Displaying items by tag: Noyes Cultural Arts Center

Fleetwood-Jourdain Theatre today announced full casting and production team for its season-opening production of GEE'S BEND, the 2008 play by Elyzabeth Gregory Wilder, to play Saturday evenings and Sunday afternoons from May 23 to June 7 at the Fleetwood-Jourdain Theatre in the Noyes Cultural Arts Center at 927 Noyes Street in Evanston. GEE'S BEND follows a family —Alice, her daughters Sadie and Nella, and Sadie's husband, Macon — from 1939 to 2002 as they experience segregation, family strife, the Civil Rights movement, and celebrity. The play is set in the real-life community of Gee's Bend – an isolated community in West Alabama's Black Belt, which has become known for the hand-stitched quilts made by generations of its women. 

Tim Rhoze, Producing Artistic Director of the company since 2010, will direct the production and design the set. His cast features Toccara Castleman, who is double-cast as Alice, the matriarch of the family, and later as Asia, Alice's granddaughter. Castleman is a multidisciplinary writer and actress whose credits include CONFEDERATES at Redtwist Theatre and I DON'T WANT TO PLAY MYSELF at The Tank in New York City. Alice's daughter Nella will be played by Jasmine Robertson, who performed in the two-actor cast of FJT'S UNTIL THE FLOOD in 2024, and was seen there most recently in 2025's HONEYPOT: BLACK SOUTHERN WOMEN WHO LOVE WOMEN. Cast in the lead role as Alice's youngest daughter, Sadie, is Kaitlyn Fields, a recent graduate of Northwestern University, who was among the cast members of HONEYPOT. Sadie's husband, Macon, will be performed by Rashun Carter, whose Chicago stage credits include GODS AND MONSTERS at Theater Wit and REASONS: A TRIBUTE TO EARTH, WIND AND FIRE for Black Ensemble Theatre.

The GEE'S BEND production team, in addition to Rhoze as director and set designer, includes David Goodman-Edberg (Lighting Designer), Rick Sims (Sound Designer), Kate Parker Barrows (Costume Designer), Sarah Kaiser (Muralist), Ben Blount (Props Designer), Melissa Blount (Quilting Instructor), Howard Godfrey Jr. (Musical Director), Charity Moody (Assistant Musical Director), Tuesdai B. Perry (Movement Specialist), Phil Timberlake (Dialect Coach), Bria Walker-Rhoze (Artistic Associate/Dramaturg), Tara Malpass (Production Stage Manager), Mary Dixon (Assistant Stage Manager), Shadana Patterson (Graphic Artist), Sholo Beverly (Poster Artist), and Shane Rogers (Technical Director/Set Builder). 
 
DC Theater Arts said, "GEE'S BEND weaves the essence of the quilt into a theatrical experience that exalts universal themes of family, faith, and overcoming adversity in a deeply moving way. "GEE'S BEND was commissioned and produced by the Alabama Shakespeare Festival and has been performed at Denver Center, Cleveland Playhouse, Kansas City Rep, Northlight Theatre, Philadelphia's Arden Theatre, and Hartford Stage, among others. 
 
Tickets to GEE'S BEND are $33 and can be purchased at fjtheatre.com. Students and seniors can purchase tickets for $20 at the box office on the day of the performance. FJT is also offering Premium Gold Membership cards for $90.00 that include four reserved seats for any of the productions of the 2026 season, and other exclusive bonuses. The card can be purchased on Evanston's Parks and Recreation site. 
 

LISTING INFORMATION
 
GEE'S BEND
by Elyzabeth Gregory Wilder
Directed by Tim Rhoze
May 23 – June 7, 2026
Saturdays at 7 pm, Sundays at 3 pm
Fleetwood-Jourdain Theatre in the Noyes Cultural Arts Center
927 Noyes St., Evanston
Tickets $33.00, Students and Seniors $20.00 at the box office. On sale at www.fjtheatre.com
Phone 847-866-5914
 
GEE'S BEND is the story of the Pettway women, quilters from the isolated community of Gee's Bend, Alabama. Beginning in 1939, the play follows Alice, her daughters Nella and Sadie, who is inspired by the real-life Gee's Bend descendant Mary Lee Bendolph, and Sadie's husband, Macon, through segregation, family strife, and the Civil Rights movement. Throughout their lives, the women's extraordinary quilts provide a respite from the turmoil around them. In the finale, Part III of the play, it is the year 2002; the quilts have been discovered as highly praised and sought-after folk art. Sadie, now 78 years old, is delighted with the recognition, and despite the lure of celebrity and the big city, she returns home to Gee's Bend and continues her lifelong passion for quilting. Wilder's play explores the resilience of the human spirit, especially as it is expressed in art, language, and gospel music. 

