Before he was Twilight Zone’s scriptwriter and frontman, Rod Serling broke through with the 1956 teleplay of Requiem for a Heavyweight, a powerful noire telling of a boxer on his way down. This work was originally broadcast live in black and white, and starred Jack Palance, Keenan Wynn, and Kim Hunter. In those days it was performed just once, and in this case the lone recording is of moderate quality.
Putting such a teleplay onto the stage is transformative for the work. The audience is not limited to the camera’s viewpoint, but it tests the writing and of course, the performances. We can report that Artistic Theater’s production is absolutely first rate – first and foremost because it is very well cast, with a staggeringly good performance by Mark Pracht as Harlan “Mountain” McClintock. Pracht seems born for this role, as he is both a mountain of a man, and carefully expresses Serling's portrait of a Tennessee country boy who has taken way too many punches.
This is also a tragedy, in the Greek sense – Mountain had risen to become a contender for world heavyweight champion, but began to decline before he could get there. Like any tragic hero, he is thwarted by an antagonist: his manager, Maish Resnick (Patrick Thornton), who has skimmed profit from Mountain during his rise. Now as Mountain loses more than he wins, Maish plays a deceitful game – which creates the turning point in the play’s resolution.
Thornton is full throttle in this role, playing convincingly enough that you will come to loathe him. But even more forceful and compelling is the performance of Todd Wojcik as Army, as Mountain’s trainer and constant wingman. Wojcik’s performance is freighted with emotion and empathy, and will touch your heart.
There are a several other colorful characters in this cast, hustlers on the make that Serling drew from his own experience as a boxer. And we have a chorus of lower-level boxers and trainers, and thugs. These characters enact stylized boxer training interludes that are very powerful. And though each has a small part, it makes for a stunning effect overall. The set is a simple canvas platform – the ring – and the audience is seated around it, in a very intimate space.
There are just two female figures in Requiem, and both seem bound to be stereotypes of a 1950s male psyche: Golda (Laura Coleman), a “dame with a bad reputation” and Maish’s main squeeze. “What are you doing vertical; is there a recession on?” Maish asks her, in a reference it’s hard to imagine got through the censors.
The other female role is more substantial – Grace Carney (Annie Hogan), an employment agent who falls for Mountain as she tries to help him transition from boxing to something new. Hogan’s performance mines the role for all the meaning it can bear, and she is a strong heroine against the dastardly Maish. Her character in Requiem for a Heavyweight foreshadows another woman who supported Rocky years later.
The teleplay was influential enough to warrant a British TV version starring Sean Connery with a cameo by Michael Caine, and was turned into a 1962 film featuring Anthony Quinn in the lead. As a genre, teleplays are memories, but perhaps they foretold Netflix and Amazon movie productions. Teleplays have been tremendously influential – think of 12 Angry Men, Marty, The Days of Wine & Roses – all originated as live television productions.
Requiem for a Heavyweight is a great show, and a theatrical event. Running through March 31, there are just 50 seats per performance, so it is highly recommended you plan to attend at The Artistic Home on Grand Avenue in Chicago.
Chicago Tap Allstars, a collective of Tap dance artists and organizations brought together by M.A.D.D. Rhythms and Chicago Tap Theatre, is proud to…
Steppenwolf Theatre Company, the nation's premier ensemble theater company, is pleased to continue its 49th season with the world premiere of Ngozi…
August Wilson stipulated only Black directors should direct his plays. It stemmed from his deep commitment to authentic representation and…
I’ll admit it: I knew little about “Into the Woods” before seeing the new production at Chicago’s Chopin Theatre. I’m…
Music Theatre Works’ Little Shop of Horrors, featuring music by Howard Ashman and a book and lyrics by Alan Menken,…
IDENTITY PERFORMING ARTS Presents Fall Concert “Embrace” World Premiere in Chicago for Two Performances Location: Ann Barzel Theater Visceral Dance Center,…
American Blues Theater announces its 23rd Annual Production of It's a Wonderful Life: Live in Chicago! from Frank Capra's film and directed by Executive Artistic…
Chicago Tap Theatre (CTT) has recently returned from a successful European Tour and is pleased to announce its 2024-2025 season and…
They do abuse the king that flatter him For flattery is the bellows that blows up sin These days, fireplace…
Teatro ZinZanni, Chicago's wildly entertaining cabaret and cirque show, will open up their vintage circus tent, the Spiegeltent, to present The LiV…
Marriott Theatre has added a second matinee performance of the concert CHRISTMAS WITH THE KING: BRANDON BENNETT SINGS ELVIS PRESLEY…
In the midst of the bustle and busyness of several stunning song-and-dance routines in Some Like It Hot, beautifully directed…
Lifeline Theatre presents the 28th Annual Fillet of Solo Festival, a vibrant celebration of Chicago's premiere storytelling and live lit scene. The…
The Chicago International Puppet Theater Festival is pulling strings to raise funds this fall, offering three exclusive sneak peeks of…
What a treat to have two of Evanston-native Sarah Ruhl’s plays running concurrently at Theatre Wit. Alongside the Shattered Globe…
After completing my hundredth fan fiction about the same two characters defying all obstacles and falling in love, I took…
Brace yourself for the scare of a lifetime, as the world of Insidious jumps off the screen and directly into your theater…
Brightside Theatre’s rendition of Bram Stoker’s Dracula, adapted by Stephen Dietz, captivates from the opening scene to its climactic finale.…
The early closing of the Conspirators’ 2023 production of “Commedia Divina,” proved useful, giving this …erm … highly original company…
The McAninch Arts Center (MAC) welcomes back Mandy Patinkin. This time he will be joined by his wife for "A…
Toughest Man Productions, Executive Producer Lecy Goranson and producing consultant Beth Kligerman announce a return engagement for the world premiere…
What source materials make a great ballet? Can everything be interpreted through dance? It’s a fair question when considering Joffrey…
Hell in a Handbag Productions is thrilled to announce its 2024/25 Season, featuring a fan favorite and two world premieres. Now in…
Madison Square Garden Entertainment Corp. (MSG Entertainment), Carolyn Rossi Copeland Productions, Inc. and Crossroads Live North America today announced casting…
I look forward to every Hell and a Handbag production - because I know they’re always a great time. The…
Eboni Booth’s 2024 Pulitzer Prize-winning drama Primary Trust is a deeply introspective and bittersweet exploration of abandonment, routine, and the…
The Y2K era was a wild time to be a girl. Bubblegum pop juxtaposed against futuristic silver-scaled sets, female artists…
Have you ever jumped on a crowded L train and wondered just why there were so many people on it?…
The Hip Hop Nutcracker returns to Broadway In Chicago, playing at the CIBC Theatre from December 10 to December 15, 2024.…
TUTA Theatre has announced it will stage the infrequently produced Thornton Wilder drama THE LONG CHRISTMAS DINNER for the 2024…
Does your theatre company want to connect with Buzz Center Stage or would you like to reach out and say "hello"? Message us through facebook or shoot us an email at This email address is being protected from spambots. You need JavaScript enabled to view it..
*This disclaimer informs readers that the views, thoughts, and opinions expressed in the text belong solely to the author, and not necessarily to Buzz Center Stage. Buzz Center Stage is a non-profit, volunteer-based platform that enables, and encourages, staff members to post their own honest thoughts on a particular production.