Displaying items by tag: Out Here

Everyone encounters many crossroads in their lives, where they make a choice that determines the future…and many people live to regret it. That is where Dawn, the protagonist of Out Here, the new musical receiving its premiere at Court Theatre finds herself. Unlike most people, however, her realization does not come in a quiet moment of reflection, but just as she and her husband, Brian, and 15-year-old daughter, Cleo, have discovered that they have a band and an audience. It’s a lot, and the extremely metatheatrical musical reflects the chaos well. While there are drawbacks to the format, including the impossibility of fully developing most of the characters, the one-act musical by Leslie Buxbaum (book and lyrics) and Erin McKeown (music and lyrics), based on a concept by Buxbaum, McKeown and David J. Levin, is an entertaining and often moving reflection on personal choices and the people they affect.

Breaking the fourth wall is a hallmark of musical theater, and metatheatrical reflections on the musical being performed are also not uncommon these days, but Out Here takes these conceits to a new level. And that, arguably, is what makes it work so well. The characters must learn how to respond to the fact that they are living their lives in a musical as they navigate the changes in their family structure. The musical form proves to be a convenient way to condense the journey into an evening for the benefit of the audience that comes with it. It also provides a metaphor for the families’ (there are several) journeys from fumbling with new relationships and legal and geographic uncertainty to settling into the rhythms of new lives. The music reflects the jarring awkwardness of both the unexpected performance and the fallout of Dawn’s announcement that her “here” is no longer where she wants to be. As they get more comfortable with both performance and marital differences, the characters begin to exploit their access to a band—and apparently new-found guitar skills—to sing their own songs and share their emotions with each other and the audience. Buxbaum and McKeown toy with breaking the rules of musical theater, allowing characters to exit to the green room and the lobby and to directly address the band and audience. When a mediator is needed, he enters from the band and introduces potential shared custody options in song—a song that that Cleo recognizes from a friend’s experience (and wonders if she could get a puppy, too). Director Chay Yew wisely trusts the material and allows characters and audience to just keep up—no unnecessary scene changes or projections indicating changes in setting—making for a fast-paced exploration of relationships, time, and what’s important in a life. It’s occasionally messy or unfulfilled, but always compelling.

Photo of Alex Goodrich, Ellie Duffey, and Becca Ayers in Out Here at Court Theatre. Phot by Michael Brosilow.

Despite all the metatheatrical machinations, Out Here has an easy-to-follow plot and a singular protagonist. This is Dawn’s story, and the character uses this to her advantage, controlling both the narrative and the other characters as much as possible—though neither musicals nor reality allow for time travel, not that Dawn doesn’t try. While passionately pursuing the life that she wants (and simultaneously trying to figure out what that means), Dawn could quickly become grating, as she seems to be surrounded by good options and supportive friends and family, plus a band. Fortunately, Becca Ayers brings lightness and self-awareness to the role, as well as the ability to belt out power ballads and harmonize with her partners in multiple musical genres. Cliff Chamberlain as Brian plays to his strengths as a mostly non-musical actor—and his voice works well for the folksy guitar serenades that Brian chooses as his musical medium. He is charming and initially almost overly forbearing but grows stronger as he realizes that he has been given an opportunity that he is not willing to give up. As their daughter, Cleo, Ellie Duffey is charismatic and complicated, thrilled to have an audience, wanting to support her parents, but irritated that she is being left out of the decision-making. When she finally gets a song, it’s a propulsive punk declaration that is a necessary release. Bethany Thomas as Robin, Dawn’s ex-girlfriend who reluctantly reenters Dawn’s life, is uncompromising and vulnerable, wanting to rekindle their relationship, but justifiably apprehensive, and her dynamic voice is perfect to convey both her character’s surety about what she needs, and her fear that she might be disappointed again. Thomas’s comic timing also complements Robin’s sarcasm.

