
Though some presented huge, elaborate sets, known actors and a more traditional holiday message, it was New Millennium Theatre’s less extravagant production of The David Bowie Hepzikat Funky Velvet Flarney Solstice Spectacular, Live…From Space (otherwise known as the David Bowie Christmas Special 1977 Network Edit) that may have impressed me the most.
Taking a brief hiatus from the hit television show C.S.I., William Petersen has returned to Steppenwolf Theatre, to reprise the role of John Plunkett in “Dublin Carol”. Written by playwright Conor McPherson and directed by ensemble member Amy Morton, “Dublin Carol” is a gritty story...
From the moment I stepped foot into the 1,950 seat theater inside the MGM Grand Hotel and Casino, I was awe. With the set of KA expanding along the sides and rear of the theater, the pre-show had Archers and Spearmen swinging about from platform to platform and above audience members as they searched...
While scouring the Las Vegas entertainment industry for engaging, unusual acts to cover, I somewhat accidentally came across a group of performers that both amazed me with their bizarre talents and impressed me with their intrinsic genuine nature. I met the core members of Swing Shift SideShow (SSSS) through friend, TV host, Julie Mac, when she invited us to a pool party at hypnotist Anthony Cool’s house. Hanging poolside with Carrot Top and The Amazing Johnathan, amongst others, were Andrew S, Kelvitka the Blade and SleaZ-O – three-fourths of the uniquely talented Swing Shift SideShow. After a tour of their various tattoos and other body art, including Andrew’s world record-breaking largest ever genital piercing, I listened as these extreme circus freaks, if you will, went into great, graphic detail about their stage show. I grabbed another burger and got back to my hang spot just in time to hear how Andrew S picks up anvils then swings them – from his eye sockets! At that point I was officially entranced. I was the newest Swing Shift SideShow fan.
Kelvitka, dressed in a long black dress despite the 100-degree temperature, further explained the art of Flesh Hook Suspension, something the unit performs with regularity. For those who do not know exactly what that is, it’s basically having your skin pierced with giant hooks then hanging from cables. The most traditional way of performing a hooked suspension is from the shoulders or back, however, Andrew S has hung from his knees and Kelvitka from her stomach. Ouch!
Though SSSS were not performing during my stay, as I caught them between shows, I immediately threw out the idea of an interview in which we agreed to contact each other in the next couple of days – and that we did. Two days later, just after 10PM, I called Andrew S to see when would be a good time to meet. “What are you doing now?” he replied. Within the hour, he along with Kelvitka, arrived at Luxor to pick up my associate Kim Katz and I. We were off to their house – their base - just outside the Vegas city limits, where Kim would sit and conduct an interview with some of the strangest, yet vaguely familiar people we have ever met.
When we arrived, SleaZ-O and Miss Pirate (the fourth member of SSSS who we had not yet met) greeted us. Miss Pirate, like the other three, was covered in tattoos and had a SleaZ-O-like strip of green hair falling just short of her eyes. In the two days prior, I had the chance to peruse the outfit’s website, www.swingshiftsideshow.com, as well as watch a couple videos they had posted on YouTube like “Darts of Death”. This gave me a decent idea of what they were capable of doing and made me regret not coming to Vegas a week earlier to see them perform.
Not long after arriving, Kim and I realized that we were not just there for an interview, but to also get a VIP front row seat to the Swing Sift SideShow, as the quartet offered to demonstrate their unusual talents. Though they were not set up to perform their entire act due to the short notice, we were still treated to one amazing feat after another, which began when Miss Pirate took a lit light bulb from a lamp socket and ate it. In sheer disbelief, we continued to watch as Kelvitka speared through the thick of her bicep with a skewer before piercing the same into Andrew’s forearm ultimately attaching the two. Remarkably, not a drop of blood appeared on either participant when the skewer was removed.
