Home

Displaying items by tag: Isadora Duncan

Chicago Danztheatre Ensemble (CDE) in collaboration with Duncan Dance Chicago has put together a production that undoubtedly will tap into one’s inner most feelings by way of a stunning presentation of interpretive dance, storytelling and art exhibition. Meditations on Being, performed at Danztheatre’s home in the Auditorium at Ebenezer Lutheran Church is, according to the Executive Director and Founder Ellyzabeth Adler, inspired by the difficulty the arts community has faced over the last four year but focuses on reflection, and reconnecting – rebuilding a sense of community. Meditations is a stunning collection of eight pieces that also include contributions by author and playwright Timothy David Rey and fellow artist/performer Courtney Reid Harris who has worked with Adler on past projects The Wasteland and This Is Not a Pipe.

Chicago Danztheatre Ensemble opens the show with “Meditations on Nature: Birth, Decay and Renewal,” a segment co-created/performed by Wannapa P. Eubanks, that paces us nicely for what is to come after Adler sets the tone with heartfelt poetry that touches on the many frustrations we face in today’s society while offering a suggestion to reset by relinking with others to focus a peaceful mindset that revolves around the often overlooked, gift of the moment.

The production moves gracefully from one scene into the next. I was very touched by the two-woman dance piece by Duncan Dance Chicago titled “Street Salvation” with music by Chopin. The choreography was originally designed by company namesake Isadora Duncan. Duncan herself was simple and expressive. Artistic Director and Jennifer Sprowl performs beautifully as does Lila Rubin who portrays a young girl, down and out laying in the street, when an angel comes and tries to help her blossom and open up in the end. The angel walks towards Heaven and the young street girl finally able to get up and follow her.

“Confluence” created by Siwei Xu and Daria Jin is a lovely piece danced in complete silence. A beautiful girl is trapped in a maze of red velvet ropes suspended from the ceiling and her lover tries desperately to pull her out, so close at times yet so out of reach until the two are finally united.

Of the many poignant pieces the production delivers, “Elyse” created, and performed by Eileen Tull may have resonated with me the most. “Elyse” was a very well written monologue with interpretive dance about a young friend of hers who recently died of a heart attack. Tull’s delivery is compelling and her words, beautifully said in this lovely tribute to her dear friend, ever so moving. Connected to this piece, as part of the show’s visual art demonstration, one corner of the church space displays an art exhibit created by Tull, entitled “The Grieving Corner”. At one point in the piece, Tull asks the audience to call out the name of a person they were mourning, which I felt was very touching and effective.

“RIA” with choreographer and performer Anniela Huibobro and production by Gabriel Mercado with music by Victor Moris, Collen and Mercado is a stunning piece of modern dance while “Meditations on Walden” by CDE with text by Henry David Thoreau is a delightful and intriguing play on words and life. The act is summed up in the song “Who Knows Where the Time Goes” charmingly performed by Courtney Reid Harris to ensemble members Kerry Valentine Taylor, Jen Benjamin and Peyton Hooks.

The final presentation ends the show with expressive imagery that effectively sums up the program creator’s destined vision. “Meditations on Nature” includes beautiful video along with projected images of flowers and plants growing and unfolding while blossoming, as a woman donned in a wedding gown with a forty-foot train slowly walks up into the nature scenes. Her train becomes the final touch to the structure that houses a community rebuilt and reconnected.

Meditations on Being presents a powerful message thanks to inspired direction and its talented group of performers, writers and choreographers. I really enjoyed the way Chicago Danztheatre Ensemble employs so many different styles of dance from Isadora Duncan to modern along with the art installations that are available to look at during the intermission. This is a very lovely and touching, politically affecting night of entertainment and art. I highly recommended this production for audiences of all ages.

Mediations of Being is performed at Auditorium at Ebenezer Lutheran Church, 1650 W. Foster Ave through March 9th. Tickets are a suggested $10-$20 donation and running time is about one-hour and forty minutes, which includes a ten-minute intermission. For tickets and/or more information on this production, click here.  

