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Displaying items by tag: Natalie Sallee

As I found my seat in the very intimate forty-seat or so Red Curtain Theater in First Congregational Church House to see Robert Harling's popular American classic Steel Magnolias, made popular by the movie starring Julia Roberts, I was very drawn in immediately by Mark Boergers' set design which places audience members on both sides of the action facing each other, so close you feel you are waiting for your own hair appointment in the super friendly and inclusive Truvy's Beauty Salon in Chinquapin, Louisiana.

 

Directed by Artistic Director Mark Boergers, all six members of this truly ensemble piece get an equal chance to shine and show the particular strengths and challenges each of these extraordinary women are facing. The multi-racial casting was extremely effective and believable. Each of these women, some rich, some poor, some single and some married, or about to be, really work together in an organic and wonderful way to create a world any woman can identify with at every stage of her life.  

 

Usually, I point out members of the cast who stand out but in this case ALL of the cast stand out, some with their biting humor like Nicholia Q. Aguirre as Clairee, whose late husband was mayor of Chinquapin, and Meg Elliott as Ousier who owns an outstanding sense of comic timing! Lucy Sandy as Truvy, the owner is a calm yet very funny, motherly anchor of the beauty salon she built in her own garage to support her husband. 

 

Brooklyn Hebert is lovely in the role of Shelby who is getting her hair done for her wedding day as the play opens. Natalie Sallee plays Shelby's mother M'Lynn really brings home the tears as the danger of diabetes threatens her daughter's happy, yet fragile, life dealing with the disease before and after childbirth. As the young Annelle, a young new beautician who has arrived recently in this small town with an abusive, perhaps criminal, boyfriend who deserts her Nikkia Tyler is very effective also, as we see her clinging to these new friendships and her newfound trust in God, and the church - while literally on the verge of homelessness.

 

Although Harling’s script is considered a flawless classic, these six strong characters in such a small, realistic, almost threadbare set take the show to new levels of humor and sensitivity, which leave one wondering why the Hollywood film itself wasn't cast multi-racially as well. 

 

I highly endorse this bright, new production to anyone who has seen or not seen and enjoyed the film or play before, as this ensemble directed by Mark Boergers offers up a refreshing and fulfilling vision of the original play that women and the men who love them can all identify with easily. Along with this excellent cast of trained actors the audience can learn firsthand about being strong as steel when necessary and laughing like children when it seems like all that's left to do is cry.  

 

The Arc Theatre’s Steel Magnolias is being performed at the Red Curtain Theater at the First Congregational Church House in Evanston through February 12th. For tickets and more show info, click here.

 

Published in Theatre in Review

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