Displaying items by tag: summer theatre

It is possible that Oak Park Festival Theatre’s production of Oscar Wilde’s 1895 “trivial comedy for serious people,” The Importance of Being Earnest, was suffering from some opening night jitters and that the actors will settle in and trust the verbal comedy in the script, but on this beautiful evening under the stars, there was too much mugging and nudging going on. Nevertheless, Wilde’s play, about two young men, Algernon (August Forman) and Jack (Chad Bay), who have both invented alibis - Algernon an invalid friend named Bunbury in the country and Jack a degenerate younger brother in town--to allow them to indulge their socially questionable whims, leading to the difficulty of having to explain why neither is Ernest, is still funny. And, despite the excesses on display, this staging still holds many delights for fans of Wilde, verbal comedy, and, particularly in the second act, some smartly choreographed slapstick. What is missing from much of the evening is earnestness. Many of the actors seemed to be in search of motivation and the stakes that propel them through this admittedly effervescent frolic.

Working with a talented cast of regional stage actors, director Kathryn Walsh has not created a secure world for her creative team to inhabit, resulting in an often funny but not dynamic production, with shrill delivery and broad physical comedy undermining human-scale relationships. The tone and gestures of the various characters range wildly, as do the design elements. The whimsical, vaguely Victorian costumes, while fun, support the cartoonish elements of the production, while not always clearly defining the characters. The lighting design by Devin Cameron is appropriately warm and effectively saturated but also deploys unnecessary flourishes to support the comedic business. The scenic design by Evan Frank likewise captures the locations of the play and allows the actors to find many levels - literally - as they shift allegiances and stratagems. Justin Cavazos’s sound design and compositions lend unobtrusive support, except for one hilariously developed cue that draws attention to itself in a good way. Overall, Walsh’s production would be better served by trusting the script and the audience, especially in the first act, when we are getting to know the characters and their desires. That said, both Walsh’s direction and her cast fully commit to the amorous and combative collisions at the beginning of the second act, which showcases the physical and verbal comedic gifts of all to uproarious effect.

As part of the Oak Park Festival Theatre's 51st season (left to right) August Foreman, Barbara Zahora, Aurora Pennepacker, Drew Bos, Sonia Goldberg and Chad Bay in The Importance of Being Earnest at Austin Gardens.

One of the things that makes The Importance of Being Earnest work is the moral certitude that the characters bring to their pronouncements, no matter how absurd they are or whether their actions correspond to their words. This certitude also grounds the characters in their truths and forms the foundation of their interactions, but too often the actors are checking in with the audience to see if they got the joke (especially when many of Wilde’s observations still resonate) or negotiating with the lines. By the middle of the second act, the characters begin to define themselves, but much opportunity for connection is lost in the first. August Forman as Algernon flings himself into the role with wild abandon and invites the audience along for the ride. An adept comedian, Forman’s strategy often pays off but undermines Algernon’s insecurity as he balances his needs with society’s demands. All that aside, his Algernon’s compulsion for muffins is not to be missed. As his friend Ernest, who is actually Jack, Chad Bay does a good job of playing the less self-aware of the friends and playing up the character’s completely unjustified horror at Algernon’s embrace of Bunburyism. As Jack’s romantic interest, and Algernon’s cousin, Gwendolen, Sonia Goldberg at times overplays her character’s pretensions, some of which Gwendolen is still struggling to master, making Goldberg’s characterization overwhelmingly self-possessed at times. Conversely, Barbara Zahora lacks the imperiousness of many Lady Bracknells, giving the character an interesting warmth, but making her power solely transactional, which could be an interesting choice if it were played more fully. Aurora Pennepacker as Cecily strikes the most effective balance between the verbal and physical comedy, making the most of the opportunities to show Cecily’s willingness to exploit others’ assumptions about her character and her real understanding of her powerlessness without this ability. In Jodi Gage’s performance, Ms. Prism is a refreshingly insightful tutor to Cecily, while doggedly hanging onto youthful romanticism. Gabriel Armstrong is a very youthful Reverand Chasuble, celebrating his sudden relevance in parish life. Drew Bos may be the youngest actor to play the dual roles of Lane and Merriman in a professional production and wisely focuses on the class commentary afforded by the butlers of their respective households. His droll Lane gives Algernon food for thought in Act I, while his Merriman, already suffering from the physical strain of servitude despite his youth, effectively times his long-suffering pauses at each new demand (though Bos may need a visit to a chiropractor after the run). The experienced cast expertly and clearly delivers Wilde’s witticisms, which are always worth revisiting and occasionally resonate with the current social dynamics.

