Items filtered by date: November 2007

Steppenwolf Theatre Company kicks in the 2013 season with a dark comedy that is both engaging and compelling from the opening scene that has “Jackie” finding the hat of his girlfriend “Veronica’s” alleged lover. Just out of prison, “Jackie” takes a big step towards starting his new life by getting himself a job. However, everything takes a turn once “Jackie” is convinced “Veronica” is seeing someone on the side and his “new life” is no longer his priority. Jackie finds solace in talking things through with his sponsor “Ralph D. and “Cousin Julio”.

Written by Stephen Adly Guirgia, fast dialogue and lots of cursing make this story move quickly and with realism. The story has plenty of on edge moments, but also rounds out well with a good amount of funny lines and sexy scenes. The story flows smoothly and never threatens to lose audience interest. Fun twists and turns await around every corner in this witty show directed by ensemble member Anna D. Shapiro.

John Ortiz (“Jackie”) and Jimmy Smits (“Ralph D.”) put forth the dazzling performances that one would expect in a Steppenwolf production. Both are able to take command of the stage in each scene performed, as well as get good laughs from the audience. Ortiz and Smits roll with “Motherf**ker”, have fun with it and kick its ass. “Dynamite” would be the word of choice regarding both of their performances.    

Sandra Delgado, Sandra Marquez and Gary Perez round out the talented cast and each are excellent in their own right. Perez as “Cousin Julio” had some very funny scenes. The cast shows great chemistry together and the story is rich in displaying the different behaviors in humans incited by the circumstances that surround the characters – both good and bad.

The thoroughly entertaining “The Motherf**ker With The Hat” is well worth seeing and is playing through March 3^rd in the downstairs theatre of Steppenwolf (1650 N Halsted St). For tickets and/or more information on “The Motherf**ker With The Hat”, visit www.steppenwolf.org. 

The highly anticipated musical theatre production, “The Book of Mormon”, winner of nine Tony Awards, has made its way to Chicago’s Bank of America Theatre (18 W Monroe) amidst its second national tour. With a humorous story revolving around young Mormons spreading the word of “Heavenly Father” according to The Book of Mormon, the production is filled with hilarious dialogue and silly musical numbers.

Nic Rouleau, who comes directly from the Broadway production, leads the mega-talented cast as the over zealous, overly ambitious Mormon advocate, “Elder Price” , along with Ben Platt who plays his bumbling partner, “Elder Cunningham”. Price’s dream is to be sent to Orlando to spread the word, but the pair is sent to Uganda, much to his chagrin. A compulsive liar, Cunningham, stumbles his way into a “successful” mission by reinventing The Book of Mormon to the locals, outshining Price and the other existing Mormons sent by the church who have not found any success by preaching the true word of Mormons.

Keep in mind this show was written by South Park creators Matt Stone and Trey Parker, so humor that pushes boundaries should be expected. There is plenty of R-Rated cursing and, like their famous cartoon, no topic is safe from jabs. Matt Stone and Trey Parker were on hand for the opening night performance in Chicago and were greeted to a standing ovation when they took the stage following the show. “The Book of Mormon” feeds the audience with a steady stream of solid laugh material and is as funny as advertised.

Though high demand for the performance has the show sold out through March 3^rd, “The Book of Mormon” is set to run through June 2^nd. Tickets run from $45-$115 and are available through Ticketmaster retail locations or online at www.BroadwayInChicago.com.     

I do love all the standard holidays shows and music that come with the season but there comes a point where I feel overloaded by all the sticky sweet extravaganzas and tearjerkers and just want to  laugh my ass off. That is when I head straight to Mary's Attic for a good dose of the campy, mind-opening fare that director/composer David Cerda always serves up in style.

2012 is the fifteenth anniversary of Cerda's camp classic that Chicago audiences have come to know and love that spoofs the 1964 “Rudolph the Red-Nosed Reindeer” TV special. This prancy Rudolph is a reindeer who wears red hose under his coveralls and is picked on for being neither gay enough for the other gay vogue-ing reindeer, nor straight enough for the bucks who pull Santa’s sleigh. With hilarious yet meaningful songs like "They'll Hate You If You're Different", "Christmas Makes Me Bitter" and "If You Want To Catch A Man, Don't be Yourself! (You've got to HO HO HO it.)" “Red Hosed Reindeer” successfully conveys the message, and makes everyone in the audience feel, that "Being Normal - isn't normal at all!"

