Displaying items by tag: Aerie Williams
Seeing Purple: Goodman Theatre’s Stunning Revival Honors Alice Walker’s Vision
In the Goodman Theatre’s stirring new production of The Color Purple, director Lili-Anne Brown delivers a version of Alice Walker’s landmark novel that feels both stripped down and soulfully expansive. Forgoing spectacle in favor of raw emotional clarity, Brown places the story’s heart—female resilience and love—center stage, and the result is a deeply moving, musically rich, and spiritually resonant experience.
Performed on a minimalist wooden set, this production doesn’t rely on lush visuals or elaborate scenery. Instead, it trusts in the power of storytelling, character, and song to carry the audience through Celie’s journey. And Brittney Mack, as Celie, is a revelation. Her performance is layered and honest, tracing Celie’s transformation from a silenced, abused girl to a self-possessed, radiant woman with astonishing depth and grace. Mack’s voice, vulnerable and strong in equal measure, anchors the production emotionally and thematically.
What sets this Color Purple apart is Brown’s unflinching loyalty to the spirit of Walker’s novel. Where some adaptations have diluted or sidelined the central theme of same-sex love, this one centers it. Celie and Shug’s relationship is not a footnote—it’s the story’s spiritual awakening. Aerie Williams as Shug Avery brings magnetic charm and fierce tenderness to the role, particularly in the aching duet “What About Love,” which becomes a quiet act of liberation for Celie. In this production, purple is not just a color—it’s a symbol of the love between women, of beauty that exists even in suffering, and of a life finally chosen on one's own terms.
Nicole Michelle Haskins brings fierce humor and unbreakable will to Sofia, commanding the stage with her booming presence and crystal-clear purpose. Her scenes with Gilbert Domally’s affable and conflicted Harpo pulse with humor and tension. Evan Tyrone Martin as Mister and Sean Blake as Ol’ Mister embody the failure of patriarchy to extinguish women’s light. The men here, barely even named, are forces to resist rather than understand—an intentional move that mirrors Walker’s narrative framing.
Musically, the show is a triumph. Jermaine Hill’s musical direction allows the score—by Brenda Russell, Allee Willis, and Stephen Bray—to soar. From the quiet yearning of “Somebody’s Gonna Love You” to the exuberant defiance of “Push the Button” and “Big Dog,” every number drives the story forward with emotional precision. Breon Arzell’s choreography adds joy to even the darkest moments, reminding us that Black joy, even amidst oppression, is a radical act.
By centering the relationships between women—mothers, sisters, lovers—and embracing the spiritual and sexual awakenings that shape Celie’s story, this Color Purple finds new life and renewed purpose. Brown doesn’t simply direct this musical; she honors it, restores it, and reminds us why this story still matters. It’s not just about surviving trauma—it’s about reclaiming beauty, pleasure, and love on your own terms.
In a world that often asks Black women to be strong for others, this Color Purple says: be soft, be bold, be free. And be seen—in all your brilliance.
Top of Form
Highly Recommended
When: Through Aug. 3
Where: Goodman Theatre, 170 N. Dearborn St.
Tickets: $33-$143
Run time: 2 hours, 50 minutes
Info: goodmantheatre.org
*This review is also featured on https://www.theatreinchicago.com/!
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