Broadway In Chicago is excited to announce that the smash hit Broadway musical and global sensation, THE GREAT GATSBY, based on the beloved novel by F. Scott Fitzgerald , is now playing at Broadway In Chicago’s Cadillac Palace Theatre (151 W. Randolph St.). The party to end all parties will be here for a limited two-week engagement through May 3 only.

Set in the Roaring Twenties, the story follows eccentric and mysterious millionaire Jay Gatsby, who will stop at nothing in the pursuit of the lost love of his youth, Daisy Buchanan. Through its fascinatingly nuanced characters – driven by complex inner lives, erupting with extravagance and longing – this epic tale has always been destined to sing. Now, it comes to life across North American stages, with a grand, Tony Award-winning production design befitting the 21^st century.

Through an electrifying jazz and pop-infused score, the epic story has landed on the Broadway musical stage for the first time ever, transporting sold-out audiences to an “extravaganza that explodes with life and energy” (Entertainment Weekly). THE GREAT GATSBY is winner of the 2024 Tony Award® for Best Costume Design, winner of the 2024 Broadway.com Audience Choice Award for Favorite New Musical, and winner of nine top awards for BroadwayWorld’s 2024 Theater Fan's Choice awards, including Best Musical.

“This production is a big, bold, Broadway version of The Great Gatsby. It’s thrilling to see these indelible characters and iconic moments from the novel come to life on stage.  This stage production, which honors the novel and its history while also speaking clearly to today’s audiences, is a terrific new iteration of this classic work.”  - The Estate of F. Scott Fitzgerald

THE GREAT GATSBY features music & lyrics by Tony Award nominees Jason Howland (Beautiful: The Carole King Musical, Little Women) and Nathan Tysen (Paradise Square), a book by Jonathan Larson Grant winner Kait Kerrigan (The Mad Ones), and is staged by award-winning director Marc Bruni (Beautiful: The Carole King Musical) and choreographer Dominique Kelley (“Mariah’s Magical Christmas Special”, “Dancing with the Stars”). 

THE GREAT GATSBY features Drama Desk Award-winning scenic & projection design by Paul Tate dePoo III (Spamalot, Tommy at The Kennedy Center), Tony Award-winning costume design by Linda Cho (Anastasia, A Gentleman’s Guide...), sound design by Tony Award winner Brian Ronan (Beautiful, The Book of Mormon), lighting design by Cory Pattak (Spamalot), and hair & wig design by Drama Desk Award winner Charles G. LaPointe (The Cher Show, Spongebob Squarepants) & Rachael Geier . Arrangements and Music Supervision are by Jason Howland, Orchestrations are by Jason Howland and Kim Scharnberg (Jekyll & Hyde), and casting is by Stephen Kopel and Jillian Cimini at C12 Casting (Gutenberg, & Juliet).

The Broadway production of THE GREAT GATSBY began previews at The Broadway Theatre on Friday, March 29, 2024, and opened on Thursday, April 25, 2024, where it continues to thrill audiences and break box office records. The Broadway production followed a record-breaking world-premiere engagement at Paper Mill Playhouse, where it was the highest grossing show in that organization’s history.

THE GREAT GATSBY made its West End debut at the London Coliseum, which began previews on April 11, 2025, officially opened on April 24, and closed on September 7. The successful Seoul production recently finished its residency at the GS Arts Center in the Gangnam District of Seoul.

One of the most popular novels of all time, The Great Gatsby is a New York Times and USA Today perennial best seller. It has sold over 30 million copies worldwide since its release in 1925 and continues to sell over 500,000 per year. The novel has been translated into over 42 different languages, and has been adapted into television shows, radio plays, video games, and multiple films – including the blockbuster Baz Luhrmann feature film starring Leonardo DiCaprio.

The North American tour of THE GREAT GATSBY is produced by Chunsoo Shin, OD Company and NETworks Presentations.  Mark Shacket and Trinity Wheeler serve as Executive Producers for the production.  Worldwide management for THE GREAT GATSBY is handled by Foresight Theatrical.

Bios

CHUNSOO SHIN (Producer) Acclaimed Korean theatre producer, Chunsoo Shin is a 5-time winner of Korea's most prestigious theatrical award and the founder and president of OD Company, a world class theatrical production company in South Korea. Chunsoo Shin was the first musical producer to be awarded the Korean Pop Culture and Arts Prime Minister Award, Korea's most prestigious prize for popular culture and arts awarded by the government. As the first Korean producer to become a lead producer on Broadway, he has contributed in broadening the pathway for Korean producers’ international expansion throughout his producing career. Broadway:  Doctor Zhivago, Holler If Ya Hear Me. Korea: Sweeney Todd, Man of La Mancha, Jekyll & Hyde, Dreamgirls, Titanic, The Story of My Life. In development: The Lights in Firenze, Yoshimi Battles the Pink Robots (La Jolla).

