Being a Chicagoan, it’s always fun to take in city history – to learn about the great things that made Chicago what it is today – one of the best known metropolitan areas on the planet, rich in history and tradition. In ‘Burnham’s Dream: The White City,' the play focuses on Daniel Burnham, a man who became an architect while learning on the job rather than with an education. Burnham, perhaps best known for authoring The Plan of Chicago in 1909, one of the most significant documents on urban planning, was one of the chief minds behind taking on the massive job of building the 1893 World’s Fair over what was then just a swamp-ridden Jackson Park. ‘Burnham’s Dream’ focuses on Burnham’s life throughout this miraculous endeavor.
Pavi Proczko is palpable as Daniel Burnham, giving us a good sense of the architect’s smarts, determination and dedication to the colossal project. Proczko provides an inner depth to the character that is easy for audience members to relate. Burnham’s business partner and long-time friend, John Root, is well-played by Sam Massey. Root, perhaps more of a big picture dreamer wants the fair to be all-encompassing, “a fair that is truly welcoming to everyone.” The two play off each other well; one the visionary the other making ideas a reality. Chase Wheaton-Werle also puts forth a strong performance as the likable Irish immigrant, Michael O’Malley while Genevieve Thiers impresses the audience with her vocal talent as Bertha Palmer. Jessica Texidor’s choreography is unique and gets the most out of its limited open stage.
Throughout the play, we get a myriad of 1893 World’s Fair fun facts such as learning that that is where the zipper and Cracker Jacks were first introduced, and that one of the many buildings was designed by a team of female architects (something unheard of at the time). We are also made privy to the fact that in order to complete the fair on time and to save a huge sum of money, the building’s exteriors were finished with staff plaster since atop steel frames, after all, the buildings were meant to be temporary. Though primarily dealing with the fair’s creation, it’s setbacks and triumphs, ‘Burnham’s Dream’ also provides a window into how women’s rights and those of African-Americans were dealt treated – Root certainly an advocate of inclusion, a stage for the world to see America’s advanced ideologies.
And while viewers might not go home humming the songs, the play in itself is interesting enough, moves along at a nice pace and is well-acted. For 1893 World’s Fair buffs, ‘Burnham’s Dream’ will be an entertaining way to watch it come to life piece-by-piece. For those who are not so familiar with the story, you’d be in store for an engaging Chicago history lesson.
Finely directed by Erik Wagner, Lost and Found Productions world premiere musical “Burnham’s Dream: The White City’ is being performed at Theater Wit through July 1st. For tickets and/or more play information, visit www.theaterwit.org.
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