Items filtered by date: November 2007

One could only picture what would have happened should four of the greatest rock and roll pioneers ever stepped foot in the same studio at the same time. And just imagine if the above referenced were Elvis Presley, Jerry Lee Lewis, Carl Perkins and Johnny Cash. Well, one winter afternoon in December of 1956, that’s exactly what occurred when these four music trendsetters met unexpectedly at Sun Records in Memphis, Tennessee. Though no one really knows all the details of what happened during that meeting, most are quite certain a jam session like no other took place, later earning the four the nickname “The Million Dollar Quartet”.

Currently playing at Harrah’s Showroom at Harrah’s Hotel & Casino in Las Vegas and at the Apollo Theatre in Chicago, Million Dollar Quartet brilliantly takes its audience into the Sun Records studio where it combines theatre with a truly entertaining rock and roll show. Filled with jaw-dropping singing and instrumental feats, Million Dollar Quartet in fact conveys the excitement of mid-1950’s rock music while at the same time providing viewers with a good feel for the time period itself. Let’s focus on the Las Vegas production, which is certainly on par with Chicago’s.

Million Dollar Quartet does not require elaborate set changes, taking place entirely in a recording studio (Sun) converted from an auto parts store. The show makes its mark as one of the hottest shows on stage thanks to its amazing musical performances, well-defined characters and a storyline that perfectly delivers the enthralled, but forceful supposition of “What could have been?” The story also points to the importance of Sun Records and their impact on the music world, mainly owner Sam Phillips (superbly played by Marc D. Donovan) and his ability to recognize and shape the talent of each recording artist, by having them reach inside themselves.

What contributes greatly in making Million Dollar Quartet so special is the incredible cast they managed to assemble. Not only does the Las Vegas cast deliver the personality traits and behaviors of each, including Jerry Lee Lewis’ dancing eyebrows and Elvis’ sneers and unique body language, but it is each actor’s ability to convincingly sing as their character along with their musicianship that takes this show to a much higher altitude.

At times, Martin Kaye literally makes the audience forget they are not watching the real Jerry Lee Lewis with his maniacal piano playing intertwined with the showmanship that helped the rockin’ pianist become famous. Robert Britton Lyon’s sizzling guitar licks and strong vocals makes a highly believable Carl Perkins, while Benjamin D. Hale nails Johnny Cash with spot on singing and his ability to capture his live qualities. Justin Shandor who first stuns the crowd with his accurate rendition of “That’s All Right” and then later seals the deal with a classic performance of “Hound Dog” plays Elvis Presley. The cast is rounded out by studio session players Fluke (Mark Ferratt) and Jay Perkins (Josh Jones) who are a show worth watching in their own right, and Felice Garcia plays Elvis’ Girlfriend Dyanne that joins in the jam session with a couple songs of her own including an inspired version of “Fever”.

Million Dollar Quartet starts off with a bang with “Blue Suede Shoes” and then continues to highlight memorable songs from each performer including “Folsom Prison Blues”, “Who Do You Love”, “Great Balls of Fire”, “Peace in the Valley” and many more. A good mix of concert and theatre, the show is heartfelt, entertaining and will be sure to leave a lasting impression, not to mention have many go searching through their record collection when they get home. This is definitely a show you want to check in while in Las Vegas that embodies rock n’ roll fun throughout and ends on a high note with its dynamic ending as a big Las Vegas show should.

Million Dollar Quartet is currently playing at Harrah’s Showroom in Las Vegas, the Apollo Theatre in Chicago and is also touring nationally. For more information visit www.milliondollarquartetlive.com. 

I have a tough time reviewing magicians because I don’t want to describe the tricks in detail and ruin the suspense for future audiences.  I will just say that my partner and I were seated in the front row right in the center next to the stage and still could not tell you how ANY of Copperfield’s amazing illusions were done, including making about 12 audience members disappear at once!