OD COMPANY (Producer) is a world class global theater producing company of South Korea. Theatrical credits include: Jekyll & Hyde, Dracula, Death Note, Grease, Doctor Zhivago, Il Tenore, Titanic, Dream Girls, Holler if Ya Hear Me, Sweeny Todd, Man of La Mancha, The Story of My Life . OD Company’s production are highly acclaimed by both critics and audiences for its matchless excellence of production quality. With passion and endeavor, OD Company aims to bring the most exciting theatrical experiences, and create a channel of communication between the audience and performance art. More information at ODMusical.com

NETWORKS PRESENTATIONS (Producer) is an industry-leading producer of touring theatrical productions, committed to delivering quality entertainment to audiences worldwide for more than 25 years. Current and upcoming productions include A Beautiful Noise, Beetlejuice, The Book of Mormon, Boop! The Musical,  Buena Vista Social Club, The Great Gatsby, Jersey Boys, Les Misérables, Mark Twain Tonight!,  Cameron Mackintosh presents Andrew Lloyd Webber’s The Phantom of the Opera, The Sound of Music, Water for Elephants and The Wiz.

MARK SHACKET (Executive Producer) is a partner at Foresight Theatrical, one of the leading general management firms on Broadway.  Mark is Executive Producer for The Great Gatsby on Broadway and the West End.  He recently managed Funny Girl with Lea Michele and New York, New York on Broadway, and served as Executive Producer for Slave Play , receiving his first Tony Award nomination, and POTUS: Or, Behind Every Dumbass Are Seven Women Keeping Him Alive.  Mark serves on the board of Broadway Cares and has raised over $2.5 million for the charity through the poker event he co-founded, Broadway Bets. 

TRINITY WHEELER (Executive Producer) has been with NETworks Presentations for over 20 years. Broadway: 1776 (dirs. Diane Paulus and Jeffrey Page), Les Misérables. National tours: The Great Gatsby, The Sound of Music (dir. Jack O’Brien), 1776, Les Misérables, Peter Pan (dir. Lonny Price), A Beautiful Noise, Hairspray, Once on This Island, Waitress, The SpongeBob Musical, Chicago, Finding Neverland, Dirty Dancing, Bullets Over Broadway, Elf the Musical, Disney’s Beauty and the Beast, The Royal National Theatre production of Oklahoma!, The Wedding Singer, The Producers, The Wizard of Oz, The Phantom of the Opera, Mary Poppins, Young Frankenstein (dir. Susan Stroman) and Rent starring Adam Pascal and Anthony Rapp.

For more information, visit https://broadwaygatsby.com/
Follow THE GREAT GATSBY on Facebook, TikTok, X, YouTube, and Instagram.

PERFORMANCE SCHEDULE
Tuesday, April 21 – 7:00 p.m.
Wednesday, April 22 – 7:00 p.m.
Thursday, April 23 – 7:00 p.m.
Friday, April 24 – 7:00 p.m.
Saturday, April 25 – 2:00 p.m. & 7:30 p.m.
Sunday, April 26 – 1:00 p.m. & 6:30 p.m.

Tuesday, April 28 – 7:00 p.m.
Wednesday, April 29 – 1:00 p.m. & 7:00 p.m.
Thursday, April 30 – 7:00 p.m.
Friday, May 1 – 7:00 p.m.
Saturday, May 2 – 2:00 p.m. & 7:30 p.m.
Sunday, May 3 – 1:00 p.m.

 
TICKET INFORMATION (As of April 21, based on availability and subject to change)
Individual tickets for THE GREAT GATSBY are on sale now and range from $49.00 - $165.00 with a select number of premium tickets available. Ticket price listed is when purchased in person at the box office. Additional fees apply for online purchases. Patrons can also participate in a digital lottery for a chance to purchase $30.00 tickets for each performance, which is inclusive of all mandatory taxes, restoration, handling, and third-party fees. In addition to the lottery, a limited number of day-of-show, in-person Rush tickets will be available for $49.00 for all performances. Click here for more info on Digital Lottery and In-Person Rush. Tickets are available now for groups of 10 or more by calling Broadway In Chicago Group Sales at (312) 977-1710 or emailing This email address is being protected from spambots. You need JavaScript enabled to view it.. For more information, visit www.broadwayinchicago.com.

 
ABOUT BROADWAY IN CHICAGO
Broadway In Chicago was created in July 2000 and over the past 26 years has grown to be one of the largest commercial touring homes in the country. A Nederlander Presentation, Broadway In Chicago lights up the Chicago Theater District entertaining up to 1.7 million people annually in five theatres. Broadway In Chicago presents a full range of entertainment, including musicals and plays, on the stages of five of the finest theatres in Chicago’s Loop including the  Cadillac Palace Theatre, CIBC Theatre, James M. Nederlander Theatre, The Auditorium, and just off the Magnificent Mile, the Broadway  Playhouse at Water Tower Place.