The party was soon moved outdoors where SleaZ-O displayed his knife wielding ability by throwing around a live target – Miss Pirate. Andrew S and Kelvitka the Blade followed with some serious sword swallowing (they are 2 of only 50 in the world who practice such a thing), before all four members heated things up (literally) by engaging in fire swallowing to end the night.
What I noticed during some of these acts is, yes they are dangerous, bizarre and even, at times, unsettling, but they can also be romantic in which a certain trust and freedom is exhibited. It was actually a beautiful sight to see Andrew gently kissing the side of Kelvitka’s face as the skewer slowly pierced through the two, in a way saying, “Trust me – I love you”. It was an act of genuineness when SleaZ-O quickly walked up to Miss Pirate to kiss her just after throwing knives at her. The faith and assurance each one of these performers has in each other is rare and should be a lesson for all, whether it’s SleaZ-O drilling a coil through Andrew’s face, Kelvitka shooting darts (from her vagina) or just in setting up the props for each other.
Want to watch the interview as well as Swing Shift SideShow performing acts you will never forget? You can see everything at www.BuzzNews.TV. You can also learn more about Swing Shift SideShow – check out videos, images, read the latest news and check out upcoming performances – at www.swingshiftsideshow.com.
Most of us know playwright Neil Simon’s The Odd Couple from either the big screen with Walter Matthau and Jack Lemon as the quirky pair of opposite roommates or more recently (30 years ago) from the TV adaptation that starred Tony Randall as the germaphobic neat freak Felix Ungar and Jack Klugman as the slobbish sports writing Oscar Madison. However, whether you are familiar...
With the re-emergence of burlesque, The Flaming Dames have put their own stamp on the exotic, vaudevillian art made famous in the early 20th century. Led by choreographer Leslie Kerrigan, the burlesque troupe known as The Flaming Dames bring their unique B-Horror homage to life in their new production, “Bump and Grindhouse”.
Remember what Chicago’s West Rogers Park was like in 1979? Ok, maybe you do and maybe you don’t. But for those that don’t Crossing California delivers a powerful, but comedic, look into the past in this coming of age story based on the novel by Adam Langer. For those that do remember, Crossing is a wonderful reminiscence of what is was like to be a teen in yet another controversial era.
The redux of 1940’s Superman comics has once again made its way to live theatre, giving audience members a chance to follow the man of steel in an all-out song and dance adventure. Drury Lane’s presentation of “It’s a Bird! It’s a plane! It’s Superman!” contends with any summer musical thanks to a charming cast and a strategically retro stage set. The somewhat campy script...
I’ve always been one for a good mystery, especially in the vein of Alfred Hitchcock or Agatha Christie, and that’s why Leslie Sands who-dun-it, Cat’s Cradle was such an intriguing experience. Directed by Jack Phillips in the 78-year-old Western Springs Theatre in Western Springs, Cat’s Cradle was filled with suspense from the moment London Inspector Jack Frost (played by Bill Hammack) made his way across...
If you’ve ever watched Norm Jewison’s 1973 screen adaptation of Tim Rice Andrew Lloyd Webber’s Jesus Christ Superstar you were no doubt taken by Ted Neeley’s unique, but masterful, portrayal of Jesus Christ. Neely, who received Golden Globe Award nominations for Best Actor and Best Newcomer for his role, shined as Christ rocked his way through the final days leading up to his crucifixion.