I loved that all of David’s magic assistants onstage were men!  I have always found the scantily clad female assistants in most magic acts to be a sexist distraction but in this case the casually dressed and athletic young men who helped move all of the large equipment for each illusion around really moved the show along and gave the audience a feeling that they were in the middle of the action. Copperfield’s audience involvement was excellent, just knowing that at any moment you might be thrown a ball to catch or be plucked out of the audience to go onstage was a big part of the overall suspense factor in the show.  I won’t give away the illusion but there is one part of the show where David talks at length about missing his father who passed many years ago. This was a particularly well done and heartfelt illusion that everyone in the audience could identify with.

I have mixed feelings about the use of an adorable live duck in his show only because I feel so many lesser performers will attempt this and end up hurting or abusing their show animals long term. It was a brief part of the show and should probably be phased out in favor of his many new and exciting illusions.

David is a master magician and there is a reason that he can still pack ‘em in. Considered one of the world’s best illusionists, David has been a favorite act at the MGM Grand in Las Vegas for several years running and there is no reason to believe he won’t continue wowing Vegas tourists for years to come. There are several moments in David’s show that bring back the awe and wonderment that one may not have experienced since being a child.   

Overall, this was a family friendly and exciting magic show that will amaze and stun magic lovers of all ages. A recommended stop while visiting Vegas’ Strip, David Copperfield will not disappoint.  With Lance Burton now retired from his long-running gig at the Monte Carlo, Copperfield clearly stands alone as the best magic act in Las Vegas.

For a fun night of mystery and the unexplained, be sure to catch David Copperfield at Las Vegas’ MGM Hotel and Casino. David does not perform at MGM week in and week out so you’ll need to first check his schedule out at  http://www.mgmgrand.com/entertainment/david-copperfield.aspx. Show tickets are just north of $100 and there are also meet and greet tickets available for an extra cost for those who want more intimate access to the living legend.   

Griffin Theatre Company has taken on the feat of recreating the Tony Award-winning musical Titanic. Launching this production in a much more intimate space at Theater Wit, the audience gets a real close up feel to the action and is able to capture the bevy of emotions delivered first hand. Scott Weinstein directs Griffin’s Titanic with intensity, giving this production a true feel of tragedy and humankind.

We are all familiar with Titanic’s maiden voyage that where the luxury passenger liner launched from Southampton, UK and sank in the Atlantic on April 15^th 1912 after hitting an iceberg on its way to New York City. In Peter Stone’s Titanic, we join the excitement prior to the ships fateful launch where the ship is boasted as the largest and fastest passenger sea vessel that also comes with the tag “indestructible”. Families, friends and crew members are giddy with enthusiasm and anticipation as projected so well in the show’s magnificent opening number “In Every Age”. After Titanic’s triumphant departure, we are taken to both the luxurious world of the ship as well as that of the lesser class. In its five day voyage, we are taken to ballroom extravaganzas, fine dining and also to the far less glamorous galleys and crew quarters.

All the while the good Captain Edward Smith and First Officer William Murdoch look to steady the course but do so under the pressure of ship owner White Star Line to increase its speed in order to break the speed record to cross the Atlantic. Finally, on a dark and quiet night, lookout Frederick Fleet notified Murdoch of an iceberg due ahead, but it was too late to maneuver, the ship receiving a 300-foot gash in its side, doomed to sink in the frigid waters. In all the panic and commotion we learn that there are only enough lifeboats to save a third of the ship’s passengers. Ultimately only 700 or so of the Titanic’s 2224 passengers would survive, the rest condemned to a watery grave.

In Griffin’s Titanic, we get a real sense of devastation after what is at first denial (after all they are on an indestructible ship). We see the blame game shifted between architect, White Star Line and the Captain. It is an interesting dynamic as we see both unbridled selfishness and unselfishness between the passengers as some are intent on saving themselves while some are more interested in trying to help others.

The set, though simple, converts well from ship deck, to dining hall and living quarters, to ship exterior. The music is strong and heartfelt (also newly reworked). Many numbers are memorable, seizing the essence of the situation so very well such as “I Give You My Hand”, “To Be a Captain”, “I Have Danced” and “God Lift Me Up”. We also get a number of excellent acting performances in the large cast of twenty, making this a very solid production that has everything you would want in a musical tragedy.

