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Displaying items by tag: Alison C Vesely

In the action-packed world premiere of Captain Blood, First Folio Executive Producer David Rice along with his wife, Artistic Director Alison C. Vesely, have collaborated on a swashbuckling adventure that is sure to be long remembered for its choreographed swordfights, enthralling story and witty comicality. Sadly, Alison recently lost a two-year battle with cancer and passed away just two months before Captain Blood’s debut. But her final collaboration with her husband will undoubtedly leave its mark on those who see it, as it is sure to be rooted in the minds of audience members thanks to Rice’s skilled writing, a talented cast and a strong directing effort. A fitting tribute to Alison C. Vesley, Captain Blood is stamped with Rice’s humor and is engulfed with a subtle warm-heartedness throughout and not-so-subtle theme of love that can only exist in a project of true passion.  

Adapted from Rafeal Sabatini’s 1922 classic novel Captain Blood (later turned into a film in 1935), theatre goers are regaled to the captivating high seas exploit of Peter Blood, a 17th century British physician, imprisoned by his own country for treating enemy Spanish soldiers. Blood is soon sold to a plantation on a Caribbean island for ten pounds where he becomes a slave. It’s not long after his enslavement that Blood falls in love with the niece of the plantation’s owner, Arabella Bishop. But after a daring escape, Blood soon takes to the waters, this time as a Caribbean pirate captain, whose favorite pastime is robbing Spanish ships. Throughout his pillaging, we wonder if Captain Blood will once again cross paths with his love, Arabella. 

Wonderfully directed by Janice L. Blixt, Captain Blood is a thrilling story of romance and freedom. Though a fast-paced pirate adventure, Blixt does a fantastic job of implementing a strong leitmotif of love as the play’s underlying driving force. 

Nick Sandys (Artistic Director of Remy Bumppo) leads this gifted cast as Captain Blood, a role that Rice immediately envisioned for the dashing actor five years ago during the project’s inception. Not only does Sandys deliver a picture-perfect performance as the charming, yet dynamic captain, he is also the contributing force behind the choreography of the play’s many dazzling swordfights and action scenes.  Sandys is joined by Heather Chrisler as his subject of love, Arebella Bishop. Some might remember Chrisler for her compelling portrayal of Virginia Poe in Rice’s brilliant work, The Madness of Edgar Allan Poe. Though not as challenging a role as Virginia Poe, Chrisler is as flawless as can be as Arebella, giving Sandys a believable counterpart to whom we can truly relate. 

The play also gets a boost from veteran actor Kevin McKillip whose previous work includes First Folio’s The Madness of Edgar Allan Poe and The Winter’s Tale. McKillip takes on dual roles as both Hagthorpe, a ship crew member who helps narrate the play, and Don Alan, a Spanish sea captain. It is McKillip who draws the biggest laughs due to his delicious comic timing and hilarious delivery of a Castilian Spanish accent. Other nods go to Christopher W. Jones as Wolverton, Sam Krey as Lord Julian and Aaron Christensen as Colonel Bishop/Harper.

With its many characters donning costumes to the likeness of the era and a vast set that is often used as a nautical vessel complete with trapdoors and projections of the Caribbean seascape, it is easy to get lost into this classic story. 

Captain Blood is an adventurous production that is sure to capture the hearts and imagination of all those who are seeking high seas fun, action and love. Recommended as a show the entire family can enjoy, Captain Blood will be performed at the Mayslake Peabody Estate in Oakbrook through February 26th. For tickets and/or more information on this beautifully adapted for stage production of the definitive novel, click here

 

Published in Theatre in Review
Tuesday, 18 October 2016 14:04

Dr. Seward's Dracula Finishes Strong

In tradition of the Halloween season, First Folio Theatre keeps with its ongoing classic horror theme, this time presenting the world premiere of “Dr. Seward’s Dracula” in line with past productions “Frankenstein” and “The Madness of Edgar Allan Poe”. Finely adapted by Joseph Zettelmaier and cleverly directed by Jeff Award nominee Alison C. Vesely, a terrific tale is spun that is as dark as it is suspenseful.

 

The setting is perfect. Performed at the Mayslake Peabody Estate in Brookfield, viewers get a taste of nostalgia, easily associated with that of a classic horror film, the moment they enter the aged mansion. 

 

The story revolves around Dr. Seward, a former practitioner at an asylum who has since left due to a string of tortuous events including the death of his wife and an attack that left him stabbed in the stomach with the jagged leg of a wooden stool. Set in Seward’s home, he is constantly visited by his past wife and shoots morphine on a regular basis to curb the chronic pain he suffers from his stomach wound. Visited regularly by editor and close friend, Bram Stoker, a series of brutal murders piles up and suspicions leading to Seward as a suspect gradually become stronger. When Inspector Louis Carlyse enters the scene, things only get stranger, suspicions pointing more and more to Dr. Seward who is now questioning his own sanity. Seward claims a blood drinking monster named “Dracula” is responsible for the horrific murders, a story not so easily believed.

