
Patsy Cline was only 30 years old and at the peak of her career when she died in a plane crash in 1963. But her sweet voice and music lives on in Firebrand Theatre's 'Always...Patsy Cline', a story written by Ted Swindley and based on true events.
After hearing a Patsy Cline (Christina Hall) record on the radio, housewife Louise Seger (Harmony France) became an immediate and avid fan of Cline's and she constantly called in to the local DJ to play Cline's records on the radio.
In 1961, when Louise and her friends show up early to see Patsy Cline sing live, it’s only by fate that Cline shows up early too.
The two women hit it off and the meeting culminates with Cline spending the night at Seger's house. Over a few too many drinks, the two women shared stories (happy and sad) late into the night. Shortly after Cline left, Seger received the first of many letters from her. The two exchanged letters over the next two years, right up until the plane crash that ended her life. Featuring over two dozen songs, 'Always…Patsy Cline' is both a musical and a concert rolled into one. While Louise Seger narrates the story, Patsy Cline moves on and off the stage singing tunes that still evoke emotions today. “Walkin' After Midnight”, “She's Got You”, “Sweet Dreams”, and “Crazy” are just a few.
Actress Christina Hall brought Patsy Cline to life. She perfectly captures Cline’s emotions, accents and sound. She shows off her strong vocal chops with "It Wasn’t God Who Made Honky Tonk Angels" while also perfectly capturing the heartbreak in "She's Got You."
Harmony France shines equally bright as Louise Seger. She pulls off the difficult task of being both a character and narrator in this story. Her transition from star struck superfan to close friend and confidant felt real and believable.
Growing up in a home where Patsy Cline’s records were in constant rotation, I really enjoyed this walk down memory lane.The only “problem” with this production of 'Always…Patsy Cline' is that you’ll want to see it a second time since France and Hall swap roles on alternating nights.
Extended through February 23rd, 2020 at The Den Theatre. This is an excellent show which I highly recommend.
Many of us know the story. Three women who work in an office and seek revenge on an abusive male boss. Who can forget Dolly Parton, Lily Tomlin and Jane Fonda as they made a united stand for women in the now classic film “9 to 5”. Our women heroes are lovable, fiery and smart and, with that said, “9 to 5 the Musical” is playing at The Den Theatre and is a must see!
Recently, I have been on a Broadway kick and even bought season tickets and with a lackluster start of the season, I was ready to check out some local plays – something I encourage everyone to do. The Den Theatre is cozy, and the bar is nice as well. This wasn’t my first visit, but my first since they had renovated the space. With upgrades and newly created theatres, The Den is vastly improved and gives theatre goers even more reason to check out a play. The theatre is divided up in different sections across its three floors, each space unique from the other in order to hold different styles of plays.
The funny musical with music by Dolly Parton is put on by Firebrand Theatre which is all about empowering and employing women in the industry. With movements like “Time’s Up” and “Me Too,” it is great to hear about the work they are doing. “9 to 5” makes sense for Firebrand Theatre to produce as the story includes three strong women who are looking to bring in flexibility and positivity into the workplace.
The caliber of talent in this show speaks for itself. The production’s set, through simple, with the phenomenal voices belonging to each member of the diverse cast really stuck out in my mind. Sharriese Hamilton who played Doralee, was fantastic. Her energy and flawless southern accent was perfection. We see her character being followed by an office rumor of her having an affair with the manager, Mr. Hart. It was quite disgusting to see Mr. Hart, played by Scott Danielson, degrade her and do things around the office that put her in such compromising positions.
Violet (Anne Sheridan Smith) and Judy (Sara Reinecke) round out the trio. With excellent performances and growth throughout in each character, I couldn’t get enough of the show!
“9 to 5” reminds me of how far we have come but is also a reminder that we still have so much more to go when it comes to the workplace. We should continue with the fight and advocate for fairness in all aspects of life. We should do better.