Griffin Theatre Company’s Titanic is a high seas adventure you will not soon forget. It’s a big show in a smaller theatre. This warm and stunning production is being performed at Theater Wit (1229 W Belmont) through December 7^th and tickets are priced at a very worthwhile $39. For more information, you can visit www.griffintheatre.com. 

When you think of Las Vegas many things come to mind – gambling, bright lights, monstrous hotels and casinos to which one can easily get lost, glamorous showgirls, dry heated air, the Bellagio fountain, The Rat Pack, Bugsy Segal and Seigfried and Roy. But maybe the largest association one has with Vegas is none other than the King of Rock and Roll, Elvis Presley himself. After flopping in Las Vegas during the 1950s (they just weren’t ready for rock n’ roll), Elvis returned with a vengeance in the late 1960s and had several highly successful years as a residency and touring act until his death on August 16^th, 1977.

Since the King’s passing there have probably been more Elvis impersonators than one can count, and though most may go unnoticed, Trent Carlini does not. Formerly known as the Las Vegas Hilton where Elvis performed with regularity, Carlini currently performs an amazingly inspired tribute at what is now called Westgate Las Vegas Resort & Casino. Known as one of the best Elvis impersonators in the business, Carlini does not disappoint.

Set in the Shimmer Cabaret, a 350-seat theatre, fans are treated to a very intimate Elvis experience that is a true celebration of Elvis’ life and music. Trent Carlini packs an accurate, and highly entertaining, musical chronology into his 75-minute show that starts with Presley’s earliest hits like “Blue Suede Shoes” and keeps on rolling through the 1970s. Touching on the movie years, we hear classics like “Rock-A-Hula”, “G.I. Blues”, and of course “Viva Las Vegas”, before Carlini appears in that famous leather suit for some ’68 Comeback Special action. Carlini also dons Elvis’ legendary white suit for an emotionally stirring rendition of “If I Can Dream”.

“The King starring Trent Carlini” gives audience members a taste of Elvis Presley’s music in a way many thought could not be done. Carlini’s vocal ability to sound like Presley is haunting, his likeness almost uncanny at times, his movements right on and he even captures some of the late legend’s renowned charm whether it be in joking with the crowd or letting off a simple impish grin. Band members play along with Carlini but are not exposed until a few songs in, adding another dimension to the show. Expect a good amount of audience participation, as Carlini prods the crowd to sing along on occasion (or on their own!), invites the ladies to step up to the stage for a kiss, personally greets a good amount of the crowd during “Love Me Tender” and later passes out scarves to the adoring women in true King fashion.  

With each period of Elvis’ life, Carlini sports the proper attire from Presley’s Lansky collection to his well-known jumpsuits (complete with karate demonstrations). We get a little history lesson along the way though the main focus is on the music, as it should be in a tribute show. Pumping out the Elvis faves like “Hound Dog”, “Jailhouse Rock” (one of Carlini’s self-proclaimed top choices), “Burning Love”, “Can’t Help Falling in Love” and “The Wonder of You”, fans leave the theater feeling as though they got their full dose of Elvis-mania. The show concludes on an apropos note with Carlini’s powerful version of “American Trilogy” that really gets the goose bumps going. Carlini hits the song’s final note with precision and might – a note that so many other tribute artists substitute with a lower octave.

There is a huge variety of shows to see in Las Vegas, but this is one that should be on your must see list, Elvis fan or not. It is a show for all ages and one that anyone who likes to rock can enjoy. “The King starring Trent Carlini” is completely entertaining and thoroughly engaging. Trent is one of the best in the business and what better place than to relive, or get a taste of, the musical performance of Elvis Presley.

“Thank you. Thank you very much.”   

Cirque du Soleil has innovated the circus as we once knew it and has transformed it into something that has become so more visual, musical and exciting than ever could have been imagined. While some Cirque shows are set to a particular theme such as the music of the Beatles or Michael Jackson or perhaps an epic Asian battle or even a water spectacular, Zarkana is different than most as it focuses on three ring circus acts that we grew up with, likely beneath a large tent.

Zarkana is performed center strip at Las Vegas’ Aria Resort and Casino inside a massive, and very beautiful theatre. Prior to the show, some of the 70-plus cast members from around the world are sprinkled throughout the venue interacting with people searching for their seats setting an exciting tone for what is about to come.

