
Chances are everybody knows a Chicago song whether they are aware of it or not. It’s nearly impossible to not had at least one of their melodies buzzing through your head at one time or another. When seeing them perform live it is almost amazing to hear how many hits they have manufactured during their heyday from the 1970s through the mid-1980s. After all, the band has received multiple music awards including a Grammy, they have been elected as Founding Artists to the John F. Kennedy Center for the Performing Arts, a star in their honor sits on the Hollywood Walk of Fame and they even have a street in Chicago named after them. Let’s also not forget that their record sales have topped the 100,00,000 mark. Not too shabby. Fortified with a vibrant horn trio, catchy choruses, spot on vocal harmonies and precise musicianship, Chicago is still putting on a highly entertaining shows decades after they released their first album in 1969, Chicago Transit Authority.
Returning once again to the city of the band’s origin, Chicago took the stage at Ravinia Saturday night for one of two nearly sold out performances. With a similar look to the past twenty or so years as far as band members go, Chicago ripped into one classic after another. Co-founders, Robert Lamm (keyboard/vocals), Lee Loughnane (trumpet/vocals) and James Pankow (trombone/vocals) led the march along with Jason Scheff who had joined the band in 1985 as Peter Cetera’s replacement.
The two-hour-plus set consisted of twenty-six songs and was split into two sets - a fifteen minute intermission in the middle. The first set was power-packed and included the hits “If You Leave Me Now”, Will You Still Love Me?”, “Look Away” and “Another Rainy Day in New York City”. As enjoyable as the first set was, the second was even better as one hit was churned out after another such as “Does Anybody Really Know What Time It Is?”, “Hard Habit to Break”, “You’re the Inspiration”, and “Hard to Say I’m Sorry/Get Away” to which to crowd got up from their seats at its energetic end and stood for the remainder of the show.
Ending on a high note, Chicago finished off the set with “Saturday in the Park” just before the upbeat, feel-good “Feelin’ Stronger Every Day”.
James Pankow practically put on a show by himself. Continuously strutting, dancing and interacting nonstop with the crowd, the spirited trombone player was key in keeping the energy level high. Pankow successfully proved that trombone players can be as cool – or at least animatedly squirmy - as any other musician. No doubt, the man was fun to watch. Chicago also put on one hell of a drum solo where Tris Imboden and percussionist Walfredo Reyes Jr. fiercely battled each other much to the delight of the audience. And for those wondering, yes, Robert Lamm’s voice was as rich as ever. In all, the components were fully in place for a well-round, and very fun, musical experience.
The band left the crowd with a one-two punch encore of “Free” followed by what is probably their most famous song of all, “25 or 6 to 4”. It would be very difficult to imagine a single person leaving disappointed after such a remarkable performance. As someone who had seen Chicago in 1982, the show was a great blast of the past, while to newer fans or first timers a glimpse into a great era of music that they may have never experienced first-hand.
A Ravinia favorite for some time, one can only hope for Chicago’s 2016 return.
Get ready for a cosmic comedy of gods, monsters, and mayhem that refuses to play by the old rules. That’s…
The Wedding Singer is currently onstage at Metropolis Performing Arts Centre in Arlington Heights, offering a faithful and upbeat interpretation…
Drury Lane Theatre continues its 2026/2027 season with the divine extravaganza Nunsense, featuring book, music and lyrics by David Goggin, directed by E. Faye…
Chicago Shakespeare Theater (CST) announces the cast and creative team for Brokeback Mountain, the North American premiere production of Ashley Robinson's adaptation of the…
Producers Kevin McCollum and Kurt Deutsch, along with Broadway In Chicago are thrilled to announce that single tickets for THE NOTEBOOK,…
The South Florida based YI Love Jewish and Chicago-based Arts Judaica proudly join forces to present a limited engagement of the Chicago…
Buffalo Theatre Ensemble (BTE), the professional Equity theater company in residence at the McAninch Arts Center (MAC), announced it will…
Eclectic Full Contact Theatre is proud to announce the cast and crew for their final show of season 14, THE…
Broadway In Chicago and Metra are pleased to announce a new promotion featuring nine shows coming to Chicago this summer: CHICAGO THE MUSICAL, LES MISÉRABLES, SPAMALOT, KINKY…
The world‑renowned Ensemble Español Spanish Dance Theater, in residence at Northeastern Illinois University, brings the passionate, expressive rhythms of Spain…
Shattered Globe’s world premiere of the delightful comedy “Eelpout!” delivers its punches with deceivingly understated skillfulness. Written by Paul W.…
Steppenwolf's LookOut Series is proud to unveil its lineup for Summer 2026, marking ten years of steadfast dedication to Chicago performing artists…
Four favorite singers of past Marriott Theatre concerts will unite on Monday, June 1 and Tuesday, June 2 for LET'S…
A show somewhere between a play, standup act, memoir, and PowerPoint presentation. A show so chaotic you think it could…
Fleetwood-Jourdain Theatre today announced full casting and production team for its season-opening production of GEE'S BEND, the 2008 play by Elyzabeth Gregory Wilder, to…
Concluding BrightSide's 14th season will be THE PRODUCERS, the longest running Broadway musical comedy ever and the winner of 12 Tony…
The Joffrey Ballet concludes its 2025-26 season with the highly anticipated Chicago Premiere of Yuri Possokhov’s Eugene Onegin, a richly layered and deeply human…
The Chicago theater community is grappling with the sudden loss of Matt DeCaro, whose death early Saturday came as a…
Dark comedies built around relationship dynamics have always drawn me in because they reveal conflict with a kind of honesty…
A psychotherapist is held hostage by a gun-toting patient demanding he certify her as stable enough to return to work.…
Curious Theatre Branch, launches its 38th Season, with the revival of Talking About Godard, written by Beau O’Reilly and directed by Beau O’Reilly with Briavael O’Reilly, May…
Broadway In Chicago is delighted to announce the 24 student nominees for Best Performer in an Actor and Actress role,…
For its 13th free summer production, Midsommer Flight will present one of Shakespeare's most highly regarded and popular comedies. AS YOU…
Physical Theater Festival Chicago, the city’s annual celebration of contemporary, movement-based performance, announces a bold lineup spotlighting local creativity. Each…
Gatecrashers. That’s the term newspapers nearly 100 years ago called the works of self-taught artists when they began “crashing the…
safronia at Lyric Opera of Chicago emerges as a deeply personal story of the Great Migration - one that resists…
Steppenwolf Theatre Company’s, Windfall arrives with all the promise its pedigree suggests. Written by Academy Award–winning ensemble member Tarell Alvin…
Mother-daughter relationships are somehow deemed different. More seminal than the bond between a father and son. More instinctive than between…
AstonRep Productions, the theatre and film production company that has produced over 30 stage productions in Chicago, has announced it…
Asgard Amplified: Loki’s Rock Revolution at Lifeline
Rom‑Com Spark and ’80s Verve Light Up Metropolis’ Wedding Singer
E. Faye Butler directs stellar Chicago cast in comedy Nunsense this summer at Drury Lane
Chicago Shakespeare Theater announces North American Premiere production of Brokeback Mountain
Does your theatre company want to connect with Buzz Center Stage or would you like to reach out and say "hello"? Message us through facebook or shoot us an email at This email address is being protected from spambots. You need JavaScript enabled to view it..
*This disclaimer informs readers that the views, thoughts, and opinions expressed in the text belong solely to the author, and not necessarily to Buzz Center Stage. Buzz Center Stage is a non-profit, volunteer-based platform that enables, and encourages, staff members to post their own honest thoughts on a particular production.