Goodman Theatre’s Iceboy! arrives as a gleefully off the rails musical that blends Broadway glamour, Neanderthal chaos, and theatrical myth…
Is there anything more alluring than a summer night in Chicago? The lakefront beaches, the meandering pathways, the festivals and…
Opera Festival of Chicago continues its season with two mainstage productions - La Bohème and Adriana Lecouvreur - each featuring…
Marriott Theatre’s in‑the‑round intimacy turns A Little Night Music - which premiered on Broadway in 1973 and later became a 1977…
Giordano Dance Chicago (GDC), America's original jazz dance company, has announced its 2026-2027 "untamed passion" season. Highlights of the season include a November…
The musical Water for Elephants, presented by Broadway In Chicago and based on Sara Gruen’s 2006 novel, is the rare touring…
Overshadowed Theatrical Productions announced their 2026-2027 season entitled “Ordinary People, Extraordinary Moments,” which includes five main stage productions and special…
Kokandy Productions is pleased to announce full casting for its revival of Stephen Sondheim's stunning masterpiece Sunday in the Park with George, playing August 13 –…
Goodman's Centennial 25/26 Season concludes on a high note, with programming for all ages, interests and neighborhoods. The theater announces…
Anton Chekhov, a Russian playwright who was also a doctor, can claim a level of regard few writers achieve and…
Couch Penny Ensemble, in association with Theatre Arcana, presents the ambitious and experimental An Oak Tree, a raw, unconventional approach…
An extraordinary eight-person ensemble fuels the sweeping storytelling of A People - a production presented collaboratively by Arts Judaica and…
Lookingglass Theatre Company continues its tradition of staging visually inventive and thought-provoking world premieres with its latest production, Untitled Vampire…
What would you do if you found out your heritage wasn’t what you thought it was? In Tom Stoppard’s case,…
One of the things I have always thought that concerts and other live events had over theatre is the energy…
Following its recent winter production of Sister Act, Drury Lane Theatre returns to the convent with Nunsense, a light-hearted musical…
The League of Chicago Theatres announces the return of the "Thank You 5" summer promotion, running from June 18-July 3, 2026. "Thank You 5"…
You know him from “The Neighborhood,” “The Last O.G.,” “The Proud Family” and much more. Don’t miss your chance to…
Northlight Theatre's Board of Directors proudly presents Northlight Theatre's Grand Opening Gala, "Celebrating our Past, Building our Future," marking the culmination of the company's 50th Anniversary…
A Red Orchid Theatre is thrilled to announce a remount of its critically-acclaimed, father-daughter drama Birds of North America, returning for a limited…
Following an acclaimed extended run at Raven Theatre, Dave Malloy's "unique, ravishing and resplendent" (Chicago Theatre Review) a cappella musical Octet transfers to…
“Southern Rapture” quickly elicits loud guffaws from the audience, a heartening circumstancve, as it means playwright Eric Coble’s script is…
Marriott Theatre, Chicagoland's longest-running musical theatre, presents A Little Night Music, a Tony Award-winning musical from Stephen Sondheim and Hugh Wheeler that explores…
Mia Chung’s Catch as Catch Can, which premiered with Page 73 in New York in 2018, arrives at Steppenwolf Theatre…
Join the fun this summer as PlayMakers Laboratory (PML) celebrates a major milestone at That's Weird, Grandma's 25th Birthday, marking a quarter century of the…
Nate Bargatze’s Big Dumb Eyes tour made its stop at the Allstate Arena in Rosemont with the steady, understated presence…
BrightSide Theatre’s The Producers storms into Meiley Swallow Hall with the kind of swagger only Mel Brooks can inspire: brash,…
Those familiar with the Factory Theater space might feel themselves do a double take upon entering the theater for Two…
Tim Rhoze, Fleetwood-Jourdain's Producing Artistic Director, today announced the cast and production team for the company's upcoming production of IN THE…
Elmhurst Art Museum’s two new exhibitions feature a pair of artists with Midwestern roots whose outlooks and perceptions of the…
Goodman’s Iceboy! Is a Full‑Tilt Blast of Comic Mayhem
Opera Festival of Chicago Delivers an Assured, Full‑Hearted La Bohème
A Quietly Ravishing Night: Marriott’s A Little Night Music
Does your theatre company want to connect with Buzz Center Stage or would you like to reach out and say "hello"? Message us through facebook or shoot us an email at This email address is being protected from spambots. You need JavaScript enabled to view it..
*This disclaimer informs readers that the views, thoughts, and opinions expressed in the text belong solely to the author, and not necessarily to Buzz Center Stage. Buzz Center Stage is a non-profit, volunteer-based platform that enables, and encourages, staff members to post their own honest thoughts on a particular production.