Each circus act brings out another gigantic set and bevy of creative costumes that are full of imagination with colors and movement that transcend the audience to another world for ninety minutes. Bringing to the forefront such fantastically traditional circus feats such as walking the high-wire, balancing acts, death-defying flying trapeze stunts and mind-boggling juggling, Cirque intensifies the experience of each with hypnotic music, amazing visuals and often incorporates its rich Vaudevillian humor.

Oohs and aahs are heard across the auditorium as acrobats fly overhead, performing maneuvers that can only be found in one’s deepest imaginings. Dream like motions are brilliantly blended with dangerous stunts that sometimes will have one on the end of their seat. An ingenious cast of characters are as colorful as they are funny. Zarkana is a show that can appeal to just about anyone’s sense of adventure.

Of the many acts performed, the Wheel of Death was probably one that caused the most amazement. The "wheel" is actually a largespace framebeam with hooped tracks at either end, within which the performers can stand. As the performers run around on either the inside or outside of the hoops, the whole apparatus rotates. The performers also perform balancing skills with the wheel in a stationary position. As the device spins faster and faster the stunts become more intense. Another stand out act was the Cyr Wheel. This is where acrobats rolled around the stage within large hoops while performing all kinds of mind-blowing tricks.

Each act was remarkable in its own right and opened one new world of imagination after the next. Whether an eight-year-old kid or a seventy-five year-old kid, Zarkana is certainly a sight to be seen and an experience you will not soon forget.

A Las Vegas show not to be missed, Zarkana has two performances each evening (7pm and 9:30pm) Friday through Tuesday. Tickets currently run between $69-$180 and can be purchased at 855.ZARKANA or by visiting http://www.aria.com/cirque/zarkana. 

....a few minutes in, Human Nature welcomed us to the 'party'.  Their shiny shoes and bow tie look indicated to me to get ready for a class act!  From Sidney, Australia, these four men who referred to themselves as ordinary guys, proved within minutes to be 'extra ordinary'.  With a love for music and dance as teens they performed as a barber shop quartet, but soon shifted to Motown, loving the beat and soul of such groups as the Temptations.  Motown was birthed in the United States in the late 50's, but soon reached the ears of Mike, Andrew, Phil and Toby lighting a fire that never quit.

During the performance the highs and lows of harmony was done beautifully.  Music and rhythm aside, just watching four handsome men, suited up, brought class into the house and heightened the crowd with anticipation.  "Shop Around" brought back memories for me, and when "Stop in the Name of Love" filled the room it took you back in time when young people would escape into the fun of music.  This show was family friendly, but it wasn't a surprise to see the seats filled with older folks who related so much with the Motown sound.

Mike, Andrew, Phil and Toby have been together musically for twenty-five years.  The lead singer Mike, who initiated this 'dream' said it all began with "I'll Be There".  Their relationship with Smokey Robinson is genuine and productive in honoring Motown, and Human Nature is continuing to keep the heart and soul of Motown alive.  The energy level these guys had, the 'moves' and quality singing certainly is worth checking out.  Each performer is gifted, but the four together were amazingly entertaining. There was just the right mix of performance and audience participation to really keep the fun going.  Backed up by the Hollas Band Las Vegas, Human Nature brought home a sound that brought history back to life!  It just couldn't have been better!

Smokey Robinson’s Human Nature: The Motown Show is currently playing at The Sands Showroom inside Las Vegas’ glitzy Venetian Hotel and Casino. With hits from the Four Tops, The Supremes, The Temptations and Stevie Wonder you’ll find this show to be one of Vegas’ most fun and inspirational.

If you’ve ever wondered what may have filled in the omitted bits and fragments in Mary Shelley’s Frankenstein, First Folio’s “The Gravedigger” takes the mystery away while presenting its own mystery. Ingeniously creating a story within a story, “The Gravedigger” takes us to a heartbroken and devastated Dr. Victor Frankenstein who searches to destroy the monster who killed his family – a monster he breathed life into himself.