Ed Jones steals the show as a sex starved, drunken, Mrs. Claus, desperately eating pills out of Santa's hand and then again later in the show in a mind-blowingly funny Cher impersonation as “The Drag Beast”.  Wide-eyed and lithe dancer/singer Alex Grelle as “Rudolph” is also fantastically funny. The audience never knows whether “Rudolph” is just a cross dressing reindeer or gay, which I like because it shows that there is a lot of hyper-criticism in the gay community, too - pressure from all sides to be "normal". I also loved Santa’s mournful, lusty rendition of “(God) I Miss Her So" when Mrs. Claus finally makes her escape from Santa’s verbal abuse and philandering with female reindeer.

As always, Cerda’s productions comes complete with a large, tremendously funny cast, well-dressed in outrageous costumes, and show stopping musical numbers.

If you are a little tired of all the shows and commercials endlessly pushing the perfect family and picture postcard presentations down your throat - then run, skip or sashay - don't walk - to catch one of the performances of “Rudolph The Red Hosed Reindeer” at Mary's Attic in Andersonville  this year. You will leave feeling like a million “bucks”… have just helped you with your makeup and hair and declared you fabulously ab-normal!!

For tickets and information visit www.handbagproductions.org.              

Merry Christmasukah!

Looking for a fun way to get you and your family into the Christmas spirit?  Look no further – The Radio City Spectacular at Rosemont’s Akoo Theatre featuring the Rockettes pulls out all the stops. From singing Christmas favorites to the dazzling famed  New York chorus line, this show has your Christmas fun covered.

The show begins with the classic holiday hit, “Sleigh Ride”, as the Rockettes are dressed in reindeer leggings and antlers as they prepare to pull Santa’s sleigh. Jumping from one festive scene to another, the show also features the Radio Hall Singers and of course, Santa Claus himself.

The production includes incredibly original and unique versions of many Christmas favorites including “The Twelve Days of Christmas”, “Here Comes Santa Claus”, “The Nutcracker” and “Joy to the World”. Numbers are complimented with magnificent screen displays in the background, amazing costumes and imaginative choreography including “The Parade of the Wooden Soldiers” where the Rockettes incredible dancing concludes with the illusion of the full line soldiers all collapsing in perfect slow motion into each others arms after a silent cannon blast.

There was a great slide show presentation with the full illustrious history of the Rockettes and how the Radio City Music Hall was saved from destruction by their unwavering popularity with audiences. The current lineup of Rockettes are all amazingly gifted dancers, the caliber of their dancing ability in all forms including tap and ballet is still unmatched par none.

My favorite number was  “New York at Christmas”, which featured a marvelous moving double-decker bus and I Max screen illusion wherein the audience and Rockettes are driven around a  romantic and snowy white New York City at Christmas time. I used to live in Manhattan and it really brought back such beautiful stunning memories of ice skating in Central Park and watching the lighting of the tree at Rockefeller Center, pure magic!

Also, “The Living Nativity”, which created the illusion of a vast star lit, celestial night sky above the stage while the audience watch the three wise astrologers cross the desert following the brightest star to Jesus birth was brilliantly and reverently performed.

It was also a special delight for me to observe the many little girls in the audience watching these fantastic dancers with awe,  obviously studying dance themselves. I saw the show the same day as the tragic shooting of schoolchildren in Connecticut and found this incredibly entertaining and joyous performance the perfect way to be reminded of the beauty of humanity and the power of dance, singing and  theatre to give  real hope to our nation's children for a safe and peaceful future.

The Radio City Christmas Spectacular will be playing at The Akoo Theatre through December 30^th. Be sure to check it out if you can!

With the Christmas season comes the good guys we’ve come to love so dearly like Charlie Brown, Rudolph, George Bailey and of course Santa Claus, but it’s also the time for holiday nemesis’s such as Ebenezer Scrooge, Mr. Potter, Burgermeister and the Whoville hater himself, The Grinch. Well, the famous Dr. Suess character, along with the Whos, can be seen at Cadillac Palace through December 16^th in “How The Grinch Stole Christmas: The Musical”.

Certainly far more suited for children, “The Grinch” is full of cartoon-like humor, silly songs with redundant choruses, rhyming dialogue, colorful costumes that are colorful and of course, a big, furry green Grinch. Bob Lauder narrates the story as “Old Max”, the Grinch’s faithful dog, and gets to display his powerful baritone pipes in the favorite “You’re A Mean One, Mr. Grinch”.

Though most songs aren’t very memorable, the couple that were are sure to stick in your head such as the case with “Who Likes Christmas?”. “The Grinch”, played by Stefan Karl, was as boisterous, hateful and conniving as one would expect him to be. An instant attraction once he took the stage, kids faces throughout the crowd lit up, showing awe and excitement, especially during a sequence when The Grinch appeared to be flying on his sled across the snowy banks to snatch Christmas from the Whos.