As the run continues, the production will most likely settle in and allow the script to propel the pacing and action more fully, especially in the more expository first act. There is much to appreciate in Oak Park Festival Theatre’s The Importance of Being Earnest, including a smart cast who find both the verbal and physical humor inherent to the play. Director Kathryn Walsh and her cast also explore fresh takes on the characters, some more successful than others, but always welcome. For those unfamiliar with Wilde’s play, this production is a solid introduction.

The Importance of Being Earnest runs in repertory with Hamlet, through August 14, outdoors in Austin Gardens in Oak Park, Illinois. Visit Season 51 | Oak Park Festival Theatre or call (708) 300-9396 for tickets and more information. Note: a number of the actors perform in both Earnest and Hamlet, and Oak Park Festival Theatre is offering discounted tickets for audiences who want to see both.

Goodman's Centennial 25/26 Season concludes on a high note, with programming for all ages, interests and neighborhoods. The theater announces its 4th annual partnership with Chicago Park District's "Night Out in the Parks" to bring The Lizard y El Sol, a Theater for the Very Young (TVY) play, into 12 public spaces citywide. At the same time, famed longtime improvisers, actors and friends TJ Jagodowski and David Pasquesi (with musical guest Ike Reilly) return for a third summer in the Owen Theatre with their comedy show TJ and Dave. Plus, Chicago playwrights William Glick and Lachrisa Grandberry, The Goodman's 25/26 New Stages Residency playwrights, offer a first look at their new plays in free readings while The Goodman welcomes 60+ high schoolers for its annual youth summer programs—Playbuild Youth Intensive and Musical Theatre Intensive.

These events complement The Goodman's previously announced summer programming, including two musicals: Iceboy! or, The Completely Untrue Story of How Eugene O'Neill Came to Write "The Iceman Cometh," starring Megan Mullally and Nick Offerman in its world premiere, and Raven Theatre's hit Octet transferring to The Goodman following a sold-out run in its north side home. In addition, Dennis Watkins welcomes internationally celebrated magician Eric Jones to The Magic Parlour for a three-week residency next month, and Theater of the Mind continues through August 30 with a new $99 "Make It a Date Night" ticket package now available. For tickets and reservations, call 312.443.3800 or visit GoodmanTheatre.org. Media members interested in covering these events should contact This email address is being protected from spambots. You need JavaScript enabled to view it. for complimentary press passes. More info appears below. 

ABOUT THE SUMMER OFFERINGS

Iceboy! or, The Completely Untrue Story of How Eugene O'Neill Came to Write "The Iceman Cometh" 
Music By Mark Hollmann 
Lyrics by Mark Hollmann and Jay Reiss 
Book by Erin Quinn Purcell and Jay Reiss 
Directed by Marc Bruni | Choreographed by JoAnn M. Hunter 
Through August 9 | The Albert Theatre 
Tickets: $49-$209, subject to change 