For more information and tickets, visit www.BroadwayInChicago.com.
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AstonRep Productions, the theatre and film production company that has produced over 30 stage productions in Chicago, has announced it will be the first company in the US to bring Liisa Repo-Martell's adaptation of Chekhov's UNCLE VANYA to audiences. Repo-Martell's script, which was first produced by Toronto's Crow's Theatre in 2022, has been praised for its contemporary and colloquial language. The Toronto online arts magazine INTERMISSION said, "it is delicate and wholly faithful to Chekhov's story... relatable and even startlingly contemporary, affirming the timelessness of the themes Chekhov explored in his writing." The Crow's Theatre production was remounted in 2024 at Toronto's CAA Theatre and was named one of the top ten productions of the year by both THE GLOBE AND MAIL and THE TORONTO STAR. AstonRep's production will be directed by Derek Bertelsen, who recently helmed the revival of the hit comedy FULLY COMMITTED at The Den Theatre and has directed many of AstonRep's productions.  Bertelsen was co-founder/artistic director of The Comrades theater company from 2016-2020.

Bertelsen's cast will feature Rian Jairell in the title role of Vanya – a bitter and broken man who wonders what he might have done with his life if he had not committed to managing the family estate. Jairell's previous roles with AstonRep include Ariel in THE PILLOWMAN and Jerry in BETRAYAL. The beautiful Helena, who captivates all the characters, will be played by Andi Muriel, seen recently in THE TOTALITY OF ALL THINGS for Redtwist Theatre and THE IMPORTANCE OF BEING EARNEST for Strawdog Theatre. Robert Tobin, who was Founder and Artistic Director of AstonRep Theatre Company, will be Astrov, a neighbor and overworked country doctor who feels ruined by provincial life. Tobin's recent credits include ARMS AND THE MAN for Forest Theatre Company and THE PILLOWMAN with AstonRep. Another PILLOWMAN castmate, Natalie Hurdle, will play Sonya, who has loyally steadfastly worked to maintain the estate, and is deeply attracted to Dr. Astrov.

Cast as Vanya's mother Maria is Mary Mikva (of TIME IS A COLOR AND THE COLOR IS BLUE  for Avalanche Theatre). Geoff Issac, seen recently in MURDER ON THE ORIENT EXPRESS for Deerfield Theatre, will be the pompous and egotistical failed scholar Serebryakov. Liz Cloud (of AstonRep's BURIED CHILD) will be the nurse Marina, and Mike Rogalski (ELEKTRA – Forest Theatre Company) will play Telegin, an impoverished landowner who works on the estate.

The UNCLE VANYA production team will include Jeremiah Barr (set, lighting and properties design), Natalie Shoch (costume design), Samantha Barr (lighting design), Melanie Thompson (sound design), Bethany Hart (assistant director and vocal coach), and Nevaeh Mansur (Stage Manager). 

Tickets to UNCLE VANYA are $25.00 and will be on sale beginning April 25 at www.astonrep.com or by phone at or (312) 620-4583.

Steppenwolf Theatre Company's acclaimed Ensemble and Board of Trustees are pleased to host Steppenwolf Gala 2026, an unforgettable evening that continues the theater's 50th Anniversary celebration. This year's Gala will be held on Saturday, May 9, 2026 at 6:30 pm at Rockwell on the River, 3057 N. Rockwell St. in Chicago.

Join Steppenwolf's famed artists alongside civic and business leaders and raise a glass to the trailblazers and risk-takers that have come before and step into the next 50 years of bold and courageous theatre. The star-studded evening includes cocktails and a progressive dinner followed by a live auction featuring once-in-a-lifetime experiences with Steppenwolf's artists. Cap off the evening with an after-hours lounge, DJ and dancing. Luxe fashion-forward cocktail attire. Sneakers welcome. 

Steppenwolf's Gala generates vital funding to provide an artistic home for our Ensemble, bring bold and innovative theatrical experiences to the stage, and create educational programs that reach thousands of teens throughout the Chicago region.

This year's honorees include Douglas R. Brown and Rachel E. Kraft.

Steppenwolf Executive Director E. Brooke Flanagan comments, "It is our great honor to celebrate Doug and Rachel at this year's Gala. Their individual and collective impact on Steppenwolf and the larger Chicago theater community is an exemplary showcase of philanthropy, leadership and engagement. Their work has impacted a generation and will continue to make a lasting mark on the spaces where we make art, the artists who take our stages and our lasting position as a great treasure in American theatre."

Gala 2026 Co-Chairs include Aimee Graham and Nigel Caine, Christopher Keogh and Verett Mims.

Single tickets starting at $1,500 and sponsorships for 2026 Gala are currently available online here or by contacting Steppenwolf's Development Department at (312) 654-5690 or This email address is being protected from spambots. You need JavaScript enabled to view it..