Go see the musical that includes a variety of fun songs, including its title number, at the Den Theatre (1331 N. Milwaukee) as soon as possible. The play will be running until May 20th and tickets costs $45 and well worth the experience.
“9 to 5 the Musical” is being performed at Den Theatre in Wicker Park through May 20th. For more show info visit www.firebrandtheatre.org.
It only takes a few moments into Lizzie’s opening number that audience members realize they are in for quite the unusual theatre experience. Haunting, yet beautiful, the creepiness quickly sets in as Lizzie’s four Victorian-clad characters solemnly sing the tale of the infamous Lizzie Borden who was accused of butchering her father and stepmother in August of 1892.
Lizzie Borden took an axe
And gave her mother forty whacks.
When she saw what she had done,
She gave her father forty-one.
Based on true accounts of the double murder that took place in Fall River, Massachusetts, the grim tale reimagined by Steven Cheslik-deMeyer and Tim Maner is told by Lizzie, her sister Emma, her neighbor Alice and the family’s maid, Bridget. Presented by Firebrand Theatre, whose claim is that of being the first feminist musical theatre company, Lizzie is a detailed account of the legendary crime that is one of the most talked about grisly murders in our Nation’s history.
Firebrand hits a homerun with their first ever production by delivering a deliciously enticing story that engrosses from beginning to end thanks to its strong acting performances and punchy soundtrack that is both powerful and, when called for, dreamlike.
The play offers great insight to Lizzie herself and speculates the heinous crime may have been prodded by the home’s maid while also suggesting she may have been lovers with her neighbor Alice. Liz Chidester is Lizzie Borden and dominates in the role. Chidester so well captures the essence of a girl who loses her grip on reality after years of being abused by her father and is subjected to a newly introduced stepmother who has manipulated her way into inheriting the family wealth.
Ingeniously directed by Victoria Bussert, Lizzie is stacked with commanding performances. Leah Davis fiercely takes the reigns as the mischievous housemaid Bridget, injecting well-timed humor and velvety smooth vocals that make her character a powerhouse. Camille Robinson as Emma and Jacquelyne Jones as Alice round out what makes for an excellent cast. Our four characters deliver amazing vocal performances, each as unique as the other while smartly straying from the standard Broadway-esque sounds we are used to hearing in so many big musicals. No. These women truly rock.
Instead we get a conceptual rock concert. Hypnotic, sexy and plot-rich, Lizzie is presented by a female-fronted rock group heading a talented band that sits rear stage. As engrossing as the music is the show’s often pithy dialogue exchanges, it’s costumes and creative effects (hint - ponchos are available for those who choose to sit in the first row).
Lizzie is a fun show that has it all – murder, treachery, sex and scorching music.
It is with high recommendation that I urge theatre lovers to see the story of Lizzie Borden that is presented in the most imaginative way. If such a brilliantly inventive production such as Lizzie is an example of what Firebrand has in store for theatre goers in the future, we can only look forward to what the young theatre company will bring us next time around.
Lizzie is being performed at The Den Theatre through December 17th. For tickets and/or more show information visit www.firebrandtheatre.org.
*Now extended January 3rd-14th with Broadway's Ciara Renee joining the production.
