Displaying items by tag: Aurora Penepacker

The 1950s is easy to idealize. Men styled tailored suits, women dazzled in pleated dresses, and everything glimmered like it was in a commercial. Life’s troubles were solved with a talk from pop or a hug from mom – or that’s how it seemed. Drury Lane Theatre’s Father of the Bride transports audiences to that romanticized time, and it’s a welcome trip!

Published in 1949, Father of the Bride was adapted for the stage and screen, including two beloved movies starring Hollywood heavy-weights Elizabeth Taylor, Spencer Tracy, and, later, Steve Martin in 1991. While a wedding-gone-wrong may be a familiar story, director Michael Heitzman infused Drury Lane’s rendition with charm, laughter, and sincerity, making it feel fresh.

The play follows Stanley Banks, whose one-and-only daughter prepares for her big day, but she just wants a simple ceremony. Then again, she does want to invite all of her friends… and wants a beautiful dress… and well, by the time everything adds up, the small affair balloons into a whopping headache for dad.

Joe Dempsey’s portrayal of Banks, the set-in-his-ways father, is spot on, and his ad-libbed groans and physical comedy can’t help but make you laugh and empathize with poor, ol’ dad. He balances his old‑school bravado with the teddy-bear-interior so well, creating the heart of the story and avoiding the tired “dumb dad” troupes.

Aurora Penepacker and Jake DiMaggio Lopez in Father of the Bride. Photo by Justin Barbin.

Also making up the family is Rachel Sullivan, who plays the mother, Ellie Banks, with a gentle, confident air, and sons Ben and Tommy are portrayed by Kyle Ringley and Charlie Long, who bring charismatic Leave It to Beaver energy.

Aurora Penepacker plays Kay Banks, the soon-to-be bride with all of the charm of Elizabeth Taylor, and Jake DiMaggio Lopez is her moonstruck, in-over-his-head fiancée, Buckley Dunstan. Their chemistry is fun to watch as every emotion ping-pongs around as their nuptials draw near.

The ensemble also includes some fantastic performances. Michele Vazaquez portrays the tightly wound secretary, Miss Bellamy, who delivers a hilarious meltdown when every member of the family sabotages her efforts to finalize a guest list. Ed Kross brings quirky comedy as the caterer, Mr. Missoula, who steamrolls the Banks (and jumps like Super Mario), and Maya Hlava as Peggy Swift is an overzealous girl-next-door who plots to catch the bouquet.

The original compositions composed by Curtis Moore also deserve a shout-out. They serve as the perfect soundtrack during sequences which showed seasons changing or wedding gifts flooding in and add that extra something that makes you feel like you’re watching your favorite black-and-white sitcom.

Comedy can be tricky to tackle, but Father of the Bride makes ever beat work. It’s whimsical, playful, and a reminder that when things go awry, those you love will always be there. Father of the Bride is an invitation to a pure, wholesome evening, and it’s an invite you should not pass up.

Father of the Bride runs through May 31 at Drury Lane Theater. Click here for tickets and more information.

This review is proudly shared with our friends at www.TheatreInChicago.com. 

Drury Lane Theatre cordially invites you to the wedding of the season as it opens its 2026/2027 season with Father of the Bride, by Caroline Francke, directed by Michael Heitzman. Heitzman, who last directed Drury Lane's smash-hit production of 42^nd Street, helms this heartwarming comedy, running April 8 – May 31, 2026, at Drury Lane Theatre, 100 Drury Lane in Oakbrook Terrace.

The cast of Father of the Bride includes Joe Dempsey (Stanley Banks), Aurora Penepacker (Kay Banks), Rachel Sullivan (Ellie Banks), Jake DiMaggio Lopez (Buckley Dunstan), Kyle Ringley (Ben Banks), and Charlie Long (Tommy Banks) with Jeannie Affelder (Mrs. Pulitzki), Braden Crothers (Pete), Mitchell J. Fain (Joe), Archer Geye (Buzz Taylor), Maya Hlava (Peggy Swift), Ed Kross (Mr. Missoula), Demitri Magas (Red), Abby Rose Merrill (Tim's Gal), and Michele Vazaquez (Miss Bellamy).

