The First Midwest Bank Amphitheater in Tinley Park was a metal haven on Sunday – all day long and going well into the night. That’s because the Rockstar Mayhem Festival was in town and we all know what that means by now – some twenty odd bands spread out onto four stages complete with some heavyweight headliners.
This year’s headlining acts were goodies. Avenged Sevenfold (A7X) took top billing while Korn took on the supporting role with Asking Alexandria and Trivium kicking things off on the main stage. In all actuality, based on the crowd reaction, it wouldn’t have mattered who got top billing between Korn and Avenged Sevenfold, as both are major impact players and favorites in the metal scene, but I have to admit that I was glad it was A7X if just to get that extra fifteen minutes of stage time. Without question, the main stage acts were enough to pack the venue themselves, though it was nice to see a platform provided for the many more obscure, or lesser known, metal acts such as Mushroom Head, Cannibal Corpse, Wretched, Ill Nino, Suicide Silence and even Body Count featuring Ice-T.
After Trivium and Asking Alexandria got the crowd fired up, Korn proceeded to take the stage and promptly kicked it into overdrive (tuned down growling guitars and all) with “Falling Away from Me” and never looked back, playing more classic faves such as “Shoots and Ladders”, Freak on A Leash” and “Got the Life”. Also, touching on some material from their latest release, The Paradigm Shift, the band belted out “Prey for Me” and the anthem-like “Never, Never”. Korn ended their set with a driving performance of “Blind” where singer Johnathan Davis brought who appeared to be some of the band members kids on stage to rock out with the band. Though it was nice to hear some solo material from axe man Brian “Head” Welch during his seven-year hiatus, it was sure nice to see him back on the stage with Korn. Original lineup together again, barring longtime drummer David Silveria, Korn is men amongst boys with a veteran presence to be reckoned with that is not to be taken lightly. They are polished, professional and entertaining as hell.
Should Korn have had a longer set, that probably would have been enough to close the show, the fans departing happy and fulfilled from the ten or so hours of metal. But then it was time for Avenged Sevenfold – massive set and all. As the band went into their opening number “Shepherd of Fire” they take the stage one at a time until explosions cue the charging entrance of singer frontman M. Shadows and the band quickly goes into full on assault mode. Even with their shorter than normal set due to festival restrictions, A7X packs a nonstop punch with a deadly combination of thunderous drums and bass, blazing guitars and an insane amount of pyrotechnics. “Almost Easy”, “Afterlife” and “Bat Country” are always givens at an Avenged concert, but the band was also sure to include a handful of songs from their new album, Hail to the King, including its title track and “This Means War”. The band ended their high energy attack on a high note with two fan favorites, “A Little Piece of Heaven” and “Unholy Confessions” before saying their goodbyes to which they spent a good amount of time tossing out keepsakes to the crowd and interacting with the fans as much as they could from the stage.
Bottom line – Korn was on top of their game and I for one look forward to the day they return to Chicago (or thereabouts) to play a full set. Avenged Sevenfold - dare I say such a cliché? Um, yes. I’ll say it – they kicked ass and took names as fully expected. But most importantly of all, ok, just as important - Rockstar Mayhem Festival offers a stage for so many deserving bands to be discovered by new fans and enjoyed by the supporters they already have.
Total success, Rockstar. Looking forward to next year’s lineup.
