Displaying items by tag: All That Jazz

Music Theater Works is proud to announce its annual gala, the Producers Gala, All that Jazz, Saturday, May 11 at 6 p.m. All That Jazz, at the Kenilworth Club at 410 Kenilworth Ave., begins at 6 p.m. with a cocktail hour and is followed by a sit-down dinner, the presentation of the third annual Joyce Ruth Saxon Award for Excellence to Bridget McDonough, live and silent auctions and entertainment from Music Theater Works’ artists. Black tie/cocktail attire is encouraged. Funds raised at All that Jazz support Music Theater Works education and artistic programming. Tickets are $250 each with table sponsorships starting at $2500 for ten people. For sponsorship information contact Lisa McGowen at This email address is being protected from spambots. You need JavaScript enabled to view it. and to reserve tickets go to MusicTheaterWorks.com.

“Everyone at Music Theater Works looks forward to the Producers Gala each year,” said Producing Artistic Director Kyle A. Dougan. “It gives us an opportunity to have many of our sponsors and supporters in one room to celebrate past accomplishments and look forward to the new season. This year, we honor Bridget McDonough, one of the founders of the organization, as the Joyce Ruth Saxon Award for Excellence recipient during this night of fine dining, fundraising and unforgettable performances.”

The third annual Joyce Ruth Saxon Award for Excellence will be awarded to Bridget McDonough for his years of dedicated and generous support of Music Theater Works. The Joyce Ruth Saxon Award for Excellence, named in honor of the longtime supporter of Music Theater Works who passed away in 2022. The award is given each year to an individual who has made an impact on the art of music theater in Chicago, through artistic expression, public advocacy or significant financial support; recognizes the importance of engaging the entire community in the public, private, arts and business sector; is instrumental in the creation of great art and has demonstrated through their actions, works, and words their personal and profound commitment to our beloved art of musical theater in Chicago. The 2023 award recipient was Howard Hallengren.

ABOUT BRIDGET McDONOUGH, 2024 Joyce Ruth Saxon Award for Excellence Recipient

Bridget McDonough was employed in arts management from 1978, when she graduated from Northwestern University, until her 2019 retirement as general manager of Music Theater Works, which she co-founded (as Light Opera Works) in 1980 with Philip Kraus and others. Prior to founding Light Opera Works she worked for The Organic Theater Company in Chicago, The Troupe in Colorado Springs and Actors Equity Association.

She has served on the boards of many arts and civic organizations both nationally and locally in the Chicago area.  She is past president of the Rotary Club of Evanston and the North Shore International Network, where she still holds memberships. She served on the boards of the Evanston Convention and Visitors’ Bureau, Evanston Chamber of Commerce, Evanston Arts Alliance, National Alliance for Musical Theatre, Chicago Music Alliance, Around the Coyote, as well as the School of Communication Alumni Board at Northwestern University and the tourism committee of Chicago’s North Shore Convention and Visitors’ Bureau.

Ms. McDonough was honored by the Evanston YWCA with their “Women on the Move” Award in 1991 and by the Evanston Chamber of Commerce with their 2009 Public Service/Nonprofit Person of the Year Award.

She is currently on the board of the Musicians Club of Women and Season of Concern in Chicago, the Tubac Nature Center in Arizona, and Write 4 Art in Los Angeles. She is a member of the advisory board of the Rocky Mountain Ballet Theatre in Montana.Ms. McDonough served as an international judge at the Second Vladimir Kurochkin International Competition of Young Artists of Operetta and Musicals in Yekaterinburg, Russia, and VIBE (Vienna International Ballet Experience) in Missoula, Montana. She currently is serving as an international juror for Ballet Beyond Borders. 

Prior to her career in arts management, she studied dance and theater in Milwaukee and Chicago.

ABOUT MUSIC THEATER WORKS

Music Theater Works is a resident professional not-for-profit music theater founded in 1980. During its 43-year history it has presented more than 150 productions and intimate presentations. Music Theater Works is a professional theater company whose mission is to present works for the musical stage including historic repertoire, revitalizing the Golden Age of Broadway and earlier works, celebrating the Great American Songbook and introducing modern classics. 