The creative team of Father of the Bride includes Michael Heitzman (Director), Lauren Nichols (Scenic Design), Emily Rebholz (Costume Design), Dalton Hamilton (Lighting Design), Sarah Ramos (Sound Design), Cassy Schillo (Properties Design), Erin Kennedy Lunsford (Wig, Hair & Makeup Design), Curtis Moore (Original Music Composer), Casie Morell (Production Stage Manager), and Rachel Campbell (Assistant Stage Manager).

Father of the Bride is the classic comedy that has touched our hearts for decades. Based on the novel that inspired the Elizabeth Taylor and Steve Martin films, this hilarious yet bittersweet play reminds us that sometimes the greatest love a father can give to his daughter is to let her go.

Single tickets, priced $65-$125, are on sale now and are available online at www.drurylanetheatre.com, by phone at (630) 530-0111, or in person at the box office. Special discounted pricing available for Groups of 10 or more. A limited number of $45 rush tickets are available in person at the box office day of for every performance. New for the 26/27 season Drury Lane is offering 35 tickets for $35 for students, young professionals, and theatre lovers ages 35 and under for every performance.

About the Artists

MICHAEL HEITZMAN (Director) is delighted to return to Drury Lane where his critically acclaimed production of 42nd Street garnered him a Jeff Award nomination for Best Director. Other credits: Frozen, Beauty and the Beast, Charlie and the Chocolate Factory, Joseph and the Amazing Technicolor Dreamcoat starring David Archuleta, Newsies, Big River, Legally Blonde, SHREK, The Little Mermaid (IRNE Award nominee, Best Director), VICES (Jeff Award nominee, Best Director). He resides in NYC, where he serves as the Artistic Director of New Musical Development at the Lortel Theatre. Next up: Beauty and the Beast São Paulo, Brazil. Member of SDC.

JOE DEMPSEY (Stanley Banks) returns to DLO where he previously performed in The 25th Annual Putnam County Spelling Bee. Chicago Theatre: The First Lady of Television at Northlight, Judgment Day at Chicago Shakespeare Theatre, Paramount, Steppenwolf, Goodman, Court, Remy Bumppo, Theatre Wit. Regional Theatre: The Repertory Theatre of St. Louis, Cincinnati Playhouse in the Park, Milwaukee Repertory Theater, Centerstage (Baltimore), City Theatre (Pittsburgh). TV: Chicago PD, Somebody, Somewhere, Chicago Fire, Early Edition, E.R. Joe is an alum of the Neo-Futurists, American Blues Theater, and The Second City National Touring Company and a proud member of the Actors' Equity and SAG/AFTRA unions.

RACHEL SULLIVAN (Ellie Banks) is thrilled to be making her Drury Lane debut with "Father of the Bride."  Other Chicago credits include: Ideation (Jackalope Theater, Jeff Nom. Best Play & Ensemble) Dada Woof Papa Hot (Theater Wit/About Face). TV: "Chicago Fire," "The Chi," "Justified: City Primeval." Film: The Manifestation, Soul Sessions and Bird of Prey.

AURORA PENEPACKER (Kay Banks) is elated to return to Drury Lane! Previously appearing in A Christmas Carol (Martha) and The King and I (Ensemble/Tuptim understudy), other credits include Natasha, Pierre, and the Great Comet of 1812 (Jeff nomination) at Writer's Theatre, Amélie (Jeff nomination) at Kokandy Productions, and Seagulls at Oak Park Festival Theatre, where she will return this summer as Cecily in The Importance of Being Earnest! Aurora graduated with a BFA from CCPA at RU and is represented by Stewart Talent. Rory is a Filipina-American actor, singer, and writer based in Chicago.