*Top - Avenged Sevenfold
*Bottom - Korn
With AI and other technological advancements continuing to change the landscape of how we work and interact with one another,…
Riots of laughter greeted the City Lit Theater world premiere of “R.U.R. [Rossum’s Universal Robots]” Wait. Could this be the…
Paramount Theatre’s smash hit Million Dollar Quartet, a “roof-rattling…rapturous celebration of early rock ‘n’ roll” (Daily Herald), won’t stop rockin’ anytime…
See Chicago Dance, the dance industry's nonprofit service organization celebrating its 20th anniversary in 2025, is proud to announce organizations…
Broadway In Chicago announced today that individual tickets for Disney’s The Lion King, are now on sale to the public. Tickets ranging…
I’ll just say it - Cats is going to blow your mind. Now running at the Paramount Theatre, this spectacular…
“Galileo” written in 1938 by German playwright Bertolt Brecht, tells the straightforward story of the 17th century physicist and astronomer’s…
The adage goes that you can’t choose your family but you can choose your friends. Throughout our lives, we meet…
Hell in a Handbag Productions is pleased to conclude its 2024/25 Season with the world premiere of QUEEN FOR A DAY written by…
If our day-to-day lives were a collective color, it would probably be the color blue. Whether you are feeling blue,…
Steppenwolf Theatre Company, the nation's premier ensemble theater company, is pleased to present Noah Diaz's whimsical, wild, unpredictable and deeply moving Chicago…
A fool and their money are soon parted as the old expression goes, but what do you do when that…
Broadway In Chicago is thrilled to announce that HADESTOWN, the winner of eight 2019 Tony Awards® including Best New Musical and the…
Definition Theatre is proud to present the world premiere of Black Bone, a bold new satire by Chicago playwright Tina Fakhrid-Deen…
Stories that explore the emotional lives of men—especially Black men—are still far too rare on the American stage. Outside the…
Chicago Opera Theater (COT), Chicago’s foremost producer of new and rarely staged operas, proudly presents the world premiere of She Who Dared by…
Something extraordinary happens on a street in Huntsville, Alabama. Mr. Woods (Keith Randolph Smith), a hard-working Black man in the…
The Den Theatre today announced upcoming June 2025 shows at the theatre's Wicker Park stages at 1331 N. Milwaukee Ave., including "Anatomy…
I reviewed TITUS ANDRONICUS in mid-February, so I was eager to see the sequel! In TITUS, Shakespeare tells the story…
BrightSide Theatre, Naperville’s professional theatre company, has announced the cast for the final show of its 13th season – the…
Eight Chicago artists from diverse backgrounds and disciplines have spent the last eight months in residence at the Chicago Puppet…
“Spring Awakenings,” now playing at Chicago’s Greenhouse Theater Center, is not the Tony-winning 2006 Broadway musical “Spring Awakening,” but an…
Rosemont's Parkway Bank Park entertainment district (5501 Park Place, Rosemont) will turn up the volume this summer with the return of its…
Lisa Sanaye Dring’s play “Kairos,” which just opened at The Edge Off Broadway theater, is one of the most thought-provoking…
It was a night of celebration, reflection, and breathtaking talent at the Civic Opera House. Fifty years of song echoed…
Court Theatre’s world premiere of Berlin, adapted by Mickle Maher from Jason Lutes’ monumental graphic novel, is a breathtaking achievement.…
Chicago's Rivendell Theatre Ensemble continues to celebrate its 30th Anniversary season with the World Premiere co-production of Keiko Green's GORGEOUS, directed by Kirsten Fitzgerald. The co-production…
Broadway In Chicago is thrilled to announce that its free SUMMER CONCERT will return to Millennium Park on August 11,…
The Joffrey Ballet concludes its 69th season with two-time Tony Award®-winning choreographer Christopher Wheeldon's enchanting and family-friendly Alice's Adventures in Wonderland. Set to…
“Henry Johnson,” David Mamet’s new play running at the vintage Biograph Theatre, is like many of his works, enigmatic and…
Does your theatre company want to connect with Buzz Center Stage or would you like to reach out and say "hello"? Message us through facebook or shoot us an email at info@buzzcenterstage.com.
*This disclaimer informs readers that the views, thoughts, and opinions expressed in the text belong solely to the author, and not necessarily to Buzz Center Stage. Buzz Center Stage is a non-profit, volunteer-based platform that enables, and encourages, staff members to post their own honest thoughts on a particular production.