Though I am not sure which “Cindy-Lou Who” was performing the night I attended since two actors alternate performances, I will mention both names as having been outstanding in the role, Jenna Iacono and Georgia Kay Wise. Kudos of course to Stefan Karl, as well, for the great job he did in bringing The Grinch character to life.

“How The Grinch stole Christmas” is exactly what you would think it is – a big, vibrant show with lots of songs, childish jokes and lovable characters that stays true to the holiday classic that Dr. Suess created. It is a story of change in someone due to an unconditional good that squashes hatefulness.  

For more information on “How The Grinch Stole Christmas: The Musical”, visit www.broadwayinchicago.org. 

I just love Jeff Garlin's work. It was really great to see him in his second  two week run at Steppenwolf Theater here in Chicago titled, "Closer Than I Appear", a year after his sold out run there with "No Sugar Tonight".

Each show started out with Jeff telling the audience they probably expected that since he was appearing at Steppenwolf, a theater known for it's serious, polished dramatic scripts  that his comedy show would be something he had really written out and planned but then he warns the audience  "I have prepared nothing. I'm relying on my wit." Garlin is a Chicago native, raised in Morton Grove and a Second City Alumna so when he relies on wit and improv based off the audience you really get a great taste of the genius underlying his "work in progress".

Half of the meaty 2 hour plus show was devoted to riffing off the audience including one couple he found out had flown in from  Florida just for his show that night. "We call you gold," he said as he took out his wallet and reimbursed the couple for their Spirit air tickets in cash and gave them his own unused carry on bag as a souvenir.

Garlin is a Jew after my own heart when he chummily relates Hollywood insider secrets like how to know who's closeted in Hollywood based on which way the family picture on their desk faces.  "The closeted executive has his family picture pointed outwards to impress his clients with his  "beard"- the straight man wants his family's faces where he can see them all day."

Although Garlin's unique genius lies in his sometimes meandering stories that suddenly wind back and grab you after winding down several corridors you didn't see coming, like his description of all the stores in an absurdist shopping mall where one store would just have an "old man handing out bags of raisins for free". But his one liners still get me like "If Hostess had only gotten behind pot reform, they'd still be in business" or "I wish I could have raised my wife."

Garlin is happily married and I've read his wife  makes him edit his act occasionally. I loved his joke about napping with young women. Garlin says he would never leave his wife but he still has a strong desire to take naps with pretty young women. "Just a nap, that's all I want to do with them - And let me tell you something, once a beautiful woman takes a nap with me, she never wants to nap with anyone else!"  And on his weight, "I think overeating is the least sexy addiction. I mean think about it, if you drink or take drugs, you will still get laid. I've never seen a woman look at a fat guy and say, Oh man, I want that! I want  to just climb on there and just bang the hell out of him - he must like Entenmann's as much as I do."

It is a great pleasure to hear him in this relaxed yet focused Steppenwolf setting performing and talking about the city he knows so well, "I consume everything Chicago!" and "The Reader gave me a bad review. F-ck the Reader." 

There is something indescribably satisfying about the way he sort of rambles around for a bit then out of nowhere reels us back in, sometimes just by saying, "I lost you for about 20 minutes there. It's okay, I'm going to give the audience members with A-D-D a chance to escape early."

Garlin looks and is admittedly much healthier physically than he was last year but still jokes about his appearance wearing black jeans and a t- shirt by saying , I am  the most comfortable comedian in show business, not the funniest- but the most comfortable. Experiencing him bouncing the audience on his comfy  Chicago born lap for over two hours made me feel like I was at home with one of my funny uncles at Chanukah time. It was comfy AND funny, funny as it gets. I genuinely look forward to seeing his "work in progress" progressing comfortably again next year. 

Sean Palmer was originally slated for the role of “Don Lockwood” but suffered an injury postponing the Drury Lane opening of “Singin’ in the Rain”. Acting fast, Broadway actor Tony Yazbeck was brought in for the role of “Don Lockwood” and his performance couldn’t be more wonderful. From Yazbeck’s singing to his dancing, the talented actor takes commend of the role, making intricate choreographed moves appear so effortless and sensational.

“Singin’ in the Rain” is about as good as one would hope. Coupled with a slew of magnificent sets and a cast of dynamic, talented actors, this shows stimulates with an energy and feeling reminiscent to the greatest of Broadway shows. Big numbers, exciting dance sequences, colorful costumes and timely humor are rolled into a perfect concoction of theatre bliss.

Matthew Crowle is simply terrific as “Cosmo Brown” and highlights his radiant performance with a fantastic rendition of “Make ‘Em Laugh” where his comedic dancing blends with brilliance and sheer talent. Also sparkling is Melissa Vander Shyff as “Lina Lamont” who consistently draws big laughs from the audience as the movie star face fit for silent pictures and the voice that should be hidden as far as possible from movies with sound.