JAKE DIMAGGIO LOPEZ (Buckley Dunstan) is thrilled to make his return to the Drury Lane stage ! Prior credits include: Grease(Drury Lane Theatre) Midnight in the Garden of Good and Evil(Goodman Theatre) Dear Evan Hansen, Cats, Disney's Frozen, Next to Normal, White Christmas, The Sound of Music(The Paramount Theatre Aurora) Jake received his BFA from Coastal Carolina University and is represented by Stewart Talent.

KYLE RINGLEY (Ben Banks, u/s Buckley Dunstan) is thrilled to be making his Drury Lane debut! Other Chicago credits: Holiday (Goodman Theatre) Kyle is a recent graduate of the MFA acting program at Northwestern University where he was seen in Museum, The Oregon Trail, and No Exit. TV/Film: Chicago Fire (NBC).

CHARLIE LONG (Tommy Banks) Drury Lane debut! Chicago area theatre credits include Falsettos (Court/Timeline), Fun Home (Porchlight), Charlie and the Chocolate Factory, Billy Elliot, School of Rock, The Sound of Music (Paramount), and The Music Man, Finding Nemo (Marriott Theatre). Charlie also plays the piano and french horn and is a proud member of the State Champion Marching Tigers.  Additional recognitions: Marquee Sports Network Chicago Cubs Jr. Broadcaster 2025, Leonard Bernstein Musicianship Award, ACDA National Honor Choir. 

JEANNIE AFFELDER (Mrs. Pulitzki, u/s Miss Bellamy & Tim's Gal) is thrilled to make her Drury Lane debut. She has been on stage at many Chicago-area theatres: Steppenwolf, Writers, TimeLine, First Folio, New Theatre Project, Eclipse, and Theatre at the Center, and she originated roles in The Good Times Are Killing Me (City Lit) and To Master the Art (TimeLine). Jeannie played the title role in the critically acclaimed production of Dear Elizabeth directed by Joann Green Breuer at the Martha's Vineyard Playhouse. She's been on Somebody Somewhere, Chicago Med, Chicago PD, and The Onion.

BRADEN CROTHERS (Pete, u/s Buzz Taylor & Red) is thrilled to return to Drury Lane, where he was previously seen as Louis in The King and I and Tiny Tim in A Christmas Carol. Regional credits include Scut Farkus in A Christmas Story (Marriott Theatre) and Peter Cratchit/Boy Scrooge in A Christmas Carol (Milwaukee Rep). A junior in high school, Braden has also appeared as Bruce in Matilda, Sky in Mamma Mia!, and most recently as Prince Eric in The Little Mermaid at his school. Television and film credits include Chicago P.D. (NBC) and Saint Francis (dir. Alex Thompson). 

MITCHELL J. FAIN (Joe, u/s Mr. Missoula) has been a working actor/director/storyteller in Chicago for 30+ years. He has previously worked at Timeline, Northlight; Marriott, Lookingglass; The Second City, Chicago Shakespeare, The Actor's Theatre of Louisville, LaJolla Playhouse, Theater Wit, The Midnight Circus; and many others. Most recently he appeared in the Time Line Theater\Broadway-in-Chicago co-production of "The Lehman Trilogy" (Jeff Award winner for supporting performance); and as proud member of the #GrelleyDuvallUniverse, he appeared in "StepMom; At the Old Ethan Allen Space" at Steppenwolf.

ARCHER GEYE (Buzz Taylor, u/s Tommy Banks & Pete) is thrilled to be making his Drury Lane Theatre debut! Recent credits include The Shape of the Bones (The New Theatre Project at Theatre Wit); Billy Elliot (Paramount Theatre); Big Fish and The Sound of Music (Marriott Theatre); A Christmas Carol and Ragtime (Metropolis Performing Arts Center); and Junior Claus and Snow White: An Original Musical (Citadel Theatre).

