When I say the name Ben Hecht most of you will look at me with confusion not knowing who I am talking about. That is understandable, given that most people don’t seem to care about anything before 1990. I myself did not have the strongest handle of who the man was prior to seeing “The Ben Hecht Show” at the Piven theatre.
Ben Hecht was a newspaper reporter for the Chicago Journal and Chicago Daily News during the 20s. He parlayed his success in the newspaper world into a successful stage-writing career along with a very successful career as a screenwriter. He wrote some great films during what is considered the “Golden Age” of Hollywood. He wrote The Scoundrel, Nothing Sacred, Wuthering Heights, Scarface (not the Al Pacino one), and was uncredited for working on Gone with the Wind. He won an Oscar for best original story for Underworld and best writing (along with partner Charles McArthur) for The Scoundrel.
James Sherman wrote, as well as stars in, the one man “Ben Hecht Show” that is based on Ben Hecht’s books A Guide for the Bedevilled and A Child of the Century in which Mr. Hecht struggles to confront his identity as an American Jew.
Mr. Sherman has found a sweet spot in writing and adapting the works of Mr. Hecht as the audience is treated stories from Mr. Hecht’s past as if you were the only person that he is talking to. There is a feeling of intimacy to it all. You are able to understand how and why this man is grappling with the notion of being Jewish and what it truly means to be Jewish. When he figures it all out he is only back at the beginning as various leaders of different Jewish organizations condemn his words to the point of calling him Goebbels puppet. The internal struggle is real. The writing of Mr. Sherman and stage direction of Dennis Zacek are able to capture all of Mr. Hecht’s inner conflict. The performance by Mr. Sherman as Ben Hecht leaves something to be desired.
The entire show takes place in what would be the imagined study of Ben Hecht. Mr. Sherman wanders across the stage playing the conflicted writer as if he is just moving from one thought to another. One moment we are treated to stories, with a slideshow presentation, about him working with Alfred Hitchcock, John Ford, and David O Selznick. The next moment we are shown a stack of books of Jewish literature. All of this plays out in a monotone one-note performance. While the words tell us that this is a man struggling with his own identity we are not shown this. Mr. Sherman gives no range of emotion and barely registers a slight chuckle when delivering sharp quips that he himself penned.
Mr. Sherman must be congratulated on his efforts in accomplishing a one-man performance, as this is no small feat. The performance can be sculpted and formed to where a stronger connection with the audience can be made as it is playing through July 17th. This is a show that offers nothing but the promise of an enlightening 90 minutes of self-reflection and self-discovery, a self-discovery that anyone who attends the performance would be happy to have seen.
The Ben Hecht Show
Where: Piven Theatre, Noyes Cultural Arts Center, 927 Noyes St., Evanston
When: Now through July 17th
Tickets: $35
Info: grippostagecompany.com
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