
Birds of North America, written by Anna Ouyang Moench, is a story of a father daughter relationship spanning a decade and weathering personal and worldwide conflicts while sharing their love of birdwatching. Admittedly family relationships can be tricky at best. Especially as children age into adulthood and make their own life choices and important decisions. It is difficult for a parent to see them in a new light or role and the default of overly attempting to manage and advise them is not the best fit.
In this scenario we find ourselves in a backyard of Baltimore, Maryland in a beautifully imagined set design by Morgan Laszlo. We watch the relationship of John, the father (John Judd) and Caitlyn (Cassidy Slaughter Mason) ebb and flow throughout autumnal days and evenings on a backyard deck. We can see that John is in the autumn of his years and struggling with an internal conflict if his life’s work has mattered, is significant or made a difference in the world. Like many men of his generation, he prefers to keep the conflict internal. And, Caitlyn wants to discuss deeper and more adult topics with her Dad…as long as they are not about her or his opinion of her. Caitlyn goes through it, as they say, in the ten years of autumns of this piece. Young love, marriage and many things that follow. Ups, downs, disappointments, career crisis, what does it all mean?
In the meantime, she and her Dad continue to communicate through spotting birds, hearing them, listening to their calls and determining what is a significant sighting. All events we can march through relationships with. There are scenes when they are hearing each other but not really listening as intently as they do for the elusive birds. Does that mean they care about the birds more than each other? Or is it easier to tiptoe around landmines of emotion. Our two actors, Judd and Mason forge a believable poignant relationship on stage. The pain each of them go through is palpable but not overt. The most beautiful sort of acting that draws in an audience, especially in an intimate space that Red Orchid Theatre has to offer.
The sound design by Ethan Korvne also helps to set the scene and enhance the birding aspect of the show. If you close your eyes for a second and listen to the bird calls it almost seems as if a fall breeze might pass by. The pacing of the show and transitions are smooth and make the decade pass by in a credible page-turning manner giving you just enough time for thoughts of where they are headed next. It’s easy to see how this garnered seven Jeff Award nominations.
Whether or not you are a birding enthusiast (and my show companion is and loved it!) this is a piece about families, relationships, communication and remembering to listen without distraction, a tool we can all use in our lives.
BIRDS OF NORTH AMERICA, now playing at A Red Orchid Theatre in Chicago through October 4, 2026.
https://www.aredorchidtheatre.org for ticket and performance time information.
Mary Beth Euker is a founding director of Cricket Theatre Company in Lake Zurich, Illinois, has appeared in shows at Devonshire Theatre in Skokie and Woodstock Opera House and directs in Lake Zurich at various schools and for Cricket.
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BIRDS OF NORTH AMERICA - Do we listen to each other as much as birdsongs?
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