MAYA HLAVA (Peggy Swift) is thrilled to be returning to Drury Lane. She was previously seen in Little Mermaid, Christmas Carol, Shrek, White Christmas and Bye Bye Birdie. Additional Chicago credits include, Come Back Little Sheba, Things With Friends (American Blues Theater); Prayer for the French Republic (Northlight Theatre); The Penelopiad (Goodman Theatre); Happy Days Are Here (Again) and Zurich (Steep Theatre); The Best Damn Thing (The Understudy Cafe); Dory Fantasmagory and Last Stop On Marketplace (YPPT/Greenhouse Theater); Spring Awakening (Porchlight Theater); Act 5, The Killing Game and The Nether (A Red Orchid Theatre); Oklahoma (Marriott Theatre); Violet (Griffin Theater); Trevor (Writers Theatre); The Secret Garden (Court Theatre); The Wheel (Steppenwolf Theatre); Film and Television Credits include  Will Trent, The Perpetrator, Chicago Med, The Chi, and The Big Leap. Maya is represented by Stewart Talent

ED KROSS (Mr. Missoula, u/s Stanley Banks) was last seen at Drury Lane in Hazel. Other credits include Little Shop Of Horrors and 1776 (Marriott Theatre), Fiddler On The Roof and West Side Story (Lyric Opera), The Jungle Book and Animal Crackers (The Goodman), Sister Act and Shear Madness (Mercury Theater), I Love Lucy (Broadway Playhouse), as well as productions at Chicago Shakespeare Theater, Northlight, Peninsula Players, and Second City Theatricals. On camera he's appeared in over 75 commercials, had guest roles on "Chicago Med," "Fargo," "Patriot," "Chicago Fire," "Sirens," "Boss," and shares one-on-one scenes with Tom Hanks in Road To Perdition and George Clooney in Ocean's 12.  Ed is a 28-year ensemble member of American Blues Theater.

DEMITRI MAGAS (Red, u/s Ben Banks & Joe) is thrilled to return to Drury Lane! Demitri is a graduate from Millikin University's 2024 BFA Acting class and made his first Chicago theatre debut in 2023 as Robert in Jeff and Shelly (Theatre Wit). Last winter, Demitri worked as an understudy for Drury Lane's A Christmas Carol and is a member of The Conspirators (a Chicago neo-commedia dell'Arte troupe) and has appeared in Chicago Cop Macbeth, Ayn Rand's It's A Wonderful Life, and Commedia Divina: It's Worse Than That (Otherworld Theatre).

ABBY ROSE MERRILL (Tim's Gal, u/s Kay Banks & Peggy Swift) is thrilled to return to Drury Lane! Favorite regional credits include Grease at Drury Lane; Nunsense at The New Theater; and the Alice Bliss workshop at TheatreWorks Silicon Valley directed by Mark Brokaw. Abby has also appeared on Netflix's House of Cards and NBC's Chicago Med. She is a graduate of Stanford University and represented by Stewart Talent.

MICHELE VAZAQUEZ (Miss Bellamy, u/s Ellie Banks & Mrs. Pulitzki) is an actor, director, and teaching artist based in the Chicago area. She has appeared Off-Broadway at The Cherry Lane Theatre and The Pearl Theatre Company, and performed nationally with The Old Globe, Arena Stage, A.C.T., Cincinnati Playhouse in the Park, Aquila Theatre, and Goodman Theatre, as well as internationally at the International Shakespeare Festival in Neuss, Germany. Her television credits include Emperor of Ocean Park, Chicago Med, Chicago Fire, and As the World Turns. Michele holds an MFA from The Old Globe/University of San Diego and a BFA from the University of North Carolina at Chapel Hill. She's a proud member of Actors' Equity Association and SAG-AFTRA.

Season and Membership Information

The 2026/2027 season includes the wedding of the season in Father of the Bride (April 8 – May 31, 2026); holy hilarity with the Little Sisters of Hoboken in Nunsense (June 10 – August 2, 2026); the toe-tapping tribute to a rock'n'roll pioneer Buddy – The Buddy Holly Story (August 19 - October 11, 2026); the heartwarming family classic Annie (November 4, 2026 – January 10, 2027); and the musical office rebellion in heels 9 to 5 (January 27 - March 21, 2027).

