Displaying items by tag: Rivendell Theatre Ensemble

Rivendell Theatre Ensemble, Chicago's only professional theater that seeks to advance women through the power of storytelling, announces the cast for the world premiere of Do Something Pretty by Melissa Ross (The Luckiest, Thinner Than Water, Nice Girl,  A Life Extra Ordinary), directed by Rivendell favorite, Jessica Fisch (The Firebirds Take the Field, I Wanna F**king Tear You Apart). Do Something Pretty runs May 2 – June 7, 2026, as part of Rivendell's 30^th Anniversary Season of new plays. 

The 30^th Anniversary Season takes place at Rivendell's home, 5779 N. Ridge Avenue in Chicago. Tickets are priced at $28 for previews and $38 for regular performances. Angel and Sponsor tickets are priced $58 and $88 and include a donation. Discounts are available for seniors, students, and military. Tickets go on sale March 23 at rivendelltheatre.org/dosomethingpretty and (773) 334-7728.

Summer of 1992. The United States is in a recession. Arkansas Governor Bill Clinton is about to run for president. Kurt is married to Courtney. Yo MTV Raps is on the TV.  And Zach Morris is the only kid with a cell phone.

On a hot August night in a small Massachusetts town the last few weeks before school starts. Three teens try to navigate their way through the murky path to adulthood. Phoebe wants to grow up. Jason wants Evie. And Evie just wants to get as far away from everyone as she possibly can.

Artistic Director Tara Mallen comments, "A few years ago, I was inducted into to the world of Melissa Ross when I was cast in one of her (stunning) plays The Luckiest at Raven Theatre. What struck me most was these complicated, messy, outrageously human women that Melissa centers in all her plays are all portrayed as subjects rather than objects. In 2026, it shouldn't be the case that this is a rarity—but I promise you that it is. So, when Melissa reached out asking if Rivendell might be interested in her brand-new play depicting two sisters—one on the brink of teendom and the other on the edge of adulthood—I jumped at the chance. I am so delighted to welcome Chicago audiences to hearken back to 1992 and bring Do Something Pretty to our stage at Rivendell."

This world premiere production of Do Something Pretty marks ensemble member Katherine Mallen Kupferer's (Phoebe) Rivendell debut. ​The cast also features Jasper Johnson (Matt), Reilly Oh (Jason) and Jocelyn Zamudio (Evie).

The creative team includes Daira Rodriguez (Assistant Director), Lindsay Mummert (Scenic Design), Saawan Tiwari (Costume Design), Sierra Walker (Lighting Design), Eric Backus (Sound Design), and RTE Ensemble Members Sarah Slight (Dramaturg), and Caroline Michele Uy (Associate Dramaturg). The Production Stage Manager is Rita Vreeland and the Artistic Producer is RTE Member Pat Fries (Artistic Producer).

Rivendell is offering a special mid-season RivPass good for the remainder of its 30th Anniversary Season. The $65 subscription includes a ticket to the 2^nd and 3^rd mainstage shows.  Purchase this offer atrivendelltheatre.org/tickets or by emailing General Manager Trisha Hooper at This email address is being protected from spambots. You need JavaScript enabled to view it..

The Do Something Pretty lead production sponsors are Maureen and Anna Miller. Rivendell's 30th Anniversary Season is sponsored by Sharon I. Furiya.

FACTS / Do Something Pretty

Do Something Pretty

A world premiere by Melissa Ross

Directed by Jessica Fisch

May 2 – June 7, 2026

Cast: RTE member Katherine Mallen Kupferer (Phoebe) with Jasper Johnson (Matt), Reilly Oh (Jason) and Jocelyn Zamudio (Evie).

Creative Team: Daira Rodriguez (Assistant Director), Lindsay Mummert (Scenic Design), Saawan Tiwari (Costume Design), Sierra Walker (Lighting Design), Eric Backus (Sound Design), and RTE Ensemble Members Sarah Slight (Co-Dramaturg), and Caroline Michele Uy (Co-Dramaturg). The Production Stage Manager is Rita Vreeland and the Artistic Producer is RTE Member Pat Fries.

Dates:

Previews: May 2-8, 2026

Saturday, May 2 at 8pm

Sunday, May 3 at 3 pm

Tuesday, May 5 at 8pm

Wednesday, May 6 at 8pm

Thursday, May 7 at 8pm

Friday, May 8, at 8pm

Gala Opening: Sunday, May 10 at 6pm

Press Opening: Monday, May 11 at 7pm

Regular Run: May 15 – June 7, 2026

Thursday-Saturday at 8pm; Saturday at 4pm

Added Performances: Sundays, May 24 and May 31 at 3pm

Open Caption: Thurs May 21 at 8pm; Saturday May 30 at 4pm

Town Halls: Friday May 8, Young Industry Professionals; Saturday May 23 after 4pm performance

Something Clean, directed by Lauren Shouse, gives us a compelling story, very well acted, and with that touch of magic that comes from a great chemistry in the performers.

The script (by Selina Fillinger) is notable for the way it depicts real human beings who develop and change in the course of the action. Fillinger is an actor, and it shows in the dynamic, truly living characters she places onstage.

It is a story for our times, and tells of three people whose lives have been impacted by a sexual assault. One, whom we meet later in the action, is Joey (Patrick Agada), a tall, strapping, charming, perpetually upbeat counselor at a downtown assault crisis center. 

But first we meet Charlotte (Mary Cross) and Doug (Guy Massey) whose 19-year-old son Kai was involved in an assault. Gradually we learn that he was not a victim (we never meet him), but was the perpetrator. Until Kai was convicted and imprisoned, his parents lived humdrum lives, pretty much on autopilot socially and domestically. Now, they visit their son in jail each week, and their angst festers and threatens their relationship. They are unsuccessful finding couples counseling, with Doug rejecting therapists weekly after a single visit.

As we get to know these two, we sense they are estranged from each other, physically aloof, and alienated from their social circle by the shame of their son’s crime. Charlotte cleans compulsively, and Doug buries himself in his work.

Eventually, Charlotte volunteers at the sexual assault crisis center – and her process of healing commences when she meets Joey. Agada’s performance is deft, and striking. His effusive personality (he is Joey with a "Y" because "I like to end my name with a smile!") makes these two seem an unlikely pair, but they develop a completely convincing bond that seems to draw energy from their work together as actors – informing their portrayals as emotionally connected workers at the center. This relationship and performances are what sustains Something Clean. It is hard to imagine it working without this level of excellence in the roles of Charlotte and Joey. 

Under Joey's nurturance, Charlotte emerges from her protective shell to become a sweet, charming and vulnerable woman. Charlotte’s emotional recovery contributes to Doug’s healing as well – something we see in real life when one person’s therapy ends up addressing their partner’s problems, too. The neutral gray set (Arnel Sanciano) is noteworthy, as is one of the props (which are byJonathan Berg-Einhorn): a book by Jennifer Weiner, I think it was Who Do You Love, a tale that mirrors the emotional dynamics of this show. 

I have to admit I sometimes approach Rivendell Theatre Ensemble’s productions with trepidation that I will end up being more edified than entertained. Something Clean does both, and in no small part because of Mary Cross ‘s great performance – she has her craft nailed, and watching her crawl out of her shell is a delight. Produced in partnership with Sideshow Theatre, (it received funding from The Eliabeth Cheney Foundation) which commissioned the work, Something Clean played to acclaim after premiering at New York’s Roundabout Theatre last month. It runs through July 21 at Victory Gardens Theater (the old Biograph Theater building).