
The only "rotten" thing about this super funny and colorful production is the title, a line taken from a Shakespeare play. ‘Something Rotten’ is the latest comedy-musical at Marriott Theatre and is full of laughs.
I went to the show not knowing anything about its brief Broadway debut in 2015 and was completely surprised and delighted right out of the gate by the spectacular opening number “Welcome to the Renaissance!" The song is a full-cast extravaganza that makes fun of the conditions people were dealing with in the 1590's (like the black plague), yet also makes the audience realize that at that time the many inventions being brought into humankind awareness seemed really new and miraculous to people of the middle ages.
Director Scott Weinstein does a fantastic job throughout and has perfectly cast the show with seasoned character actors and actresses who bring it to life with great energy and wit.
The plot is about two brothers/writers Nick Bottom (KJ Hippensteel) and his brother, Nigel (always another great comedic turn by Alex Goodrich) who, like everyone else at the time, worship The Bard -Shakespeare, played really well by Adam Jacobs (dressed in sexy black leather rock star attire to woo the ladies). The brothers ask a soothsayer to give them the plot of a future hit play by Shakespeare. The plot of ‘Something Rotten’ jumps around quite a bit but is superbly funny anyway.
There are many funny and incisive throwbacks from the past to the present like when Ross Lehman who plays both the soothsayer and a Shylock 0tells the brothers he believes that Shakespeare has made him a character in a play he believes will be titled “Shylock, The Really Nice Jew." Unfortunately, for the brothers, the play the soothsayer predicts that Shakespeare biggest hit will be called ‘Omelet’ not ‘Hamlet’ and the comedy just rolls right on from there.
Nick Bottom's helpful, hardworking wife, Bea, is a great role for Cassie Slater and she knocks her numbers out of the park every time. I also really enjoyed Rebecca Hurd as Portia. Portia is the daughter of the only creepy Priest who wants the actors and playwrights of the time to be taken down for crating impure thoughts through theater, which leads people to dancing, which leads to sin, etc.
Hurd has a wonderful show-stopping number with ‘Bottom’ in which the two lovers discover that they are both really turned on by words! ‘Bottom’ serenades her ears with loving words set to iambic pentameter, and the couple have a hilarious yet heartfelt climactic release together onstage as they find their "word loving" soulmates in each other. Another showstopper is the full cast blow out of the song "A Musical," which tips it hat to every great musical from ‘Cats’ to ‘Chicago’ to ‘Pippin’ and is jammed packed with spectacular costumes and clever choreography.
All I can say is I went to the show hoping for the best from a musical I have never seen before and I got it!
I highly recommend this entertaining, delightfully funny musical with eye-popping costumes and really great laughs throughout to audience members of all ages. The director, crew and cast members including a superbly talented dance/singer ensemble of ‘Something Rotten’ have taken this show and revved it up into a fun packed "must see” production from the ever-solid lineup at the intimate Marriott Lincolnshire Theatre.
Through October 20th at Marriott Theatre.
CALL ME ELIZABETH, a one-woman show about the life of Elizabeth Taylor, will be presented May 8-10 by PrideArts at the Hoover-Leppen Theatre…
safronia at Lyric Opera of Chicago emerges as a deeply personal story of the Great Migration - one that resists…
Steppenwolf Theatre Company’s, Windfall arrives with all the promise its pedigree suggests. Written by Academy Award–winning ensemble member Tarell Alvin…
Broadway In Chicago is excited to announce that the smash hit Broadway musical and global sensation, THE GREAT GATSBY, based on the beloved…
AstonRep Productions, the theatre and film production company that has produced over 30 stage productions in Chicago, has announced it…
Everyone encounters many crossroads in their lives, where they make a choice that determines the future…and many people live to…
On Monday, May the 4th, Steep Theatre will present the first public staged reading of playwright Dan Aibel's new work The…
Porchlight Music Theatre is proud to announce its 32nd season launching in September at The Biograph Theater, 2433 N. Lincoln Ave., with the…
Jackalope Theatre Company is proud to present the world premiere of Andy Warhol Presents: The Cocaine Play, written and directed by Terry Guest, May 28…
Chicago Opera Theater (COT) closes its 2025/26 season with the concert premiere of a new opera Trusted - the seventh full-length opera developed through…
From the moment BOTH starts, the play demands attention. Flashing lights, sirens, and the sounds of heavy breathing build as…
Screwball comedy went the way of the dinosaur after the 1940s, but Northlight Theatre attempts to revive it with The…
Steppenwolf Theatre Company's acclaimed Ensemble and Board of Trustees are pleased to host Steppenwolf Gala 2026, an unforgettable evening that continues the…
Broadway In Chicago is pleased to announce that individual tickets for the North American Tour of WATER FOR ELEPHANTS , A New Musical…
Marriott Theatre’s Heartbreak Hotel takes on the tricky task of charting Elvis Presley’s early ascent, walking the line between the…
Sustaining legacy is no simple task, especially when considering the arts. How do you preserve continuity of spirit while simultaneously…
The Auditorium (Chicago’s landmark stage at 50 E. Ida B. Wells Drive) and The Chicago Philharmonic in association with TCG Entertainment, continue the Auditorium Philms…
Promethean Theatre Ensemble has announced it will perform the Lewis Galantiere adaptation of Jean Anouilh's ANTIGONE, from May 31 through…
Writers Theatre, under the leadership of Executive Director Kathryn M. Lipuma and Alexandra C. and John D. Nichols Artistic Director Braden Abraham, concludes its 2025/26…
The producers of & Juliet and Broadway In Chicago announced today that pop music superstar Joey Fatone will join the North American Tour company of the smash…
Fleetwood-Jourdain Theatre today announced full casting and production team for its season-opening production of GEE'S BEND, the 2008 play by Elyzabeth Gregory Wilder, to…
Writer and performer Eileen Byrne brings her acclaimed one-woman play Running with Coffee to Chicago for two performances only, presented at Lookingglass Theatre Company's…
Drury Lane Theatre announces the appointment of Matthew D. Carney as its new Artistic Director. A longtime collaborator and key member of…
Definition Theatre is proud to present the Amplify World Premiere of Keerah, a quick-witted dramedy by playwright Netta Walker and directed by McKenzie Chinn. Keerah will…
Broadway In Chicago is excited to announce two fan-favorite shows are returning to our stages this year: WAITRESS and THE BOOK OF MORMON. Current…
The 1950s is easy to idealize. Men styled tailored suits, women dazzled in pleated dresses, and everything glimmered like it…
It’s no secret every new dance season is filled with its own undercurrent of anticipation. Regardless of the company, audiences…
Theresa Rebeck’s Poor Behavior at Oil Lamp Theatre, directed by Lauren Katz, opens with the easy warmth of old friends…
Shakespeare’s comedies share a familiar architecture: mistaken identity, disguises, intersecting plotlines, a generous helping of prose, and language that delights…
You don’t know what you’ve got until it’s gone and married someone else – that’s how Noel Coward’s Private Lives…
THE GREAT GATSBY is Now Playing at Cadillac Palace
Does your theatre company want to connect with Buzz Center Stage or would you like to reach out and say "hello"? Message us through facebook or shoot us an email at This email address is being protected from spambots. You need JavaScript enabled to view it..
*This disclaimer informs readers that the views, thoughts, and opinions expressed in the text belong solely to the author, and not necessarily to Buzz Center Stage. Buzz Center Stage is a non-profit, volunteer-based platform that enables, and encourages, staff members to post their own honest thoughts on a particular production.