Displaying items by tag: Vicki Walden

Curious Theatre Branch, launches its 38th Season, with the revival of Talking About Godard, written by Beau O’Reilly and directed by Beau O’Reilly with Briavael O’Reilly, May 29 - June 28, at Facility Theatre, 1138 N. California Ave. The opening night is Friday, May 29 at 8 p.m. The performance takes place Fridays and Saturdays at 8 p.m. and Sundays at 3 p.m. The running time is currently 90 minutes with no intermission. Tickets are priced on a “pay what you can” scale, with a suggested price of $25. For more information about Talking About Godard visit CuriousTheatreBranch.com.

In Talking About Godard, three restless artists live awkwardly together. Helen chain smokes, has sex with whomever and talks straight. Mary Barnes is obsessed with the films of Jean Luc Godard and is determined to make her own Godard film in Super 8. A neighborhood thug named Leon helps Chrissy by stealing suitcases from O’Hare and adds to the spoils of the household. Then a French caller comes looking for love. The play examines female friendship and cohabitation in the 90s, the artistic process and how groups do and don’t satisfy our needs.  

Talking About Godard was originally produced by The Curious Theatre Branch in 1996 and its cast included Jenny Magnus (Helen), Vicki Walden (Mary Barnes) and Paul Leisen (Leon), who repeat their original roles in this revival. New cast members include Kristin Garrison (Chrissy) and Jayita Bhattacharya (Leon). Directed with Briavael O'Reilly, and using a production committee of Paul Brennan and Jeffrey Bivens on video and images, Julia Williams on tickets and set design, David Isaacson on script for the video, Andy Soma on art consultation, Vesna Grbovic and Graciella Garcia on production assistance and Beau O’Reilly on outside eye.  

ABOUT BEAU O’REILLY, PLAYWRIGHT and DIRECTOR

Beau O’Reilly is a founding member and co-artistic director of the Curious Theatre Branch and the bands Maestro Subgum and the Whole and The Crooked Mouth, as well as a curator of the Rhinoceros Theater Festival for 30 years. His work has appeared at the Museum of Contemporary Art Chicago, the Poetry Foundation and on “This American Life.” The author of more than 80 original plays, O’Reilly is also a working actor who teaches playwriting at the School of the Art Institute of Chicago. His latest solo album, “Thrifty,” was released on Uvulittle Records in 2021.

ABOUT BRIAVAEL O'REILLY, DIRECTOR

Briavael O'Reilly has been a theater kid her whole life, at least since her dad got her into shows at the Woodstock Opera House as an elementary schooler. She was a member of Theater @ First and PMRP in Boston in the late aughts. In Chicago, she's been in the booth for Rhinofests, BeauTowns, This is Not a Churchill; Evanston, Which is Over There; To End to Seem to End and many a Crooked Mouth show. Onstage appearances include Rung, March!, The Skriker and Hit Me Like a Flower. This marks O’Reilly’s directorial debut.

ABOUT CURIOUS THEATRE BRANCH

Curious has been holding up their end of the Chicago theater scene since 1988, creating new works of the imagination, works focused on language and creatively expressing the difficulties of being human. Curious Theatre Branch is dedicated to the creation of new plays and performances and to the production of its annualRhinoceros Theater Festival. Curious aims to promote innovative works of the imagination in the performing arts from a broad and inclusive spectrum of artists and are also devoted to mentoring programs that engage emerging artists as a way to enrich and expand our artistic community. Curious is committed to creating and producing new plays and performances in a collaborative manner, encouraging our members as artists to share decision making and responsibilities, while expanding their skills as writers, actors, designers, directors and arts administrators. Curious also is committed to the idea that a pay what you can pricing policy is sustainable and will suffice over the long term as an economic model.

Curious Theatre Branch, launches its 38th Season, with the revival of Talking About Godard, written by Beau O’Reilly and directed by Beau O’Reilly with Briavael O’Reilly, May 29 - June 28, at Facility Theatre, 1138 N. California Ave. The opening night is Friday, May 29 at 8 p.m. The performance takes place Fridays and Saturdays at 8 p.m. and Sundays at 3 p.m. The running time is currently 90 minutes with no intermission. Tickets are priced on a “pay what you can” scale, with a suggested price of $25. For more information about Talking About Godard visit CuriousTheatreBranch.com.

At first I wasn't digging “Moon at the Bottom of the Ocean,” Bryn Magnus’ two act play premiering at Dramatists Theater in Chicago. It opens with Paul (Jeffrey Bivens is excellent) sitting beside Vera's (Julia Williams) desk as she reels off brief descriptions of a scene in a coffee shop--but we're not sure why. Is it details for a camera shoot? A cinematographer's script? As Vera flies through the descriptions in a dull monotone, reading many of them with time stamps, Paul fidgets and jumps in and out of his chair.

"Notes," Vera's charges, in an effort to gain Paul's attention. We learn soon enough that Paul is a frustrated author struggling with completing his first novel. He has retained Vera to spy on a gentleman we never see, who he regards as his nemesis—Jonathan Lebenau, a prolific and celebrated author who has recently won a MacArthur Genius grant. Vera's charge: to find out for Paul the secret of Lauacaum’s success.

Never mind that back at home is Paul's angelic wife Leslie (Vicki Walden), who happens to be a barista at the coffee shop Lebenau frequents. Leslie has given Paul multiple opportunities to meet Lebenau directly, to ask for advice, or simply to share a bit of his own developing opus. In fact, we learn that Paul has never let anyone read a word of it. Not even Leslie, who has watched his writing struggles throughout their marriage.

"It isn't ready," Paul says. “Revealing your work before it's ready diminishes it,” he claims. Understandable sentiments to a certain degree. But this has been going on for 15 years! His wife has never read nor heard Paul read a single sentence from this work. Does it even exist? We begin to wonder, and the plot thickens.

As the audience becomes enveloped in this mystery, which is gripping, we also bear witness to the toxic fixation author Paul has for his nemesis Lebenau. Paul's fixation and his continuously uttered internal monolog is almost like a Dostoyevsky character. And we begin to see how this is poisoning his relationship with his wife Leslie. She is an ethereal songbird who effortlessly devises melodies that for Paul are intimidating in their beauty, and Leslie readily shares them with the world.

In the second act the mystery turns and we meet a satisfying resolution. Directed by Jenny Magnus and is part of Curious Theatre Branch’s 35th season. Dramaturg alert: it’s a very fine play, even in this bare bones production. And one I am so glad I saw. The show runs through September 23, 2023. Tickets are at Curious Theatre’s online box office.