Title Sponsor: Zell Family Foundation.  Founding Sponsors: Douglas R. Brown and Rachel E. Kraft, CRC Group, Caroline and Keating Crown, Nancy and Steve Crown and the Crown Family, GCM Grosvenor, Christopher M. Keogh, GS Gives, Liz and Eric Lefkofsky, Northern Trust, Pritzker Traubert Foundation, Thoma Bravo, and Tishman Speyer. Innovators: 3.5.7.11, Allstate, Bluhm Family Foundation, Dennis and Karen Chookaszian, Rich and Margery Feitler, The Robert Kraft Family, Latham & Watkins, Verett Mims, MPS Law, Anne and Don Phillips, PNC, Deborah and Stephen Quazzo, and Tully & Associates 

About Steppenwolf Theatre Company:

Steppenwolf Theatre Company is the nation's premier Ensemble Theater with 50 members who are among the top actors, playwrights and directors in the field. Thrilling, powerful, groundbreaking productions have made this theatre legendary. From the 1980 phenomenon of Balm in Gilead, to The Grapes of Wrath, August: Osage County, Downstate, The Brother/Sister Plays, and now, the 2025 Pulitzer Prize and Tony Award-winning Purpose, Steppenwolf Theatre has had a long-running and undeniable impact on American Theatre and Chicago's cultural landscape. Founded in 1975 by Terry Kinney, Jeff Perry and Gary Sinise, Steppenwolf started as a group of young people in their teens and early 20s performing in the basement of a church. Today, the company's artistic force remains rooted in the original vision of its founders: an artist-driven theatre, whose vitality is defined by its appetite for bold and innovative work. Every aspect of Steppenwolf is rooted in its Ensemble ethos, from the intergenerational artistic programming to the multi-genre performance series LookOut, to the nationally recognized work of Steppenwolf Education and Engagement which serves nearly 15,000 teens annually. While grounded in the Chicago community, more than 40 original Steppenwolf productions have enjoyed success nationally and internationally, including Broadway, Off-Broadway, London, Sydney, Galway and Dublin. Steppenwolf also holds accolades that include the National Medal of Arts, 14 Tony Awards, two Pulitzer Prize-winning commissions and more. Led by Artistic Directors Glenn Davis and Audrey Francis, Executive Director E. Brooke Flanagan and Board of Trustees Chair Keating Crown — Steppenwolf continually redefines the boundaries of live theater and pushes the limits of acting and performance.

Steppenwolf's Mission: Steppenwolf strives to create thrilling, courageous and provocative art in a thoughtful and inclusive environment. We succeed when we disrupt your routine with experiences that spark curiosity, empathy and joy. We invite you to join our ensemble as we navigate, together, our complex world. steppenwolf.org, facebook.com/steppenwolftheatre, twitter.com/steppenwolfthtr and instagram.com/steppenwolfthtr.

Jackalope Theatre Company is proud to present the world premiere of Andy Warhol Presents: The Cocaine Play, written and directed by Terry Guest, May 28 - July 6,at the Broadway Armory Park, 5917 N Broadway St. The total running time, including two intermissions, is two hours and 30 minutes. Preview performances are Thursday, May 28, Friday, May 29 and Saturday, May 30 at 7:30 p.m. and Sunday, May 31 at 2 p.m. The performance schedule is Mondays, Fridays and Saturdays at 7:30 p.m. and Sundays at 2 p.m. with no Friday or Saturday evening performances on July 3 and July 4. Tickets are $15 - $45 with student and Edgewater resident discounts available. Subscription and single tickets are now available at JackalopeTheatre.org or call/text the box office at 773.340.2543.

Andy Warhol Presents: The Cocaine Play is set in New York City where Andy Warhol (no, not that Andy Warhol) is stuck. He hasn’t finished a painting in years and has no new ideas. When a mysterious actress named Marilyn Monroe (no, not that Marilyn Monroe) stumbles into his life, she sends him down an epic path of madness, murder, betrayal and the desperate pursuit of fame, sex and beauty. Andy Warhol presents: The Cocaine Play is a 100% fake story about 100% real people that spans three decades and asks how far one is willing to go for the chance at superstardom. 

The cast of Andy Warhol Presents: The Cocaine Play includes William Anthony Sebastian Rose II (he/him, Andy Warhol); David Michael Dowd (he/him, Michael Brown); Alexis Ward (she/her, Marilyn Monroe) and Jasmine “Jazzy” Cheri Rush (she/her, Edie Sedgwick).  

The creative team for Andy Warhol Presents: The Cocaine Play includes Terry Guest (he/him, playwright and director); Ayanna Bria Bakari (she/her, associate director and wigs designer); Sydney Lynne Thomas (she/her, scenic designer); Madeleine Shows (costume designer); Spencer Diaz Tootle (she/her, props designer); Levi Wilkins (he/him, lighting designer); Ethan Korvne (he/him, composer and sound designer); E Tylkowski (they/them, technical director); Stephanie Mattos (she/her, fight and firearms coordinator); Kirsten Baity (they/them, intimacy coordinator); Corey Bradberry (he/him, production manager); Sam Burkett (she/they, stage manager); AJ Links, CSA (she/her, casting director); Monét Felton (they/theirs, artistic producer); Hudson Therriault (any/all, accessibility manager); Amira Danan (she/her, development director), Karina Patel (she/her, new works manager) and Kaiser Ahmed (he/him, artistic director).

