping our sense of humor and giving us characters who felt strange, sweet, and strangely familiar all at once. Seeing the Addamses still make people smile today - onstage, in full color, with all their offbeat charm intact - is a reminder of how enduring they are. Decades later, they’re still beautifully weird, still welcoming, and still capable of bringing out that same simple, shared joy.

BrightSide Theatre’s The Addams Family Musical is recommended, offering a spirited, nostalgic, and thoroughly enjoyable night out for audiences of all ages. The production runs October 2–18, 2026 at the Theater at Meiley Swallow Hall at North Central College, located at 31 S. Ellsworth St. in Naperville. With an estimated running time of 2 hours and 30 minutes, including intermission, it’s an evening that delivers plenty of laughs, charm, and quirky family fun - a welcome return to the wonderfully weird world of the Addams clan.

https://brightsidetheatre.com/the-addams-family/

Do you like scary movies? I do. I blame the origin of this love of scary movies to being tricked into watching The Blair Witch project alone in a glass house in The Hills in Southern California in middle school; I loved the adrenaline rush, the ‘would I have survived that’ thought process that ensues. With spooky season officially upon Chicagoland, do you think I would miss the opportunity to see an Immersive Puppet Haunted House? No chance.

House of the Exquisite Corpse IV: SUPERSTITIONS is an annual themed anthology of puppetry art show. Part haunted house, part puppet show, and part platform for artists to create an immersive, experimental, non-hierarchical art form. The immersive puppet show features six haunted rooms which feature a different puppet show that run about 5-6 minutes a piece. You as a viewer observe the performances through peep-holes, adding to the voyeuristic horror-like setting. Each year, teams of multidisciplinary  puppet artists anchor to one particular theme which the artists interpret, prepare, and perform for audiences. This year’s anthology is centered around superstitions, each of the performances, each selecting a different superstition to feature. There’s “Step on a Crack,” by Ken Buckingham and Corey Smith,  “Broken Mirror,” by Justin D’Acci and Pablo Monterrubio, “If you lie, the devil’s darning needle will sew your mouth shut,” by Chio Cabrera, Alonso Galue and Brett Swinney, “Through the Looking Glass,” by Felix Mayes and Cam Armstrong Smith, “A White Bird in the House is an Omen of Death,” by Jacky Kelsey, Fletcher Pierson and Kevin Wesson, “Dreams Foretell the Future,” by Sion Silva and Emilie Wingate.

I know what you might be thinking. Horror show? Not for me. But for those perhaps not a fan of scary movies, fear not. There are no jump scares, no gore, only a series of artistic expressions utilizing multiple different puppet mediums. But puppets? Really? Yes! Did you know there are actually six different types of puppetry? There are far more than just those like Lambchop (creepy) or puppets like those in Avenue Q. There are marionettes, hand puppets, rod puppets, shadow figures, and Bunraku-style puppets, and you’ll see many of these artforms on display at House of Exquisite Corpse. The puppets add to that particular spine tingling, skin crawling curiosity that one gets when watching a scary or suspenseful film and it is executed in fascinating ways.

While there are no jump scares that will leave your heart pounding, the shows do feature some visual and auditory elements such as frightening imagery, strobe lights, loud noises, and haze effects. But fear not, those so inclined may soothe any creepy crawly feels with a drink at Front Bar at Steppenwolf Theatre only steps away. You will be on your feet for the majority of the show. The floor is concrete, so you may want to wear comfortable shoes. Audience members with limited mobility will be accommodated, all you need to do is email This email address is being protected from spambots. You need JavaScript enabled to view it. to discuss any accessibility needs. The show is recommended for audiences aged 14 and over.

House of the Exquisite Corpse IV: SUPERSTITIONS runs through spooky season ending its run on November 2nd is conveniently located at the south end of the Steppenwolf complex, 1624 N Halsted, in Chicago's Lincoln Park neighborhood tickets are available at www.tickettailor.com. Don't miss your chance to see SUPERSTITIONS at House of the Exquisite Corpse, you won't regret it, just be sure to throw a pinch of salt over your shoulder, just in case.

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