Displaying items by tag: RandleBent
Review: 'The Island' at Court Theatre
“There’ll come a time when they will stop laughing, and that will be the time when our Antigone hits them with her words”
John- The Island
Two Black men, bound together with shackles on their feet and hands, are brought to a beach on Robben Island. The same Robben Island that housed Nelson Mandela for 26 years. For the next 15 minutes, the men are engaged in a wordless, strenuous mime of Sisyphean labor. Sisyphus was the King of Corinth. He was imprisoned for his craftiness in cheating death. His punishment, being forced to roll an enormous boulder up a hill only for it to roll down when they near the top, repeating this action for eternity. The crimes committed by our two Black men are never truly explored, but this being South Africa, under the apartheid regime of 1973, we can be sure it is something as simple as living while Black. The key word being simple. The apartheid regime was violent, and this punishment is an extension of that violence.
''The Island,'' the extraordinary protest drama created by White dissident playwright and director Athol Fugard and two Black actors, John Kani and Winston Ntshona is receiving a sharp and impressive reimaging at Court Theatre under the excellent direction of Associate Artistic Director Gabrielle Randle-Bent.
The story is built around the relationship of our two men, John, played by the talented Kai A. Ealy, and Winston, played by the equally talented Ronald L. Connor. There is a sincerity in both these men faces aiding in the interpretation of their characters. John, the more aggressive and active of the two is a relative newcomer to Robben Island, whereas Winston has been incarcerated for quite some time. They are much more than cellmates or brothers in arms. They are each other’s lifeline. They remind each other of lost humanity in an inhumane environment. While they are physically imprisoned, their imaginations cannot be restrained. They use their imagination to remain sharp and connected to the world and life they once knew. It is in their imagination these men live their fullest lives. With the opportunity to perform for the prison guards and other inmates, John chooses to do a stripped-down version of Antigone. Winston is uncomfortable playing the female Antigone.
When John’s sentence is commuted, shortening his time to three months, Winston frets about becoming a stone shell of himself. A stone, not unlike the stones he is made to cut. Realizing why he is in this predicament and knowing he will spend the rest of his life in prison because of his stance, Winston is finally motivated to play Antigone. This play is an act of defiance against the South Africa government both literally and figuratively.
Director Randle-Bent, being true to the original intent of the writers, draws the audience into the drama, having John as Creon ask direct questions to audience members. Winston as Antigone pleads her case, not so much to Creon, but to the us, the state. It has a powerful effect on the audience.
I remember the scenic designer Yeaji Kims through her work at American Blues’ production of “Fences” as well as her work with Griffin Theatre. She once again shows her unbelievable imagination. Her set, a sunbaked stone wall with an opening for the guards to look through in the background, in the center of the stage is a slab of stone teetering on a stone mound surrounded by red sand. The slab moves like a teeter-totter, serving the action of the players at their will. This set combined with the soundscape of waves crashing against stone and other island sounds by Andre Pluess and Daniel Etti-Williams give the impression of isolation on foreign shores. The movement of the sun, the unforgiving sun, was perfected by lighting designer Jason Lynch. Michael Keith Morgan is a genius. Kai and Ronald’s South African accents were EXCELLENT!
That’s all we want them to do…listen in the end.
-John
While we laugh at these characters foibles, it is important to remember these events are reality based.
It is impossible to get an accurate number of the people that suffered and died under apartheid.
Not only must we listen, but we must also remember and never forget.
Please see “The Island” at Court Theatre, it’s as important now as it was 50 years ago.
When: Thru December 4
Where: Court Theatre, 5535 S. Ellis Avenue
Tickets: $40.50 - $82.00
Info: Courttheatre.org.
American Blues Theater names Nia Akilah Robinson the recipient of the 2026 Blue Ink Award for her play Overnight at the Museum and announces featured finalists Benjamin Benne and Claire Crowley
07 August 2026 in Theatre BuzzAmerican Blues Theater, under the continued leadership of Executive Artistic Director Gwendolyn Whiteside, announces the recipient of the 2026 Blue Ink Award is Nia Akilah…
Love and Time On Our Side: The Notebook: The Musical at Broadway in Chicago
06 August 2026 in Theatre in ReviewIn times of stress, we often turn to familiar and comforting things: a favorite song, a dog-eared book, a movie…
Grammy-Nominated Premiere Anchors 9th NEXUS Chamber Music Festival This August 12-14
06 August 2026 in Upcoming TheatreChamber music may be one of music’s most misunderstood children. An early form of classical music, it has always been…
Remy Bumppo Theatre Company Announces Mud Row October 15 - November 15 at Theater Wit
05 August 2026 in Upcoming TheatreRemy Bumppo Theatre Company is pleased to announce the cast, creative and production teams for the first production in its 2026…
Victory Gardens Theater presents the World Premiere of Zayd Ayers Dohrn's The Humanities beginning September 10th
05 August 2026 in Upcoming TheatreVictory Gardens Theater (2433 N. Lincoln Avenue), an historic incubator for new play development, proudly announces the World Premiere staging of The…
Goodman Theatre Presents Dead Girl's Quinceañera September 26th Through November 1st
05 August 2026 in Upcoming TheatreSecrets, sisterhood and solving crime take center stage this fall in the world premiere co-production of Dead Girl's Quinceañera by Miami native…
Steppenwolf Theatre Presents ADIRONDACK CHAIR CIRCLE – October 22 – December 6, 2026 – World Premiere!