Broadway's brightest star of 1939, Vera Vimm, is at the top of her game—until she adopts a 40,000-year-old Neanderthal discovered frozen in the Arctic. As Iceboy thaws, he unexpectedly becomes a theatrical sensation, inspiring Eugene O'Neill and challenging Vera for center stage. The world-premiere production stars Megan Mullally and Nick Offerman and features music by Mark Hollmann, lyrics by Mark Hollmann and Jay Reiss, and book by Erin Quinn Purcell and Jay Reiss—the Tony Award-winning creators behind Urinetown (Hollmann, with Greg Kotis) and The 25th Annual Putnam County Spelling Bee (Reiss, with Rachel Sheinkin and William Finn)—with Grey Henson in the title role, Cedric Yarbrough, Sarah Stiles, Alex Goodrich and more. Directed by Marc Bruni with choreography by JoAnn M. Hunter, it's at once the capstone of The Goodman's Centennial Season and its latest in a long history premiering new large-scale American musicals. The Goodman is grateful for the support of Edgerton Foundation (New Play Award), Mayer Brown (Lead Corporate Sponsor) and Athletico Physical Therapy (The Official Physical Therapy Provider for Goodman Theatre). GoodmanTheatre.org/Iceboy

Guest Artist Eric Jones' three-week residency at The Magic Parlour 
July 10-26 | 50 W. Randolph 
Tickets: $76-$106 

A special guest star, a new block of tickets, and more magic comes to The Magic Parlour this summer. Acclaimed third-generation Magician Dennis Watkins announces a new block of tickets for performances through end of year, December 2026. In addition, "Chicago's premiere resident magician" (Chicago Tribune) welcomes Eric Jones—a fan favorite and semi-finalist on NBC's America's Got Talent who stunned the famed magicians on Penn & Teller: Fool Us—for a limited three-week residency this summer. Now in its third year, The Magic Parlour is a custom magic theater in the heart of the Loop that has welcomed more than 28,000 Chicagoans to 700+ performances and bespoke private events—including hosting some of the nation's greatest magicians as guest artists-in-residence and special performances. TheMagicParlourChicago.com

Raven Theatre's production of Dave Malloy's Octet 
Presented by The Goodman 
Directed by Kiera Fromm | Music Directed by Nick Sula | Choreographed by Laura Savage 
July 15-26 | The Owen Theatre 
Tickets: $44-94 

In an anonymous meeting room on the North Side of Chicago, a group of people—always eight—gathers to sing. Best known for the Broadway hit Natasha, Pierre, & The Great Comet Of 1812, Dave Malloy's Octet uses chamber-inspired a cappella music to explore the total impact of life online. Hailed by The New York Times as "the most original and topical musical of the year" for its 2019 Off-Broadway premiere, this inventive and acutely relevant piece reflects the perils of the digital age. GoodmanTheatre.org/Octet

The Lizard y El Sol 
Presented as part of the Chicago Park District's Night Out in the Parks Series, supported by the Mayor's Office and the Chicago Department of Cultural Affairs and Special Events (DCASE) 
Co-Directed by Jamal Howard and Raquel Torre 
July 22 – August 9 | Appearing at 12 locations citywide 
Tickets: FREE; reservations encouraged but not required 

This summer, The Lizard y El Sol springs to life in 11 parks and 1 library across the city, bringing free outdoor theater adventures for children ages 0–5 and the grown-ups who love them. When El Sol (the sun) mysteriously vanishes from the sky, it's up to one brave Lizard to embark on a quest to find and bring back the light. Audiences of all ages will enjoy this enchanting retelling of a beloved Mexican folktale featuring interactive storytelling and Mexican-inspired music and dance. The play is presented primarily in Spanish, but is designed to be enjoyed and understood by both Spanish and non-Spanish speakers. All performances are one hour long followed by a hands-on workshop for audiences. The Goodman is grateful for the support of the Laura Sachs Foundation (Major Individual Sponsor), Wintrust Commercial Bank(Community Programs Sponsor), Kirkland & Ellis (Arts in Community Sponsor). GoodmanTheatre.org/Lizard

"Through our partnership with Night Out in the Parks, we're able to bring high-quality theatre directly into neighborhoods across Chicago, creating opportunities for children to experience the wonder, the joy and the connection that live performance offers," said Clifford Director of Education and Engagement Jared Bellot, who oversees Theater for the Very Young, PlayBuild and Musical Theatre Intensive summer youth programs. "At The Goodman, we believe that our youngest audiences deserve richly intentional artistic experiences, and this production reminds us that theater can spark curiosity, build community and help young people see themselves as active participants in the world around them."