Drury Lane Theatre's performance schedule for the 2025/2026 season is as follows: Wednesdays at 1:30 p.m., Thursdays at 1:30 p.m. and 7:00 p.m., Fridays at 7:00 p.m., Saturdays at 3:00 p.m. and 8:00 p.m., and Sundays at 2:00 p.m. and 6:00 p.m.

Lock in your seats for a season of spectacular theatre with Drury Lane's Membership Program! Members have exclusive access to uniquely tailored benefits designed to enrich their Drury Lane experience, all at a cost savings of up to 50% off single ticket prices. Membership includes Premium or Tier One seating for all five Drury Lane Theatre productions, free ticket exchanges, dedicated dining credits at Lucille Restaurant, one complimentary Champagne Brunch, exclusive event invitations, Member pre-sales and 25% off additional single ticket. Membership prices range from $254 - $285. For more information, Call Memberships at 630-570-7280 or email This email address is being protected from spambots. You need JavaScript enabled to view it..

Group tickets start at $45 and Student group tickets start at just $35. On-site dining is available at Lucille Restaurant with convenient pre-show or post-show prix fixe menus. To book a group of 10 people or more, call Group Services at 630-570-7272 or email This email address is being protected from spambots. You need JavaScript enabled to view it..

Rush tickets are available the day of performance at the box office for $45. Limit of 4 rush tickets per person and must be purchased in person at the box office.

35 tickets for $35 for students, young professionals and theatre lovers age 35 and under are available for every performance. Limit two per person, per performance. Use code "35FOR35" to purchase these tickets online at www.drurylanetheatre.com, in person at the box office, or call (630) 570-0111.

Gift certificates to Drury Lane can be purchased in any denomination, never expire, and can be used for performances, at Lucille Restaurant or for Drury Lane Events. Gift certificates can be purchased online at drurylanetheatre.com/gift-certificates or by calling the box office.

Dining and Special Events

Excellence isn't limited to the stage at Drury Lane! Before or after the show, theatergoers can indulge in delicious onsite dining at Lucille Restaurant featuring seasonal pre-fixe menus and an elevated atmosphere to complete their experience. Boasting over a century of collective expertise in hospitality, the dedicated team ensures that you will be cared for with freshly prepared meals, handcrafted cocktails, and exceptional service. At Drury Lane, everything is in one place, so you will never be late for your performance.

Father of the Bride

By: Caroline Francke

Directed by: Michael Heitzman

Featuring: Joe Dempsey (Stanley Banks), Aurora Penepacker (Kay Banks), Rachel Sullivan (Ellie Banks), Jake DiMaggio Lopez (Buckley Dunstan), Kyle Ringley (Ben Banks), and Charlie Long (Tommy Banks) with Jeannie Affelder (Mrs. Pulitzki), Braden Crothers (Pete), Mitchell J. Fain (Joe), Archer Geye (Buzz Taylor), Maya Hlava (Peggy Swift), Ed Kross (Mr. Missoula), Demitri Magas (Red), Abby Rose Merrill (Tim's Gal), and Michele Vazaquez (Miss Bellamy).

Creatives: Lauren Nichols (Scenic Design), Emily Rebholz (Costume Design), Dalton Hamilton (Lighting Design), Sarah Ramos (Sound Design), Cassy Schillo (Properties Design), Erin Kennedy Lunsford (Wig, Hair & Makeup Design), Curtis Moore (Composer), Casie Morell (Production Stage Manager), and Rachel Campbell (Assistant Stage Manager).

Dates:                                                  April 8 – May 31, 2026

Schedule:                                          Wednesdays: 1:30 p.m.

                                                            Thursdays: 1:30 p.m. and 7:00 p.m.

                                                            Fridays: 7:00 p.m.

                                                            Saturdays: 3:00 p.m. and 8:00 p.m.

                                                            Sundays: 2:00 p.m. and 6:00 p.m.                                