 

Though fine acting is present from the play’s beginning, Act One moves along at a slow pace, the opportunity of dramatic moments lacking in heavy suspense, leaving something to be desired to the mid-act crescendos that were most likely intended. However, Act Two comes on strong, providing the intriguement and excitement horror fans would have expected, completely redeeming the show and putting it on the must do list for Halloween activities. 

 

Christian Gray is thoroughly gripping as Dr. Seward, capturing the audience for good in just the play’s first scene. He never let’s go of that grip. One of the finest actors in the Chicagoland theatre scene, Gray is able to tackle such a role in a way that most cannot. Already performing in over twenty shows for First Folio, the gifted actor has already made his mark in such productions as the “Jeeves” series, “The Madness of Edgar Allan Poe”, “Romeo and Juliet” and “A Moon for the Misbegotten”. Now Gray can confidently add another knock out performance to his resume. 

 

The play rounds out with a handful of strong supporting performances with Craig Spidle as the Inspector, Joseph Stearns as Bram Stoker, Elizabeth Stenholt as Seward’s lost love Emily Covington and most notably Ted Kitterman as The Strange Man.

 

Gray’s performance is reason alone to see this play. However, it’s building story, ominous looking set and well-played roles of its assorted interesting characters add even more justification to see this frightfully tasty Halloween treat. 

 

First Folio’s “Dr. Seward’s Dracula” is being performed at the Mayslake Peabody Estate in Oakbrook through November 6th. For more show information visit www.FirstFolio.org.

 

 

 

 

Published in Theatre in Review
Monday, 13 July 2015 00:00

The Winter's Tale A Perfect Summer Treat

Set beneath the stars on the beautiful grounds that encompass the ever-impressive Mayslake Peabody Estate in Oakbrook, Illinois, First Folio Theatre Company continues its rich tradition in bringing engaging, well-acted and provocative stage performances to life that can be enjoyed by most every type of theatre goer. This year’s summer production is no less entertaining as William Shakespeare’s “The Winter Tale” takes to the outdoor stage - the story of a king who pays the consequences for being too quick to judge others.

Just a short walk from the mansion itself, the stage sits affront a handful of chairs and plenty of green to throw down a blanket in order to enjoy a picnic beforehand and then lie back and take in the show. Outdoor plays on the grounds have been taking place since 1997 and as one employee quotes, “It’s like Ravinia, only with closer parking.” And as for pesky mosquitos – not to worry – complimentary bug spray is available if needed along with insect repelling candles strategically placed around the lawn.

“The Winter’s Tale” begins when King Leonetes, in a fit of paranoid jealousy, wrongfully alleges his wife of having an affair with the visiting King of Bohemia, Polixenes. Standing true to his misguided accusations, his life slowly unravels as be becomes responsible for the death of his wife after deporting their newborn child to which he believes is a bastard and, in the process, also loses Camillo, his closest friend, advisor and confidant. When a shepherd stumbles upon Leonetes’ daughter, a new life in a new kingdom awaits her – that Kingdom being Bohemia. Fate takes an unpredicted turn. As she, now named Perdita, gets older, love blossoms between she and a Bohemian prince, Florizel, son of Polixenes. It is much later and with much regret for his wrongful actions that Leonetes tries to find redemption for the things he has done. Though we ask ourselves if it is too late for the remorseful king.

Kevin McKillip is powerful as the wayward king, Leonetes. With a very strong stage presence and Shakespearean dialogue delivered with such emphatic passion to the letter, McKillip is a true pleasure to watch. Kyle Haden as Camillo and Diana Coates as the queen’s trustful aide, Paulina, also give hard-hitting, jaw-dropping performances as does Ryan Czerwonko (Florizel), Kevin Theis (Polixenes) and Melissa Carlson (Queen Hermoine). Thankfully, the entire cast pulls their weight and then some.

Finely directed by Jeff Award-nominee Alison C. Vesely, “The Winter’s Tale” is the perfect outdoor treat as the story is intriguing from beginning to end, the set elaborate, the costumes colorful and the acting par for the course.

First Folio Theatre’s “The Winter’s Tale” is being performed through August 9th during its annual outdoor Shakespearean Under the Stars series on the grounds of the Mayslake Peabody Mansion. For tickets and/or more event information visit www.firstfolio.org

Published in Theatre in Review

 

 

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