ABOUT TERRY GUEST, PLAYWRIGHT/DIRECTOR

Terry Guest is a three-time Jeff Award-winning playwright, actor, director and teaching artist. Works include: At The Wake of a Dead Drag Queen, OAK, The Magnolia Ballet (Jeff Awards for Production and Performance in a short run), A Ghost in Satin (Williamstown Theater Festival), Marie Antionette and the Magical Negroes (Three Jeff Awards including New Work, Director and Ensemble), Nightbirds, The Madness of Mary Todd (Goodman Playwrights Unit commission) and Milo Imagines the World. As an actor Guest has worked at regional theaters including Goodman Theatre, Steppenwolf, Alliance Theatre, About Face Theatre and Actors Express.

ABOUT JACKALOPE THEATRE

Jackalope Theatre Company expands the definition of American Identity by engaging with communities to produce works that celebrate diverse perspectives. Jackalope is a premier home for new and exciting Off-Loop Theatre based in Chicago's Edgewater and Rogers Park neighborhoods. They are committed to cultivating new voices that contribute to an expanding American culture and mythology. Each season, Jackalope produces full-length plays, new play development programming and provides free classes in partnership with the Chicago Park District.

Jackalope Theatre Company is proud to present the world premiere of Andy Warhol Presents: The Cocaine Play, written and directed by Terry Guest, May 28 - July 6,at the Broadway Armory Park, 5917 N Broadway St. The total running time, including two intermissions, is two hours and 30 minutes. Preview performances are Thursday, May 28, Friday, May 29 and Saturday, May 30 at 7:30 p.m. and Sunday, May 31 at 2 p.m. with the press opening Tuesday, June 2 at 7:30 p.m. The performance schedule is Mondays, Fridays and Saturdays at 7:30 p.m. and Sundays at 2 p.m. with no Friday or Saturday evening performances on July 3 and July 4. Tickets are $15 - $45 with student and Edgewater resident discounts available. Subscription and single tickets are now available at JackalopeTheatre.org or call/text the box office at 773.340.2543.

Chicago Opera Theater (COT) closes its 2025/26 season with the concert premiere of a new opera Trusted - the seventh full-length opera developed through COT’s Vanguard Initiative. Composed by Aaron Israel Levin to a libretto by Marella Martin Koch, Trusted was developed over the course of Levin’s two year tenure as COT’s Vanguard Composer. Earlier this season, audiences were invited to view a piano-vocal workshop of the opera and provide feedback. Now, audiences can see how the piece has developed since the first workshop in its fully orchestrated premiere. Trusted will be presented on Saturday, May 30 at 3:00 p.m. at The Studebaker Theater at the Fine Arts Building, 410 S Michigan Ave. Tickets are $30-$70 and available at chicagooperatheater.org.

Founded in 2018, COT’s Vanguard Initiative is a two-year residency for composers ready to enter the world of opera. Participants are immersed in every aspect of the art form, from repertoire study and vocal writing to administration and production, culminating in a commissioned full-length opera.

“It’s easy to imagine that new operas arrive fully formed from the minds of a composer and librettist. In reality, they are built over time—through collaboration, experimentation, and the opportunity to hear the work come to life at different stages of its development,” explains COT’s General Director Lawrence Edelson. “This past fall, we invited audiences not only to experience an early version of this exciting new work, but to actively engage with it—offering invaluable feedback to Aaron and Marella through Liz Lerman’s Critical Response Process. By opening the workshop process to the public, we’re able to bring fresh perspective to the creators while also demystifying how a new opera actually comes into being. The insights we gathered during that first workshop were instrumental as Aaron and Marella continued refining the piece in advance of the upcoming Concert World Premiere.”

About Trusted

Set against the backdrop of a high-stakes financial scandal, Trusted is an intimate exploration of deception, betrayal, and the emotional toll of broken faith. When an accomplished financial advisor is exposed for orchestrating a decades-long fraud, the fallout extends far beyond his clients — it fractures the very foundation of his family. His two daughters struggle to reconcile the man they knew with the crimes he has committed. As the truth unravels, so do their own perceptions of loyalty, morality, and the fragile nature of trust itself. Through a dynamic score by COT’s Vanguard Composer in Residence Aaron Israel Levin, and a taut, contemporary libretto by Marella Martin Koch, the opera delves into the complexities of family bonds, the weight of inherited legacies, and the search for redemption in a world where trust—once lost—may never be regained.

The Concert World Premiere of Trusted will be conducted by Eli Chen. The cast features sopranos Tracy Cantin and Meghan Kasanders, mezzo-soprano Quinn Middleman, and bass-baritone Kyle Albertson. Kate Pitt serves as dramaturg.

About Chicago Opera Theater

Chicago Opera Theater’s mission is to enrich the lives of those who live, work and play in Chicago by bringing rarely produced and contemporary operas to life, supporting gifted emerging artists, and providing hands-on experiences with opera that entertain, empower creativity, and cultivate a lasting and meaningful connection to the arts. Guided by our core values, COT serves Chicago through unique, relevant, and innovative opera experiences that reflect the aspirations of our city — dynamic, inclusive, and forward-thinking — fostering inspiration, dialogue and belonging. Since its founding in 1973, COT has grown from a grassroots community-based company to a national leader in an increasingly vibrant, diverse, and forward-looking art form. COT has staged over 160 operas, including over 90 Chicago premieres and 50 operas by American composers. COT is led by General Director Lawrence Edelson who was appointed in 2023.