Location:                                             Drury Lane Theatre at 100 Drury Lane in Oakbrook Terrace

Tickets:                                               Tickets range from $65 - $125

Group discounts available to groups of 10 or more

Dining and show packages available

Senior discounts available

Box Office:                                          100 Drury Lane in Oakbrook Terrace

                                                            (630) 530-0111

                                                            Monday through Sunday from 10am to 5pm

                        or visit DruryLaneTheatre.com

About Drury Lane Theatre    

Built from scratch. Built in Oakbrook. Built for you. 

Founded by Anthony DeSantis over 70 years ago, Drury Lane remains a family-run organization under the leadership of President Kyle DeSantis. Drury Lane Theatre continues as a major force in the Chicagoland theatre scene, producing world-class theatre in collaboration with some of the nation's leading actors, directors, and creative minds. Drury Lane Theatre produces the highest quality theatrical experience that immerses and supports artists and audiences in the exploration of what it means to be human and to experience the transcending power of the performing and visual arts. Drury Lane strives to create an environment in which every individual or group is welcomed, respected, supported, valued and able to fully experience and participate in this transformative art form. 

The theatre has staged more than 2,000 productions and has been nominated for over 360 Joseph Jefferson Awards. Drury Lane proudly employs thousands of professional actors, musicians, designers, and crew members to entertain upwards of nine million audience members and counting.

Earlier this summer, The New York Times asked its readers to submit their lists of the top 100 films of the 21st century. Scrolling through social media, it was clear the 2001 French film ‘Amélie’ was a millennial fan favorite. A whimsical rollick through Montmartre seems like ripe fodder for a musical these days so it’s no surprise the film was adapted for the stage in 2017. While not exactly a huge hit during its original New York run, Kokandy Productions sets the record straight with their Chicago debut.

If you took French in high school or college during the early 00s, chances are you’re familiar with the quirky character famously played by Audrey Tautou. With a show like this, your production can only be as good as your Amélie. Aurora Penepacker brings the character to life in a charmingly familiar way but with her a voice that is altogether unique and powerful. Amélie might be timid, but in this version her voice is anything but. Her romantic counterpart Nino is played with bittersweet sincerity by Joe Gionvannetti. Their chemistry is undeniable.

By now there is growing fatigue of Broadway musicals adapted from beloved films. A big reason is that often the music feels somewhat secondary, but Daniel Messeé’s whimsical score stirs up all the same kinds of emotions the movie does without oversimplifying the plot. The songs are woven into the plot and take the audience even deeper into Amélie’s rich inner world. A lively cast of actors and musicians provide just the right ambiance to feel whisked away to Paris for the evening.

The world of ‘Amélie’ at the Chopin Theatre is a very beautiful one. Kokandy Productions has the perfect space for director Derek Van Barham’s vision for this show. Nestled in the basement theater, Amélie’ is staged in a way that makes audiences feel as if they’re sitting in the cafe where Amélie works. Those who have been to the Chopin Theatre in Wicker Park will recall their “cottage core” aesthetic rich with antiques and shabby-chic furniture. Van Barham’s staging makes for an immersive experience that also really serves the emotional tone of the show.

With ‘Amélie’ Kokandy Productions proves again what makes Chicago such a thriving non-equity theatre scene. Creativity and talent intersect with their revival. There’s a world in which an ‘Amélie’ musical could be the cringiest thing to ever trod the boards, but instead Van Burham goes for something more authentic. His version has found a refreshing balance of the artful and the wistful. Haven’t seen ‘Amélie’ the film? No problem. The script by renowned playwright Craig Lucas is a succinct retelling without subtitles. If you’re feeling a little nostalgic for the twee early 00s, ‘Amélie’ is a lovely stroll down memory lane. 

Through September 28 at Kokandy Productions at The Chopin Theatre. 1543 W Division St. 773-278-1500

*Extended through October 19th!

*This review is also featured on https://www.theatreinchicago.com/! 