Alex Goodrich brings charm and flair to the most musical-theater role of the musical, Martin—he’s in the band! He’s the mediator! He’s the BFF! He can be anything you want him to be, keep the tempo and find the right accompaniment. Though not personally invested, his empathetic performance ingratiates him to both the family and the audience. Also, part of the familial rebuild are Gina, the woman Brian begins dating and Jett, Robin’s grown child. They, too, get swept up in the musical, but they do not have their own songs (maybe if there were a second act?), though they manage to hold their own in the musical/slash family drama they have entered. Amanda Pulcini brings a grounded humor and composure to the most awkward of situations Gina finds herself in. The fact that Jett’s entrance is often introduced with the ominous phrase “the plot thickens” is ironic, since Jett, as played by Z Mowry, is amiable and understanding, someone who seems like a good person to have as a friend, and usually offers sound advice that helps the plot along.

The musical and the cast get top-notch support from the designers and musicians. Co-orchestrator (with Erin McKeown), conductor, and keyboard player Christie Chiles Twillie backs up the vocals and underscores the book perfectly, keeping the tempos tight and the volume attuned to the singers and the script. Breon Arzell’s movement adds controlled chaos, matching the verbal humor and tension with apt but unintrusive movement. Scenic Designers Andrew Boyce and Lauren M. Nichols have created a musical-scale proscenium out of roof beams that mirror the moods of the home’s inhabitants, with a large but cozy interior and expansive outside. Sound designer Lee Fiskness integrates sound effects with the music to mesh the sounds of home with the beats of the band. The musicians make it seem possible to suddenly have a life become a musical, moving easily between styles, “acting” in response to the cast and swelling instrumental lines for onstage instruments.

Whether one likes Out Here will probably depend on one’s tolerance for stories of privileged people choosing between multiple good options surrounded by understanding friends and family. However, there is no denying that using a DIY musical to represent the struggles of a family trying to deal with change is a resonant metaphor, and the music captures some common challenges in fresh and thought-provoking ways. The book by Leslie Buxbaum explores the joy and tension of familial and other relationships with compassion and a great deal of humor. Erin McKeown’s music (with lyrics by Buxbaum and McKeown) allows the audience to get to know the characters and share moments from years of their lives in around 90 minutes (the magic of “theater time”). Chay Yew’s production is fast-paced, uncluttered, funny, moving, and thoughtful. Though Out Here wisely avoids trying to tie up all loose ends, it leaves the audience with a lot of good questions to ponder.

Out Here runs through May 10 at Court Theatre, Wed/Thurs/Fri at 7:30pm, Sat/Sun at 2:00pm & 7:30pm.

Court Theatre, under the continuing leadership of Marilyn F. Vitale Artistic Director Avery Willis Hoffman and Executive Director Angel Ysaguirre, is proud to present the new musical, Out Here. Directed by Chay Yew, this charming and bold take on the American kitchen sink drama brings Court's 2025/26 season to a joyous conclusion. This production will run April 10 – May 10, 2026 at Court Theatre, 5535 S. Ellis Ave. 

The cast of Out Here includes Becca Ayers (Dawn); Cliff Chamberlain (Brian); Ellie Duffey (Cleo); Alex Goodrich (Martin); Z Mowry (Jet); Amanda Pulcini (Gina); and Bethany Thomas (Robin).

The creative team includes Christie Chiles Twillie (Music Supervisor); Breon Arzell (Movement Director); Andrew Boyce and Lauren M. Nichols (Co-Scenic Designers); Christine Pascual (Costume Designer); Lee Fiskness (Lighting Designer); Mikhail Fiksel (Sound Design); David J. Levin (Production Dramaturg); Becca McCracken, CSA (Director of Casting and Artist Cultivation), with Celeste M. Cooper (Associate Casting Director); Katrina Herrmann (Production Stage Manager); and Jaclynn Joslin (Assistant Stage Manager).

Dawn has a house, a husband, and a family, but she wants more. She wants her ex-girlfriend, Robin. She wants nothing to change and she wants everything to change, and she wants to control all the terms. As she's caught between what's been and what's next, Dawn must learn to reimagine her expectations, harmonize with loved ones, and trust the process. If she can do all that, she might just learn a new song. Strikingly original, Out Here explores the unexpected freedom in relinquishing control, and how, sometimes, you have to break something apart to create something better.