Published in Dance in Review

This summer the 9th annual Chicago Dancing Festival returns with four days of free dance performances throughout the city. On Wednesday evening, the MCA hosted a production entitled Modern Women in the Edlis Neeson Theater for two back-to-back shows. 

 

As the audience filed into the theater, a video of Loie Fuller’s “Serpentine Dance” was projected onto the back wall of the stage.  The film is from 1896 and each frame of the film was tinted by hand to give an already beautiful and fluid dance piece the additional magic of what appears to be a color changing costume. The show continued to incorporate projected video and photos at the start of each piece taking us back in time to see the founding women of modern dance. This was a great addition to the show, however each clip lasted for close to a minute and the lack of background music made for a somewhat uncomfortable silence in the theater – interrupted more than once by someone’s cell phone ringing!

 

The show was 1 hour with 5 pieces. The first piece was “Valse Brillante”, originally choreographed by Isadora Duncan in 1915, performed by Lori Belilove & The Isadora Duncan Company. As the introduction video clip showed, many of Isadora Duncan’s works were performed outside in nature. This piece transported us to a summer garden with the light and airy movements flowing together perfectly to the buoyant music of a solo piano. The graceful silk costumes floated behind the dancers who beautifully executed a classic piece of modern dance. 

 

Martha Graham is one of the most well known names in modern dance with a long legacy. “Deep Song” is a solo work, originally performed by Martha Graham herself in 1937, recreated on the stage by Blakeley White McGuire of the Martha Graham Dance Company. It was performed in the same costume designed for the original piece, a lovely full-length black and white dress which is as much a part of the performance as the dancer and the bench incorporated into the choreography. The piece is powerful, full of fear and distress, and it had the audience entranced.

 

The final 3 pieces were newer works paying homage to other masters of modern dance including Doris Humphrey, Ruth St. Denis and Ruth Page. My favorite of these pieces was “A Picture of You Falling” by Hubbard Street Dance Chicago. This solo piece was a short piece brilliantly performed by Jason Hortin in the show I attended.  Choreographed by Crystal Pite and set to a composition of voice-overs and sound effects, it was an amazingly athletic and noteworthy piece. With a flavor of bone breaking dance style characterized by rhythmic contorting movements of the body, it had me completely absorbed and as a short piece it left me wanting more! The level of applause for this piece in the curtain call has me thinking the rest of the audience agreed with me on this being a standout of the show!

 

Overall the show was a great tribute to the women whose creativity, inspiration and courage brought us a new form of dance that broke from the traditions of ballet and paved the way for so many dancers and choreographers after them. It was a great show even for those not versed in modern dance, with accessible pieces that stirred your emotions. The Chicago Dancing Festival runs from August 25th to the 29th and is a great opportunity for those passionate about dance as well as those who are just interested in a night out. If you missed it this summer, keep your eyes out for shows next summer!

 

Published in Theatre in Review

PRE-BROADWAY WORLD PREMIERE OF DEATH BECOMES HER, 25TH ANNIVERSARY TOUR OF MAMMA MIA!, AND THE SIMON & GARFUNKEL STORY START TODAY!

01 May 2024 in Upcoming Theatre

Broadway In Chicago is excited to announce the pre-Broadway World Premiere of DEATH BECOMES HER is now playing at the Cadillac Palace Theatre…

Red Theater's 'Hamlet' at The Edge Off Broadway - Rosencrantz and Guildenstern are… hilarious!

