
"Anna in the Afterlife" is a play based on author Richard Engling’s friendship and collaboration with Fern Chertkow, a dear longtime friend, writer, and colleague who took her own life in 1988.
There was so much in this play that I enjoyed in terms of its emotional themes and the exploration of what happens to your consciousness immediately after death. The play also admirably tries to answer the question of what happens after death if you commit suicide.
Richard Engling played himself in this production which I think was meant to be sort of an homage to the Woody Allen type of storytelling but unfortunately Engling’s writing is so much better than his acting ability for the stage that all of the very talented supporting actors were forced to sort of dance around him, helping him into each moment on stage instead of playing the characters directly to each other as trained actors normally would.
The stage and lighting design were lovely to look at and helped define the storyline which jumped around in time a little too often to follow the main idea of the play. Literally jumping back in time to meeting his friend in Paris then back to his struggles in the afterlife then to visit all three splintered personalities of his friend as a little girl, young woman and deceased spirit, became very confusing after a while but were still interesting and evocative scenes in and of themselves.
The play in its current state can be moving at times and even has the ability to connect with its audience in areas particularly if you have recently lost a loved one and can easily identify with the soul searching and guilt that seems to universally accompany any death. Anna in the Afterlife might hit home especially if a friend or family member has suffered from cancer or another painful disease or has taken their own life.
The play definitely needs a rewrite though to make it more comprehensible as there is much to learn from this piece and many interesting ideas to ponder about grieving and the nature of life and death and consciousness. Also, Engling should step outside of the next production and cast a really talented and mature stage actor who can play his life in such a way so that we feel more compassion for his character’s flaws and struggles.
Directed by Susan Padveen, Anna in the Afterlife is playing at the Greenhouse Theatre Center through May 24th. For tickets and/or more information visit http://greenhousetheater.org/.
CALL ME ELIZABETH, a one-woman show about the life of Elizabeth Taylor, will be presented May 8-10 by PrideArts at the Hoover-Leppen Theatre…
Gatecrashers. That’s the term newspapers nearly 100 years ago called the works of self-taught artists when they began “crashing the…
safronia at Lyric Opera of Chicago emerges as a deeply personal story of the Great Migration - one that resists…
Steppenwolf Theatre Company’s, Windfall arrives with all the promise its pedigree suggests. Written by Academy Award–winning ensemble member Tarell Alvin…
Mother-daughter relationships are somehow deemed different. More seminal than the bond between a father and son. More instinctive than between…
Broadway In Chicago is excited to announce that the smash hit Broadway musical and global sensation, THE GREAT GATSBY, based on the beloved…
AstonRep Productions, the theatre and film production company that has produced over 30 stage productions in Chicago, has announced it…
Everyone encounters many crossroads in their lives, where they make a choice that determines the future…and many people live to…
On Monday, May the 4th, Steep Theatre will present the first public staged reading of playwright Dan Aibel's new work The…
Porchlight Music Theatre is proud to announce its 32nd season launching in September at The Biograph Theater, 2433 N. Lincoln Ave., with the…
Jackalope Theatre Company is proud to present the world premiere of Andy Warhol Presents: The Cocaine Play, written and directed by Terry Guest, May 28…
Chicago Opera Theater (COT) closes its 2025/26 season with the concert premiere of a new opera Trusted - the seventh full-length opera developed through…
From the moment BOTH starts, the play demands attention. Flashing lights, sirens, and the sounds of heavy breathing build as…
Screwball comedy went the way of the dinosaur after the 1940s, but Northlight Theatre attempts to revive it with The…
Steppenwolf Theatre Company's acclaimed Ensemble and Board of Trustees are pleased to host Steppenwolf Gala 2026, an unforgettable evening that continues the…
Broadway In Chicago is pleased to announce that individual tickets for the North American Tour of WATER FOR ELEPHANTS , A New Musical…
Marriott Theatre’s Heartbreak Hotel takes on the tricky task of charting Elvis Presley’s early ascent, walking the line between the…
Sustaining legacy is no simple task, especially when considering the arts. How do you preserve continuity of spirit while simultaneously…
The Auditorium (Chicago’s landmark stage at 50 E. Ida B. Wells Drive) and The Chicago Philharmonic in association with TCG Entertainment, continue the Auditorium Philms…
Promethean Theatre Ensemble has announced it will perform the Lewis Galantiere adaptation of Jean Anouilh's ANTIGONE, from May 31 through…
Writers Theatre, under the leadership of Executive Director Kathryn M. Lipuma and Alexandra C. and John D. Nichols Artistic Director Braden Abraham, concludes its 2025/26…
The producers of & Juliet and Broadway In Chicago announced today that pop music superstar Joey Fatone will join the North American Tour company of the smash…
Fleetwood-Jourdain Theatre today announced full casting and production team for its season-opening production of GEE'S BEND, the 2008 play by Elyzabeth Gregory Wilder, to…
Writer and performer Eileen Byrne brings her acclaimed one-woman play Running with Coffee to Chicago for two performances only, presented at Lookingglass Theatre Company's…
Drury Lane Theatre announces the appointment of Matthew D. Carney as its new Artistic Director. A longtime collaborator and key member of…
Definition Theatre is proud to present the Amplify World Premiere of Keerah, a quick-witted dramedy by playwright Netta Walker and directed by McKenzie Chinn. Keerah will…
Broadway In Chicago is excited to announce two fan-favorite shows are returning to our stages this year: WAITRESS and THE BOOK OF MORMON. Current…
The 1950s is easy to idealize. Men styled tailored suits, women dazzled in pleated dresses, and everything glimmered like it…
It’s no secret every new dance season is filled with its own undercurrent of anticipation. Regardless of the company, audiences…
Theresa Rebeck’s Poor Behavior at Oil Lamp Theatre, directed by Lauren Katz, opens with the easy warmth of old friends…
Intuit’s New Exhibits Spark Verve Through Art
Redtwist’s Sobering ‘night Mother Asks Us to Look for the Unseen
Does your theatre company want to connect with Buzz Center Stage or would you like to reach out and say "hello"? Message us through facebook or shoot us an email at This email address is being protected from spambots. You need JavaScript enabled to view it..
*This disclaimer informs readers that the views, thoughts, and opinions expressed in the text belong solely to the author, and not necessarily to Buzz Center Stage. Buzz Center Stage is a non-profit, volunteer-based platform that enables, and encourages, staff members to post their own honest thoughts on a particular production.