How nice that even songs Stephen Sondheim cut from his own musicals can still find a home. “Marry Me a Little” is a 1981 songbook musical assembled by Sondheim. It’s a review of songs he wrote for various musicals in the 60's and 70's but were cut or unfinished. “Marry Me a Little” is a show performed without dialogue. The plot is pretty simple: a man (Austin Cook) and a woman (Bethany Thomas) are two artists who live a floor apart in a New York City apartment building. A chance meeting sends them down a standard relationship path. Or does it?
You may already be asking yourself, why see this show? To be fair, it’s not a great script and like its sister Sondheim review “Putting it Together” – opinions are generally mixed. The script isn’t the point though. “Marry Me a Little” is a great chance to glean some insight into Sondheim’s creative process and hear some strong voices singing great songs you may not otherwise be familiar with.
Director Jess McLeod’s vision for this semi-modernized “Marry Me a Little” is sleek and cool. The décor in both apartments looks directly out of a West Elm catalog. Costumes by Stephanie Cluggish fit right in, you’ll definitely want a pair of the cool shoes The Woman struts around in.
What will certainly resonate after an hour and a half of continuous singing are these two voices. It would difficult for any co-star to match the vocal talents of Bethany Thomas, but Austin Cook holds his own. Cook is also the music director here and spends a great deal of the show parked at the piano. It’s nice to see the usual music director on stage and killing the piano. Without speaking a single word, these two are selling the magic of romance, all its ups and downs. If there’s one number worth coming for it has to be “Can That Boy Foxtrot” originally written for “Follies.” Bethany Thomas’ playful and sexy interpretation will bring a smile to your face.
“Marry Me a Little” may not be the opus “Sunday in the Park with George” but it’s a great way to spend some time with Sondheim’s lyrical genius. With a short run time and overly romantic plotline, this stylish production would surely make for a charming first date.
Through May 21 at Stage 773. 1225 W Belmont Ave. 773-327-5252
Chicago Opera Theater premiered a one-act opera, “Before It All Goes Dark,” in two performances over Memorial Day weekend at…
I love stories about World War II, particularly about survivors of the Holocaust and the Camps. And I love stories…
Celebrating its 50th anniversary season, The Patrick G. and Shirley W. Ryan Opera Center, Lyric Opera of Chicago's premier artist-development program, is proud to…
“Viva La Mort: A Play With Songs” mines the 1956 Swiss novel “The Visit” by Friedrich Durrenmatt that came to…
Marriott Theatre brings the heat this summer with a rockin' tribute to the music of the 1960s, with BEEHIVE: THE 60'S MUSICAL. Directed…
Language may be the backbone of human communication, but there’s a lot that happens between the lines. Sanaz Toosi’s 2023…
Lifeline Theatre’s production of "Native Son," directed by Ilesa Duncan and adapted by Nambi E. Kelley from Richard Wright’s seminal…
It's showtime! Broadway In Chicago is thrilled to announce that BEETLEJUICE, the edgy and irreverent Broadway smash hit musical comedy, is now playing…
An artist. A terrorist. A child. A brand new car. A porn star. These are all the things that Anne…
There are no words. Well, obviously that’s not true cos I’m about to say a whole bunch of words –…
Drury Lane Theatre continues its 2024/25 Season with The Audience. Masterfully blending the personal and the political, The Audience gives an extraordinary glimpse into…
International sensation The Choir of Man today announces a second season following the completion of its initial run on May 26, 2024.…
The Joffrey Ballet announces the programming for the Joffrey for All free performance, which will feature a mixed repertory program in Millennium Park…
“James was deeply aware of the anguish associated with denying others their authenticity; His famous Frankenstein wasn’t a murderous monster.…
It’s often quoted in reviews that we are unworthy of such beauty or splendor the arts and humanities afford us.…
TimeLine Theatre has entranced me for years with its historically- and politically-significant plays, riveting and educational – just my cup…
Midsommer Flight, a company that has brought free performances of Shakespeare's plays to Chicago Park District parks since 2012, will…
Steppenwolf Theatre Company, the nation's premier ensemble theater company, is pleased to conclude its 48th season with the world premiere of Little…
Chicago continues to produce some of the most exciting work in the country this Summer, offering a wide variety of plays…
Token Theatre, Chicago's Asian American theatre company, announces the company's first full production, ZAC EFRON, written by Artistic Director David Rhee, co-written by Managing…
I arrived at City Lit Theater’s MURDER IN THE CATHEDRAL expecting a heavy, serious, doubtless thought-provoking but rather intimidating major…
Porchlight Music Theatre is proud to announce the return of its free summer concert series Broadway in your Backyard, now in its…
Despite the fact that I have never read the Newberry Award-Winning children’s book called Last Stop on Market Street, I…
I’m amazed that it’s been 18 years or so since I first saw a Hell in a Handbag production. Though…
“Together we created this nothingness,” says Audrey Francis in Steppenwolf’s production of Larissa Fasthorse’s ‘The Thanksgiving Play’. Hot off its…
Bramble Theatre Company, is proud to announce the third annual Festival of Unfinished Work at the new Bramble Arts Loft located on the second…
Broadway In Chicago is excited to announce that individual tickets for the world premiere of the first ever touring production…
Chicago Shakespeare Theater presents The Enigmatist, an immersive and captivating experience of illusions, puzzles, and cryptology, written and performed by renowned magician…
Steep Theatre will be back on stage in 2024 with two new productions that continue the company's tradition of bringing…
In 1940, the 25-year-old Orson Welles, previously known as a stage and radio actor, had achieved widespread fame for his…
Does your theatre company want to connect with Buzz Center Stage or would you like to reach out and say "hello"? Message us through facebook or shoot us an email at This email address is being protected from spambots. You need JavaScript enabled to view it..
*This disclaimer informs readers that the views, thoughts, and opinions expressed in the text belong solely to the author, and not necessarily to Buzz Center Stage. Buzz Center Stage is a non-profit, volunteer-based platform that enables, and encourages, staff members to post their own honest thoughts on a particular production.