
In Skeleton Crew, playwright Dominique Morisseau hits close to home, presenting an event that still profoundly impacts America: the 2008 economic meltdown. It is captured here in the form of an imminent Detroit car plant closure.
Our memories are still fresh from that time, and wounds to our social fabric not fully healed from a period when millions lost their homes and savings, and we careened to the brink of a global depression, nearly bankrupting U.S. auto makers.
As Skeleton Crew opens, this tumultuous crash is still unfolding and American were living through early phases of what would befall us. At the plant, management has been whittling away at the employee headcount, raising workloads for those remaining, even as rumors abound that this auto body metal stamping plant may close.
The action plays out entirely in the break room, from which massive industrial gantries and cranes are visible overhead. The clamor of the production line permeates the set as we meet Faye, a senior factory veteran and United Auto Workers Union steward (Jacqueline Williams delivers a dynamic performance); Dez, an aspiring young entrepreneur just finding his in life and work (Bernard Gilbert is excellent); and Shanita, an expectant mom who is also model employee. (AnJi White offers a richly textured performance). A supervisor, Reggie (Kelvin Rolston, Jr.) who has risen through the ranks, represents management in the unfolding drama.
I suspect these characters also stand as archetypes, symbolizing familiar types and generational shifts – each carries also a large measure of personal baggage and backstory. We learn that Reggie’s late mom was very close to Faye, and that Faye was like a second mother to him. We see Dez mapping out plans to open a small business – a car repair and restoration shop - but sense the incursions of rising crime and social dissolution. Dez is jumped by two thugs at a convenience store, and with the perspective of today's #BlackLivesMatter sensibilities, see another young black male at risk. Dez begins to carry a gun, and perhaps Morisseau means to foreshadow the tribulation of inner city violence today.
The more circumspect Shanita represents self-reliance and maturity. Perhaps just a little older than Dez, she fends off his less-than-serious amorous advances, until shifting gears when she becomes pregnant. Faye is the establishment, the UAW go-between to management negotiating secretly with Reggie over how workers will be affected by the shutdown. We learn the circumstances of her personal life are crumbling - as is the auto industry, and perhaps Morisseau is suggesting, social norms.
Morisseau’s earlier installments in her trilogy of plays, Detroit 67 (at Northlight in 2013) and Paradise Blue at Chicago’s Timeline Theatre in July 2017 – also displayed her facility for rich dialog, and an eye for character and dramatic trajectory. All three have been directed by Ron O.J Parsons (formidably well in Paradise Blue and Skeleton Crew; I missed Detroit 67). Parsons is also a frequent interpreter of August Wilson’s dramas at Court Theatre, where he is an artist in residence, and around the country. That is a fit for Morisseau, who says she aspires to give voice to Detroit (she uses the word “griot” for her role here) just as August Wilson was for Pittsburgh in his cycle of plays set there.
Northlight Theater's high production values have given a fine expression to this show, with Scott Davis (scenic design), Samantha C. Jones (costumes), Keith Parham (lighting), and Ray Nardelli (sound). Rita Vreeland is Production Stage Manager. The show is highly recommended, especially so since you are well advised to watch for revivals of the rest of Morisseau's trilogy. Skeleton Crew runs through March 3 at Northlight's home, the Northshore Center for the Performing Arts in Skokie.