Fleetwood-Jourdain Theatre's 2024 season of four productions will open with the original musical 1619: THE JOURNEY OF A PEOPLE by Chicago writer and performer Ted Williams III. The musical commemorates the arrival of the first 20 Africans on the shores of Point Comfort, Virginia on August 20, 1619. In it, three modern characters lead audience members on a journey through multiple performance pieces, leaving viewers both inspired and challenged about the progress of America's African sons and daughters. This production uses various musical forms including hip-hop, jazz, and blues, to commemorate the struggle for survival and equality and to celebrate the stories and journeys of America's African sons and daughters. FJT is partnering with Evanston Public Library and Northwestern University for this production. 1619: THE JOURNEY OF A PEOPLE will play Saturdays and Sundays from June 15-30, 2024, with the press opening on Sunday, June 16 at 3 pm.
 
Performances will be Saturdays at 7:00 pm and Sundays at 3:00 pm, at the Fleetwood-Jourdain Theatre in the Noyes Cultural Arts Center, 927 Noyes St., Evanston. Tickets are $30.00 and are on sale now at www.fjtheatre.com. Additionally, 2024 Premium Gold Member Cards, good for all three 2024 summer and fall play productions and A MOODY EXPERIENCE: MUSIC BEYOND THE MARGINS, are now on sale for a very limited time for only $90 - a nearly 30 percent discount off of the regular season ticket prices.
 
LISTING INFORMATION
 
1619: THE JOURNEY OF A PEOPLE
A Musical by Ted Williams III
Directed by Tim Rhoze and Ted Williams III
This is a co-production with Evanston Public Library and Northwestern University
June 15-30, 2024
Saturdays at 7 pm, Sundays at 3 pm
Press opening Sunday, June 16 at 3 pm
Fleetwood-Jourdain Theatre in the Noyes Cultural Arts Center
927 Noyes St., Evanston
Tickets $32.00, on sale now at www.fjtheatre.com
Phone 847-866-5914
 
From the beginning of American slavery to Reconstruction, the Great Migration, the Civil Rights Era, and modern movements for justice, 1619 packs generations of history into an amazing musical theater experience that traces the African American journey toward freedom and equality.

When I say the name Ben Hecht most of you will look at me with confusion not knowing who I am talking about. That is understandable, given that most people don’t seem to care about anything before 1990. I myself did not have the strongest handle of who the man was prior to seeing “The Ben Hecht Show” at the Piven theatre. 

Ben Hecht was a newspaper reporter for the Chicago Journal and Chicago Daily News during the 20s. He parlayed his success in the newspaper world into a successful stage-writing career along with a very successful career as a screenwriter. He wrote some great films during what is considered the “Golden Age” of Hollywood. He wrote The Scoundrel, Nothing Sacred, Wuthering Heights, Scarface (not the Al Pacino one), and was uncredited for working on Gone with the Wind. He won an Oscar for best original story for Underworld and best writing (along with partner Charles McArthur) for The Scoundrel. 

James Sherman wrote, as well as stars in, the one man “Ben Hecht Show” that is based on Ben Hecht’s books A Guide for the Bedevilled and A Child of the Century in which Mr. Hecht struggles to confront his identity as an American Jew. 

Mr. Sherman has found a sweet spot in writing and adapting the works of Mr. Hecht as the audience is treated stories from Mr. Hecht’s past as if you were the only person that he is talking to. There is a feeling of intimacy to it all. You are able to understand how and why this man is grappling with the notion of being Jewish and what it truly means to be Jewish.  When he figures it all out he is only back at the beginning as various leaders of different Jewish organizations condemn his words to the point of calling him Goebbels puppet. The internal struggle is real. The writing of Mr. Sherman and stage direction of Dennis Zacek are able to capture all of Mr. Hecht’s inner conflict. The performance by Mr. Sherman as Ben Hecht leaves something to be desired. 

The entire show takes place in what would be the imagined study of Ben Hecht. Mr. Sherman wanders across the stage playing the conflicted writer as if he is just moving from one thought to another. One moment we are treated to stories, with a slideshow presentation, about him working with Alfred Hitchcock, John Ford, and David O Selznick. The next moment we are shown a stack of books of Jewish literature. All of this plays out in a monotone one-note performance. While the words tell us that this is a man struggling with his own identity we are not shown this. Mr. Sherman gives no range of emotion and barely registers a slight chuckle when delivering sharp quips that he himself penned. 

Mr. Sherman must be congratulated on his efforts in accomplishing a one-man performance, as this is no small feat. The performance can be sculpted and formed to where a stronger connection with the audience can be made as it is playing through July 17th. This is a show that offers nothing but the promise of an enlightening 90 minutes of self-reflection and self-discovery, a self-discovery that anyone who attends the performance would be happy to have seen. 

The Ben Hecht Show

Where: Piven Theatre, Noyes Cultural Arts Center, 927 Noyes St., Evanston 

When: Now through July 17th 

Tickets: $35

Info: grippostagecompany.com