Not every story about gay youth is a “coming out” story. Some youth have nothing to come out of. Their lives are not spent hiding who they are. For the most part, young people today are confident and proud of who they are. They are who they are, and the world will have to deal with it. “Choir Boy,” receiving a visually and audibly beautiful staging at the Steppenwolf Theatre is the story of one such boy.
Pharus Young, is a junior at the Charles Drew Prep School for boys. Pharus, (exuberantly played by Tyler Hardwick) is clearly different from the other boys. He is comfortably gay, proud and most of all, talented ……and he knows it. During Senior graduation where Pharus is singing the school song, “Trust and Obey”, he is heckled by Bobby (thuggishly handsome, Gilbert Domally), who happens to be the headmaster’s nephew. Bobby calls Pharus among other things, “sissy” and the dreaded “f” word.
The headmaster (a comical turn by La Shawn Banks) tries to help Pharus by telling him to “tighten up”, code for act straight. Pharus, to prove he is indeed a “Drew” man refuses to tell on his tormentor, although Bobby thinks he has, which leads to more confrontation and taking of sides. Pharus instead confides in his athletic jock roommate, AJ (the excellent Sheldon D. Brown). AJ is the big brother we all wish we had. He understands and doesn’t judge Pharus. Why? He’s comfortable in his own skin, which makes it easier to accept other people. Not so much for the other boys, David, (the baby-faced Richard David) doesn’t want to create any problems that would interfere with his scholarship and Junior, (the comical Samuel B. Jackson) who hides behind his buddy Bobby's machismo. Each of these boys has a struggle that must be dealt with if they are to succeed.
The beautiful Greek motif set consists of the front of a Greek temple with six doric columns holding up a triangular pediment. It is interesting to note ancient Greece had no concept of sexual preference. It was assumed a person could have both hetro-and homosexual responses at different times. Both romantic love and sexual passion between men were often considered normal, and under some circumstances healthy or admirable. Above the structure are large photos of Fredrick Douglass, Martin Luther King, Barack Obama, Malcolm X, and W.E.B. Dubois looking down on the proceedings. Beds rolled out as if my magic suggesting a dorm room making scene changes quick and effortless. Kent Gash has directed the ensemble to perfection, making clear the issues these men deal with including Mr. Pendleton (William Dick) who bring with him some special deep-seated issues.
Music in this play allows the students to express themselves in ways words would fail. Songs such as “Sometimes I feel like a Motherless Child” convey the loneliness of boarding school.
If you listen to the words closely, “Love Ballad” sung by David reveals a bit of his nature. Bobby and Junior act up when singing “Boys II Men” proving they are more boys than men. Gospel music sung a cappella by the group of boys, sounds like angels singing on high. Special notice should go to Jermaine Hill for musical direction and Byron Easley for choreography. "Rockin' in Jerusalem" by the ensemble is worth the price of admission. The cast was note perfect and well as step perfect.
Tarell Alvin McCraney has a special skill when it comes to writing about teenage boys just before manhood. McCraney is known for his Oscar winning movie “MoonLight”, but “Choir Boy” is closer to his lesser known television series “David Makes Man” Season 1. Both involve teenage men dealing with issues beyond their years.
