Displaying items by tag: Elise Bergman
Chicago Bluegrass quartet Big Sadie holds their own with Shannon McNally
Shannon McNally is a singer, song writer and guitar player. Black Irish is her seventh release, if I heard correctly last night at City Winery. There, at City Winery, McNally headlined with Big Sadie playing the first set.
Big Sadie is a Bluegrass quartet from Chicago? Yes, you heard correctly…a Bluegrass quartet from Chicago. A lot of people tend to think this is either a Blues town or cover band town, but there are plenty of hidden gems to be found. You either gotta look or get lucky.
Big Sadie is led by a husband (Collin Moore) and wife (Elise Bergman) team who handle most of the vocals, as well. Bergman plays upright bass and Moore plays guitar. Andy Malloy on banjo and Matt Brown on fiddle complete the quartet.
There were two things I really liked about seeing this group live. Number one were their harmonies. Moore and Bergman have a really sweet blend. Harmonies executed so well make such a difference - getting voices to blend like that. The second thing was they played and sang in front of ONE microphone. I loved it! Very reminiscent of the Grand Old Opry days. They did have the upright going direct but they had everything else going through one mic. With this method, you get your “mix” by your proximity to the microphone. Also, dynamics used by the other players is important. My only criticism of their set up is that the guitar gets buried. The guitar should go direct along with the upright. Moore was playing some hot licks, but they were fighting to be heard.
McNally was accompanied by Brett Hughes on guitars, mandolin and vocals. I see a lot of people playing without drummers lately, which tends to keep a nice volume in clubs sometimes. That way you can just dig into the songs. You can also hear the vocals, a lot of which are lost in the heavy mixes of the bass and drums that dominate a lot of times.
She played a short set, mostly originals. I would honestly have to describe her as seeming uncomfortable. I will admit, I am not familiar with her work at all. She had some nice bluesy moments and I did like her singing and playing. Her songs were good, but easy to forget. In between songs, she just seemed awkward. I understand some people are more creatures of the studio or the writing table and am guessing she’d be in that category. I did really enjoy her last song, a cover of “It Makes No Difference” by The Band.
It’s always a great night at City Winery Chicago. Great food, wine and music. The volume is always adjusted just right in the room, too. You always walk away with happy ears.
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