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Displaying items by tag: Nathaniel Stampley

Sunday, 04 February 2018 19:31

Marriott's "Ragtime" Well Worth the Wait

Marriott Theatre’s Ragtime might just be one of the best adaptations to make its way through the Greater Chicago Area - ever. E.L. Dotorow wrote the novel in 1975, which has stormed theatre stages since 1996, snagging thirteen Tony Awards in 1996.

With lyrics by Lynn Ahrens, music by Stephen Flaherty and a book by Terrence McNally, the highly-acclaimed musical follows three very dissimilar families beginning in 1906 New York. One family is a white, advantaged and wealthy, one consists of an immigrant Jewish father and his young daughter while the other is a young African-American couple following the birth of their new child. Throughout the story, the families become intertwined with each other as the story paints a vivid picture of privilege versus the struggles of those less fortunate. Ragtime is a moving story of hard times, prejudices and the will to survive by those who have been dealt a much tougher hand in life and also the understanding – and lack of understanding – that is had by those more prosperous. It is also the ultimate story of determination.

Beautifully directed by Nick Bowling, the story includes several colorful characters that really make a strong impact such as Tateh, the Jewish immigrant from Latvia, played impeccably with much intensity by Benjamin Magnusun. Tateh, a portrait artist, is inspired to succeed in America after watching the great Harry Houdini (Alexander Aguilar), another immigrant, make his rise to fame. Marriott Theatre veteran and actor/singer extraordinaire Nathanial Stampley once again rises to the challenge this time as Colehouse Walker Jr. the show’s champion and pioneer of “ragtime” piano-driven music. Katherine Thomas compliments Stampley well as Walker’s fiancé, Sarah, her role as powerful as any in the story that holds such a political relevance in today’s current state.

Ragtime was a long time coming for Marriott and this staging is well-worth the wait. Bowling decides to change the play’s ending, a decision for audience members to take home and ponder.

Chicago favorites Larry Adams and James Earl Jones II this time find themselves leading a highly gifted ensemble, adding even more punch to this influential musical. Brilliant performances run rampant in this production with riveting work from Jonathan Butler-Duplessis as Booker T. Washington and Kirsten Hodgens, known only as “Sarah’s Friend” in the program. Hodgens has show-stopping vocals that are certainly highlighted in this production.

With a running time of two hours and forty minutes, the production’s high engagement level from beginning to end without lull is testament to its quality. For those who have seen the musical before, just seeing it from another perspective, that of its in-the-round staging, is entertaining in itself. With spot on costume and set design, moving musical numbers and tremendous acting and vocal efforts, Marriott’s Ragtime should be in line for a Jeff Award nomination.

Highly recommended - a perfect piece of musical theatre.

Ragtime is being performed at Marriott Theatre through March 18th. For tickets and/or more show information visit www.marriotttheatre.com.

 

Published in Theatre in Review

If you haven't seen the film version of “The Bridges of Madison County” starring Meryl Streep and Clint Eastwood, do not fear - the musical adaptation for the stage is full of beautiful songs and choreography that make this production a whole different animal than the 1995 movie and 1992 novel it was based. 

The story is simple, and universal. What to do when your life has not turned out the way you dreamed and true love steps in to give you another chance? Will you take a chance on Love? 

In "Bridges" we meet Francesca, an Italian war bride who married the first, kind GI she met after the war and came to America leaving everything familiar behind her to start a new life. While her husband and children are away at the state fair in Indianapolis for the weekend, fate brings true love knocking right on her front door in the form of a handsome and single National Geographic photographer, Robert Kincaid, who is on assignment in the area photographing the seven beautiful bridges of Madison County. 

After directions, that turns into a guided tour of the seventh bridge, followed by a few drinks and the sharing of deep personal stories, this compatible coupling quickly heats up into a life changing affair.

Francesca Johnson, played by the beautiful Kathy Voytko, reminds me a lot of a young Patti Lupone. Voytko, who has appeared in numerous Broadway productions, has a strong and lovely voice with a lovely Italian accent and very expressive face which reflects her growing attraction to Kincaid with every glance or bat of her large brown eyes. 

Kincaid, played by actor Nathaniel Stampley, comes alive on stage with a masculine warmth and grounded sensuality which make both Francesca and the audience feel she is infinitely safe within his embrace. We quickly realize that this is no one night stand nor even a chance encounter but all of destiny itself intervening to make these two lives powerfully intersect, if only for the weekend. 

Stampley and Voytco's passionate and unexpected love affair is well-supported with some comic relief by the actors who play her husband, kids and friends. Bart Shatto plays Bud while Brooke MacDougal plays the couple's young daughter Carolyn and Tanner Hake is their teen aged son Michael. Francesca's' supportive best friend, her closest neighbor out in farm country, is wonderfully played by Wydetta Carter. Carter also has a great Jazz voice and sings a very funny song about her envy of the magical love affair unfolding just across the fields from her perch in the front window of her country home. 