“Gonna have to study up a little bit if you wanna keep up with the plot ‘cause it’s a complicated Russian novel,” so says the prologue in Writers Theatre’s Chicago premiere of ‘Natasha, Pierre & the Great Comet of 1812’. Don’t let the complicated Russian novel part scare you off because Dave Malloy’s unique take on Leo Tolstoy’s classic ‘War & Peace’ is anything but a living book report. It’s a serious breath of fresh air for musical theatre as a genre.

Nominated for an impressive amount of Tony Awards in 2017, including Best Musical and Best Musical Score, ‘The Great Comet’ was a smash hit to say the least. It’s not often you see a line queued up for a musical adaptation of a very long book, the other most notable being ‘Les Miserables’ in the 1980s. And just like ‘Les Miz’, the playwright has done a lot of trimming to ensure a normal two and a half hour running time. Instead of utmost faithfulness to the source material (as is the case with ‘Les Miz’), Malloy turns the period piece musical on its head. 

‘The Great Comet’ is a chamber opera, in that every line of dialogue is sung-through and the songs further the plot, hence the prologue. What’s really interesting about this particular adaptation is that for one, you do not need to have any familiarity with Tolstoy’s behemoth novel in order to be dropped into the middle of the book. ‘The Great Comet’ is but a small section of the book, but it is arguably one of the most interesting parts of the novel. Dripping with juicy soap opera subplots as well as the richly drawn interior lives of the characters, something Tolstoy was quite adept at. This show also wouldn’t spoil the overall plot of the novel as it leaves some plot points open-ended that are later solved in the novel.

Natasha (Aurora Penepacker) is engaged to Andrey (Matthew C. Yee) who is at the front fighting in the Napoleonic war. For safety’s sake she’s living with her soon-to-be in-laws in Moscow and for the first time in her life seeing the big world and all its temptations. When she meets dashing, but wicked Anatole (Joseph Anthony Byrd), she begins a risky affair that could threaten her future.

Writer’s Theatre’s production is one of the first major revivals since the original Broadway production and under Katie Spelman’s direction, it’s an absolute delight from beginning to end. When the curtain comes down on the first act, you’ll be immediately craving more. More of the music, more of the incredible voices and more of the heartrending music that cuts to the core of what it means to love.

This production culls together some of Chicago’s most formidable singers and actors including Bethany Thomas in the role of Marya (Natasha’s guardian) who gives one of the most electrifying performances of the evening. Not to be outdone, playing Nathasha’s best friend Sonya, Maya Rowe has likely the evening’s best solo with the song ‘Sonya Alone’. Aurora Penepacker does Tolstoy’s vision of the innocent Natasha more than justice, her song ‘No One Else’ provides the first pang of emotion. Though, don’t count Bri Sudia out as Pierre’s philandering wife Helen. She’s delivering pure musical theater magic all night. 

Spelman’s aesthetic for this production moves this musical from the black box to the opera house. Grand in scale, but still intimate. There’s a certain Baz Luhrmann quality to the costumes and the staging, and along with the modern pop soundtrack creates a very satisfying product. It just feels cool.

What will make this niche show continue to prosper in revivals is the music itself. Sophia Copola might be the godmother of putting modern music into period pieces, but Dave Malloy is doing more than just borrowing familiar tunes from his youth. The soundtrack feels like the first truly relistenable soundtrack in decades. Not a bit of the saccharine jukebox music with throw-away lyrics here. And though there is a musical through-line, what this show really benefits from is the unexpected diversity of unique sounding songs. Each song becomes its own world in a way that most modern musicals fail at. It feels like a harken back to the Sondheim era of musical theatre.

‘The Great Comet’ is the perfect musical for people who say they hate musical theatre. At the risk of saying “steampunk”, it’s a refreshing take on both musicals and adaptation. The creativity of both the cast and direction at Writers Theatre makes for an enchanting night at the opera.

Through October 27 at Writers Theatre. 325 Tudor Court, Glencoe, IL. 847-242-6000  

*Extended through November 3rd