It’s been quite some time since “Chicago” has actually been performed in Chicago (or thereabouts), but after a ten-year road in obtaining the show’s rights, Drury Lane Theatre in Oakbrook brings home the popular musical created in 1975 – and we are glad they did. With music by John Kander, lyrics by Fred Webb and a book by both Webb and super choreographer Bob Fosse, the musical “Chicago” is based on a 1926 play of the same name. Inspired by actual criminals and crimes reported by reporter Maurine Dallas Watkins, the story revolves around the notion of the “celebrity criminal” while mocking the Chicago justice system that was in place in the 1920’s, an era where it was also widely suspected that an attractive women could not be convicted of a heinous crime, like say, the murder of her lover or husband. 

In “Chicago” the story starts off with a “bang” when Roxie Hart (Kelly Felthous) shoots dead her lover on the side. She is quickly arrested and held in Cook County Jail while awaiting trial for murder. In an age when the press sensationalized homicides committed by women (good ol' media), the public quickly buys into the hype making an instant celebrity out of Roxie, and as starved for stardom as the former dancer has always been, she thrives on the new-found attention. In the “pen” Roxie meets several colorful characters, but none as tough as Velma Kelly (Alena Watters), a socialite divorcee and former cabaret singer who is currently the talk of Chicago for the high-profile murder she committed. Velma barely gives Roxie the time of day, instead giving her the cold shoulder. But when Roxie’s popularity soars as the “new story” and Velma’s diminishes, it’s Velma who wants to partner with Roxie for a song and dance nightclub act, this time receiving the cold shoulder from the new celebrity. 

Roxie’s only way to avoid a sentence of death by hanging is to hire the flashy, fast-talking lawyer, Billy Flynn (Guy Lockard) for five thousand dollars. Well beyond what the couple can afford, Roxie’s doting, naive and “invisible” husband Amos (Justin Brill) scrapes up what he can and promises Flynn to pay the rest when he can. From there, Flynn turns the case into a dog and pony show, equating the trial as a “three-ring circus”.  

Watters stuns on several occasions as sassy Velma Kelly, winning the audience over almost immediately after a dazzling performance of the musical’s opening number “All That Jazz”. Possessing just the right dose of sexy attitude, Kelly impresses both vocally and in her dancing, her performance nothing short of riveting. As notable as Watters’ portrayal of Velma Kelly, Felthous also knocks the ball out of the park as Roxie Hart, pairing perfectly with her fellow caged dame and giving the show a rock ‘em sock ‘em one-two punch. Felthous convinces as one stricken by delusions of grandeur, confusing the popularity of her murder case as celebrity fame, putting forth an overall display of well-tuned comedic timing to go along with her own vocal prowess and dance ability. As fun to watch as the two are, Watters and Felthous really bring it home in their physically-charged routine “Nowadays”. 

He’s charming, good-looking and possesses a silver tongue that can sway even the toughest juries. Well-cast, singer/songwriter Guy Lockard brightly shines as the smooth defense attorney, Billy Flynn, and gives the show yet another boost, particularly in his courtroom maneuvering melody “Razzle Dazzle”. Justin Brill also contributes nicely in his funny depiction of Amos Hart, a man who is considered so undistinguishable by others he aptly refers to himself as “Mister Cellophane” in one of the show’s most humorous numbers. E. Faye Butler’s strong interpretation of Matron Mama Morton is pivotal, Butler crushing it in the number “When You’re Good to Mama”, a jailhouse tutorial for newly imprisoned Roxie Hart. A talented ensemble also brings another strength to the production in their many alluring dance numbers, perhaps most markedly in “Cell Block Tango”, a sultry ode to the woman prisoner during the revolutionary Jazz age.  

This new staging of “Chicago” is colorful and richer than ever thanks to an artistic creative team that includes Kevin Depinet (Scenic Design), Sully Ratke (Costume Design), Lee Fiskness (Lighting Design), Ray Nardelli (Sound Design), Cassy Schillo (Properties Design), Claire Moores (Wig Design) along with Production Stage Manager Larry Baker. 

“Chicago” is an energy-driven musical that is sexy, fun and truly memorable. Filled with a slew outstanding performances, inventive choreography and a set list that is justly contagious, Drury Lane’s “Chicago” is a can’t miss thrill ride. 

The Roaring Twenties are back...in high style. 

“Chicago” is currently being performed at Drury Lane Theatre in Oakbrook through June 18th. For tickets and/or more show information, click here.