Jeffrey D. Kmiec's set design is very open, changing rapidly from the bridge location back to the kitchen and gives one the feeling that the ageless beauty of the bridges of Madison County represent a type of true love that is only found in dreams come true and that the small house in which Francesca and her family live is actually more of an astral 18 year-long "rest stop" -  that the travel loving and exotic Francesca is fundamentally out of place here.

I loved the song, "Before and After You" passionately and exquisitely sung by both Voytko and Stampley. The song perfectly describes how true love changes one's life and perceptions completely, making one realize in an instant just how much has been missing from their lives before they met and also how much their future lives will be forever indelibly stamped by the experience of this miraculous encounter and gift from fate. 

During their brief, but instantaneous, courtship over Francesca's kitchen table, Robert Kincaid, who is a devout loner and world traveler, tells her he feels disconnected from the world. In a flashback type setting, his ex-wife Marian, who is a hippy folk singer played by actress Emily Berman sings a very lovely song behind the flirting couple about her relationship with Kincaid and we see a whole other, liberal free loving side to the somber Kincaid character. The romantic, open-minded, artsy side of Kincaid has long since disappeared from his own consciousness as he jets sets around the globe never stopping for that "glass of iced tea or night cap of brandy" that will open the door to a new relationship thereby sidestepping over and over the vulnerability that a new relationship will inevitably bring. 

I highly recommend this beautifully cast and performed production of the stage musical. The relationships are very well played and the audience is allowed to see how the lover's interactions with each other bring to life all of the best aspects of their personalities, important living aspects and hopeful expectations of freedom and genuine loving excitement that have been long buried by the monotonous work and family demands of daily life. We also sit on pins and needles as the play brings its leading characters to an incredibly tough choice.

Voytco and Stampley's performances in the lead roles are deeply drawn, rich and compelling. Their chemistry feels real and palpable and their expansive individual artistry as singer/actors draws you in and makes the audience really care what choices they make and how their decisions will impact their mind-opening love affair, which is obviously a gift from heaven. 

“The Bridges of Madison County” is being performed at Marriott Theatre in Lincolnshire through August 13th. For tickets and more show information visit www.marriotttheatre.com.

 

Published in Theatre in Review

One of the world’s most popular musicals has found a temporary home at Marriott Theatre in Lincolnshire. And you should see it! Celebrating five Tony Awards, including Best Musical, the 1964 hit takes on a most interesting chapter in the life of Don Quixote while spending time in prison as he awaits a hearing with the Spanish Inquisition. Based on one of 17th century Spanish writer Miguel de Cervantes’ most famed characters the 1959 teleplay I, Don Quixote set the stage for what has become one of the most successful musicals to date. Often referred to as a play within a play, Man of La Mancha focuses on Quixote, an imprisoned writer who has turned away from the harsh realities of the world such as battle, crime and poverty and decides rather to view the world as he wants to see it where a prostitute, Aldonza, can instead be a his beloved Dulcinea, a battered cane can be a mighty sword or a cooking pot can be a prized helmet – a victorious trophy. 

 

Music Director Ryan T. Nelson and six-time Jeff Award director Nick Bowling take on this long-time prolific musical, splendidly piecing together a production that engages throughout and profoundly touches the heart. It is together with the powerhouse acting performance of Nathaniel Stampley, that this production goes over and beyond, becoming an instant Marriott classic and a show that will long be remembered for its superb acting and gripping storytelling. Stampley brilliantly seizes the lead role, which is really two leading roles, as the passionate writer who has defied the Spanish Inquisition along with the imaginary knight he has become in his imagination. 

  

Stampley is an actor you can easily root for. Magnetic and captivating, Stampley is a tour de force, capturing the character’s subtleties while becoming a dominating presence when called for, particularly during his breathtaking rendition of the production’s famed song “The Impossible Dream”, which led to a much deserved extended applause that only escalated to a higher volume every time the cheers began to die down.  

 

Stampley gets solid support from actress Danni Smith who delivers a memorable performance of her own, the two skillfully playing off each other to generate the much needed connection to make this show work. Richard Ruiz is also excellent as Quixote's trusty sidekick, Sancho. As all Marriott shows go, we are treated to a very gifted ensemble, as well. 

 

Director Nick Bowling does add a twist to the original by having the story take place in modern times. Simply said, it works. As Bowling explains, “We put the story in modern day with the notion that there are inquiries still going today and there will always be inquisitions.” Bowling’s underlying tones are powerful and serve as a wake up call for some while everyone can still enjoy a masterful musical that can be as heartwarming as it can sad and often humorous in just the right spots. 

 

Wonderfully acted with a slew of talented vocal performances, Man of La Mancha is a sure summer hit that is sure to make theatre goers cheer, feel and emphasize with and for a man who dares to dream the impossible dream and fight the unbeatable foe. 

 

Man of La Mancha is being performed at Marriott Theatre through August 14th. Tickets range from $50-$55. For more show information visit www.marriotttheatre.com.               

 

Published in Theatre in Review

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