Meanwhile, as Victor hunts, the monster encounters a gravedigger, “Kurt”, when he tries to kill himself in a cemetery. Through reasoning and understanding, the gimpy gravedigger convinces the monster to live and the two develop a friendship. Kurt is dealing with his own past transgressions and we see similarities emerge between the two as the story continues. As time goes on, the monster learns to care and love because he is for the first time being accepted for who he is rather than hated and misunderstood. He even learns he has a soul despite the fact he is created form various corpse parts. When a woman, a self-proclaimed reader of the future, enters the monsters life he begins to become even more human.

Just in time for Halloween, the world premiere of “The Gravedigger” is a haunting, but heartfelt story written by Joseph Zettelmaier that keeps audience members engaged thanks to its flowing dialogue, eighteenth century costumes and memorable set that looks like a cemetery from an old horror flick. In fact, the play is held in the Mayslake Peabody Estate where rumors have its former owner Francis Peabody haunting the mansion, giving it an extra dose of creepy.

Craig Spidle is dynamic as “Kurt” and really grabs his character by the you-know-whats, anchoring a strong cast that includes Chicago acting veterans Doug MacKechnie and Simina Contras. Josh Carroll takes on the role of the monster otherwise known as “Anton” and does an admirable job as the simpleton who expresses many different feelings and emotions for the first time. At time inner beauty is so well defined and personified in Zettelmaier's characters, yet we see that sometimes we are just a vulnerable moment away from unleashing the primitive beast within ourselves. 

That horror can be intertwined with beauty and love makes this story penetrating. It is a story of hope, a story of what could be and a story of change, all the time testing human behavior.  “The Gravedigger” wins on so many levels and can be seen through November 2^nd at First Folio Theatre in Oakbrook. Joseph Zettelmaier is a young playwright to keep an eye on.

For more show information, visit www.firstfolio.org.  

The Chicago International Film Festival’s semi-centennial celebration will feature an exciting lineup of features, documentaries and shorts made in Chicago and throughout Illinois, including three World Premieres, as part of its City & State program. Recently dubbed the “Best Place to Live and Work as a Filmmaker,” by “MovieMaker” magazine, Chicago has firmly established itself as a haven for both independent and big-budget Hollywood film production. The City & State program is sponsored by Cinespace, Periscope Post & Audio and SAG-AFTRA Chicago.

"This year's City & State program is rich with innovation and creativity. Often working with very low budgets, these local directors have crafted films that are strong and singular. Several are returning filmmakers, who we are thrilled to welcome back with new work, and others are coming to the Festival for the first time. Many are trained at Chicago's world class film schools, others have honed their skills working in our vibrant film and television industry,” said Chicago International Film Festival Programming Director Mimi Plauché. “The panel event, ‘Shooting in Chicago’, is a great compliment to the film slate, which demonstrates that Chicago is truly a center for creative filmmaking."

Director Michael Caplan explores the life of Chicago author Nelson Algren in the World Premiere documentary, “Algren,” featuring evocative images by world-class Chicago street photographer Art Shay as well as interviews with Billy Corgan of “The Smashing Pumpkins” and award-winning Chicago filmmaker William Friedkin. Acclaimed Chicago-based filmmaker Stephen Cone, lauded by the Chicago Tribune for his award-winning film “The Wise Kids” (2001), will present the World Premiere of his independent film, “This Afternoon.” Director Marie Ullrich returns to the Festival for the World Premiere of her feature debut, “The Alley Cat,” born from her short “Faster!,” which was featured in the 2010 Festival’s program.

Local female filmmakers are featured prominently in this year’s City & State program, including director Ullrich, shorts directors Kris Swanberg (“Baby Mary”), Meghann Artes (“Speed Dating”), Hayoung Jeon (“Frame Walk”), Zoe Lubeck (“Lucy”) and producer and actor Grace McPhillips (“The Other One”). McPhillips, industry advocate and host of “Producer’s Patio,” a podcast on independent film producing, will also participate in the Festival’s filmmaking panel, “Shooting in Chicago.”

The “Shooting in Chicago” panel provides an opportunity for audiences to hear from Chicago and Illinois-based industry leaders, actors, independent producers, and directors and to gain insight into filmmaking in the city. The panel will be followed by a tour of Cinespace Studios and Periscope Post & Audio (with transportation courtesy of Chicago Film Tour.) This free panel will take place on Saturday, October 18 at 11 a.m., at the AMC River East (322 E. Illinois St.). Tickets for the panel must be obtained from the Box Office. For details, call 312.332.FILM.