Theater for the Very Young (TVY) programming offers immersive theatrical experiences—produced and performed by professional artists—designed for children ages 0–5 years old to experience alongside the grown-ups in their lives. Created in 2023 by Goodman Walter Artistic Director Susan V. Booth in response to research demonstrating the profound impact the arts can have on early childhood development and long-term learning outcomes, TVY introduces Chicagoland's youngest audiences to live theater through storytelling, music, movement and sensory-rich play produced and performed by professional artists. Over the past three years, TVY has served thousands of children and families in Chicago parks, theaters, schools and community spaces with productions of the plays Splish Splash: A Day on the Lake (2026); Book Up! (2025); The Lizard y El Sol (2024); and Pearl Cleage's In My Granny's Garden (2023).

TJ and Dave 
With special musical guest Ike Reilly 
July 30-31, August 1 at 7:30pm | The Owen Theatre 
Tickets: $29-49 

TJ Jagodowski and David Pasquesi—"two of the world's finest practitioners of the art of long-form improv" (Time Out Chicago)—bring their unforgettable live performance back to The Goodman's Owen stage. Over the past two decades at venues across the country and overseas, TJ and Dave walk out on stage without characters, dialogue or plot. One hour later, their two-person completely improvised show leaves an audience with one of the funniest nights of their lives. Hailed as "Second City-seasoned masters of long form improv" (The New York Times) and "Zen masters of their art; improv virtuosos, blissful to watch" (The Guardian) serving up "the best improv comedy we've ever seen: brilliant, heart-breaking, mind-blowing and inspiring" (Time Out New York), Jagodowski and Pasquesi have become living legends in their field. Don't miss their limited three-night-only engagement—with special musical guest, Ike Reilly. GoodmanTheatre.org/TJandDave

Youth Intensive Education and Engagement Summer Programs 
PlayBuild Youth Intensive | June 22 – July 27 
Musical Theater Intensive | July 6 – August 10

Over sixty high schoolers join The Goodman's long-running summer youth programs—PlayBuild and Musical Theater Intensive—this summer. Both five-week programs are offered FREE and full-time, with participants attending Monday through Thursday working with teaching artists and local theater professionals. PlayBuild Youth Intensive (June 22 – July 27) immerses participants in the building blocks of live storytelling and performance, refining their skills in acting, playwriting, creative writing, improvisation, physical theater and ensemble work. Students learn a range of skills from local industry professionals and devise an original theater production created by the PlayBuild ensemble. Musical Theater Intensive (July 6 – August 10) is a pre-professional program that introduces and supplements musical theater knowledge in its participants, acquainting them with the demanding lifestyle of performance as they refine skills in acting, dancing, singing, storytelling and ensemble work, also culminating with a final performance on The Goodman stage. The Goodman is grateful for the support of the Quaker Oats Company (Corporate Support of PlayBuild Youth Intensive).

New Stages Residency Readings 
The Last Time We Saw Them by William Glick | July 20 | 7:30pm | Healy Rehearsal Hall 
Black-Eyed Peas and Collard Greens by Lachrisa Grandberry | September 17 | 7pm | Alice Center 
Tickets: FREE; reservations open three weeks prior to each reading 

Be first to experience the plays of tomorrow with staged readings of works-in-progress from this season's New Stages Residents—Chicago-based writers creating new pieces in collaboration with The Goodman. Established in 2010 as the "Playwrights Unit," the New Stages Residency supports multiple writers each season, offering tailored developmental support for works-in-progress and fostering close connections between Goodman staff and Chicago artists. Residency writers are embedded in The Goodman's artistic staff for the season and are considered artists-in-residence at the theater. The Goodman is grateful for the support of the Ruth D. And Ken M. Davee New Works Fund (Major Support of New Play Development), Pritzker Pucker Family Foundation (Major Support of New Work), and Harold and Mimi Steinberg Charitable Trust (Major Support of New Work).