28 April 2024 in Theatre in Review

I think my favorite thing – well, one of my favorite things – about Wyatt Kent’s take on HAMLET is…

Review: Joffrey Ballet's 'Midsummer Night’s Dream' at Lyric Opera House

26 April 2024 in Dance in Review

Frolicking season is upon us once again and Joffrey Ballet welcomes summer with the return of Alexander Ekman’s “Midsummer Night’s…

Eerie, Human Mystery In Captivating ‘Jump’ by Shattered Globe Theatre

26 April 2024 in Theatre in Review

As the audience takes its seats we are greeted by an atmosphere of foreboding, a trestle bridge girder to the…

Review: Joe Turner's Come and Gone at Goodman Theatre

25 April 2024 in Theatre in Review

Director Chuck Smith returns to Goodman with another major August Wilson revival–“Joe Turner’s Come and Gone”. This is the second…

THE GIFT THEATRE COMPANY ANNOUNCES 2024-25 SEASON

25 April 2024 in Upcoming Theatre

The Gift Theatre is pleased to announce its 2024-25 season featuring Suzan-Lori Parks' masterpiece Topdog/Underdog directed by Shanésia Davis and the world premiere of Cygnus by Susan Soon He…

HARRY POTTER AND THE CURSED CHILD TO PLAY BROADWAY IN CHICAGO'S JAMES M. NEDERLANDER THEATRE SEPTEMBER 10, 2024 – FEBRUARY 1, 2025

25 April 2024 in Upcoming Theatre

Broadway In Chicago is excited to announce that individual tickets for the world premiere of the first ever touring production…

Cast and production team announced for BrightSide Theatre production of JESUS CHRIST SUPERSTAR, June 7-23

25 April 2024 in Upcoming Theatre

Full cast and crew have been announced for BrightSide Theatre's upcoming production of JESUS CHRIST SUPERSTAR, the rock opera that…

Chicago Opera Theater presents Chicago leg of the world premiere tour of Jake Heggie and Gene Scheer’s newest opera Before It All Goes Dark May 25 & 26 at the Studebaker Theater

23 April 2024 in Upcoming Theatre

Chicago Opera Theater (COT), Chicago’s foremost producer of new and reimagined opera, closes its 50th Anniversary season presenting the final performances of…

Fleetwood-Jourdain Theatre announces 2024 season - celebrates local artists and two of the most significant Black female writers of the past 50 years

23 April 2024 in Upcoming Theatre

Tim Rhoze, Artistic Director of Fleetwood-Jourdain Theatre, has announced the company's 2024 season of four productions. The season will open with…

Comedy & magic collide in RIDICULOUS! with David Williamson, May 16-June 30 at Rhapsody Theater

23 April 2024 in Theatre in Review

David Williamson, regarded as one of the top magicians in the world today, makes his Rhapsody Theater debut with Ridiculous! Known for his tours…

THE 35th ANNUAL RHINOCEROS THEATER FESTIVAL RETURNS MAY 25 – JUNE 30 AT SIX CHICAGO VENUES

23 April 2024 in Upcoming Theatre

Curious Theatre Branch is pleased to announce the 35th annual Rhinoceros Theater Festival, May 25 - June 30 at six venues across Chicago. The…

Oh Baby, Baby: BABY the Musical at Citadel Theatre

22 April 2024 in Theatre Reviews

It’s often said that in the workplace you should refrain from talking about politics and religion; too personal, too easy…

Ballet 5:8's 'Lost Women of Juárez' in a word - evocative!

22 April 2024 in Dance in Review

BALLET 5:8 is a female - and minority-led ballet company resident at Harris Theatre in Millenium Park. Under the leadership…

Northlight Theatre’s BROOKLYN LAUNDRY Highlights Solid Acting and Thought-Provoking Script

21 April 2024 in Theatre in Review

When life’s chaos is full of impossible choices, how are we possibly meant to move forward? Brooklyn Laundry is about…

Babes with Blades triumph over time and space in THE S PARADOX!