Goodman Theatre’s Iceboy! arrives as a gleefully off the rails musical that blends Broadway glamour, Neanderthal chaos, and theatrical myth…
Is there anything more alluring than a summer night in Chicago? The lakefront beaches, the meandering pathways, the festivals and…
Opera Festival of Chicago continues its season with two mainstage productions - La Bohème and Adriana Lecouvreur - each featuring…
Marriott Theatre’s in‑the‑round intimacy turns A Little Night Music - which premiered on Broadway in 1973 and later became a 1977…
Giordano Dance Chicago (GDC), America's original jazz dance company, has announced its 2026-2027 "untamed passion" season. Highlights of the season include a November…
The musical Water for Elephants, presented by Broadway In Chicago and based on Sara Gruen’s 2006 novel, is the rare touring…
Overshadowed Theatrical Productions announced their 2026-2027 season entitled “Ordinary People, Extraordinary Moments,” which includes five main stage productions and special…
Kokandy Productions is pleased to announce full casting for its revival of Stephen Sondheim's stunning masterpiece Sunday in the Park with George, playing August 13 –…
Goodman's Centennial 25/26 Season concludes on a high note, with programming for all ages, interests and neighborhoods. The theater announces…
Anton Chekhov, a Russian playwright who was also a doctor, can claim a level of regard few writers achieve and…
Couch Penny Ensemble, in association with Theatre Arcana, presents the ambitious and experimental An Oak Tree, a raw, unconventional approach…
An extraordinary eight-person ensemble fuels the sweeping storytelling of A People - a production presented collaboratively by Arts Judaica and…
Lookingglass Theatre Company continues its tradition of staging visually inventive and thought-provoking world premieres with its latest production, Untitled Vampire…
What would you do if you found out your heritage wasn’t what you thought it was? In Tom Stoppard’s case,…
One of the things I have always thought that concerts and other live events had over theatre is the energy…
Following its recent winter production of Sister Act, Drury Lane Theatre returns to the convent with Nunsense, a light-hearted musical…
The League of Chicago Theatres announces the return of the "Thank You 5" summer promotion, running from June 18-July 3, 2026. "Thank You 5"…
You know him from “The Neighborhood,” “The Last O.G.,” “The Proud Family” and much more. Don’t miss your chance to…
Northlight Theatre's Board of Directors proudly presents Northlight Theatre's Grand Opening Gala, "Celebrating our Past, Building our Future," marking the culmination of the company's 50th Anniversary…
A Red Orchid Theatre is thrilled to announce a remount of its critically-acclaimed, father-daughter drama Birds of North America, returning for a limited…
Following an acclaimed extended run at Raven Theatre, Dave Malloy's "unique, ravishing and resplendent" (Chicago Theatre Review) a cappella musical Octet transfers to…
“Southern Rapture” quickly elicits loud guffaws from the audience, a heartening circumstancve, as it means playwright Eric Coble’s script is…
Marriott Theatre, Chicagoland's longest-running musical theatre, presents A Little Night Music, a Tony Award-winning musical from Stephen Sondheim and Hugh Wheeler that explores…
Mia Chung’s Catch as Catch Can, which premiered with Page 73 in New York in 2018, arrives at Steppenwolf Theatre…
Join the fun this summer as PlayMakers Laboratory (PML) celebrates a major milestone at That's Weird, Grandma's 25th Birthday, marking a quarter century of the…
Nate Bargatze’s Big Dumb Eyes tour made its stop at the Allstate Arena in Rosemont with the steady, understated presence…
BrightSide Theatre’s The Producers storms into Meiley Swallow Hall with the kind of swagger only Mel Brooks can inspire: brash,…
Those familiar with the Factory Theater space might feel themselves do a double take upon entering the theater for Two…
Tim Rhoze, Fleetwood-Jourdain's Producing Artistic Director, today announced the cast and production team for the company's upcoming production of IN THE…
Elmhurst Art Museum’s two new exhibitions feature a pair of artists with Midwestern roots whose outlooks and perceptions of the…
Goodman’s Iceboy! Is a Full‑Tilt Blast of Comic Mayhem
Opera Festival of Chicago Delivers an Assured, Full‑Hearted La Bohème
A Quietly Ravishing Night: Marriott’s A Little Night Music
Does your theatre company want to connect with Buzz Center Stage or would you like to reach out and say "hello"? Message us through facebook or shoot us an email at This email address is being protected from spambots. You need JavaScript enabled to view it..
*This disclaimer informs readers that the views, thoughts, and opinions expressed in the text belong solely to the author, and not necessarily to Buzz Center Stage. Buzz Center Stage is a non-profit, volunteer-based platform that enables, and encourages, staff members to post their own honest thoughts on a particular production.