Theater of the Mind 
Co-created by David Byrne and Mala Gaonkar 
Directed by Andrew Scoville 
Through August 30 | Reid Murdoch Building, 333 N. LaSalle St. 
Tickets: Starting at $69; subject to change 

Directed by Andrew Scoville and Technology Director Heidi Boisvert, PhD, Theater of the Mind is a 75-minute mind-bending sensory journey for 16 audience members at a time. Led by a Guide whose stories are inspired by the creators' lives, audiences explore how they perceive the world through sensory experiments derived from both historical and current neuroscience research that reveal the inner mysteries of the brain. A new "Make it a Date Night" package is now available: $99 for two tickets, two complimentary drinks at the Theater of the Mind bar, and a free dessert-for-two with dinner reservations at Nonnina restaurant (340 N. Clark Street), valid for performance time slots starting at 8 pm on Wednesday and Thursday evenings (subject to availability). The Goodman is grateful for the support of Northern Trust, the Chicago Department of Planning and Development, the Alfred P. Sloan Foundation, the Illinois Office of Tourism, and Friedman Properties. Theater of the Mind is produced here in special arrangement with Arbutus, a not-for-profit founded by David Byrne to celebrate, re-present, and amplify ideas found in surprising places. TheateroftheMindChicago.com

ABOUT THE GOODMAN

Since 1925, The Goodman has been more than a stage. A theatrical home for artists and a gathering space for community, it's where stories come to life—bold in artistry and rich in history, deeply rooted in the city it serves.

Led by Walter Artistic Director Susan V. Booth and Executive Director John Collins, The Goodman sparks conversation, connection and change through new plays, reimagined classics and large-scale musicals. With distinctions including nearly 200 world or American premieres, two Pulitzer Prizes, 22 Tony Awards and nearly 200 Joseph Jefferson Awards, The Goodman is proud to be the first theater to produce all 10 plays of August Wilson's "American Century Cycle." In addition, the theater frequently serves as a production partner—with national and international companies to Chicago's Off-Loop theaters—to help amplify theatrical voices.

But The Goodman believes a more empathetic, more connected Chicago is created one story at a time, and counts as its greatest legacy the community it's built. Generation-spanning productions and programs offer theater for a lifetime; from Theater for the Very Young (plays designed for ages 0-5) to the long-running annual A Christmas Carol, which has introduced new generations to theater over five decades, The Goodman is committed to being an asset for all of Chicago. Education and Engagement programs led by Clifford Director of Education and Engagement Jared Bellot and housed in the Alice Rapoport Center use the tools of theater to spark imagination, reflection and belonging. Each year, these programs reach thousands of people (85% from underserved communities) as well as educators, artists and lifelong learners across the city.

The Goodman stands on the unceded homelands of the Council of the Three Fires—the Ojibwe, Odawa, and Potawatomi Nations—and acknowledges the many other Nations for whom this land now called Chicago has long been home, including the Myaamia, Ho-Chunk, Menominee, Sac and Fox, Peoria, Kaskaskia, Wea, Kickapoo, and Mascouten. The Goodman is proud to partner with the Gichigamiin Indigenous Nations Museum (Gichigamiin-Museum.org) and the Center for Native Futures (CenterForNativeFutures.org)—organizations devoted to honoring Indigenous stories, preserving cultural memory, and deepening public understanding.

The Goodman was founded by William O. Goodman and his family to honor the memory of Kenneth Sawyer Goodman—a visionary playwright whose bold ideas helped shape Chicago's early cultural renaissance. That spirit of creativity and generosity endures today. In 2000, through the commitment of Mr. Goodman's descendants—Albert Ivar Goodman and his late mother, Edith-Marie Appleton—The Goodman opened the doors to its current home in the heart of the Loop.

Marsha Cruzan is Chair of the Goodman Theatre Board of Trustees; Diane Landgren is Women's Board President; and Kelli Garcia is president of the Scenemakers Board for Young Professionals. 