For more information on Chicago Opera Theater productions, visit chicagooperatheater.org/

On Monday, May the 4th, Steep Theatre will present the first public staged reading of playwright Dan Aibel's new work The Making, a revisionist retelling of the story behind the film that would become a cultural phenomenon: George Lucas's Star Wars. The reading will be directed by Steep ensemble member Jonathan Berry and will be performed at the Edge Theater in the Edgewater neighborhood of Chicago. May the 4th is the unofficial international holiday honoring the Star Wars film franchise. 

A history play set in the 1970s, The Making visits husband and wife filmmakers George and Marcia at the beginning of new projects that will shape the creative landscape for a generation. The reading will feature Steep Ensemble Members Nate Faust, Ashlyn Lozano, Peter Moore, and others.

Playwright Dan Aibel's work has been developed and/or produced by American Theater Co., Stage Left Theatre, The New Group, P73, Rattlestick, Sundance, the Detroit Rep, Syracuse Stage and The Commissary with directors Daniel Aukin, Margot Bordelon and James Macdonald among others. A Sundance Theatre Lab fellow, winner of the Eileen Heckart Drama Prize and finalist for the P73 Playwriting Fellowship, the Jerome New York Fellowship and the Princess Grace Award, Dan's plays have been published by Smith & Kraus and Concord Theatricals.

Director Jonathan Berry is the Artistic Director of Raven Theater and served as Artistic Director of The Penobscot Theatre Company in Bangor, Maine, from 2022 to 2025. He is a proud ensemble member of both Steep Theatre and Griffin Theatre and a former Artistic Producer at Steppenwolf Theatre Company. Steep Credits include: Paris, Red Rex, Earthquakes in London, Posh, The Life and Sort of Death of Eric Argyle, If There Is I Haven't Found it Yet, The Knowledge, Festen, Moment, The Hollow Lands and The Resistible Rise of Arturo Ui.  He directed the Steppenwolf productions of: Lindiwe, The Children, You Got Older, Constellations, and the SYA productions of The Curious Incident of the Dog in the Nighttime, The Crucible, and A Separate Peace.  In 25 years, he's directed nearly 100 productions in Chicago. Most recently, he directed the Chicago premiere of Ugly Lies the Bone for Shattered Globe. He has taught acting, directing, and viewpoints at University of Michigan, Northwestern University, University of Chicago, Acting Studio Chicago, Columbia College and many of Chicago's professional acting schools. He taught viewpoints and served as the director for The School at Steppenwolf. 

WHAT:

The Making by Dan Aibel

Directed by Steep Ensemble Member Jonathan Berry

A history play set in the 1970s, The Making visits husband and wife filmmakers George and Marcia at the beginning of new projects that will shape the creative landscape for a generation. 

WHEN: 

Monday, May the 4th, 2026, 7:30PM

WHERE:

The Edge Theater

5451 North Broadway, Chicago, Illinois

The Making will be performed at the Edge Theater as Steep continues construction on its new home, targeted to open Fall of this year.

TICKET INFORMATION:

Tickets $10-$30 available at https://steeptheatre.com/the-making

World renowned ambassadors of Dance and Culture, Alvin Ailey American Dance Theater returns to its Chicago home – The Auditorium, Chicago’s Landmark stage at 50 E. Ida B. Wells Drive – with four dynamic performances debuting six new works, April 24-26, 2026.  Marking its 57^th Chicago engagement at The Auditorium, the company will perform two distinct programs, each featuring Chicago premieres and a finale of the must-see Alvin Ailey masterpiece Revelations. Tickets start at $46 and are now available at auditoriumtheatre.org, by calling 312.341.2300, or at the Box Office at 50 E Ida B Wells Drive in Chicago.  

In 1958, Alvin Ailey and a small group of dancers took the stage in New York and forever changed American dance and culture. One of the country’s groundbreaking greats, Ailey’s company earned a reputation as one of the finest international ambassadors of American culture, promoting the uniqueness of the African American cultural experience and the preservation and enrichment of American modern dance in a universal celebration of the human spirit.

The curtain has risen on AILEY’s next era under the leadership of new Artistic Director Alicia Graf Mack, the renowned dancer and educator, guided as ever by Alvin Ailey’s pioneering legacy. Ms. Graf Mack was introduced to Alvin Ailey American Dance Theater under the direction of Judith Jamison and became widely celebrated for her dance artistry. The Company’s 32 extraordinary dancers, renowned for their unrivaled artistry, technique, and spirit, include five from the Windy City area: Solomon Dumas (Chicago); Isaiah Day (Chicago); Donnie Duncan Jr. (Carrier Mills, IL);  Renaldo Maurice (Gary, IN); and Sarah Daley-Perdomo (South Elgin, IL). The two dynamic programs include the Chicago debuts of world premieres from the recent season launch at New York City Center by frequent AILEY collaborator Jamar Roberts, along with contemporary choreographers Maija García, Fredrick Earl Mosley, Matthew Neenan; a new production by the late Judith Jamison, former AILEY Artistic Director; and a company premiere by Medhi Walerski.

