The lights turned low, Willie stepped up to the microphone, and started singing “Whiskey River” to open the show. A Texas flag unfolded as a back drop from the first strum of the guitar. Five musicians followed Willie’s lead and every chord or note that he played for the entire music presentation. The Genesee Theater in Waukegan, Illinois had one great song after another played and it was a time to remember.
Willie Nelson strummed, picked, and sang, entertaining a packed auditorium. This aging country music star lived up to his reputation packing a hell of a wallop into the ears of the audience. This guitbox player only used one guitar for the entire show and it was quite apparent he had used this one a lot before. There was a hole in the guitar from where he had picked and strummed so many times it had worn through the top of the body on his acoustic. The battle scares to his instrument is something he should be proud of.
The song “Still Is Still Moving To Me” was early on in the set and pure pleasure to hear. As the words and music were projected from the stage you knew you were seeing a country music legend. The fast paced ditty had everyone in the place dancing in their seats.
Plenty of songs were squeezed into the evening, but when in the presence of Willie Nelson, a hundred songs is never enough. Pieces like “Crazy” and “Me and Paul” were amongst the songs played for the true fans delight. “Angel Flying To Close To The Ground” was yet another one that impressed many within the theater.
“Georgia,” “All Of Me,” and “On The Road Again” all were done and over so fast leaving everyone wanting more. “Hey Good Looking” was a piece that just stole everyone’s musical soul and messaged it creating a perfect aura for the evening. Such a timeless classic written by Hank Williams and perfectly performed by Willie.
“Always On My Mind” has been recorded by so many musicians over the years including Elvis Presley, but no one has done it as well as Willie. Since the release in 1982 of this single most true fans can’t listen to anyone else sing it anymore. The opinions at the Genesee Theater were all the same for this show. Everyone was singing along with him and seemed to be in perfect harmony.
The wonderful Steve Goodman classic “City of New Orleans” was music perfection. Nothing seemed to bring in the cheers as much as the song “To All The Girls I’ve Loved Before.” Julio Iglesias was no where to be found, but there were plenty of singers in the room. Willie performed the hit song just as well without his original singing partner and nobody seemed to miss him.
It didn’t really seem to matter what this country music icon was singing as long as he kept on doing it. He threw bandanas into the crowd and just before he left the stage he was slapping concert goers hands in the front of the theater and then signed as many autographs as he could before departing as his backing band played some traveling music for him. What a class act.
Willie had chosen a great group of musicians to back him up. He had a piano player, bass player, snare drum player, harmonica player, and a percussionist. The group of entertainers seemed to play within a synchronization and it is clear they had become one. Every accent provided by each player was such a pleasure to hear and he couldn’t have done it without them.
There have been some great musical acts in the last fifty years, but this man has his own unique playing style. The country music outlaw had no fancy stage show, lights, or any smoke and mirrors to make his show appear better. Just being able to see him play was show enough and he didn’t need anything flashy. Thank you Willie Nelson for becoming a musician. You will always be considered one of the best.
A rowdy crowd gathered at Chicago’s House of Blues on February 12th to see the party band Great White. Jack Russell and the boys took the stage once again to sing and play their hearts out and to entertain the concertgoers. Packed in tight, hands waved in the air, heads were banging, and the music was moving fans through the room. It was a hell of a night for music and a night that will not soon be forgotten.
In a cloud of fog the band REV LUV took the stage at Chicago’s House of Blues with a vengence. This local area band raged out with power stealing the show from the headlining act. As they played with every bit of drive, determination, and their soul, it was clear this band was put on Earth to entertain a crowd. They are just amazing!!
On the day after Christmas light fluffy snow fell to the ground covering the Chicago area in cotton like white silk. The stockings were no longer hung with care and St. Nicholas would not be back until next year. Concert goers braved the elements and piled into the Allstate Arena (6920 N. Mannhiem Road Rosmont, Illinois) to see a spectacular showing of the Trans Siberian Orchestra (TSO).
Lights, lasers, and many other special effects were a huge part of the show that entertained an audience of all ages. Guitars, bass, drums, strings, singers, and a narrator resonated through the arena with a perfect level of decibels. The performance of this well rehearsed orchestra was a delight to witness.