Porchlight Music Theatre is proud to announce the return of its free summer concert series Broadway in your Backyard, July 6 - September 19, sponsored by Chicago Free For All Fund. Broadway in your Backyard is directed by Artistic Director Michael Weber, music directed by Linda Madonia and starring Tafadzwa Diener, Nik Kmiecik, Juwon Tyrel Perry and Bethany Thomas. For more information go to PorchlightMusicTheatre.org.

Now in its sixth year, this free to the public summer series has become one of Porchlight’s most popular offerings with thousands of people enjoying Porchlight favorite artists performing hits and beloved songs from the Broadway and Hollywood musical song books including Hello, Dolly!, Mary Poppins, Willy Wonka and the Chocolate Factory, Toy Story, The Wiz and others. 

The 2026 Broadway in your Backyard season is 

Monday, July 6 at 6:30 p.m.

Northcenter Town Square,  4100 N. Damen Ave.

This appearance also includes a performance from students of The Chicago Academy for the Arts. 

Tuesday, July 7 at 6:30 p.m.

Welles Park,  2333 W. Sunnyside Ave.

This appearance also includes a performance from students of The Chicago Academy for the Arts. Additionally, audiences may join Porchlight’s Education as they host a “Kids’ Day” at Welles Park with activities and treats for children, while supplies last. 

Monday, July 13 at 6:30 p.m.

Berger Park,Waterfront Cafe, 6205 N. Sheridan Rd.

This appearance also includes a performance from PMTeens, Porchlight’s teen performers enrolled in its summer education programming.

Tuesday, July 14 at 6:30 p.m.

Washington Square Park, 901 N. Clark St. 

This appearance also includes a performance from PMTeens, Porchlight’s teen performers enrolled in its summer education programming and Porchlight Young Professionals Associate Board hosting a “Picnic With PYP” at the performance. “Picnic With PYP,” additional details to be announced. 

Navy Pier, STAGE TBD, 600 E. Grand Ave.

Saturday, Sept. 19 at 12:30 p.m.

Porchlight Music Theatre presents its popular Broadway in your Backyard program of family-friendly showtunes as it joins more than 110 artists and organizations for Navy Pier’s the annual celebration of Chicago’s vibrant arts and cultural community. 

Performance dates and venues are subject to change.

ABOUT PORCHLIGHT MUSIC THEATRE

Porchlight Music Theatre, in its 31st season, is the award-winning center for music theatre in Chicago. Through live performance, youth education and community outreach, we impact thousands of lives each season, bringing the magic of musicals to our theatre home at the Ruth Page Center for the Arts in the Gold Coast and to neighborhoods across the city. Porchlight has built a national reputation for boldly reimagining classic musicals, supporting new works and young performers, and showcasing Chicago’s most notable music theatre artists, all through the intimate and powerful theatrical lens of the “Chicago Style.” 

Porchlight's history over three decades includes more than 70 mainstage works with 15 Chicago premieres and five world premieres. 

Porchlight's education and outreach programs serve schools, youth of all ages and skill levels and community organizations. Porchlight annually awards dozens of full scholarships and hundreds of free tickets to ensure accessibility and real engagement with this uniquely American art form. 

The company’s many honors include 178 Joseph Jefferson Award (Jeff) nominations and 50 Jeff awards, as well as 44 Black Theatre Alliance (BTA) nominations and 15 BTA awards. In 2019, Porchlight graduated to the Large Theatre tier of the Equity Jeff Awards and has been honored with seven awards in this tier to date including Best Ensemble for Duke Ellington’s Sophisticated Ladies (2019) and Best Production-Revue for Blues in the Night (2022). 

Through the global pandemic, Porchlight emerged as one of Chicago’s leaders in virtual programming, quickly launching a host of free offerings like Sondheim @ 90 Roundtables, Movie Musical Mondays, Porchlight by Request: Command Performances and WPMT: Classic Musicals from the Golden Age of Radio. In 2021, Porchlight launched its annual summer series, Broadway in your Backyard, performing at parks and venues throughout the city.