City & State

“Algren” USA (Director: Michael Caplan) — As a passionate chronicler and champion of the underclass, Chicago author Nelson Algren (“The Man with The Golden Arm” and “Chicago, City on the Make”) was a literary genius second only to William Faulkner, according to ardent fan Ernest Hemingway. Illuminated by interviews with artists inspired by his work and embellished with a trove of Art Shay photographs, “Algren” is a long overdue celebration of an under-appreciated literary icon. World Premiere

“The Alley Cat,” USA (Director Marie Ullrich) —Jasper, a brusque bike messenger, anxiously waits for the much-anticipated “Alleycat,” her friends’ annual booze-soaked bike race across Chicago’s South Loop. When the big night finally arrives, Jasper starts off with a formidable lead, yet quickly finds herself caught in the web of her fellow racers’ longstanding secrets. A thrilling micro-budget road movie, “The Alley Cat” is also a heartrending portrait of a young woman coming to terms with her own family life. World Premiere

“This Afternoon,” USA (Director: Stephen Cone) — After accidentally stumbling into a therapy group for sex addiction, an aspiring youth pastor strikes up a friendship with a lonely housewife who has a proclivity for picking up strangers on Craigslist. The two spend the afternoon together, revealing themselves to one another through a profound and penetrating conversation which eventually leads to transformative personal revelations. Raw and sensitive, this micro-budget Chicago indie is an intimate look into individuals struggling to find fulfillment in their lives. World Premiere

“The Other One,” USA (Director: Josef Steiff) — In this bold, atmospheric story of loss and acceptance, former schoolteacher Amber returns to her childhood home to look after her ailing mother. Still haunted by a tragedy that took the life of her husband, Amber tries to cope with her mother's deteriorating mental state. As she slowly uncovers secrets from her childhood, she must also confront her own tenuous grasp on reality. Chicago Premiere

Shorts 1: City and State - Locally Sourced — Spanning animation, fiction, documentary, and experimental filmmaking, these quirky Chicago shorts offer fresh perspectives and strong new visions. Ava is desperate to find the man of her dreams in “Speed Dating.” An eight-year-old girl decides to take a neglected toddler home in “Baby Mary.” “The Fox of Bloody Woman Island” is a loving portrait of Ulf, a traditional Norwegian boat builder. “Lucy” is a story about a girl and her dog. Local icon Cloud Gate (aka the Chicago Bean) is dissolved and deconstructed in “Frame Walk.” A scientist creates the perfect woman in “A Priceless Woman” (1961). Jaspa Jenkins wants to become “civilized” in “Jaspa’ Jenkins.” “The Muck” will leave you never wanting to take a bath again. Simon is left to survive in the middle of the ocean on an airplane wing in “Drifting.”

The 50th Chicago International Film Festival runs October 9-23, 2014. The complete list of films is available at www.chicagofilmfestival.com.

Festival Passes, Ticketing and Theater Information

Festival Passes and Tickets are on sale now.

Pass options include:

Moviegoer (10 regular admissions): $100 for Cinema/Chicago members, $130 for non-members

Passport (20 regular admissions): $190 for Cinema/Chicago members, $240 for non-members

Individual ticket prices:

Regular films: $11/members, students*, and seniors*; $14/non-members  (*with valid ID)

Weekday matinees (films only): $7 tickets, Monday-Friday through 5:00pm

10 after 10: $10 tickets, every day after 10:00pm

Special Presentations: $16/members, $20/non-members

Tickets and passes can be purchased online at www.chicagofilmfestival.com, by calling 312-332-FILM (3456), or in person at the Festival Box Office at AMC River East 21 (until October 9: 7 days a week, noon – 8:00pm; October 10-23: tickets will be on sale one hour before the start of the first show until the start of the last show).

Festival screenings will be held at the AMC River East 21 Theater (322 E. Illinois St.).

For the full schedule and ticketing information, visit www.chicagofilmfestival.com