Drury Lane’s production of “Singin’ in the Rain” does the historic film justice and even cameos Debbie Reynolds in a filmed appearance.

This lighthearted classic will have you toe tapping and smiling from beginning to end – just be sure to wear protective rain gear if you are sitting in the first few rows because there truly is singin’ in the rain.

“Singin’ in the Rain” is playing through January 13^th at Drury Lane Theatre (100 Drury Lane, Oakbrook Terrace). For tickets or more information, please visit www.drurylaneoakbrook.com or call 800-745-3000.          

‘Tis the season to jump into the holiday spirit and what better way than to kick it off by taking in a holiday classic. “It’s A Wonderful Life: The Radio Play”, now playing at American Theater Company, is a charming and fun-filled way to do exactly that. In this warm hearted production, the audience is taken to a live 1940’s radio broadcast when storytelling was a much different art and form of entertainment. As crowd members file in, a pianist plays Christmas classics while the cast strolls about the stage awaiting and preparing for  their “radio performance”.

Golden-voiced announcer Chris Amos finally takes to one of the four microphones stationed across the stage and starts the show, introducing the story while plugging an advertiser on occasion just as was done during such an era. Just before the cast goes into “It’s A Wonderful Life”, he instructs the audience to clap when the applause sign light up.

The 1940’s radio set is just as imagined it would be, propped with old time microphones, furniture and other 1940’s essentials. The set also included a Foley station operated by Rhapsody Snyder, where live sound effects were made to follow every detail of the story, which was very interesting and fun to watch.

Each cast member took on multiple characters, adding a comedic element at times, especially when outstanding actor Mike Nussbaum, went directly from mean old Mr. Potter to the loveable and naïve guardian angel, Clarence. Cliff Chamberlain was dynamic as the beloved George Bailey, while Sadieh Rifal, Tony Lawry and Tyler Ravelson added very solid performances for each character they played.

Another delightful blast to yesteryear came during the story breaks when the cast participated in quirky advertisements complete with corny jingles and campy one-liners. During these breaks the cast would also read aloud Christmas greetings from audience members submitted prior to the show’s beginning.

“It’s A Wonderful Life: The Radio Play” is the perfect show for the holidays and one that can be seen multiple times if you want to share the experience with others. “It’s A Wonderful Life: The Radio Play” is playing at American Theater Company (1909 W Byron St) through December 30thand tickets are a very reasonable $35-$40. For more show information or tickets, visit www.atcweb.org or call 773-409-4125.        

The play starts out with a poker game taking place in Oscar Madison’s living room. The place we can see is a mess, cigar smoke freely roams throughout and all the regulars are there – Speed, Roy, Vinnie and Murray – all but one – Felix Ungar. After much worry and time pass, Felix shows up dejected and frazzled. He had just been kicked out by his wife. With no place to go, best friend Oscar persuades Felix to move in with him. Good idea, right? Well, it seemed so at first, but when Oscar, an irresponsible slob who loves to drink, smoke and gamble is paired in a confined living space with Felix, an allergy ridden neat freak whose idea of fun is organizing and cleaning all things possible…well, maybe not such a good idea after all.

Neil Simon’s classic story, “The Odd Couple” is triumphantly delivered at Northlight Theatre and is cast with a slew of Chicago greats including Second City alumni Tim Kazurinsky, Peter Defaria, Phil Ridarelli and Marc Grapey. Grapey, incidentally carries out a terrific performance in the stead of George Wendt, who was scratched from the role of “Oscar” due to health issues. Phil Ridarelli gets a lot of laughs and immediately captures the crowd’s attention as the loud and sardonic “Speed”, showing great ability to command the audience with his great comedic expression, tone and body language.

Though initially disappointed that George Wendt was not playing the role of “Oscar”, Grapey quickly took command of the character and was a true pleasure to watch perform. Grapey is certainly well suited for the role and displayed a tremendous rapport with co-star Tim Kazurinski, who also gave a top-notch performance. Of course it wouldn’t be “The Odd Couple” without Murray and the Pigeon sisters and Peter Defaria, Katherine Keberlein and Molly Glynn really add the perfect touches to each character.  

“The Odd Couple” is flat out funny. It is the perfect getaway if you are looking for a brief retreat from the humdrums of daily life. Located just next door to Jameson’s Steak House, what better way to spend an evening than dinner and a show. Northlight Theatre is located at the North Shore Center for Performing Arts, 9501 Skokie Boulevard, Skokie. For tickets and/or more information visit www.northlight.org or call 847-673