Displaying items by tag: dominique morisseau
Rich Dialog Brings to Life the Denizens of Detroit Stamping Factory as Shutdown Approaches
In Skeleton Crew, playwright Dominique Morisseau hits close to home, presenting an event that still profoundly impacts America: the 2008 economic meltdown. It is captured here in the form of an imminent Detroit car plant closure.
Our memories are still fresh from that time, and wounds to our social fabric not fully healed from a period when millions lost their homes and savings, and we careened to the brink of a global depression, nearly bankrupting U.S. auto makers.
As Skeleton Crew opens, this tumultuous crash is still unfolding and American were living through early phases of what would befall us. At the plant, management has been whittling away at the employee headcount, raising workloads for those remaining, even as rumors abound that this auto body metal stamping plant may close.
The action plays out entirely in the break room, from which massive industrial gantries and cranes are visible overhead. The clamor of the production line permeates the set as we meet Faye, a senior factory veteran and United Auto Workers Union steward (Jacqueline Williams delivers a dynamic performance); Dez, an aspiring young entrepreneur just finding his in life and work (Bernard Gilbert is excellent); and Shanita, an expectant mom who is also model employee. (AnJi White offers a richly textured performance). A supervisor, Reggie (Kelvin Rolston, Jr.) who has risen through the ranks, represents management in the unfolding drama.
I suspect these characters also stand as archetypes, symbolizing familiar types and generational shifts – each carries also a large measure of personal baggage and backstory. We learn that Reggie’s late mom was very close to Faye, and that Faye was like a second mother to him. We see Dez mapping out plans to open a small business – a car repair and restoration shop - but sense the incursions of rising crime and social dissolution. Dez is jumped by two thugs at a convenience store, and with the perspective of today's #BlackLivesMatter sensibilities, see another young black male at risk. Dez begins to carry a gun, and perhaps Morisseau means to foreshadow the tribulation of inner city violence today.
The more circumspect Shanita represents self-reliance and maturity. Perhaps just a little older than Dez, she fends off his less-than-serious amorous advances, until shifting gears when she becomes pregnant. Faye is the establishment, the UAW go-between to management negotiating secretly with Reggie over how workers will be affected by the shutdown. We learn the circumstances of her personal life are crumbling - as is the auto industry, and perhaps Morisseau is suggesting, social norms.
Morisseau’s earlier installments in her trilogy of plays, Detroit 67 (at Northlight in 2013) and Paradise Blue at Chicago’s Timeline Theatre in July 2017 – also displayed her facility for rich dialog, and an eye for character and dramatic trajectory. All three have been directed by Ron O.J Parsons (formidably well in Paradise Blue and Skeleton Crew; I missed Detroit 67). Parsons is also a frequent interpreter of August Wilson’s dramas at Court Theatre, where he is an artist in residence, and around the country. That is a fit for Morisseau, who says she aspires to give voice to Detroit (she uses the word “griot” for her role here) just as August Wilson was for Pittsburgh in his cycle of plays set there.
Northlight Theater's high production values have given a fine expression to this show, with Scott Davis (scenic design), Samantha C. Jones (costumes), Keith Parham (lighting), and Ray Nardelli (sound). Rita Vreeland is Production Stage Manager. The show is highly recommended, especially so since you are well advised to watch for revivals of the rest of Morisseau's trilogy. Skeleton Crew runs through March 3 at Northlight's home, the Northshore Center for the Performing Arts in Skokie.
Review: Joffrey Ballet's 'Midsummer Night’s Dream' at Lyric Opera House
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Eerie, Human Mystery In Captivating ‘Jump’ by Shattered Globe Theatre
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Review: Joe Turner's Come and Gone at Goodman Theatre
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HARRY POTTER AND THE CURSED CHILD TO PLAY BROADWAY IN CHICAGO'S JAMES M. NEDERLANDER THEATRE SEPTEMBER 10, 2024 – FEBRUARY 1, 2025
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Cast and production team announced for BrightSide Theatre production of JESUS CHRIST SUPERSTAR, June 7-23
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Chicago Opera Theater presents Chicago leg of the world premiere tour of Jake Heggie and Gene Scheer’s newest opera Before It All Goes Dark May 25 & 26 at the Studebaker Theater
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Comedy & magic collide in RIDICULOUS! with David Williamson, May 16-June 30 at Rhapsody Theater
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THE 35th ANNUAL RHINOCEROS THEATER FESTIVAL RETURNS MAY 25 – JUNE 30 AT SIX CHICAGO VENUES
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Oh Baby, Baby: BABY the Musical at Citadel Theatre
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Spanish Language Magic Shows at Rhapsody Theater to celebrate Cinco de Mayo
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Welcome to The Jungle: The Choir of Man Rocks Chicago
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About Face Theatre announces casting for Midwest Premiere of Lavender Men
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CUT TO THE CHASE festival of one-act plays returns May 2-5 with theme "Face-to-Face" at The Den Theatre
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Hell in a Handbag Productions Presents the World Premiere of POOR PEOPLE! The Parody Musical
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The Physical Theater Festival Chicago Returns July 13 - 21 with its 11th Annual Edition
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Review: Joffrey Ballet's 'Midsummer Night’s Dream' at Lyric Opera House
Written by John AccroccoFrolicking season is upon us once again and Joffrey Ballet welcomes summer with the return of Alexander Ekman’s “Midsummer Night’s Dream”. This production was last seen in Chicago in 2018. Told through a mix of ballet and modern dance, this… -
Review: Joe Turner's Come and Gone at Goodman Theatre
Written by John AccroccoDirector Chuck Smith returns to Goodman with another major August Wilson revival–“Joe Turner’s Come and Gone”. This is the second play in Wilson’s 10-play “American Century Cycle”. Goodman produced the first play in the series, “Gem of the Ocean” in…
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Eerie, Human Mystery In Captivating ‘Jump’ by Shattered Globe Theatre
Written by Bill EslerAs the audience takes its seats we are greeted by an atmosphere of foreboding, a trestle bridge girder to the left, and in the evening air, foggy wisps drift about the stage. Already something is up, but we don’t know… -
THE 35th ANNUAL RHINOCEROS THEATER FESTIVAL RETURNS MAY 25 – JUNE 30 AT SIX CHICAGO VENUES
Written by Buzz Center StageCurious Theatre Branch is pleased to announce the 35th annual Rhinoceros Theater Festival, May 25 - June 30 at six venues across Chicago. The month-long festival of shows will kick off with a special Full Moon Vaudeville concert event on Saturday, May 25 at…
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