20 April 2024 in Theatre in Review

I would absolutely bomb out of jury selection cos I have a very definite bias: I’ve been a fan(atic) of…

No Trouble with Marriott Theatre’s Music Man

19 April 2024 in Theatre in Review

You got trouble, my friends, if you’re going to put on Meredith Willson’s The Music Man. If you’re going to…

Alvin Ailey in Transition: A Poignant Performance at the Auditorium Theatre

19 April 2024 in Dance in Review

This year's Alvin Ailey American Dance Theater 65th-anniversary engagement at Chicago's historic Auditorium Theatre held particular importance as it marked…

Emile Zola Adaptation 'Nana' Is a Triumph at Magical Trap Door Theater

15 April 2024 in Theatre in Review

For the final show of its 30th anniversary season, Trap Door Theatre—the little company that could—has selected a sure-fire hit…

Auditorium Theatre Announces vibrant 2024-25 Season

15 April 2024 in Upcoming Theatre

Chicago’s National Landmark Auditorium Theatre (50 E. Ida B. Wells Drive) proudly announces its 2024-25 performance season presenting a vibrant mix of…

Chicago Writers' Bloc Announces 2024 New Play Festival May 5 - 19 at Theater Wit

15 April 2024 in Theatre in Review

Chicago Writers' Bloc has announced the lineup of plays and musicals for its biennial festival of new plays, to be…

Hershey Felder Brilliant as Monsieur Chopin

14 April 2024 in Theatre in Review

If you appreciate classical music and captivating stories about brilliant artists from the past, Hershey Felder’s one-man show, Monsieur Chopin:…

Jackalope Theatre Announces Cast and Creative Team for the World Premiere of THE SINGULARITY PLAY, May 19 - June 22

11 April 2024 in Upcoming Theatre

Jackalope Theatre Company continues its 16th season at Edgewater’s Berger Park, 6205 N. Sheridan Rd., with the announcement of the cast…

Spanish Language Magic Shows at Rhapsody Theater to celebrate Cinco de Mayo

11 April 2024 in Upcoming Theatre

Born and raised in Mexico City, Dr. Ricardo Rosenkranz, MD, Chicago’s own Physician Magician, will celebrate the festive Cinco de Mayo holiday weekend by…

Court Theatre’s Rosencrantz and Guildenstern are Dead Features Fabulous Ensemble with Striking Design

09 April 2024 in Theatre in Review

The Player (Lorenze Rush Jr) has just run into Rosencrantz and Guildenstern with his troupe of players. As he explains…

'COCK' is f***king amazing!

08 April 2024 in Theatre in Review

Those were my first words when I left the performance of COCK to David Zak, producer and resident wizard of…

Enchanting Feats: A glowing review of ‘Look Closer with Joshua Jay’

07 April 2024 in Theatre in Review

If you’re a magic enthusiast, Joshua Jay’s captivating new show, Look Closer, is currently enchanting audiences at the Rhapsody Theater. But even…

Welcome to The Jungle: The Choir of Man Rocks Chicago

06 April 2024 in Theatre Reviews

Sometimes you wanna go where everybody knows your name. Sometimes you want to be surrounded by people to experience the…

About Face Theatre announces casting for Midwest Premiere of Lavender Men

04 April 2024 in Upcoming Theatre

About Face Theatre announces casting for the Midwest Premiere production of Lavender Men by Roger Q. Mason, directed by Lucky Stiff, running May 9 -June 8,…

CUT TO THE CHASE festival of one-act plays returns May 2-5 with theme "Face-to-Face" at The Den Theatre

04 April 2024 in Upcoming Theatre

The Artistic Home Studio will present the 2024 edition of its CUT TO THE CHASE festival of new one act…

 

 

         17 Years and counting!

Register

     

Latest Articles

Guests Online

We have 600 guests and no members online

Buzz Chicago on Facebook Buzz Chicago on Twitter 

Does your theatre company want to connect with Buzz Center Stage or would you like to reach out and say "hello"? Message us through facebook or shoot us an email at This email address is being protected from spambots. You need JavaScript enabled to view it.

*This disclaimer informs readers that the views, thoughts, and opinions expressed in the text belong solely to the author, and not necessarily to Buzz Center Stage. Buzz Center Stage is a non-profit, volunteer-based platform that enables, and encourages, staff members to post their own honest thoughts on a particular production.