Displaying items by tag: kevin douglas

Lookingglass Theatre Company, in keeping with its celebrated tradition of bringing to life Ensemble-created new work, presents the world premiere of Untitled Vampire Play, written by Ensemble Member Kevin Douglas and directed by Devon DeMayo. Concluding the company's 2025-2026 season, Untitled Vampire Play runs June 4 – July 12, 2026. Tickets for the production start at $33 and are available for purchase at lookingglasstheatre.org and 312.337.0665. 

Think you've got baggage? Try dating when you have centuries of relationship history and a literal body count. Sink your teeth into Lookingglass Theatre's sharply funny world premiere where the only thing more frightening than vampires (and a serial killer on the loose) is having to meet your new in-laws. This romantic-comedy-meets-horror-story explores love, commitment, codependency...and, of course, vampires.

"The genesis of Untitled Vampire Play came to me on my way to a funeral, oddly enough. I was pondering death and the big question, 'How do two people with different but unwavering convictions make a relationship work?'," notes playwright Kevin Douglas. "Using familiar vampire lore, I wanted to create a world where vampires deal with real human problems to both comedic and tragic effect." 

"I've long admired Kevin's work for its high theatricality, humor and heart. His work is delightfully sneaky; it has us laughing one minute and shocks and awes us the next," comments director Devon DeMayo. "Only Kevin can write a show about vampires that makes an audience feel so alive! By weaving romance, horror, and familial drama, Kevin's play grabs you by the throat and keeps you guessing."

Untitled Vampire Play features ensemble members Walter Briggs (Roderick) and Kareem Bandealy (Louie/Lance) alongside Courtney Rikki Green (Val), Jordan Anthony Arredondo (Dom), Jin Park (Rose/Alexa), and Cynthia Kaye McWilliams (Alicia/Douchey Dude).

The creative team includes Alyssa Mohn (Scenic Designer), Theresa Ham (Costume Designer), Jason Lynch (Lighting Designer), Andre Pluess (Sound Designer), Benjamin Barnes (Magic/Illusion Designer), Rachel Flesher (Fight/Intimacy Director), and Martine Kei Green-Rogers (Dramaturg).

Untitled Vampire Play                            

Written by:  Lookingglass Ensemble Member Kevin Douglas
Directed by: Devon DeMayo

Featuring:  Ensemble members Walter Briggs (Roderick) and Kareem Bandealy (Louie/Lance) alongside Courtney Rikki Green (Val), Jordan Anthony Arredondo (Dom), Jin Park (Rose/Alexa), and Cynthia Kaye McWilliams (Alicia/Douchey Dude).

Creatives:  Alyssa Mohn (Scenic Designer), Theresa Ham (Costume Designer), Jason Lynch (Lighting Designer), Andre Pluess (Sound Designer), Benjamin Barnes (Magic/Illusion Designer), Rachel Flesher (Fight/Intimacy Director), and Martine Kei Green-Rogers (Dramaturg).

Dates:                                      

Previews: June 4-12, 2026

Regular run: June 14-July 12, 2026

Community Nights: To Be Announced

Schedule:   

Tuesdays: 7:30 p.m. (only June 16 and July 30)                                                       

Wednesdays:               7:30 p.m.

Thursdays:                   2:00 p.m. (except June 4 and 11) and 7:30p.m.

 Fridays:                       7:30 p.m. (except June 19)

Saturdays:                    2:00 p.m. (except June 6, 13 and July 4) and 7:30 p.m. (except June 13 and July 4)

Sundays:                      2:00 p.m. and 7:30 p.m. (only July 5)

Box Office: Buy online at lookingglasstheatre.org or by phone at 312.337.0665

The Lookingglass box office is located at Water Tower Water Works, 163 E Pearson St at Michigan Ave

Accessibility at Lookingglass Theatre Company
Lookingglass Theatre Company is committed to making its performances accessible to all audiences. Each mainstage production offers open captioning, audio-described performances with Touch Tours, and mask-required performances. Discounted $35 tickets are available for each accessible performance using the codes below at lookingglasstheatre.org.

Open Captioning                                   Wednesday, July 1 at 7:30 p.m.             Use code CAPTION
Audio-Described/Touch Tour                 Thursday, July 9 at 2 p.m.                      Use code AUDIO
Mask-Required                                     Wednesday, June 24 at 7:30 p.m.          Use code MASK

An accessible entrance is located on Pearson Street, west of the main entrance at 163 E. Pearson Street. The Joan and Paul Theatre is fully accessible via elevator or ramp, with seating available on the ground floor and balcony for patrons using wheelchairs, scooters, walkers, or other mobility aids. Assistive Listening Devices, sensory bags, and large-print programs are available for all performances, and accessible group sales offer up to 25% off for parties of 10 or more.

