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LIVING THE DREAM: MORE ABOUT HOME, I’M DARLING
Judy and Johnny are living their dream: the idealized 1950s suburban life. As Judy doubles down on her fully immersive retro domestic fantasy, the seams of their hyper-curated life begin to fray. What begins as a lifestyle choice becomes a revealing—and unsettling—interrogation of gender roles, identity, and what it costs to perform happiness.
“What I love about Home, I’m Darling,” said director Mechelle Moe, “is how incredibly seductive Judy’s fantasy can be. She has fully embraced the role of a domestic goddess, creating this picture-perfect version of a life that becomes increasingly difficult to sustain. And it’s really funny.”
“The play gives us permission to laugh at the absurdity of it all while also asking some pretty uncomfortable questions about nostalgia and our tendency to romanticize, or even fetishize, a past that was never quite as simple or perfect as we imagine it,” Moe added. “Underneath all of that humor is a very human desire to make a life feel safe, beautiful, and meaningful. I hope audiences will recognize both the seduction of that fantasy and the cost of trying to make it real—and leave with plenty to talk about when the cracks begin to show.”
TimeLine’s Chicago premiere of Home, I’m Darling features Company Member Janet Ulrich Brooks (she/her) as Sylvia. The rest of the cast – Brandon Dahlquist (he/him) as Marcus, Claire Kaplan (she/her) as Judy, Gloria Imseih Petrelli (she/they) as Alex, Maya Rowe (she/her) as Fran, and Elliot Sagay (he/him) as Johnny – are all making their TimeLine Theatre debuts.
The design and production team includes Mechelle Moe (Director, she/her), Courtney O’Neill (Scenic Designer, she/they), Christine Pascual (Costume Designer, she/her), Maggie Fullilove-Nugent (Co-Lighting Designer, she/her), Josiah Croegaert (Co-Lighting Designer, he/him), Andrew Hansen (Sound Designer, he/him), Amy Peter (Properties Designer, she/her), Greg Geffrard (Intimacy Director, he/him), Breon Arzell (Choreographer, he/him), Eva Breneman (Dialect Coach, she/her), Jared Bellot (Dramaturg, he/him), Dina Spoerl (Dramaturgical Display Designer, she/her), Logan Smart (Assistant Director, he/they), Trent Jones (Assistant Scenic Designer, he/him), Paloma Locsin (Assistant Properties Designer, she/her), Katie Klemme (Stage Manager, she/her), and Mia Maccarella (Assistant Stage Manager, she/her). Understudies are Jeannie Affelder (she/her, Sylvia), Dave Honigman (he/him, Marcus), Rachel Kang (she/her, Judy), Ben Murphy (he/him, Johnny) and Heidi Musec (she/her, Fran).
“TimeLine is thrilled to introduce this wickedly smart comedy to Chicago. We’ve been huge admirers of this play since it took London by storm, and we’ve been longing to produce its Chicago premiere ever since,” said TimeLine Theatre Artistic Director PJ Powers. “Coming on the heels of our world premiere of The Birth of the Pill, this production furthers a conversation about gender and progress, through the lens of one of the theatre’s most exciting and provocative playwrights, Laura Wade. As our inaugural season in our new home continues, we’re delighted to have director Mechelle Moe lead a stellar cast and design team, immersing our audience in a seemingly idyllic fantasy world of the 1950s, shining a light on how far we have and haven’t come.”
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