Steppenwolf Theatre, 1650 N. Halsted St., Chicago, (312) 335-1650, steppenwolf.org
Showtimes: 8 p.m. Wednesday through Friday; 3 and 8 p.m. Saturday and Sunday, through July 24. Also 8 p.m. June 28, July 5, 12 and 19. No 8 p.m. show July 24
Running time: About 100 minutes, no intermission
Tickets: $20-$98
Parking: $15 in the Steppenwolf parking lot; limited street parking
Rating: For adults; contains nudity and mature themes
COVID-19 precautions: Proof of vaccination and masking required
Something extraordinary happens on a street in Huntsville, Alabama. Mr. Woods (Keith Randolph Smith), a hard-working Black man in the…
The Den Theatre today announced upcoming June 2025 shows at the theatre's Wicker Park stages at 1331 N. Milwaukee Ave., including "Anatomy…
I reviewed TITUS ANDRONICUS in mid-February, so I was eager to see the sequel! In TITUS, Shakespeare tells the story…
BrightSide Theatre, Naperville’s professional theatre company, has announced the cast for the final show of its 13th season – the…
Eight Chicago artists from diverse backgrounds and disciplines have spent the last eight months in residence at the Chicago Puppet…
“Spring Awakenings,” now playing at Chicago’s Greenhouse Theater Center, is not the Tony-winning 2006 Broadway musical “Spring Awakening,” but an…
Rosemont's Parkway Bank Park entertainment district (5501 Park Place, Rosemont) will turn up the volume this summer with the return of its…
Lisa Sanaye Dring’s play “Kairos,” which just opened at The Edge Off Broadway theater, is one of the most thought-provoking…
It was a night of celebration, reflection, and breathtaking talent at the Civic Opera House. Fifty years of song echoed…
Court Theatre’s world premiere of Berlin, adapted by Mickle Maher from Jason Lutes’ monumental graphic novel, is a breathtaking achievement.…
Chicago's Rivendell Theatre Ensemble continues to celebrate its 30th Anniversary season with the World Premiere co-production of Keiko Green's GORGEOUS, directed by Kirsten Fitzgerald. The co-production…
Broadway In Chicago is thrilled to announce that its free SUMMER CONCERT will return to Millennium Park on August 11,…
The Joffrey Ballet concludes its 69th season with two-time Tony Award®-winning choreographer Christopher Wheeldon's enchanting and family-friendly Alice's Adventures in Wonderland. Set to…
“Henry Johnson,” David Mamet’s new play running at the vintage Biograph Theatre, is like many of his works, enigmatic and…
American Blues Theater, under the continued leadership of Executive Artistic Director Gwendolyn Whiteside, presents the Chicago premiere of Artistic Affiliate Charles Smith's Golden Leaf…
Hell in a Handbag Productions is pleased to conclude its 2024/25 Season with the world premiere of QUEEN FOR A DAY written by…
Early in the first act I whispered to my companion and said “I love this!” Extremely well written by Joshua…
The repertoire for this fabulous program - A WONDROUS SOUND, showcasing the full force of Lyric’s amazing orchestra and chorus,…
Citadel’s latest production, A Jukebox for the Algonquin, truly captured my heart. It’s a refreshing reminder that as we age,…
As a lifelong aficionado of the ill-fated ocean liner RMS Titanic, I’ve always gravitated toward any experience that would leave…
The Artistic Home Studio will present the 2025 edition of its annual CUT TO THE CHASE festival of new one…
In an era that often defies reason, Chopin Theatre and Gwydion Theatre launch the first annual Theatre of the Absurd…
Pegasus Theatre Chicago and Director ILesa Duncan proudly announce the casting for the revival of playwright Shay Youngblood's Shakin' the Mess Outta Misery, which follows…
The Opera Festival of Chicago announces the cast and creative team for The Love of Three Kings (L’Amore dei tre Re), with…
See Chicago Dance, the dance industry's nonprofit service organization celebrating its 20th anniversary in 2025, is proud to announce that its popular…
Steppenwolf's LookOut Series is pleased to announce its action-packed summer lineup of comedy, magic, storytelling, drag and more! The Summer 2025 Season…
Brian Friel’s “Translations,” now playing at Writers Theatre in Glencoe, IL, shows off the renowned Irish playwright’s signature skill in…
Chicago Shakespeare Theater (CST) announces today the cast of the North American premiere of the new musical 42 Balloons. From the multi-award-winning producers Kevin McCollum (Oh,…
Chicago Shakespeare Theater (CST) Artistic Director Edward Hall and Executive Director Kimberly Motes announce today the 2025/26 Season. As the nation's largest year-round theater dedicated…
Tickets go on sale Friday, April 11 at 10 a.m. Central time for the world-premiere performances of A Night of Mellon…
Does your theatre company want to connect with Buzz Center Stage or would you like to reach out and say "hello"? Message us through facebook or shoot us an email at This email address is being protected from spambots. You need JavaScript enabled to view it..
*This disclaimer informs readers that the views, thoughts, and opinions expressed in the text belong solely to the author, and not necessarily to Buzz Center Stage. Buzz Center Stage is a non-profit, volunteer-based platform that enables, and encourages, staff members to post their own honest thoughts on a particular production.