For assistance with accessible seating, tickets, or accommodations, contact the Box Office at 312.337.0665 or This email address is being protected from spambots. You need JavaScript enabled to view it..

About Lookingglass Theatre Company

Founded in 1988 by graduates of Northwestern University, Lookingglass Theatre Company is a nationwide leader in the creation and presentation of new, cutting-edge theatrical works and in sharing its ensemble-based theatrical techniques with Chicago-area students and teachers through Education and Community Programs. Guided by an artistic vision centered on the core values of collaboration, transformation and invention, Lookingglass seeks to capture audiences' imaginations leaving them changed, charged and empowered. Recipient of the 2011 Tony Award for Outstanding Regional Theatre, Lookingglass has built a national reputation for artistic excellence and ensemble-based theatrical innovation. Notable world premieres include Mary Zimmerman's Tony Award-winning Metamorphoses and The Odyssey, J. Nicole Brooks' Her Honor Jane Byrne, David Schwimmer's adaptation of Upton Sinclair's The Jungle and Studs Terkel's Race: How Blacks and Whites Think and Feel about the American Obsession, Matthew C. Yee's Lucy and Charlie's Honeymoon and David Catlin's circus tribute to Lewis Carroll, Lookingglass Alice, which was captured by HMS Media and reached 1.6 million PBS viewers. Looking Alice is now available to more than four million students worldwide through Digital Theatre+. Work created by Lookingglass artists has been produced in Australia, Europe and dozens of cities throughout the United States.

On a beautiful plantation in the modern day South, a mother asks her three daughters what they would change in the world, if they could. After rattling off some Miss America-esque answers – including "giving a croissant to a homeless person" – the girls go back to their own self-interests, i.e. taking recreational painkillers and prepping for a reality show audition.

Their world gets turned upside down when their mother announces that they will be hosting, and gifting the deed of the family plantation to, three black women, women who are descendants of a slave who worked on the plantation and had relations with the family's great-great-grandfather. Although with very different backgrounds, upbringings, and access to privilege due to skin color, these seven women are family.

Not to get all "Webster's Dictionary defines..." but I have to say it a little louder for the All Lives Matter folks in the back: A privilege is a special advantage or benefit available only to a particular person or group of people. A benefit, for instance, like a big, beautiful plot of land that your family forced slaves to maintain. Or, for instance, a thriving business that has clothed, fed, and housed generations of white descendants for centuries while providing nothing to the black descendants of the people without whom there wouldn't be a business. The slaves did the work, yet it's the family of the slaveowners who reap the benefits.

This 21st century answer to reparations is inspiring and brilliantly funny, with a fast-paced and clever script by Kevin Douglas and superb directing by David Schwimmer. Plantation! is both a conversation starter and high quality entertainment. Chaos and comedy ensue while the six girls try to make nice and get to know each other, all while griping beyond each others' backs about who really deserves the plantation. The play is a hilarious send-up of well-meaning white people; who sincerely want to help, yet do nothing when presented with the chance to do so; who swear up and down they aren't racist, yet date a member of the KKK because he doesn't go to "all" of the meetings.

In one scene, the girls are all Southern-Belle'd out in big, old-fashioned dresses for a fancy dinner on the estate. When the black girls turn on some music and start dancing, one of the white girls yells that it's like they have Beyonce in the house. Her sister admonishes her, "That's racist."

"No, it's not. That's a compliment," one of the black girls replies, high-fiving her sisters. The white sister who thought she was rightly calling out racism shakes her head, "You people are confusing." The black sisters share a glance. "That's racist," they say. Case in point, maybe listen to what people who experience racism have to say about it before defining racism for them. (Also, rule of thumb, don't make black people explain Black Lives Matter to you – which, naturally, plays out onstage here. Google is your friend.)

Finally, the cast of eight women knocked it out of the park with their chemistry and comedic timing. Besides the fabulous poofy dresses, it seemed to me that this play could've been cast with either men or women and the story would be the same. Props to Lookingglass and Douglas for not setting the default to "male." And for not being afraid to have a mixed race cast discuss race and make everyone in the audience, to use the playwright's own word, a little "funcomfortable".

Plantation is playing at Lookingglass Theatre Company through April 22nd. Tickets on LookingglassTheatre.org.