CALL ME ELIZABETH, a one-woman show about the life of Elizabeth Taylor, will be presented May 8-10 by PrideArts at the Hoover-Leppen Theatre…
A psychotherapist is held hostage by a gun-toting patient demanding he certify her as stable enough to return to work.…
Curious Theatre Branch, launches its 38th Season, with the revival of Talking About Godard, written by Beau O’Reilly and directed by Beau O’Reilly with Briavael O’Reilly, May…
For its 13th free summer production, Midsommer Flight will present one of Shakespeare's most highly regarded and popular comedies. AS YOU…
Gatecrashers. That’s the term newspapers nearly 100 years ago called the works of self-taught artists when they began “crashing the…
safronia at Lyric Opera of Chicago emerges as a deeply personal story of the Great Migration - one that resists…
Steppenwolf Theatre Company’s, Windfall arrives with all the promise its pedigree suggests. Written by Academy Award–winning ensemble member Tarell Alvin…
Mother-daughter relationships are somehow deemed different. More seminal than the bond between a father and son. More instinctive than between…
Broadway In Chicago is excited to announce that the smash hit Broadway musical and global sensation, THE GREAT GATSBY, based on the beloved…
AstonRep Productions, the theatre and film production company that has produced over 30 stage productions in Chicago, has announced it…
Everyone encounters many crossroads in their lives, where they make a choice that determines the future…and many people live to…
On Monday, May the 4th, Steep Theatre will present the first public staged reading of playwright Dan Aibel's new work The…
Porchlight Music Theatre is proud to announce its 32nd season launching in September at The Biograph Theater, 2433 N. Lincoln Ave., with the…
Jackalope Theatre Company is proud to present the world premiere of Andy Warhol Presents: The Cocaine Play, written and directed by Terry Guest, May 28…
Chicago Opera Theater (COT) closes its 2025/26 season with the concert premiere of a new opera Trusted - the seventh full-length opera developed through…
From the moment BOTH starts, the play demands attention. Flashing lights, sirens, and the sounds of heavy breathing build as…
Screwball comedy went the way of the dinosaur after the 1940s, but Northlight Theatre attempts to revive it with The…
Steppenwolf Theatre Company's acclaimed Ensemble and Board of Trustees are pleased to host Steppenwolf Gala 2026, an unforgettable evening that continues the…
Broadway In Chicago is pleased to announce that individual tickets for the North American Tour of WATER FOR ELEPHANTS , A New Musical…
Marriott Theatre’s Heartbreak Hotel takes on the tricky task of charting Elvis Presley’s early ascent, walking the line between the…
Sustaining legacy is no simple task, especially when considering the arts. How do you preserve continuity of spirit while simultaneously…
The Auditorium (Chicago’s landmark stage at 50 E. Ida B. Wells Drive) and The Chicago Philharmonic in association with TCG Entertainment, continue the Auditorium Philms…
Promethean Theatre Ensemble has announced it will perform the Lewis Galantiere adaptation of Jean Anouilh's ANTIGONE, from May 31 through…
Writers Theatre, under the leadership of Executive Director Kathryn M. Lipuma and Alexandra C. and John D. Nichols Artistic Director Braden Abraham, concludes its 2025/26…
The producers of & Juliet and Broadway In Chicago announced today that pop music superstar Joey Fatone will join the North American Tour company of the smash…
Fleetwood-Jourdain Theatre today announced full casting and production team for its season-opening production of GEE'S BEND, the 2008 play by Elyzabeth Gregory Wilder, to…
Writer and performer Eileen Byrne brings her acclaimed one-woman play Running with Coffee to Chicago for two performances only, presented at Lookingglass Theatre Company's…
Drury Lane Theatre announces the appointment of Matthew D. Carney as its new Artistic Director. A longtime collaborator and key member of…
Definition Theatre is proud to present the Amplify World Premiere of Keerah, a quick-witted dramedy by playwright Netta Walker and directed by McKenzie Chinn. Keerah will…
Broadway In Chicago is excited to announce two fan-favorite shows are returning to our stages this year: WAITRESS and THE BOOK OF MORMON. Current…
At Writers Theatre, a Tech “Job” Too Toxic Shatters an Employee
Midsommer Flight to stage Shakespeare’s comedy AS YOU LIKE IT free in six Chicago parks June 27 – August 2
Curious Theatre Branch Announces Beau O'Reilly's TALKING ABOUT GODARD, May 29 - June 28
Intuit’s New Exhibits Spark Verve Through Art
Does your theatre company want to connect with Buzz Center Stage or would you like to reach out and say "hello"? Message us through facebook or shoot us an email at This email address is being protected from spambots. You need JavaScript enabled to view it..
*This disclaimer informs readers that the views, thoughts, and opinions expressed in the text belong solely to the author, and not necessarily to Buzz Center Stage. Buzz Center Stage is a non-profit, volunteer-based platform that enables, and encourages, staff members to post their own honest thoughts on a particular production.