The narration for the evening was done by Bryan Hicks with his lower register vocal style in a very warm feeling. He told a story in passages as the show went along that were intriguing and literary works of art in so many ways. As the narrator he introduced the songs within stories and words that flowed of the tip of his tongue.
Over a dozen years have passed since the creation of the TSO the great group of musicians performed some interesting variations on the old classic Christmas songs that are fond memories for everyone. They did a soulful version of “Hark the Herald Angels Sing.” The voice was smooth and tastefully duplicating a Yule tide classic.
Violinist Anna Phoebe was a highlight of the evening. She had quick runs as her bow slid across the strings over and over again proved she is not just another pretty face. She played a pink electric violin that was a show stealer on every song. Her performance was top notch and never a dull moment. Anna was perfect in every way. She was well accompanied by a set of strings that played along during the entire evening with lots of sweet accents.
Guitarist Robert Kinkel showed his ability throughout the show and gracefully performed a few of the old classic pieces with a more modern rock feeling to it. As the band leader he played his intricate parts in a mechanical effortless way and the notes flowed into a river of music. He was backed by two other well accomplished guitar players Chris Caffery and Alex Skolnick both of which played with incredible musical chops throughout the entire evening.
The rhythm section was made up of Johnny Lee Middleton on bass and Jeff Plate on drums. The drummer was well surrounded by a circle of percussion and he could barely be seen. Every tap to his kit was just like clockwork within a perfect measure of time. The bass was plucked adding the smooth bottom end that could be felt from the floor to the rafters.
An eight person group of backup singers made up a wide range of notes on the musical scale. Singing throughout the show, even in Latin at times, was a sweet accent for the music. Four female singers came to the front of the stage long enough to do a song and dance showing their multi talented skills.
The two keyboard players tickled away at eighty-eight pieces of ebony and ivory for the show. Both were well trained and well accomplished musicians who couldn’t play a bad note if they tried. Smooth pretty sounds came from these two musicians. Sweeping sound-scapes to tinkering on the piano didn’t really matter. It was just beautiful no matter what they did.
The list of songs played was a perfect selection to include a few of the most sophisticated Christmas songs. They performed their own version of “The Nutcracker” called “The Night Castle.” Considered the highlight of the evening, this rock orchestra put an unusual twist to the classical masterpiece.
At a point in the show when the band was introduced it appeared that the show was over for the evening, but then they surprisingly introduced the second half of their show. The show lasted about two and a half hours and was magical from beginning to end.
As others were returning their gifts, shoveling their walk, and eating leftovers; over ten thousand entered the Allstate Arena for a show that will not soon be forgotten. The lights, the lasers, and the smoke machines were more effects than what most bands bring on tour with them. The show was good wholesome entertainment from beginning to end for your eyes and ears to see and hear. The show helps to bring a reminder as to what the real reason for the holiday season is. This was truly a phenomenal show for anyone to see.
Sunday night concerts are always a great way to start the week. The entire show provides a shot in the arm of adrenalin and makes you grin from ear to ear until at least midweek...
Arlo Guthrie and the Guthrie family took the stage at the restored Genesee Theater (203 N. Genesee St.) in Waukegan, Illinois singing an eclectic group of songs. As they played the entire audience was transformed from just being Arlo Guthrie fans to fans of the Guthrie family.
What more can be said other than incredible. Ian Anderson and his band impressed the hell out of a packed house at the Vic Theater. They played some old Jethro Tull standards and real rare gems. A perfect evening with five other musicians in an acoustic setting was a delight to see and hear.
“Happy Birthday Michael,” were the words Michael Firestone said just as the band started the song, “You Are Not Alone.” This Michael Jackson impersonator was incredible to see perform live.