04 August 2026 in Upcoming TheatreSteppenwolf Theatre Company, the nation's premier ensemble theater company, is pleased to continue its 51st Season with the world premiere of Chicago playwright Stephanie…
Writers Theatre celebrates record-breaking 2025/26 Season with artistic growth and unprecedented ticket sales
04 August 2026 in Theatre BuzzWriters Theatre, under the leadership of Executive Director Kathryn M. Lipuma and Alexandra C. and John D. Nichols Artistic Director Braden Abraham, concluded its 2025/26…
Chicago City Opera presents a Mozart double feature of The Impresario and Bastien and Bastienne August 15th & 16th
04 August 2026 in Upcoming TheatreChicago City Opera (CCO) presents an evening of two one act Mozart operas The Impresario and Bastien and Bastienne combined…
The Notebook - James M. Nederlander Theatre - Through August 16th
04 August 2026 in Now PlayingProducers Kevin McCollum and Kurt Deutsch, along with Broadway In Chicago are thrilled to announce THE NOTEBOOK, a new musical based…
Harris Theater Presents return of Chicago Black Dance Legacy Project, Aug. 28
04 August 2026 in Upcoming DanceFollowing last year’s smashing sold-out engagement, the Joan W. and Irving B. Harris Theater for Music and Dance proudly presents the return…
Guarneri Hall Launches 2026/27 Season with NEXUS Festival: Music for 8 and Two Premieres August 12-14, 2026
04 August 2026 in Upcoming TheatreGuarneri Hall, an intimate state-of-the-art, custom-built classical music venue in the heart of downtown Chicago, proudly opens its 2026/27 season…
Chicago Magic Lounge Welcomes Back David Parr as Fall Artist in Residence with Time Traveler October 7 – December 16
04 August 2026 in Upcoming TheatreChicago Magic Lounge welcomes back acclaimed magician David Parr as its Fall Artist in Residence with David Parr: Time Traveler, a new theatrical experience…
ETA’s for colored girls Honors the Enduring Power of Ntozake Shange
04 August 2026 in Theatre in ReviewNearly fifty years after its groundbreaking premiere, Ntozake Shange's for colored girls who have considered suicide / when the rainbow…
yo ho. Delivers Queer Pirate Chaos, Big Laughs, and Fierce Swordplay
03 August 2026 in Theatre in ReviewA quick history lesson: Anne Bonny and Mary Read are two of history’s most famous female pirates. Both women disguised…
The Outsiders - Cadillac Palace - Through August 16th
03 August 2026 in Now PlayingThe Tony Award® winning Best Musical, THE OUTSIDERS, based on the seminal novel by S.E. Hinton and Francis Ford Coppola’s landmark motion picture, returns to Chicago…
Chicago Shakespeare Theatre to present Play On! September 11–October 18
01 August 2026 in Upcoming TheatreChicago Shakespeare Theater (CST) announces the cast and creative team for Play On!, which opens the Theater's 40th Anniversary Season. This jazz musical tells…
Iceboy! Sets New Goodman Box Office Record
31 July 2026 in Theatre BuzzToday, Goodman Theatre achieves a new milestone in its 100th anniversary season: Walter Artistic Director Susan V. Booth and Executive…
First National Tour of OH, MARY! Announces Chicago's Mary Todd Lincoln
30 July 2026 in Upcoming TheatreKevin McCollum & Lucas McMahon and Mike Lavoie & Carlee Briglia, along with Broadway In Chicago announced today that Tony…
Citadel Theatre announces EUREKA DAY, playing September 9 – October 11
30 July 2026 in Upcoming TheatreLake Forest’s Citadel Theatre has announced the full cast and crew for its season opener - the satirical comedy EUREKA…
Rivendell Theatre Ensemble presents the third World Premiere in its 30th Anniversary Season Bonnie's Last Flight
30 July 2026 in Upcoming TheatreRivendell Theatre Ensemble, Chicago's only professional theater that seeks to advance women through the power of storytelling, announces the cast for…
Definition Theatre presents How We Got On by Idris Goodwin Sept 11-27
29 July 2026 in Upcoming TheatreDefinition Theatre is proud to present How We Got On, a mix-tape for the stage by playwright Idris Goodwin and directed by Tyrone Phillips. How We…
3Arts Awards Celebration uplifts Illinois' artistic community, Oct 26 at Harris Theater
29 July 2026 in Theatre BuzzThe nonprofit service organization 3Arts announces the date for its annual 3Arts Awards Celebration, a festive evening of dynamic performances by Chicago artists and the…