“The Auditorium welcomes Alvin Ailey American Dance Theater to our landmark stage each year with tremendous pride, privilege and gratitude.  This April, to conclude our 2025-26 Celebrating Women Leaders in Dance season, we look forward to showcasing AILEY under the company’s new Artistic Director, Alicia Graf Mack.  With two different programs over four performances comes the opportunity for our guests to experience works by many of the most important choreographers in the world of dance today.  This weekend is certain to be a special addition to Chicago’s Spring arts season!” said The Auditorium CEO Rich Regan. 

 “This monumental season draws deeply on Alvin Ailey’s legacy rooted in celebrating the resilience of the human spirit, while extending its truth and bold virtuosity to reflect this moment in time and our hopes for the future. It is an honor to be a caretaker of this ever-changing continuum of inspiration, which is a living testament to the vitality of the tradition Mr. Ailey gave us and the gifts of spirit that Judith Jamison so lovingly nurtured. Along with Matthew Rushing and the company of brilliant dancers whose artistry moves us all, I am proud and excited to be taking our next steps forward on The Auditorium stage, where I and generations of company members have cherished sharing Alvin Ailey’s gift to the world with Chicago audiences.” said AILEY Artistic Director Alicia Graf Mack.

The programs for the 2026 Chicago engagement of Alvin Ailey American Dance Theater are as follows: 

FRIDAY, APRIL 24, AT 7:30 P.M. & SATURDAY, APRIL 25, AT 7:30 P.M.

Blink of an Eye (2025) In an intriguing piece that probes the relationship between dance and music, choreographer Medhi Walerski lays bare the strength and vulnerability inherent in the creative process. The timeless beauty of J.S. Bach’s violin sonatas and partita anchors the athletic movement that is both precise and expansive. 

A Case of You (2005) A new production of this sensual duet—an excerpt from Judith Jamison’s 2005 Reminiscin’—is an emotionally intense showstopper danced to Diana Krall’s sultry rendition of the classic Joni Mitchell song. 

Embrace (2025) Choreographer Fredrick Earl Mosley examines the ups and downs of human connections—messy, beautiful, and everything in between. Set to popular songs by Stevie Wonder, Kate Bush, Ed Sheeran, Des'ree, and Pink, this piece explores what it takes to love deeply, heal fully, and embrace the journey with open arms.  

Revelations (1960) Performed to African American spirituals, song-sermons, gospel songs, and holy blues, Alvin Ailey’s Revelations fervently explores the places of deepest grief and holiest joy in the soul. More than just a popular dance work, it has become a cultural treasure, beloved by generations of fans. 

SATURDAY, APRIL 25, AT 1:00 P.M. & SUNDAY, APRIL 26, AT 3:00 P.M.

Jazz Island (2025) In Maija García’s first work for AILEY, a Caribbean folktale comes to life through ancestral rhythms and divine intervention. Inspired by Geoffrey Holder’s “Black Gods, Green Islands” and featuring an original score by Etienne Charles, this theatrical staging explores the spiritual dimensions of human drama and the connective force of love across the Afro-Caribbean diaspora.  Adapted from Black Gods, Green Islands by Geoffrey Holder. Created in collaboration with the artists of Alvin Ailey American Dance Theater. 

Difference Between (2025) Matthew Neenan’s choreographic debut with AILEY features his signature wild abandon and gestural playfulness. Acclaimed singer and composer Heather Christian (a 2025 MacArthur Foundation Fellow) contributes her raw power to an intricate world of strange tensions, potent griefs, and quiet loves.  

Song of the Anchorite (2025) Renowned Ailey choreographer Jamar Roberts gives a fresh take on the 1961 solo Hermit Songs, Alvin Ailey’s reaction to a set of medieval religious texts and the haunting song cycle by Samuel Barber that they inspired. The result is a powerful meditation on passion and devotion—both earthly and spiritual—danced to jazz trumpeter Avishai Cohen’s interpretation of a Ravel adagio. 

Revelations

In addition to these four public performances, the Company will present two student matinees at The Auditorium, reaching thousands of youths with an inspiring excerpt of Ronald K. Brown’s Grace – a fervent tour-de-force depicting individuals on a journey to the promised land – on Thursday, April 23 and Friday, April 24, at 11 a.m.   

PERFORMANCE SCHEDULE AND TICKETS

Alvin Ailey American Dance Theater performs at The Auditorium Friday, April 24, at 7:30 p.m.; Saturday, April 25, at 1 and 7:30 p.m.; and Sunday, April 26, at 3 p.m. Tickets start at $46 and are now  available at auditoriumtheatre.org/events, by calling 312.341.2300, or at the Box Office at 50 E Ida B Wells Drive in Chicago, IL.