Something extraordinary happens on a street in Huntsville, Alabama. Mr. Woods (Keith Randolph Smith), a hard-working Black man in the…
The Den Theatre today announced upcoming June 2025 shows at the theatre's Wicker Park stages at 1331 N. Milwaukee Ave., including "Anatomy…
I reviewed TITUS ANDRONICUS in mid-February, so I was eager to see the sequel! In TITUS, Shakespeare tells the story…
BrightSide Theatre, Naperville’s professional theatre company, has announced the cast for the final show of its 13th season – the…
Eight Chicago artists from diverse backgrounds and disciplines have spent the last eight months in residence at the Chicago Puppet…
“Spring Awakenings,” now playing at Chicago’s Greenhouse Theater Center, is not the Tony-winning 2006 Broadway musical “Spring Awakening,” but an…
Rosemont's Parkway Bank Park entertainment district (5501 Park Place, Rosemont) will turn up the volume this summer with the return of its…
Lisa Sanaye Dring’s play “Kairos,” which just opened at The Edge Off Broadway theater, is one of the most thought-provoking…
It was a night of celebration, reflection, and breathtaking talent at the Civic Opera House. Fifty years of song echoed…
Court Theatre’s world premiere of Berlin, adapted by Mickle Maher from Jason Lutes’ monumental graphic novel, is a breathtaking achievement.…
Chicago's Rivendell Theatre Ensemble continues to celebrate its 30th Anniversary season with the World Premiere co-production of Keiko Green's GORGEOUS, directed by Kirsten Fitzgerald. The co-production…
Broadway In Chicago is thrilled to announce that its free SUMMER CONCERT will return to Millennium Park on August 11,…
The Joffrey Ballet concludes its 69th season with two-time Tony Award®-winning choreographer Christopher Wheeldon's enchanting and family-friendly Alice's Adventures in Wonderland. Set to…
“Henry Johnson,” David Mamet’s new play running at the vintage Biograph Theatre, is like many of his works, enigmatic and…
American Blues Theater, under the continued leadership of Executive Artistic Director Gwendolyn Whiteside, presents the Chicago premiere of Artistic Affiliate Charles Smith's Golden Leaf…
Hell in a Handbag Productions is pleased to conclude its 2024/25 Season with the world premiere of QUEEN FOR A DAY written by…
Early in the first act I whispered to my companion and said “I love this!” Extremely well written by Joshua…
The repertoire for this fabulous program - A WONDROUS SOUND, showcasing the full force of Lyric’s amazing orchestra and chorus,…
Citadel’s latest production, A Jukebox for the Algonquin, truly captured my heart. It’s a refreshing reminder that as we age,…
As a lifelong aficionado of the ill-fated ocean liner RMS Titanic, I’ve always gravitated toward any experience that would leave…
The Artistic Home Studio will present the 2025 edition of its annual CUT TO THE CHASE festival of new one…
In an era that often defies reason, Chopin Theatre and Gwydion Theatre launch the first annual Theatre of the Absurd…
Pegasus Theatre Chicago and Director ILesa Duncan proudly announce the casting for the revival of playwright Shay Youngblood's Shakin' the Mess Outta Misery, which follows…
The Opera Festival of Chicago announces the cast and creative team for The Love of Three Kings (L’Amore dei tre Re), with…
See Chicago Dance, the dance industry's nonprofit service organization celebrating its 20th anniversary in 2025, is proud to announce that its popular…
Steppenwolf's LookOut Series is pleased to announce its action-packed summer lineup of comedy, magic, storytelling, drag and more! The Summer 2025 Season…
Brian Friel’s “Translations,” now playing at Writers Theatre in Glencoe, IL, shows off the renowned Irish playwright’s signature skill in…
Chicago Shakespeare Theater (CST) announces today the cast of the North American premiere of the new musical 42 Balloons. From the multi-award-winning producers Kevin McCollum (Oh,…
Chicago Shakespeare Theater (CST) Artistic Director Edward Hall and Executive Director Kimberly Motes announce today the 2025/26 Season. As the nation's largest year-round theater dedicated…
Tickets go on sale Friday, April 11 at 10 a.m. Central time for the world-premiere performances of A Night of Mellon…
Does your theatre company want to connect with Buzz Center Stage or would you like to reach out and say "hello"? Message us through facebook or shoot us an email at This email address is being protected from spambots. You need JavaScript enabled to view it..
*This disclaimer informs readers that the views, thoughts, and opinions expressed in the text belong solely to the author, and not necessarily to Buzz Center Stage. Buzz Center Stage is a non-profit, volunteer-based platform that enables, and encourages, staff members to post their own honest thoughts on a particular production.