Mike Bartlett’s ‘An Intervention’ Zings in Chicago Premiere
28 July 2026 in Theatre in ReviewA new company, Heart of Gold Theatre, is presenting the Chicago premiere of Mike Barlett’s An Intervention. Bartlett is a…
Carmela misses her papi, because papi is missing some of his papers: Carmela Full of Wishes returns Oct. 25-Nov. 15 at Chicago Children’s Theatre
28 July 2026 in Upcoming TheatreCarmela misses her papi, because papi is missing some of his papers.Chicago Children’s Theatre presents Carmela Full of Wishes, a…
Promethean Theatre Ensemble to stage BLOOD OF THE LAMB at The Den, September 3 -October 3
28 July 2026 in Upcoming TheatrePromethean Theatre Ensemble announced today it will stage the Chicago premiere of BLOOD OF THE LAMB, by Arlene Hutton, a gripping two-woman,…
Metropolis’ Wizard of Oz Rekindles Pure Childhood Wonder
26 July 2026 in Theatre in ReviewMetropolis Performing Arts Centre’s new staging of The Wizard of Oz sends audiences down the yellow brick road with a…
Jackalope Theatre Company Announces Plays, Playwrights and Casts for THE 17th LIVING NEWSPAPER FESTIVAL, August 20 - 24
24 July 2026 in Upcoming TheatreJackalope Theatre Company is proud to announce the schedule for the 17th Annual Living Newspaper Festival, August 20 - 24, at the Jackalope Theatre…
Cerqua Rivera Dance Theatre Announces 2026-2027 Season
24 July 2026 in Upcoming DanceCerqua Rivera Dance Theatre (CRDT), the Chicago-based dance company, is proud to announce its 2026 - 2027 season. In the coming year,…
Love Actually In Concert at Cadillac Palace Theatre Saturday, December 12th - One Night Only!
24 July 2026 in Upcoming TheatreIt may be the middle of summer, but for fans of Universal’s “Love Actually,” Christmas comes early this year. GEA…
Latest Articles
-
Steppenwolf Theatre Presents ADIRONDACK CHAIR CIRCLE – October 22 – December 6, 2026 – World Premiere!
Written by Buzz Center StageSteppenwolf Theatre Company, the nation's premier ensemble theater company, is pleased to continue its 51st Season with the world premiere of Chicago playwright Stephanie Alison Walker's biting satire Adirondack Chair Circle, directed by Tony Award winner Pam MacKinnon (Downstate, Edward Albee's Who's Afraid of Virginia Woolf?), playing October 22 — December… -
Writers Theatre celebrates record-breaking 2025/26 Season with artistic growth and unprecedented ticket sales
Written by Buzz Center StageWriters Theatre, under the leadership of Executive Director Kathryn M. Lipuma and Alexandra C. and John D. Nichols Artistic Director Braden Abraham, concluded its 2025/26 season by shattering box office, attendance, and fundraising records, and cementing its position as a premier national hub for theatre excellence…
-
American Blues Theater names Nia Akilah Robinson the recipient of the 2026 Blue Ink Award for her play Overnight at the Museum and announces featured finalists Benjamin Benne and Claire Crowley
Written by Buzz Center StageAmerican Blues Theater, under the continued leadership of Executive Artistic Director Gwendolyn Whiteside, announces the recipient of the 2026 Blue Ink Award is Nia Akilah Robinson for her play Overnight at the Museum. As part of the award, Robinson receives a $3,000 cash prize and a staged reading…
-
ETA’s for colored girls Honors the Enduring Power of Ntozake Shange
Written by Wesley DavidNearly fifty years after its groundbreaking premiere, Ntozake Shange's for colored girls who have considered suicide / when the rainbow is enuf remains one of the most important works ever written for the American stage. Neither conventional play nor musical,…
Does your theatre company want to connect with Buzz Center Stage or would you like to reach out and say "hello"? Message us through facebook or shoot us an email at This email address is being protected from spambots. You need JavaScript enabled to view it..
*This disclaimer informs readers that the views, thoughts, and opinions expressed in the text belong solely to the author, and not necessarily to Buzz Center Stage. Buzz Center Stage is a non-profit, volunteer-based platform that enables, and encourages, staff members to post their own honest thoughts on a particular production.