Life happens outside of your comfort zone. Out Here is a courageous new musical, developed through an extended and dynamic collaboration between Court Theatre and the Neubauer Collegium at the University of Chicago. Audiences will have the rare opportunity to be the first to experience this fresh and intimate look at a family reconfiguring itself and rediscovering joy.

Led by acclaimed director Chay Yew, making his Court debut, Out Here arrives as a bold, innovative work that invites Chicago audiences to be among the very first to witness its evolution—bringing the 2025/26 season to a joyous conclusion.

Tickets to Out Here are on sale now, and can be purchased by calling the Box Office at (773) 753-4472 or online atCourtTheatre.org. Out Here is supported by the Charles Newell Production Fund.

Court will present a series of engagement programming throughout the run of the show that complements themes within the production. More information will be available at CourtTheatre.org or by calling the Box Office at (773) 753-4472.

This production was developed in partnership with University of Chicago Professors Leslie Buxbaum and David J. Levin; musician, writer, and producer Erin McKeown; and the Arts Labs research project at the Neubauer Collegium for Culture and Society. The Neubauer Collegium cultivates new communities of inquiry at the University of Chicago. Their faculty-led research projects bring together scholars and practitioners whose collaboration is required to address complex questions on any topic. Their Visiting Fellows program brings the most creative thinkers from around the world for collaboration, animating the intellectual and creative environment on campus. Their gallery presents art exhibitions in the context of academic research, and their public events invite broad engagement with the scholarly inquiries we support. The aim of these activities is to deepen knowledge about the world and our place in it.

Fact Sheet / Out Here
Title:                              Out Here

Concept by:                  Leslie Buxbaum, David J. Levin, and Erin McKeown

Book and Lyrics by:       Leslie Buxbaum

Music and Lyrics by:      Erin McKeown

Dramaturgy by:             David J. Levin

Directed by:                  Chay Yew

Featuring: Becca Ayers (Dawn); Cliff Chamberlain (Brian); Ellie Duffey (Cleo); Alex Goodrich (Martin); Z Mowry (Jet); Amanda Pulcini (Gina); and Bethany Thomas (Robin).

Creatives: Christie Chiles Twillie (Music Supervisor); Breon Arzell (Movement Director); Andrew Boyce and Lauren M. Nichols (Co-Scenic Designers); Christine Pascual (Costume Designer); Lee Fiskness (Lighting Designer); Mikhail Fiksel (Sound Design); David J. Levin (Production Dramaturg); Becca McCracken, CSA (Director of Casting and Artist Cultivation), with Celeste M. Cooper (Associate Casting Director); Katrina Herrmann (Production Stage Manager); and Jaclynn Joslin (Assistant Stage Manager).

Dates:               

Previews:                    April 10 – 17, 2026

Press Opening:           April 18, 2026 at 7:30pm

Regular Run:               April 10 – May 10, 2026

Schedule:         Wed/Thurs/Fri:            7:30pm

                         Sat/Sun:                      2:00pm & 7:30pm

Accessible         Touch Tour: Saturday, May 2 at 12:30pm

Performances: Audio Description and ASL Interpretation: Saturday, May 2 at 2:00pm

Open Captioning: Sunday, May 3 at 2:00pm
                       

Location:         Court Theatre, 5535 S. Ellis Ave.

Tickets:            $42.00 – $74.00 Previews
                        $60.00 – $90.00 Regular Run

Student, group, and military discounts available

Box Office: Located at 5535 S. Ellis Avenue, Chicago; (773) 753-4472 or www.CourtTheatre.org.

Winner of the 2022 Regional Theatre Tony Award, Court Theatre reimagines classic theatre to illuminate our current times. In residence at the University of Chicago and on Chicago's historic South Side, we engage our audiences with intimate and provocative experiences that inspire deeper exploration of the enduring questions that confront humanity and connect us as people.