About Alvin Ailey American Dance Theater
Alvin Ailey American Dance Theater, recognized by US Congressional resolution as a vital American “Cultural Ambassador to the World,” grew from a now-fabled March 1958 performance in New York that changed forever the perception of American dance. Forged during a pivotal moment in the civil rights movement, the company was established to uplift the African American experience while transcending boundaries of race, faith, and nationality with its universal humanity. Before his untimely death in 1989, Mr. Ailey named Judith Jamison as his successor, and for 21 years she brought the company to unprecedented success. Alicia Graf Mack, widely celebrated for her dance artistry during her years with Alvin Ailey American Dance Theater, was appointed Artistic Director of AILEY as of July 1, 2025. Alvin Ailey American Dance Theater has performed for an estimated 25 million people in 71 countries on six continents, promoting the uniqueness of the African American cultural experience and the preservation and enrichment of the American modern dance tradition. In addition to being the Principal Dance Company of New York City Center, where its performances have become a year-end holiday tradition, and its long Auditorium history, the Ailey company performs annually at The Fox Theatre in Atlanta, Zellerbach Hall in Berkeley, CA, and at the New Jersey Performing Arts Center in Newark (where it is the Principal Resident Affiliate), and appears frequently in other major theaters throughout the world during extensive tours. AILEY also includes Ailey II (1974), a second performing company of emerging young dancers and innovative choreographers; The Ailey School (1969), one of the most extensive dance training programs in the world; Ailey Arts In Education & Community Programs (1992), which brings dance into the classrooms, communities, and lives of people of all ages; and Ailey Extension (2005), a program offering dance and fitness classes to the general public, which began with the opening of Ailey’s permanent home— the largest building dedicated to dance in New York City, the dance capital of the world— named The Joan Weill Center for Dance, at 55th Street at 9th Avenue in New York City. For more information, visit ailey.org

Bank of America is Alvin Ailey American Dance Theater's Global Tour Sponsor

About The Auditorium

The Auditorium, located at 50 E. Ida B. Wells Drive in Chicago, is an Illinois not-for-profit organization committed to presenting the finest in international, cultural, community, and educational programming to all of Chicago and beyond as The Theatre for the People. The organization also is committed to the continued restoration and preservation of this National Historic Landmark that originally opened in 1889.

The Auditorium is grateful for the support of its 2025-26 Dance sponsors The Florian Fund, with additional support provided by Alphawood Foundation Chicago. The Auditorium 2025-26 Season is made possible in part by support from the John D. and Catherine T. MacArthur Foundation and the Illinois Arts Council Agency. The Auditorium’s official hotel partner is the Palmer House, a Hilton Hotel.

The Auditorium thanks Alvin Ailey American Dance Theater Student Matinee Sponsors Denise Littlefield Sobel, Mike Aden and James D. Miller, Deborah and Bruce Crown, and The Robert Thomas Bobins Foundation, and Opening Night Sponsor Helen Hall Melchior.   

For more information on The Auditorium, please visit AuditoriumTheatre.org.

The Auditorium (Chicago’s landmark stage at 50 E. Ida B. Wells Drive) and The Chicago Philharmonic in association with TCG Entertainment, continue the Auditorium Philms Concert Series with Rocky in Concert, an unforgettable live concert experience celebrating the 50^th anniversary of Amazon MGM Studios' iconic Rocky. The one-night-only presentation takes place Saturday, May 16 at 7:30 PM at The Auditorium, 50 E Ida B Wells Dr. Tickets are available at auditoriumtheatre.org or by calling The Auditorium’s Ticket Service Center at 312.341.2300.

Rocky in Concert will allow fans to experience Rocky Balboa like never before by watching the original Rocky film on larger-than-life screens while the musical score is performed live by a symphony orchestra and piano. This is a MUST-SEE event for Rocky fans of all ages, celebrating this classic franchise and encouraging audiences to cheer on the underdog Rocky as Bill Conti’s legendary score “Gonna Fly Now” plays once again.

“Our Auditorium Philms series continues to grow, drawing enthusiastic audiences across many movie genres,” said The Auditorium CEO Rich Regan, “We are looking forward to inviting audiences in to celebrate 50 years Rocky with this exciting performance!”

“Bill Conti's 'Rocky' has become a cultural shorthand for perseverance,” said Chicago Philharmonic Executive Director Terell Johnson. “You feel every setback and every moment he chooses to keep going. The music lifts you right alongside him. We can't wait to perform this iconic score at The Auditorium.”

Amazon MGM Studios’ Rocky and Creed films have generated more than $1.3 billion in worldwide box office sales, three Academy Awards including Best Picture, and 10 nominations. The iconic franchise, starring Sylvester Stallone and produced by Chartoff Winkler Productions, has remained a global phenomenon because it presents audiences with universally relatable themes - ambition, passion, determination, and giving it your all to win, even when the odds are against you.

Rocky in Concert is produced by TCG Entertainment. Visit www.TCGENT.com, Facebook, or Twitter for more information.